Resizing a rectangle or ellipse while keeping its proportions (a circle
that stays a circle, a 16:9 card that stays 16:9) needed W and H typed
or keyed separately. The Timeline's Size row of a shape's Rectangle
Path and Ellipse Path now has the chain link that Scale and Mask
Feather have. It starts off; turned on, typing or scrubbing W or H
keeps the ratio (Alt still edits one value).
Scale and Mask Feather keep their linked-by-default state in `unlinked`;
Size, which starts unlinked, records a turned-on link in a new `linked`
set, so neither default changes the other's saved state.
A shape layer's Contents > Add menu had every After Effects path operation
except Wiggle Transform. It is now a shape item (layer.addShapeItem kind
wiggler, "ADBE Vector Filter - Wiggler" for scripts) with Wiggles/Second,
Correlation, Temporal Phase, Spatial Phase, Random Seed and a Transform
group whose Anchor Point, Position, Scale and Rotation set how far each
transformation wiggles.
The values come from the Wiggly selector's noise, with each Repeater copy
as one unit: the copies of a Repeater above the operation, in its group or
a nested one, wiggle independently as far as Correlation allows, and the
copies of a Repeater below it wiggle the same way. A paint above it whose
paths all move by one matrix moves its gradient and stroke scale with them.
The layer cache keys a layer with a Wiggle Transform by time.
1,626 is the Traditional Chinese total translated-string count; the panel
catalogs carry 998 source rows each (996 in Japanese), as
docs/localization-parity.md measures.
Review follow-up to the panel/dialog step: the composition-settings tabs
translate "Basic" and "Advanced" through `tr(variable)` and the Preview
transport translates "Play/Stop", but none of the three had a catalog
row, so they stayed English. Add them to the Japanese, Simplified and
Traditional Chinese catalogs and pin them in
`japanese_rows_translate_the_panels`.
The shared "Type" key means "kind" in the Project column and the Camera
Settings dialog, so the Chinese rows read 类型/類型 instead of 文字
("text").
Keep the graph button bar's automation labels English: translate only
the drawn label and tooltip, and translate the stored English strings
when the hidden-button menu draws them.
Recount the docs from the catalogs: 628 menu rows, 996 Japanese and 998
Chinese panel rows; count Simplified Chinese's 306 effect names in its
numerator (46%) and average the ten After Effects languages the table
actually names (21%, not the stale 27%). Update the measurement basis,
the cross-references in gaps.md and target-app-parity.md, and ROADMAP.
The panel catalog behind the menu bar translated the dialogs and
Preferences, but much of the work area was still English: panel tabs, form
fields, panel context menus, the tracker and graph controls, text-panel
options, the File panel's footers and the credits. Add 300 rows to the
Japanese catalog — and the matching Simplified and Traditional Chinese
sources the tests keep it in step with (the other languages may lag, an
untranslated row falls back to English):
- panel tabs (dock.rs / dock_ui.rs titles), the Project panel's columns,
footer tooltips and column menu;
- form and dialog labels and choice options (the forms the panels open —
import, interpret footage, render queue, trackers, text animators…);
- panel context menus (timeline layer/property menus, graph editor);
- the tracker, graph editor, text-panel, animator and Content-Aware Fill
labels;
- the Preview panel's transport tooltips, credits table headers and sort
options, the composition-settings tabs and the About links;
- the engine's text-animator menu labels, added as a data source like the
settings pages (they are interface text the panels draw).
Strings are wrapped where they are drawn with the existing `tr`/`tr_args`
mechanism (the label helpers already ask the catalog, so the data tables
need no new ids); the catalog tests keep the three complete languages
listing the same sources, reject duplicate or empty rows and keep the
placeholder counts. A new test assertion in
`japanese_rows_translate_the_panels` pins a sample of this step.
