crates/ui-egui/src/i18n/ru.tsv: both sides added rows at two places; kept both (union).
docs/gaps.md: header from main, change-log lines of both.
docs/localization-parity.md: change-log lines of both.
PhotoCraft reads GIMP's .xcf (and .xcf.gz) files, read only, through a new
reader in photocraft-io written from the public XCF specification: versions
0 to 26, uncompressed, RLE and zlib tiles, 8/16/32-bit integer and
16/32/64-bit float precisions (linear precisions get a linear profile),
pixel layers at any position, groups by item path with pass-through,
layer masks applied or disabled, opacity, visibility, locks, colour tags,
the 2.10 and legacy blend modes mapped to Photoshop's (modes without an
equivalent open as Normal with a note), the ICC profile, resolution,
guides, the comment, extra channels and the saved selection; indexed
images open as RGB. Text, vector and link layers open as their pixels;
layer effects, paths and floating selections are reported.
Fixtures are written by GIMP 3.2 itself (scripts/xcf_fixtures.py), each
with GIMP's merged rendering as a PNG. In gamma-encoded blend and
composite spaces our composite matches GIMP within 0.5/255; GIMP's
linear-light default, its Clip to backdrop and its clamp-after-alpha
for unbounded modes are documented and measured in docs/xcf.md.
fill_to (Paint Bucket export): keep main's `source` alias and explicit
colour (`Usng` = `Clr ` plus `Clr `, #7199) together with the PR's
optional `Tlrn`/`AntA`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Elliptical Marquee used a dashed circle and Quick Selection a brush
inside a dashed circular arc, so the two read alike. Photoshop draws the
marquee as a horizontal ellipse and Quick Selection as a brush in an
upright dashed rounded C. New original ellipse-dashed.svg; quick-selection.svg
redrawn; tests check the ellipse is wider than tall and the C runs down
the left edge.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The Russian catalog passed `cargo xtask i18n-coverage` (100% of measured keys)
but lacked the runtime-only labels the other catalogs already carry, so they
showed in English: filter and adjustment parameter names and choices, gallery
names, Camera Raw panels (Balance/Clarity/Dehaze/Color Mixer/Texture/…),
History/Layers/paths/channels menu labels, metadata and File Info fields,
System Info and hardware status lines, rasterize prompts, composed status
templates and dialog text.
All of them are translated (1,229 keys added; the catalog is now 4,227 keys
against upstream's 2,998), written from the meaning of the English labels and
reusing the vocabulary the catalog already uses (Highlights → Света,
Midtones → Полутона, Feather → Растушёвка, Pattern → узор). Filter and gallery
names are aligned with the menu labels already in the catalog so a filter never
reads two ways (Texturizer → Текстуризатор, Unsharp Mask → Нерезкое
маскирование, Shape Blur → Размытие по фигуре, …).
Tests: `russian_covers_generated_filter_options_and_gallery_names`
(filter_dialog.rs, the Italian/Korean/Spanish check) and
`russian_dynamic_status_hardware_and_dialog_labels_are_translated` (i18n/mod.rs).
Docs: docs/localization-ru.md (terminology), localization-parity, gaps G13,
ROADMAP, ATTRIBUTION and LICENSE-translations.
Validated on a rebase onto upstream/main: `cargo test -p photocraft-ui-egui
--lib` 2,998 passed / 0 failed; clippy clean (the only lint is a pre-existing
`nonminimal_bool` in canvas.rs, untouched here and present on upstream main);
`xtask layers` OK; `xtask wasm` OK; `xtask i18n-coverage` ru 1,863 / 1,863;
offscreen `snapshot` in Russian checked.
photocraft_algo::faces::detect finds faces in an RGBA image with a score, a box and five landmarks, through a pure-Rust port of libfacedetection's YuNet network (Shiqi Yu, BSD-3-Clause; licence, NOTICE and ATTRIBUTION rows included). The weights are the library's, converted to half precision (107 KB), parsed defensively. image.detectFaces reports the document's faces to scripts and agents; it is read-only with no history step and no menu entry. The network is compiled out of the browser build, where the command reports itself unavailable. Head outputs are pinned against the C++ reference.
