Add the three Turkish catalog entries requested by the maintainer on #3479. Preserve upstream catalog additions and place existing tab-drag entries beside stable menu labels to avoid append conflicts. Update feature progress notes for all 24 catalogs.
Simplify an equivalent Effect Gallery selection predicate required by the Rust 1.95 clippy gate. Full cargo xtask ci passed all 10 checks, including tab-drag regressions and wasm.
## Summary
Linux file portals grey out files that do not match the open dialog's default
filter. Other Library… and Locate Library… used File › Open filters, whose
first entry is All readable files and omits swatch-library extensions such as
.ase. Add library_open_filters with the library formats first (matching
Illustrator's Swatch Libraries › Other Library…) and use it from swatch and
graphic style library pickers.
## Tests
- engine: library_open_filters_list_library_formats_first
- ui-egui: other_swatch_library_asks_off_the_ui_thread asserts Swatch libraries
is the default filter and includes ase
Closesstorytold/vectorcraft#3465
Co-authored-by: nrq6993-a11y <nrq6993-a11y@users.noreply.github.com>
the_reply_names_each_expanded_copy_by_its_own_id checked that no id in
the effect.expandAppearance reply repeats and that each one names a
node in the document. Only for group copies did it check which ids the
reply holds. In the other four cases a reply that left out the
expanded object, or held no ids at all, passed.
The test now checks in every case that the reply starts with the id of
the selected object, and keeps the exact check of the group and the
two copies of the square for group copies.
object.transformEach refused reflectX, reflectY, random and copy given
as text, but read strokes, corners, objects and patterns given as text
as the key left out. With Scale Strokes & Effects on,
{"scaleH": 200, "scaleV": 200, "strokes": "false"} scaled the stroke,
recorded an undo step and kept the params for Transform Again, which
repeated the call. artboard.rearrange, artboard.move and
artboard.duplicate read their patterns option the same way, and
artboard.setProps reads its patterns, strokes and corners options the
same way.
These commands now refuse such a value with "`<key>` must be true or
false" before they change anything. So do the other options and
numbers of artboard.setProps and artboard.move, the art of Duplicate,
Copy and Cut Artboard, the shape commands and path.create, path.close,
path.setHandle, path.moveAnchors, the Pencil, Curvature, Reshape
Segment and Blob Brush options, text.create, text.createInPath,
text.setRangeStyle, text.editRange, text.getRange, text.touchType,
text.areaOptions, type.step, the font size steps,
type.opticalMarginAlignment, type.systemLayout, type.fractionalWidths,
type.ruby, the symbol and swatch commands, the Appearance panel's
commands, the gradient and freeform gradient commands, Shape Builder,
Live Paint, Image Trace, the opacity of object.setProps, the radius,
sides and relativeRadii of object.setLiveShape, the reference point of
object.setBounds and the artboard of Align, Distribute and Distribute
Spacing. They refuse a number given as text with "`<key>` must be a
number, not <value>", and a gradient stop's tint with "stop <n>:
`tint` must be a number". A null still reads as the key left out.
Docs: docs/mcp.md, docs/target-app-parity.md.
EPS, EMF, WMF and DXF exports gave each image they left out because it
couldn't be decoded its own warning, "image '<key>' could not be
decoded and was left out", which names the internal key the document
stores the image under. A version 7 .ai said "an image that can't be
decoded or is too large was left out".
The four writers now give the note raster exports, PDF and the legacy
.ai flattening give, "an image couldn't be decoded and is missing from
the picture", once per export. In a version 7 .ai it is one line with
the note for flattened art. The other image notes in the same
functions no longer name the key: EPS's note for an image too large to
write, and DXF's notes for an image with no pixels (its rows in 23
catalogs are reworded) and one that could not be written. Legacy .ai
gives a separate note for an image that is empty or too large.
Docs: docs/mcp.md (EPS, DXF export, EMF and WMF, aiVersion "7").