The panel catalogs are now 993 Japanese and 995 Chinese rows (the two
Chinese catalogs are the complete source list); with the 628-row menu
catalogs Japanese is 1,621 of ≈ 4,200 interface strings (39%, up from 27%).
Still English: effect parameter names (≈ 1,650 registry names, drawn from
the model, not the catalogs), Home-screen literals, tooltips drawn from
engine data, engine error messages, and the rows other languages lack.
Docs: localization-parity (header, per-language table, overall share,
revision history), ROADMAP (language table, progress log, revision history).
`path.convertToBezier` only cleared `roto_bezier` on mask groups, so on a shape
layer it did nothing at all: a Rectangle, Ellipse or Polystar path stayed
parametric and its vertices could not be edited or animated. In After Effects
the command replaces such a path with an editable Path 1 of the same geometry.
The geometry is not re-derived. `parametric_path` calls the same
`effectcraft_path::{rect, ellipse, polystar}` functions `render::shapes::collect`
calls, with the same defaults for a property a group doesn't carry, so the path
that comes out is the shape that was on screen; `from_kurbo` and
`build::shape_path` then make an ordinary Path 1.
Masks are unchanged: shape items take precedence when selected, and with none
selected the command falls through to the old mask behaviour. Path Direction is
carried over rather than reset, since reversing a path is a separate command,
and the new path is left selected so its vertices can be edited straight away.
The parametric properties are read at the current time and the result is a
static path: a Size or Roundness animation cannot survive becoming a vertex
list, in After Effects either. Undo restores the parametric shape.
Load PDF document objects through the pinned craft-pdf parser and convert them into EffectCraft's existing drawing model with bounded traversal, recovery and retained data. Preserve generation numbers, stream limits, encrypted-document refusal and reported repairs.
Retain app-owned drawing, EPS, fonts and content/image decoding. Assert early excessive-nesting rejection without partial art, and cover tolerant arrays on native and WASM.
Validated with the22-stage local matrix and exact-head FreeBSD, Windows ARM64 and packaging checks.
Co-authored-by: Codex <noreply@openai.com>
Adds Georgian (ქართული, code ka) to Settings > General > Language, with
Match System for ka / ka-GE / ka_GE.UTF-8 locales:
- i18n.rs: the menu catalog, the same 628 (command, English label) keys as
the other languages, plus the Undo/Redo entries, the workspace and 3D
view shortcut submenus, the Reveal labels on Windows and Linux and the
macOS Services items.
- i18n/ui.rs: GEORGIAN, every row of the Chinese panel catalogs (687), and
GEORGIAN_PANELS, 195 rows for text the panels send through tr() that no
catalog has yet (form dialogs, drop messages, screen-reader names,
context menus, Project and Timeline column headers). The tests hold
them to the same rules (unique, same placeholders, used by a converted
panel) and keep them from shadowing a Chinese row; prefs_live.rs joins
the converted files.
- i18n/effects.rs: Georgian names for all 307 effects and 21 categories;
the CC series and brand names stay in English.
- Properties > Text Animation: the Add Animator and Presets buttons grow
with their translated labels (English keeps 116 / 84 px).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01YMTAbGNRxnMEzRvYnQGphF
Validate saved stroke frames against the current layer limits before clamping a span edit. Keep project and undo state intact when trimming has left strokes outside the layer.
Co-Authored-By: OpenAI Codex <noreply@openai.com>
The panel catalog (crates/ui-egui/src/i18n/ui.rs) has grown to 496 rows since
Ukrainian last matched it on 9 October, so `uk` fell back to English for the Home
screen, the viewer's toolbar tooltips and popups, the Appearance settings, the
solid dialog and the project, import, export and colour-management forms.
Add those rows, in the Chinese catalogs' order and under their section comments,
so the catalogs stay parallel. `uk` now carries 495 of the 496 rows: `RGB` reads
the same in Ukrainian, so it keeps no row and falls back to the English source,
which is what the catalog's own rule asks for.