Part of #3603.
The Type tool's options bar now has Photoshop's Create warped text button
after the text colour swatch. It opens the same Warp Text dialog as
Type > Warp Text... for the selected type layers (or the layer being
edited), and is greyed when there is no type layer to warp.
- assets/icons/text-warp.svg: original glyph (a T above a bowed arc) on
Lucide's 24 px grid and stroke; listed in ATTRIBUTION.md.
- The tooltip is translated in all 20 catalogs, reusing each language's
existing "Create Warped Text" wording (new for Russian).
Test: options_bar_warp_button_warps_the_selected_type_layers.
Co-Authored-By: Claude
Quick Selection reused the Ellipse Marquee's dashed circle. It now has a
distinct glyph: Lucide's brush with a dashed selection arc around the
bristles (Photoshop's Quick Selection mark). A rasterized test asserts
the two icons read as distinct and that the arc actually renders.
Co-authored-by: highperfocused <highperfocused@pm.me>
- corpus/atn: 16 sets from seven public repositories (MIT, BSD, Unlicense), fetched at pinned
commits by cargo xtask corpus --atn, verified against xtask/atn-corpus.sha256, licences next to
the files, rows in ATTRIBUTION.md and docs/development.md. photocraft-corpus takes only our own
generated files, so third-party sets are pins here, like psd-tools and ag-psd.
- photocraft-psd corpus_atn: every set parses and rewrites byte for byte (floor 16 files).
photocraft-engine corpus_atn: every set loads, saves and reloads to the same actions; the
steps still kept as Photoshop steps are capped (517 of 5 296 measured; generative AI and
scripts), and the first differing step is named on a mismatch.
- What the corpus found: localised panel names are platform legacy bytes (Mac Roman), now kept
verbatim with AtnItem::label from the descriptor's Unicode class name; exporters emitted
Photoshop defaults the importer had not read (now symmetric); setAdjustment carries its kind;
and 300 more steps map: transform without a reference, selection nudges, moves to the bottom,
View menu items, toolbox colours, clipping masks, ungroup, copy/paste styles, collapse groups,
layer comps. New example atn_roundtrip shows the first differing byte.
* i18n(sr): add a Serbian (Latin, Ekavian) UI catalog
Adds sr.tsv with 4,022 rows: every key the i18n-coverage tool measures
plus the union of the dynamic labels the other catalogs translate. The
catalog is written in Latin script, Ekavian; every Serbian locale
(sr-RS, sr-Latn-*, sr_RS@latin and Cyrillic sr-Cyrl-*) resolves to it.
Plurals use the one/few/many rule (plural_russian) with three forms per
@plural entry.
Original translations from the plain meaning of the English labels; no
proprietary localisation resources were used (ATTRIBUTION.md and
LICENSE-translations.txt updated). Tests cover locale resolution,
contextual and id overrides, placeholders, and plurals across teens and
compound counts.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Info.plist: declare the Serbian localization
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Dejan Port <snork1982@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* fix(ui): use a linear gradient ramp glyph for the Gradient tool icon (#4172)
* test(ui): verify Gradient tool icon rasterizes a left-to-right ramp (#4172)
* feat(codecs): import XPM3 images with transparency (#3692)
* Correct XPM test expectation for green palette name
* feat(codecs): resolve full X11 rgb.txt color names in XPM
* XPM: fix Format::ALL length after DPX, reject '+' in hex colours, fix non-ASCII byte-string test, fmt
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): drop duplicate catalog entries
The Czech catalog listed Tool, Clone Stamp, History Brush, Dodge, Burn,
Sponge and Stroke Path… twice, which fails `cargo xtask i18n-coverage`
and the bundled_catalogs_are_consistent test. Keep one row each; for
Stroke Path… keep the later row, the one the loader already used.