When the Compression settings keep a PNG as it is, the PNG goes to
the PDF writer unchanged, and the writer refuses images of 16 bits a
sample below PDF 1.5. Saving a document with a placed 16-bit PNG as
PDF 1.4, or as a .ai file at 1.4, failed with "PDF writer error:
SixteenBitImage(...)" and wrote nothing. PDF 1.3 and PDF/X-3 failed
the same way for an opaque 16-bit PNG, and PDF/X-1a failed for a
16-bit gray PNG.
In PDF 1.3 and 1.4 files, such a PNG is now decoded and encoded again
at 8 bits a sample, with the same color type and ICC profile, before
the writer reads it. From PDF 1.5 on, it keeps its 16 bits. A 16-bit
PNG whose pixel data can't be decoded is left out with the note "an
image couldn't be decoded and is missing from the picture".
Docs: docs/mcp.md (PDF options).
## Summary
object.align now moves selected ruler guides when aligning to the artboard,
matching Illustrator and the existing Distribute behaviour. Guide-only
selection can run align; the Align panel enables its buttons when only
guides are selected. Guides still stay put when objects are in the selection
and Align To is Selection; key-guide behaviour is unchanged.
## Tests
- engine tests_keyguide: guides_selected_alone_align_to_artboard; updated
selected_guides_align_to_a_clicked_key_object for artboard align
- ui-egui align panel: the_align_buttons_align_guides_selected_alone_to_artboard
Closesstorytold/vectorcraft#3463
Co-authored-by: nrq6993-a11y <nrq6993-a11y@users.noreply.github.com>
Activate visible tabs after a delayed Selection drag and copy artwork through a document-scoped command without changing the clipboard or source. Cancel stale transfers, preserve pattern alignment and transparency, and insert into the editable destination context. Cover pointer gestures, resource rendering, input bounds and locked layers; translate the new labels and messages.
A face hidden on its own (for example with Object > Hide after Live
Paint Selection picks it) while its Live Paint group stays visible was
still highlighted, selected by Live Paint Selection and filled by the
Live Paint Bucket, and it kept the face of a group behind it from being
picked.
live_paint_at and lp_part_at now take the front-most face that is not
hidden (visible_face_at). A point on a hidden face falls through to the
visible face of a group behind it; where there is none, an edge pick
takes the nearest visible edge as it does outside the faces.
livePaint.fill also skips hidden faces. With group, a point on a hidden
face is an error. With ids, it fills the face there of another Live
Paint group among the objects, or else fails and does not merge the
group.
Docs: docs/mcp.md.
The docstring check of the review counts the functions a pull request
touches: effect.apply, effect.setParams, plugin.run, the line cap
name, the reader of an output object and seven of the object tests had
no doc comment. Each now says what it does or checks; the join and cap
names get one each.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01HhvnnnD5fTFupK8WWq35un
A filter could reshape and repaint objects, but not set the stroke's
join, cap or miter limit, nor the effects an object's appearance holds.
A tool that prepares objects for a live effect (a sheet of samples,
each with the effect at its own settings) had to leave the user to
apply the effect to each object by hand.
- Each input stroke has its join, cap and miterLimit beside its paint
and width (live effects get the same, through the shared encoder),
and each object its own effect records, {id, params, visible}.
- An output stroke may set them (miter limit clamped to 1-500), and an
output object's "effects" replaces its own effects.
- The host admits each record as effect.apply does: an effect that
effect.list lists or an installed live-effect plug-in, parameters it
takes (filled in to their defaults; a plug-in's checked against its
manifest), one 3D effect that fits the object (its fills' and
strokes' own effects counted), and the texture of an effect with
Load Texture (Glass, Texturizer) as the effect stores it, never a
file to read. A record the object already had stays as
it is, so a filter that hands its input back changes nothing. One
refused record refuses the whole output and the document stays as
it was.