Terminology follows the Ukrainian menu catalog in i18n.rs so the two agree:
Full/Half/Third/Quarter as Повна/Половина/Третина/Чверть, Draft as Чорнова,
Wireframe as Каркас, Custom... as Власна..., Region of Interest as Область
інтересу, footage as матеріал, solid as суцільний колір, Default as Стандартний.
Dark and Light take the neuter form the catalog's existing Darker/Lighter rows
(Темніше/Світліше) already use, so one row reads correctly both as an Appearance
Mode and as a theme card option.
`format_ago` picks between one and many, while Ukrainian declines the noun for 1,
for 2–4 and for 5 and up, so the relative times use the invariant unit
abbreviations (хв, год, дн.), which read correctly for every count. A per-language
plural rule would be the fuller fix and is left for its own change.
ROADMAP.md and docs/localization-parity.md carry the new count.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Preserve legacy selection repair, modifier routing, viewer lifecycle and workspace persistence through the shared docking integration. Qualify the complete workspace gate by refreshing the 18 stale Audio Spectrum hashes for the existing linear renderer, with an independent synthetic-tone regression.
Progress docs per craftrules standards/progress-docs.md: target-app parity, gaps, roadmap with alpha gate, readiness by audience (full / mainstream / essentials) with Opus 5.5 hours, and feature, format, hardware, UI and localization parity docs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Translate the 396 current panel catalog rows and route Ukrainian Reveal
labels for Finder, Explorer and File Manager. Enforce catalog parity,
placeholder preservation and platform label coverage; update language docs.
Use a fixed-size OCIO row iterator to satisfy the current Clippy gate.
Co-authored-by: Codex <noreply@openai.com>
ui.rs gets a Japanese table with the same 396 rows as the Simplified and
Traditional Chinese ones, so Japanese now translates the interface below
the menu bar too (it covered the menus only). The shape test keeps the
three tables listing the same source strings; a new test checks that
Japanese reads its own rows and fills values in order. The existing
"no rows yet" check uses Ukrainian instead.
ROADMAP.md and docs/preferences.md say which catalogs have panel rows.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
The menu bar has had a catalog since #229 (keyed by `(command, English label)`); everything below
it - panel labels, buttons, field names, tooltips, the sentences a panel draws itself - was written
straight into the code and stayed English in every language (#333).
This adds `crates/ui-egui/src/i18n/ui.rs`:
- Rows are keyed by the English source string, so a panel wraps a literal it already has instead of
inventing an id, and a row that is missing falls back to English rather than to an empty label.
- `tr("Rename")` translates a plain string; `tr_args("Proxy Use: {}", &[&quality])` fills the values
of a row that carries them. `tr_args` writes into its own buffer, so it cannot panic on a mismatch,
and a test keeps every row's placeholder count equal to its English source.
- The language in force is set once per frame from the resolved interface language - the same value
the CJK fonts are installed for - and kept in a thread-local, so the panels do not have to thread
it through every function. The render threads never draw interface text.
- Simplified and Traditional Chinese are complete (384 strings); the Japanese rows are still open,
and the catalog takes them without any other change.
Tests: the two Chinese catalogs must list the same source strings, no empty or duplicated rows, every
row must be asked for by a converted panel, and a converted panel that gains a hard-coded string in a
common call shape fails the build.
