The same JSON methods as the desktop control server (engine.execute, ui.inspect, ui.screenshot, …),
as promises on window.vectorcraft, like FilmCraft's window.filmcraft: an agent driving the editor in a
browser tab or an <iframe> uses the same commands as the CLI and the MCP server. openFile opens
bytes the way a dropped file opens; captureDownloads keeps saves in the page for readFile.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A compound path holds its members, so select.color passed over it and
looked at the members instead, whose paint inspect doesn't report: a
black compound path (art with holes, as PDFs bring in) never matched
"#000000". It now matches by its own fill and stroke, and its members
never do. Type without characters reads as the default character fill,
as inspect reports it (CodeRabbit on #2939).
Scripts had to know an object id before they could select art by colour
(select.same.* and select.magicWand start from one). select.color
{fill?, stroke?} takes colours as paint.setFill does and selects the
objects whose fill and stroke read as them in #rrggbb, as
document.inspect reports colours, with Select > Same's selection rules.
The label is translated in each of the 23 catalogs, which
complete_languages_translate_every_menu_string requires.
While a Type tool edited text, a click on blank canvas ended the
editing and also placed new point type at the click. Area Type and
Type on a Path did the same with a click on a path.
Such a click now only ends the editing. The typing session is
committed, empty point type that a click placed is discarded as before,
and the Type tool in use stays active; the next click makes new type.
The same applies when the editing began with a double-click from a
selection tool. A click on other type still edits it at once, and a
drag that draws an area-type frame still makes the frame.
In number fields, Up/Down and a wheel notch added a whole step and kept
the fraction, so 5.1 mm stepped up to 6.1 mm. A plain step now goes to
the next whole unit in its direction (5.1 goes up to 6 and down to 5; 5
goes up to 6 and down to 4), and a Ctrl/Cmd step goes to the next tenth,
in the field's own unit. Repeated presses or notches of one size add or
take one step each, and presses and notches are applied in the order
they came. A Shift step still adds or takes ten and keeps the fraction.
The number fields that widgets.rs draws for the panels, the Control bar
and the dialogs (unit, percent, degree and count fields) all use this
step (widgets::step_value).
`vectorcraft-cli run/convert --scale` and the MCP export tool's `scale`
are raster pixels per point, but they were passed to every export, and
DXF reads `scale` as drawing units per unit: a 2x PNG next to a DXF
doubled the drawing and left it unitless ($INSUNITS 0). They now go
only to raster formats. DXF's own scale stays reachable through the
format options.
Floating groups on the canvas now always get a panel-colour backdrop from layout geometry when egui has not registered the area yet, and panel bodies paint their own fill so empty regions do not show through.
Co-authored-by: Cursor <cursoragent@cursor.com>
The built-in CMYK profiles embedded in CMYK exports had only the
perceptual and colorimetric tables. ICC.1 requires an output profile to
also have the saturation tables (A2B2, B2A2) and the gamut tag (gamt).
Windows colour management rejects the profile without them ("Bitmap color
context is not valid"), so Microsoft Photos couldn't show a CMYK TIFF
that embedded it, while the RGB export opened fine.
Write the saturation tables (same as colorimetric) and a 9x9x9 gamut
table (in gamut where a Lab colour separates and returns within dE 3).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Without it the shared release workflow builds the web release without CRAFT_FONTS_DIR, so
web-fonts.txt's startup faces (Arabic, Thai, Georgian) are not served (CodeRabbit review).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01YMTAbGNRxnMEzRvYnQGphF
anchor_arc_distance measured every segment again for each anchor, so a reshape cost the square of the anchor count; path.reshape now measures the positions once, and the two helpers only it used are gone. The default radius stays half the subpath's bounding-box diagonal, now measured along the path: half its length reached the far corners of a square, moving art the grab is nowhere near (reshape_moves_the_grabbed_point_and_its_neighbourhood).
Found while testing crates/doc/src/lib.rs:274 (Unit::named)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
path.freehand takes redraw: {id, within}: the stroke's ends are placed on the path, anchors added there, and the section between them replaced by the fitted stroke, the shorter way round a closed subpath; a stroke that doesn't end on the path still draws a new one. The Pencil and Paintbrush send it for a stroke that starts on a selected path's outline away from its ends, within Edit Selected Paths' distance.
The cards turned to the chosen orientation in every category, so a portrait and a landscape A3 in Recent looked the same and both read as chosen. Only the built-in presets' cards turn now.
The marker ran from the anchor to the right edge of the bounds, so centred type showed half a line and right-aligned type none, and rotated type a level line. It now draws each line's baseline in text space (TextObject::baselines, the lines a click selects the type on), turned with the type.
style_weight reads W0–W9 style names (Hiragino, Morisawa…) as their weight classes before the English words, so SVG and CSS export write font-weight 600 for W6, and nearest-style matching weighs them too.
Font services (NexusFont, Adobe Fonts) register faces with the OS without
touching font-folder mtimes; only re-asking the platform lister sees them.
Check every two seconds as well as on window focus, and test that path churn
is detected on the system font scan.
Co-authored-by: Cursor <cursoragent@cursor.com>
Highlight Alternate Glyphs (8689863f) flagged any glyph that isn't its
character's cmap glyph, so the joining forms Arabic and other complex
scripts always take (init, medi, fina, isol, rlig, ccmp and the Indic
required set) covered ordinary text in pink. A glyph is now an
alternate only when required shaping alone doesn't give it: the text is
laid out again with every optional feature off (liga, clig, calt and
the features its characters turn on) and each candidate glyph compared
by cluster. The pink boxes are measured once per text geometry, only
when the preference shows them.
A group of four clip groups, each a placed image larger than its
rounded-square mask: one Selection click selects the group, which
shows the four masks' outlines and no image rectangle, with a bounding
box and bounds equal to the union of the masks. The behaviour landed
in #2650 (part of #2422); this covers the grouped case.
Three new Polish rows broke the catalog's own vocabulary:
- "By Artboard or Item" and "Artboard or Item Name" (Export for Screens)
read "obszar roboczy", which this catalog uses for Workspace; Artboard is
"obszar kompozycji" everywhere else (72 rows).
- "Enable Guides for 9-Slice Scaling" read "prowadnice"; Guides are
"linie pomocnicze" in the other 29 rows.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01DukHNvUY45rjRnvtz91x33