* test(crop): pin the UI language to English in crop_default_mode
The test queries widgets by their English labels ("Ratio", "Swaps height
and width") but its harness followed the system locale, so it failed on a
machine whose locale has a registered catalog. Set interface.language to
"en" in the harness, as paint_bucket_all_layers and export_as_scaling do.
* i18n: add Hungarian (hu) UI translation
A complete Hungarian catalog (hu.tsv, 3908 entries: 3829 plain, 50
contextual, 21 plural, 8 command-id overrides) registered with the
complete-menu languages; hu-HU locales resolve to it.
Plural rule: plural_none. A Hungarian count takes the singular noun
("3 réteg"), so every @plural entry has one form.
Clean room: written from the plain meaning of the English labels with
ordinary Hungarian image-editing vocabulary; no proprietary localisation
resource, string table or product UI was used.
Also listed in the coverage test, LICENSE-translations.txt,
ATTRIBUTION.md and docs/localization.md, with tag, system-locale and
plural tests.
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Add Turkish (tr) translation catalog covering 100% of measured UI strings (1,727/1,727 keys, 3,731 catalog entries).
- Register Turkish language in crates/ui-egui/src/i18n/mod.rs with complete_menus: true and plural_none
- Add tr.tsv translation catalog
- Add negotiation and coverage tests in system.rs, mod.rs and i18n_coverage.rs
- Add MIT OR Apache-2.0 notice in LICENSE-translations.txt
- Update docs/localization-parity.md
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Adds the Vietnamese (vi) UI translation and turns on its coverage gate. A maintainer pass merged main, added 1,029 rows from @tonguyenducmanh's catalog (#3453) and 33 new ones, and set complete_menus.
Co-authored-by: tonguyenducmanh <63176793+tonguyenducmanh@users.noreply.github.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): translate dynamic labels the literal scanner can't see
The Czech catalog covered every enforced key (menus, tl! literals, blend
modes, preferences) but not the labels built at run time: filter and
Filter Gallery parameter names and choices humanized from their keys,
Camera Raw controls, the Flame / Picture Frame / Tree render filters,
measurement columns, file info fields and the macOS application menu.
Those showed in English under Czech.
Adds 853 entries (2,441 -> 3,294) for keys that the other catalogs
already translate and that still exist in the code. Existing entries are
unchanged. Translated clean-room from the plain meaning of the English
labels, with the terminology already used in cs.tsv; no proprietary
localisation was consulted.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): credit the Czech catalog in ATTRIBUTION.md and LICENSE-translations.txt
cs.tsv is a bundled translation asset but had no row in ATTRIBUTION.md
and was not named in LICENSE-translations.txt. Add both, worded like the
other catalogs (PhotoCraft contributors, original translations, MIT OR
Apache-2.0).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): terminology review fixes for the new dynamic labels
Changes from an independent review pass over the added block:
- "Create By" (De-Interlace: how the missing lines are made) reads
"Vytvořit pomocí", not "Vytvořil" (author)
- luminance is "jas" in Camera Raw, as in the existing "Luminance" label
("Detail jasu", "HSL – jas", "Jas")
- slider labels are nouns, like the existing "Redukce šumu" (Reduce Color
Noise, Sharpen Details, Lighten Grout)
- grain and flame choices agree in gender with their neighbours; "Shadow"
matches "Highlight"/"Světla" as "Stíny"; "At" is "Pozice"; "Water Paper"
is "Mokrý papír"; "Leaves" is "listů" everywhere
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* contributors: add my own people.toml entry
Own entry only, as AGENTS.md describes: credited by the name on my public
GitHub profile (sync_github_name), otherwise by @username.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n(cs): drop three rows that main added in the meantime
"Columns", "Margin" and "Automatic" were added to cs.tsv on main while this
branch was open, with the same translations, so the appended block no longer
needs them (the catalog has no duplicate keys).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* i18n (cs): translate two strings that are still missing from cs.tsv
"Drag (lasso) or click points (polygonal) ..." and "The current gradient
(pick one in Window > Gradients)" exist in the other catalogs but not yet
in cs.tsv on main.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
* i18n (cs): translate context-menu, channel and layer-style labels
These labels are rendered through tl!() with a variable, so the literal-based coverage test does not see them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localize Czech status messages and notice wrappers
Translate shell messages before interpolating file names and engine errors.