`effectcraft-cli render --out proj/out/d.mp4 --project proj/x.ecproj` wrote
`proj/proj/out/d.mp4`: the Render Queue resolves a relative output against its own base, while
`--project` and every other CLI path are relative to the working directory. The CLI now makes
`--out` absolute against the working directory before queueing it, so the file lands where the
shell user expects; an absolute path is unchanged, and `rendered[].output` in the JSON result is
the absolute path. Render Queue outputs set inside a project (and `render --queue`) resolve as
before: tokens expanded, then `export.defaultOutputFolder`, the project's folder, the working
directory.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
gaps.md records the seven reports of 6 October (#85, #88, #89, #93, #103,
#106, #117), what they found in features marked done, their fixes of 7
October and the regression tests; parity.md's Interface, Animation and
Preview rows, the ROADMAP's reliability note and the README's panels
paragraph (drag and drop between panels) follow.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
gaps.md records the Windows report and its fix under real-user experience and G2; parity.md's
Text row, the ROADMAP's reliability note and the README's Text bullet say text can use any
installed font; architecture.md says when the system font scan runs.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_019EjTYdt76hTG4Kh2CJFnCr
- effectcraft-segment: a FaceModel interface (find a face in a region, follow it; a Topology
maps the model's points to the tracker's landmarks and outline), a TensorFlow Lite reader and
interpreter (float ops, float16 weights folded; matches ai-edge-litert to ~1e-6), and
MediaPipe Face Landmarker (Google, Apache-2.0: BlazeFace + Face Mesh V2, 3.8 MB, pinned
SHA-256). The registry gains a task and authors per model; installed weights get a NOTICE.
- effectcraft-track: FaceTracker::new_with uses the model, falls back to the classical fitter
when it finds no face; chin and jaw come from the outline either way so measurements agree.
- Engine: roto_models becomes models (both tasks); face.models / face.model.* commands,
Settings ▸ Face Tracking, `wait` on select/install/download for scripts; track.mask reports
faceModel.
- Credits: ATTRIBUTION.md lists the optional models and the Apache-2.0 specs the code follows.
- Docs: README, ROADMAP (G7), gaps, parity (TRK-3 score unchanged pending G1), agents,
preferences, architecture, segment README.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- New L1 crate effectcraft-segment: the MaskModel interface (prompts → foreground probability),
a registry of open-licensed models (licence must be MIT/Apache/BSD/…; URL, size, SHA-256),
a PyTorch checkpoint reader (zip + pickle subset), dependency-free SHA-256, and MobileSAM
(TinyViT-5M + SAM prompt encoder / two-way transformer / mask decoder) on rayon and ndarray's
safe GEMM. Loads the official mobile_sam.pt as published; checked against candle
(embedding 0.3% RMS, 99.9% equal mask pixels); ~0.7 s/frame encoder at 32 threads, cached
per frame, ~0.1 s decoder.
- track::roto: segment_with / propagate_with prompt a model with the strokes or the flow-warped
matte (box, core points, mask); its probability is a strong, unblurred prior for the same
graph cut (strokes stay hard constraints); a failing model or one disagreeing with the flow
(IoU < 0.5) is ignored. Prior gets a weight.
- effects::roto: Version 2.0 / 3.0 use the model chosen in Settings (set_model / model_for);
the model id is part of the chain seed.
- engine: roto_models (roto.models, roto.model.select / install / download / remove), weights in
the models folder (host::config_dir()/models, shared by the app, CLI and MCP), background
loading, downloads through the system curl, verified; Settings ▸ Roto Brush page (prefs
roto.model). host::config_dir moved from the desktop app.
- Tests: segment (kernels vs direct sums, checkpoint reader, SHA-256 vectors, registry), track
(fake model: prior shapes the cut, failing / disagreeing models ignored; real weights with
EFFECTCRAFT_MOBILESAM: base IoU 0.989, propagated ≥ 0.980 vs classic 0.973), engine (registry,
verification, selection; real install + load), MCP.
