Resolve the two conflicts the panel catalogs and the Composition Settings
rewrite left:
- i18n/ui.rs: keep both sides' rows in the Simplified and Traditional Chinese
catalogs, which grew at the same anchor (the PR's 301 panel/dialog rows, then
main's 43 tool and Preview-panel rows). The tables are grouped by feature, not
sorted by key, so the two blocks sit one after the other. Both sides also added
"Frame Rate" once: keep one row per catalog, main's 影格速率 in Traditional
(matching the table's existing 影格速率：) and 帧速率 in Simplified.
- comp_settings.rs: take main's rewritten tab_body (it returns () and matches on
the tab, and show() measures the tabs) and re-apply the wrapping the old layout
had: the three tab labels go through tr(), as Basic, Advanced and 3D Renderer
already have rows. The old horizontal layout and its out accumulator are gone.
cargo test -p effectcraft-ui-egui --lib: 336 passed, 0 failed, 3 ignored.
The reader reports a track's media duration (mdhd). For H.264 with
B-frames that runs past the last shown frame by the encoder delay the
edit list trims, so a 75-frame 25 fps clip imported as 76 frames / 3.04 s.
The footage's duration now follows the video track's edit list when it
is shorter (never longer; a delayed start keeps the reader's duration),
as the frame rate is already corrected from the header.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The README quoted 306 effects in three places while the registry (and the
generated docs/effects.md) had 307, now 308. A catalog test checks every
effect count the README gives against the registry.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Dragging a mask or shape vertex, a tangent or a Pen point against the
edge of the Composition panel now pans the view toward that edge, faster
the further out the pointer is, and the point keeps moving with it, so
zoomed-in rotoscoping no longer stops at the panel edge (as in After
Effects).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
ci(deps): bump storytold/craft-common-actions/.github/workflows/windows-arm64.yml from 8bb4e5ab95443171104ad88113fe1ef9b0e5ce3f to fa5ef18780cf5e7d5d3b8de068de56cffc83cac5 in the actions group
#2410's dependency walk for a soloed 3D model was written before
reads_other_times took the effect count; it asks about all effects (None),
as the other walks do.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Dragging an effect's (or mask's, shape item's, text animator's) row in
the Timeline drew a marquee. The row now drags: a line shows where it
lands among its siblings and the drop runs prop.moveGroup (one undo
step); Escape cancels, as the layer reorder drag does.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Effects that grow their buffer (CC Radial Fast Blur, CC Lens, Magnify,
the distorts and blurs) could pad a 20 x 20 layer by 4096 px a side, a
~8200 x 8200 f32 buffer plus its clone. Buf::pad (CPU and GPU) now cuts
the pad so the grown buffer stays within 16 Mpx or four times its own
area, whichever is larger: small layers are bounded at 256 MiB, big
layers still grow as before in practice.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text strokes were always drawn with round joins. The document gets a
Line Join (`lineJoin: miter|round|bevel` in layer.setText / newText),
Miter for new text as in After Effects, Round for documents saved before
it so their look is kept. The 2D and Advanced 3D (extruded) text strokes
use it, expressions' style copies carry it, and the Character panel has
Miter / Round / Bevel buttons under the stroke width.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
midasdf