Use the existing plural API for counted objects and preserve English fallback.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localize Czech UI labels and hardware information
Translate brush controls, accessibility names and rasterization prompts at
render sites. Preserve adapter, driver and display/profile identifiers.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localize Czech composed labels and distinguish Navigator zoom
Translate profile, preset and shortcut messages before interpolation, and use
a Navigator context for the zoom level. Keep shortcut warning state separate
from translated text and preserve document names and shortcut codes.
Cover remaining visible counts and add rendering/glyph regression tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Fix Czech UI localization review follow-ups
Keep copied System Info and API diagnostics in English while localizing the
on-screen text. Avoid double translation of accessible names, honor command-id
shortcut labels, and translate stored auto backend values only for display.
Refine Czech warning punctuation and catalog wording, simplify template blocks,
and correct the documented catalog count to 3,522 rows. Add four regression tests.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* people.toml: keep axlecoffee's sync_github_name with their entry
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Losminek <301412321+Losminek@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Color Sampler tool (#1046)
Add the Color Sampler to the Eyedropper (I) flyout: click to pin numbered
sample points to canvas pixels, drag to move, Alt-click (or drag off-canvas)
to remove, Clear All in the options bar, at most 10 per document. Each point
reads one composite pixel (RGB 0-255 and naive device CMYK, same as the
pointer readout) and the Info panel lists them under their number with the
position in the ruler unit; the readouts refresh when the document changes.
Points are per-document engine view state (DocState.color_samplers): they
belong to their document, are discarded on close, and are not saved to
.pcraft or PSD. They are driven by commands shared by the UI, CLI, control
channel and MCP (view.colorSamplers.add/.move/.delete/.clear/.list); the
mutations change no pixels and add no History step.
Points follow the canvas geometry (crop, Canvas Size, Image Size, Image
rotation/flip, rotated crop) through a pending Session.sampler_map that
Session::edit applies before culling the points that land outside the new
canvas; the count removed is reported in the status bar.
- engine: new sampler_cmds.rs (commands + shared readout helpers) and the
sampler_map wiring in lib.rs, image_cmds.rs, mode_cmds.rs, commands.rs,
analysis_cmds.rs (compound rolls points back on error).
- ui-egui: Tool::ColorSampler + original sampler.svg icon, toolbar slot,
Info panel list, options bar, pointer handling, overlay markers, cursor.
- docs/scorecard.md regenerated (TOOL-1649-1 no longer says the tool is
missing). No menu item, so parity is unchanged (627/627).
* Color Sampler follow-up: tool count, README, i18n, roadmap
The full ui-egui suite (not just the filtered tests) surfaced these gaps:
- state.rs: Tool::ALL.len() assertion 52 -> 53.
- README.md: "52 tools" -> "53 tools" and add Color Sampler to the list,
so readme_tool_list_matches_tool_all passes.
- i18n: the options-bar hint, "{n} of {max} sample points" and
"No document open" need entries in every catalog that claims complete
menus (every_tl_literal_is_translated); added to all 16 (coverage
1584/1584). The translations were drafted alongside the tool.
- docs/roadmap.md: drop Color Sampler from the missing-tools list and note
it landed.
* Color Sampler: fit main's new tools and Image Size resample type
Reset Tool covers ColorSampler, the test ViewXform sets aspect, and
Image Size checks Method::None instead of an Option.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Convert Point is a tool of its own, built on the existing path.convertPoint
edit that Pen + Alt already drives. A click makes a smooth anchor a corner, a
drag from an anchor pulls out smooth handles, a drag on a handle moves it
alone. The tool selects the anchor it converts so its handles show; a press on
empty canvas or a segment does nothing, and Cmd/Ctrl is Direct Selection, as
with the Pen. It shares the Pen's key (P).