- Docs: README, ROADMAP, parity (MSK-4 done: 90/2/0), preferences, agents, architecture,
crates/segment/README.md.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
parity.md's ≈99% measures breadth only. docs/gaps.md assesses real-world
readiness by dimension (fidelity, .aep interop, stability, platform
reliability, performance, media, AI tools, maturity) with evidence, and
sets prioritised workstreams with done criteria. ROADMAP, README, parity.md,
AGENTS.md and CLAUDE.md point agents at it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- FrameKey's identity is the comp's content (frames::comp_content), not the project revision:
an edit keeps the cached frames of comps it doesn't touch and undo finds the frames of the
state it returns to. The identity hashes the addresses of the comps a comp draws (~0.1 ms on
the 1500-layer test project; the full content hash took ~117 ms), by value the footage, solids,
proxies and project settings; with expressions, every item. Frames::content_of keeps a
project snapshot per identity with frames (or in flight), so Arc::make_mut always copies an
edited comp and its address can't be reused meanwhile; past 64 identities the least recently
used go with their frames (long drags).
- drop_stale is gone (frames of other contents are evicted least-recently-shown first).
- disk_cache::comp_content_key covers items' proxies and Use Proxy (it served stale frames).
- Tests: frames (content keys, edits elsewhere and undo, bounded drags, in-place edit safety),
ui_ram_preview (end to end), the disk cache proxy key. Docs: roadmap (M4 done), parity.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Collapsed precomps: the renderer records the precomp layers a nested comp is drawn through;
motion-blur sub-samples re-evaluate their transforms (when their motion blur is on) and map
times down through each one, so the precomp layer's own motion blurs its nested layers. The
containing (outermost) comp's shutter applies to collapsed layers. The GPU compositor gets
this through Renderer::placement.
- Shape and text layers whose content changes within the shutter (compared by its cache key)
draw their source at Samples Per Frame times and average them; the cache key covers every
sub-sample's content.
- Tests: tests_motion_blur_depth (collapsed vs flat, the containing shutter, shape content vs
the same move by Position); each fails without the change.
- Docs: roadmap, parity.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- parity: the status note covers the M3.9–M4.12 passes (feature counts unchanged: they fixed
behaviour inside features already counted done) and the GPU effect count matches EFF-5 (280);
the Layers, Compositions, Interface, Project and Preview rows name what is left and what
landed; landed items in "Highest-value gaps" are struck through with where they landed, the
gaps the passes left are items 16–18, and the closing paragraph no longer says 69 menu entries
are disabled.
- ROADMAP: what is left includes the preview gaps.
- web: a restored session with unsaved changes stays modified and asks before closing.
- preferences: Adaptive Resolution Limit applies while dragging, not to playing previews.
- agents: nested comp settings and New Comp from Selection for several items.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- GPU in the browser: each frame worker opens its own WebGPU device (Gpu::request_deferred) and
renders the GPU compositor and GPU effects with deferred readbacks (effectcraft-gpu deferred):
readbacks keyed by content start with map_async and miss, the pass returns placeholders, the
layer cache's gate drops inserts, and FrameServer::resume renders again once the device
delivered. Backend Auto times whole frames per comp in the workers. Frames with effects go to
GPU workers instead of the page. CPU fallback without WebGPU in workers (?nogpuworkers).
- Fix: a WGSL constant (3.40282347e38) that Chrome rejects invalidated every GPU kernel in Chrome
(the page's compositor too); a test checks every float literal fits f32.
- Disk cache in the Origin Private File System: workers write sealed frame entries with sync
access handles (temp file + move), the page keeps the DiskIndex (LRU under the settings' limit,
at most half the quota) and reads hits instead of rendering; survives reloads; blue cache bar.
- Storage manager: Settings ▸ Disk ▸ Browser Storage (usage/quota, persistent storage, Clear
buttons, automation ids) and storage.info / storage.persist / storage.clear (StorageHost).
- Docs: web.md (GPU workers, deferred passes, disk cache, storage manager, threading design:
one engine instance per worker), architecture, preferences, parity (WEB-1), roadmap.
- Tests: deferred passes vs CPU on a real device, placeholder gating, frame server passes and
Auto, GPU worker routing + disk cache across a reload, storage commands and widgets, store
usage by kind; smoke test: GPU effect frames in workers with pixel parity, disk hits after a
reload, storage manager.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