The plug-ins crate checks the records' form; which effects exist is the
engine's to say (objects::AdmitEffects, engine plugin::admit_effects).
effects::validate_three_d is the one check of whether a 3D effect fits
an object, for effect.apply, effect.setParams and the filters.
A path handed back as it was now stays the live shape it was: write()
dropped a live rectangle's or ellipse's parameters whenever the output
held a path, changed or not, so a filter that returned its input
turned a live rectangle into a plain path.
objects/tests.rs checks the round trip, stroke styles on existing and
new strokes, the host's refusal, the bad forms refused, and a live
rectangle handed back unchanged (a plain path before the fix);
tests_plugins.rs runs filters that set a built-in and a plug-in effect,
an echo that changes nothing, and six refused outputs.
CRAFT_PLUGIN_FRAME_WASM=<folder> saves a test filter to try in the app.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01HhvnnnD5fTFupK8WWq35un
## Summary
Opening or placing a .pmd file now fails with a dedicated unsupported-format
hint (like DWG and PICT), telling users to export PDF or EPS from PageMaker
instead of a generic unknown-format error. document.formats lists PageMaker
in its unsupported table.
## Tests
- formats_list_dxf_and_what_can_not_be_written
- dwg_and_pict_say_what_to_use_instead (includes brochure.PMD open)
Part of storytold/vectorcraft#3343
Co-authored-by: nrq6993-a11y <nrq6993-a11y@users.noreply.github.com>
Document Info had no Repeat Objects category, and document.info
refused category "repeats". The reference app's Document Info panel
menu lists Repeat Objects after Font Details.
Document Info now has a Repeat Objects category after Embedded Images.
It lists each radial, grid and mirror Repeat object by name with its
kind and the number of instances it makes. For a grid it gives the
rows and columns instead, followed by the number of instances it
draws when that is fewer. The count comes from the new
RepeatSpec::instances, which gives the number of instances a repeat
draws. That number is smaller than its options give when repeats
nested in its source would pass the instance budget. With Selection
Only the category lists the Repeat objects in the selection.
document.info gives them as repeatObjects, the panel's flyout offers
the category, and the text report that Document Info › Save… and
File › Package write has a REPEAT OBJECTS section. The title has a row
in every catalog.
Docs: docs/mcp.md, docs/target-app-parity.md.
Illustrator documents Unite as a single compound path; use shape_node_styled and compoundPath.release in tests instead of wrapping islands in groups.
Co-authored-by: Cursor <cursoragent@cursor.com>
After Unite, split the result with draw2::components so each island (outer
contour plus its holes) becomes one group child instead of one compound path.
Co-authored-by: Cursor <cursoragent@cursor.com>
Switch to the Touch built-in workspace when the preference is on and a touch
screen is present; restore the prior workspace when it is turned off.
Co-authored-by: Cursor <cursoragent@cursor.com>
After scaling groups, type.scaleTextAttributes matches panel sizes to what draws on canvas without leaving scale in the affine.
Co-authored-by: Cursor <cursoragent@cursor.com>
Store corner radii as fractions of each corner's max so rounding scales with the shape; expose via Corners dialog and object.setLiveShape relativeRadii.
Co-authored-by: Cursor <cursoragent@cursor.com>
Users can pick an image in the Texturizer dialog; it is stored as relief heights and survives save/open like Glass textures.
Co-authored-by: Cursor <cursoragent@cursor.com>
Overlapping faces take the highest of each CMYK channel from every covering shape and drop strokes, matching Illustrator's Hard Mix effect.
Co-authored-by: Cursor <cursoragent@cursor.com>
Pen Cmd-borrow keeps Direct Selection when Alt is held so guide copy and other Alt modifiers on the lent tool still work.
Co-authored-by: Cursor <cursoragent@cursor.com>
When Direct Selection was last used or is active, Cmd+Alt borrows Group Selection for pointer presses, matching the documented modifier chord.
Co-authored-by: Cursor <cursoragent@cursor.com>
Don Omondi