Original glyph with an ATTRIBUTION.md row; tool name in all catalogs; README
tool list and the G6 / ui-parity / roadmap counts updated (tools 56 of 68, the
earlier 53 was stale).
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Mirror the shell for right-to-left UI languages (DIST-220-4)
Arabic, Hebrew, Persian and Urdu read right to left, but the window's
chrome was hard-wired left to right, so an RTL catalog (#2505) would
put Arabic labels into a left-to-right layout.
The reading direction now follows the language code
(i18n::dir_for_code: ar, ckb, dv, fa, he, ps, sd, ug, ur, yi), so a
catalog needs no extra setting and the LANGUAGES rows are unchanged.
In a right-to-left language the shell mirrors:
- the menu bar starts at the right with File; menus open under their
title's right edge, and the arrow keys step through them in screen
order
- the toolbox docks on the right, the panel dock and its rail on the
left; tool flyouts open towards the canvas and their corner marks
and the header chevrons follow
- the title, options and status bars read from the right, with the
workspace controls and the Fit/progress group at the left end; the
title and window-drag gap use the free span between them
New module direction.rs holds the helpers (start_panel/end_panel,
row/trailing layouts, horizontal_centered, the popup alignment). Left
to right, every change lays out as before.
No RTL catalog ships yet, so PHOTOCRAFT_UI_DIRECTION=rtl forces the
mirrored layout for review (read once, native only). Panel interiors,
dialogs, menu rows, submenus and document tabs stay left to right, and
egui still draws UI labels without Arabic shaping or bidi reordering;
docs/localization.md and the parity docs say so.
Adds Lucide's chevron-left (the status bar's info menu arrow points
left in RTL; Timeline's Previous frame button asked for it too and drew
the fallback square).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Localization docs: egui shapes Arabic words; what's missing is a font and bidi word order
egui 0.36 shapes right-to-left runs with HarfRust, so letters join within
a word. The gaps are an Arabic fallback font in the UI and paragraph bidi
(words are placed left to right; emilk/egui#8576, #8577).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: MathMattTech <334629259+MathMattTech@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
The Frame tool (K, its own toolbar slot after the Crop group) draws a
rectangular or elliptical frame; the options bar picks the shape, Shift
constrains to a square or circle and Alt draws from the centre. A frame
drawn over the selected pixel layer's content takes that layer in;
otherwise it is an empty frame.
Frames are built as Frame from Layers builds them: a group clipped by a
layer mask (rectangular or anti-aliased elliptical). The new engine
command layer.new.frame does it in one Session::edit, so one undo step.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
New Perspective Crop tool in the Crop flyout (C): drag a box or click four
corners, drag corners independently onto a skewed object, perspective grid
(Show Grid), Enter commits, Esc cancels. W/H/Resolution come from the Crop
tool's fields (Front Image, Clear), or the quad's mean side lengths.
Engine: image.perspectiveCrop {corners, width?, height?, resolution?,
interpolation?} maps the quad onto an upright canvas through the
quad-to-rectangle homography (Heckbert's square-to-quad map, inverted):
every raster layer, mask, alpha channel and the Quick Mask, one undo step.
The Background stays opaque over the background colour; type, shape, fill
and smart object layers are rasterized first; vector geometry follows the
nearest affine map. Non-convex, self-crossing, counter-clockwise or
degenerate quads are refused with an error.
algo: warp_surface_clipped bounds the per-tile warp by the new canvas even
when a layer reaches past the map's horizon; convex_quad, quad_size,
quad_to_rect.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Photoshop's Artboard tool in the Move flyout (V, ⇧V cycles Move ↔ Artboard):
dragging on an empty spot draws a new board (`layer.new.artboard`), clicking a
board selects it, dragging it moves it with its contents, and the selected
board's edge and corner handles resize it (`layer.artboard.set`,
moveContents: false). Each gesture is one undo step. Options bar: Size preset,
W/H, Make Portrait, Make Landscape, Add New Artboard. Original toolbar glyph
(assets/icons/artboard.svg, ATTRIBUTION.md row).
