In Turkish, Brazilian Portuguese, Indonesian, Bulgarian and Vietnamese
the Character panel's Leading field and the rows that name leading used
different words: Auto Leading in the Justification dialog, the Type
preferences' Size/Leading increment, and the Paragraph panel menu's
Top-to-Top and Bottom-to-Bottom Leading.
Turkish had four words, and its Leading field read "Lider", a leader.
Turkish now uses "Satır Aralığı", its Auto Leading word, in every
leading row, the Leading field included. In pt-br, id, bg and vi the
other rows now use the Leading field's word ("Entrelinhamento",
"Leading", "Междуредие", "Giãn dòng"). A new test checks that every
word of the Leading field appears in the four other rows of each
catalog.
When a recorded chord takes the shortcut from a command that needs a value, that command
leaves the list. The dialog now clears its Go to Conflict target as well as its recording
and selection.
When Clear, Use Default, Reset to Defaults or another set takes the
shortcut from a command that needs a value, its row leaves the list. A
recording started on that row now stops and the row is no longer
selected, so the next key press does not give the hidden command a
shortcut or take one from another command.
A command that needs a value stayed listed when a saved or imported set held an empty shortcut
for it, showing no key. It is now listed only while its saved shortcut is not empty.
Edit › Keyboard Shortcuts listed every engine command with a menu path,
whatever its params. A shortcut runs a command with no params, so a key
given to File › Document Setup › Units ran document.setUnits with {}
and failed with "unknown units".
The dialog and shortcuts.list now leave out a command with a menu path
and no default shortcut when no item of the menu bar runs it without
params, it opens no dialog when run without them, and its params doc
names a required field. This leaves out 38 commands, among them the
Graphic Styles, Swatches and character and paragraph style commands
that take a name. A command whose shortcut the user has changed is
still listed, where the key can be changed or cleared, and a saved key
still runs and conflicts as before. Every command with a default
shortcut stays listed.
Docs: docs/mcp.md, docs/target-app-parity.md.
Escape did not cancel a drag with the Puppet Warp, Perspective Grid,
Perspective Selection and Liquify tools: the drag went on until the
mouse was released. Escape cancels a drag with the Direct Selection,
Gradient and Artboard tools.
Escape now cancels a Puppet Warp pin drag or turn, a Perspective Grid
handle or plane widget drag, a Perspective Selection move, resize or
plane widget drag, and a Liquify stroke. The art and the grid go back
to how they were when the drag began, the undo history does not
change, and the rest of the drag and the release send nothing. Puppet
Warp selects again the pins that were selected before the press.
During a Liquify Alt-drag that sizes the brush, Escape puts the brush
size back; the tool claims Escape only then. Escape during a
Perspective Selection press that has not moved past the drag threshold
ends the press, so moving on does not start a move. Otherwise, outside
a drag, Escape does what it did before.
Docs: docs/mcp.md, docs/target-app-parity.md.
The Tabs panel drew its X: and Y: label untranslated, so French showed
"X:" in place of its catalog's "X :" with a no-break space, and Chinese
showed an ASCII colon. The label now goes through the catalogs, and the
Polish and Vietnamese catalogs get their X: and Y: rows.
A closed arc from Arc Segment Tool Options, an Arc tool drag or
shape.arc with lengthX and lengthY closed through the box's bottom-left
corner with Base Along X, which makes a convex arc a quarter-ellipse
sector. With Base Along Y it closed through the corner a convex arc
bulges toward, so it drew the thin sliver between the arc and that
corner instead.
Such a closed arc now closes through the corner across from the one a
convex arc bulges toward with either base, so the Y-axis arc, open or
closed, convex or concave, is the X-axis arc mirrored top to bottom.
Open arcs and arcs with Base Along X are unchanged. The two-point
shape.arc form, whose params list no baseAlong, now closes through
(x1, y2) whatever baseAlong says.
Docs: docs/target-app-parity.md.
The reference app disables its Lock, Hide and Show All menus in
isolation mode. In VectorCraft every item of Object › Lock and
Object › Hide, Unlock All and Show All worked there.
In isolation mode, object.lock, object.lock.above,
object.lock.otherLayers, object.hide, object.hide.above,
object.hide.otherLayers, object.unlockAll and object.showAll are now
off. Their menu items are greyed out, and a call returns an error
that ends "exit isolation mode first". The Contextual Task Bar's
Lock button is greyed out too, and the Properties panel's Quick
Actions leave out Lock. Pattern editing mode and opacity mask editing do not count as
isolation mode for these commands. The check is outside_isolation in
cmd.rs, with has_selection_outside_isolation beside it.
Docs: docs/mcp.md, docs/target-app-parity.md.