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The Type flyout (T, Shift+T cycle) gains Vertical Type Mask and Horizontal
Type Mask, in Photoshop's order. They type like the Type tools, with the
canvas under Quick Mask's colour and the glyphs clear while editing. On
commit the glyph coverage replaces the selection; no layer is left behind
and the whole session is one "Type Mask" history step. Escape always
cancels and leaves the selection unchanged.
The commit runs a new engine command, type.createSelection: a type layer's
glyphs (optionally removing that layer, the tools' hidden working text) or
type.create's keys directly, with new/add/subtract/intersect and an
anti-aliasing override. type.create's layer building is shared through
type_cmds::new_text_layer.
Original dashed-T icons (ATTRIBUTION.md), tool label translations in every
catalog, README tool list and the gaps/parity docs updated.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The Pen flyout (P / Shift+P) now holds Pen, Freeform Pen and Curvature Pen.
Freeform Pen: a drag draws freehand; on release the trace is fitted with
cubic Beziers within the options bar's Curve Fit (default 2 px) by
photocraft_vector::trace::fit_trace (Schneider, "An Algorithm for
Automatically Fitting Digitized Curves", Graphics Gems 1990, the fitting
Make Work Path already uses), keeping turns sharper than 60 degrees as
corners. Releasing on the start point closes the path.
Curvature Pen: each click adds a smooth point and the path runs through
every point (Catmull-Rom style handles from
photocraft_vector::edit::curvature_knots); dragging a point moves it,
double-clicking toggles corner/smooth, clicking the first point closes,
Enter/Esc finish and Backspace removes the last point, as with the Pen.
Both commit through the Pen's path: a shape layer in Shape mode, else the
targeted vector mask, else the work path, as one History step.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Paths could be reshaped after drawing since #865, but the number of
anchors could not change. Two new engine commands do that, and two tools
in the Pen flyout drive them on the canvas.
- photocraft_vector::edit::add_anchor splits the segment at t with de
Casteljau, so a curve keeps its shape and gets a smooth anchor; a
straight segment gets a corner on the line. delete_anchor joins the
neighbours keeping their handles, drops an emptied subpath and refuses
to remove a path's only anchor.
- path.addAnchor / path.deleteAnchor take the same targets as the other
point edits (work path, saved path by name, shape layer path, vector
mask) and record one history step each.
- Tool::AddAnchorPoint / DeleteAnchorPoint join the P group after the Pen.
They act on Direct Selection's paths, highlight the segment or anchor
under the pointer, show a +/- cursor badge, swap with Alt and turn into
Direct Selection with Cmd/Ctrl. An edit clears a Direct Selection on the
same path so it never points at a shifted anchor.
- Icons derived from Lucide pen-tool (ATTRIBUTION.md), hints and tool
names in all 16 catalogs, README tool list, roadmap.
Co-authored-by: Fabio Lussi <198260595+itrycodinganditsbad@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The engine already had paint.colorReplacement, but the desktop UI had no
tool for it: no Tool entry, no toolbar slot, no options bar and no stroke
routing, so only agents and the CLI could use it.
Tool::ColorReplacement joins the Brush (B) flyout after the Mixer Brush,
so B / Shift+B cycle to it and ui.set / ui.inspect name it. Its options bar
has Mode, Sampling (Continuous / Once / Background Swatch), Limits,
Tolerance and Anti-alias, all mapped to the command's params, with the
foreground as the replacement colour. Strokes are drawn live through
LiveDab, which can now preview the stroke's finishing dab, so the preview
at the last move matches the commit. The command refuses a mask, channel
or Quick Mask target instead of silently recolouring the layer. New icon
derived from Lucide's brush; label translated in all 16 catalogs.
Co-authored-by: Fabio Lussi <198260595+itrycodinganditsbad@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
* feat(ui): favorite themes from the appearance button's context menu
Hovering a theme in Preferences > Interface shows a star; clicking it saves
the theme to interface.favoriteThemes (filled accent star once favorited).
Right-clicking the title-bar appearance button opens a menu with Appearance
Settings, then the favorite light themes and the favorite dark themes.
* Regenerate the scorecard for the favorite themes pref
---------
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Both tools join the Marquee flyout (no key, outside the M / Shift+M cycle,
as in Photoshop). A click selects the one-pixel row (column) under the
pointer across the whole canvas; a press-drag moves the line until the
release. The selection goes through select.rect, so Shift adds, Alt
subtracts, Shift+Alt intersects and the options-bar modes apply; Feather
applies, Anti-alias and Style/Width/Height are greyed. Selection-mode
cursor badges, the selection right-click menu and snapping cover them.
Original row/column glyphs with an ATTRIBUTION.md row; tool names in all
catalogs; README tool list and the G6 / ui-parity rows updated.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Two Studio-layout themes for KDE Plasma desktops: original colour values
chosen to sit close to Breeze's cool blue-grey surfaces and blue accent
(and its 5 px radius) so the app blends into a Plasma desktop, without
copying Breeze's colour schemes. Text readability comes first.
- theme.rs: ThemeKind::BreezeLight / BreezeDark. Every text colour (text,
secondary, faint, accent, danger, warning) holds 4.5:1 on every surface
and on hovered, pressed and selected states; the primary button is a
deeper blue that takes white text and stays above 4.5:1 while it
darkens on hover and press. Breeze's own inactive text and link blue
are only about 2.8:1 on its light surfaces, so ours are darker. The
close button goes red on hover.
- prefs: Theme/LightTheme::BreezeLight ("breezeLight") and
Theme/DarkTheme::BreezeDark ("breezeDark"): Preferences > Interface,
`prefs.set`.
- Window > Theme > Breeze Light/Dark Theme (`window.theme.breezeLight`,
`window.theme.breezeDark`) and `ui.set {"theme": ...}` (aliases:
breeze, kde, plasma for the light one; ...dark for the dark one).
- i18n: the four new labels in all 16 catalogs.
- docs/ui-design.md and ATTRIBUTION.md (original work, credits Breeze as
the inspiration; Breeze's schemes are LGPL-2.0-or-later and none of
their values, files or code are copied).
- Tests: names/aliases, surface order and blue-grey character, the
contrast matrix for both themes, and the preference/mode selection.
* Add the Remove tool with non-local patch completion
Tool::Remove (J flyout) paints a hole that paint.remove fills from its
surroundings as a background job, in one undo step. A stroke around an
object also removes what it encloses; the selection limits the hole.
The fill (photocraft_algo::nonlocal) follows Newson, Almansa, Gousseau and
Pérez (IPOL 2017): texture features in the patch distance, onion-peel
initialisation, match fields upsampled between levels and a best-patch
final copy, plus gradient-domain hiding of edge and interior seams.
Sparse holes are filled in tiles. inpaint::complete (Content-Aware Fill,
Spot Healing, Content-Aware Move) is unchanged.
On 20 holes in public-domain photos (remove_quality) the fill keeps 0.89
of the texture it replaces, against 0.54 with the Wexler/PatchMatch
completion. 24 MP (remove_bench): 100 px ring 120 ms, 1000 px ring 2.5 s.
* Translate the Remove tool's label and tighten comments
Adds "Remove Tool" to every UI catalog, following each one's pattern for
tool names and its existing word for Remove. Corrects comments that no
longer matched the code: the benchmark's description, the tile and margin
minimums, and the reasons given for two parameters.
* Put the Remove tool first in the J group
The J flyout's slot now shows Remove until another J tool is picked, and
J from another group selects it; repeated J goes on to Spot Healing Brush,
Healing Brush, Patch, Content-Aware Move and Red Eye.
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Co-authored-by: Brandon Thomas <echelon@gmail.com>
* Appearance modes: sync with system, separate dark and light themes
* Appearance button cycles Auto, Light, Dark
* Appearance: default stays Dark, follow the portal signal instead of polling, split out the Preferences resize
* Preferences: size both appearance cards for the five dark themes
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Co-authored-by: Brandon Thomas <echelon@gmail.com>
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