The Character Styles and Paragraph Styles panels took only clicks on
their rows. The reference app copies a style dragged onto Create New
Style and deletes a style dragged onto Delete.
A style row can now be dragged. Dropped on Create New Style, the style
is copied with charStyle.duplicate or paraStyle.duplicate, as the panel
menu's Duplicate does, and the panel highlights the copy. Dropped on
Delete, the style is deleted with charStyle.delete or paraStyle.delete,
as the Delete button deletes the highlighted style, and Delete accepts
a dragged style even when the highlighted one is Normal or none. Normal
is not deleted. Each button is outlined while a row it accepts is held
over it, and each drop is one undo step.
Docs: docs/target-app-parity.md.
The reference app places a new layer below the selected layer with
Ctrl+Alt-click (Command+Option-click) on the New Layer button, and a
new sublayer at the bottom of the layer list with the same click on
the New Sublayer button. In VectorCraft that click opened Layer
Options, and New Layer and New Sublayer always added the layer above
the current layer and the sublayer on top of the layer's contents.
layer.new takes below, which adds the layer directly below the current
layer at its level, and layer.newSublayer takes bottom, which adds the
sublayer under the parent's contents. In a clipping layer the new
sublayer goes above the clipping path. Each is one undo step, and
below is refused together with top. A Cmd/Ctrl+Alt-click on the
Layers panel's New Layer and New Sublayer buttons runs them. A plain
click, an Alt-click and a Cmd/Ctrl-click work as before.
Docs: docs/mcp.md, docs/target-app-parity.md.
The merge test covered adjacent matches and a path of another color
between two matches. It now also covers a matching path the stroke
does not touch, between two it touches: both touched paths merge into
the upper one and the untouched path is left as it was.
A Blob Brush stroke used to merge with every closed path of its fill
color and no stroke that it touched, anywhere in the document, across
layers and groups and past objects of other kinds. It now merges with
the topmost such path it touches, and with the other touched matching
paths in the same group or layer that are next to that path in
stacking order, with no other kind of object between them. Merge only
with selection still limits the candidates to selected paths. The
merged path keeps the topmost path's id and place.
The Type tool heard of Undo and Redo only when they ran as top-level
commands. As steps of command.batch, they left the caret where it was,
and the tool took the batch for an outside edit. Session::execute now
tells the active tool about each nested edit.undo and edit.redo.
command.batch also tells the tool when it begins, ends or rolls back.
The Type tool keeps its caret and its edit records at the start of each
batch and puts them back when a failed batch rolls the documents back.
An axial or radial shading's stops are the samples that linear
interpolation does not reproduce. An ink that changes nothing in RGB,
such as a varnish, could paint at dropped samples only, and its spot
swatch was then missing. Every sample now marks the inks it paints with
as used; the stops are unchanged.
GIF, WebP and Targa files hold no resolution field, so document.formats and
the export docs now say that ppi, and the resolution that width or height
gives, are stored in the file except in those three formats.
A .ai swatch library without layers comes in as its PDF part with the
swatches of its editing data's palette. A pattern swatch was kept only
when the PDF part defined its pattern, and a pattern library's PDF part
usually defines none, so its pattern swatches were dropped.
ai::palette now gives pattern swatches for the patterns the editing
data defines too, and returns the definitions the PDF part lacks that a
palette swatch paints with, with the images their art shows. The
document gets them with new object ids.
While the Type tool edits type, Edit > Undo and Redo (the menu, the
keyboard, the History panel and MCP all run edit.undo and edit.redo)
left the caret at its byte offset, clamped to the text. Typing "abc"
before "XYZ" and pressing Undo left the caret after "XYZ".
The engine now tells the active tool about edit.undo and edit.redo
before it finishes the command. The Type tool keeps the edited text and
a list of the steps that changed it, and puts the caret, with nothing
selected, at the end of the span the step changed: where typed text
began after its Undo, after restored text after the Undo of a deletion,
and after retyped text after Redo. For the steps the tool made, it keeps
where the span ended, so text that repeats the characters next to it
puts the caret at the right end. A step that changes no characters,
such as a formatting change, leaves the caret and the selection as they
are. Typed lists keep their caret positions.
In Brazilian Portuguese the Character panel's Kerning field was named
Entrelinhamento, the word the catalog uses for Leading, so the two
fields had the same name. In Danish, Turkish, Indonesian and Dutch the
Reset Tracking and Kerning command named tracking with a different word
from the Tracking field, and in Dutch, Bulgarian and Greek the Info
panel's type line did the same.
The pt-br Kerning field is now Kerning (0 = Automático). The reset row
in da, tr, id and nl and the Info panel row in nl, bg and el now use
the word of the catalog's Tracking field. A new test checks that the
three fields have different names in every catalog and that the reset
row and the Info panel row use the field words.
BFlat