A successful command.batch now records its last Unite, Intersect or other
Pathfinder step as the operation Repeat Pathfinder runs, so playing an
action from the Actions panel updates it. A batch that fails and rolls back
leaves the previous operation in place. action.batch, which runs an action
over other files or data sets, does not set it.
When Alt switches the Pencil (with Alt key toggles to Smooth Tool on)
or the Blob Brush to the Smooth tool, the drag sent the drawing tool's
own Fidelity (1.5 by default) to path.smoothRegion. The Smooth tool
sends its own Fidelity (2.5 by default, set in Smooth Tool Options).
Both tools now smooth with the Smooth tool's Fidelity. The engine gives
them the stored Smooth Fidelity when it makes the tool, and again when
Smooth Tool Options changes while one of them is active. Each tool's
own Fidelity still sets how its strokes are fitted.
Every successful Shape Mode or Pathfinder operation now sets the
operation that Repeat Pathfinder runs, including direct
object.pathfinder.* commands, not only the panel's buttons. Trap,
compound-shape edits and live effects leave it unchanged, and a failed
operation keeps the earlier one. The panel menu names the remembered
operation, and Repeat runs it on the current selection with the current
Pathfinder Options.
With too few objects selected, Cmd/Ctrl+4 leaves the art as it is and
shows the panel's selection message in the status bar. Adds the
"no Pathfinder operation applied yet" rows to the Catalan and Turkish
catalogs, and tests for direct and failed operations, Trap, compound
shapes, current options, a one-path selection and the default keys.
A straight Knife cut now starts only when Alt is held at the press.
Alt pressed later in the drag, even before the pointer moves, leaves
the cut freehand. Releasing Alt during a straight cut keeps it
straight.
With Shift+Alt, the cut keeps to 45° steps from the horizontal and
vertical whatever the Constrain Angle. The Pencil's straight line
still steps from the Constrain Angle.
Tests cover Alt after the press, Alt only at the release, a 90° cut,
a 30° Constrain Angle, and the cut boundaries in the engine.
Docs: docs/target-app-parity.md.
The Knife cut along the freehand drag whatever keys were held. The
reference app cuts in a straight line with Alt-drag, and it cuts at 45
or 90 degrees with Shift+Alt-drag.
With Alt held at the press, or pressed before the drag has moved, the
Knife's stroke is the press point and the pointer: the dashed line
shows it while dragging, and the release sends path.knife with those
two points. With Shift held too, the line keeps to 45° steps from the
Constrain Angle, as the Pencil's Shift line does. Shift is read on each
drag event and at the release. The cut stays straight when Alt is let
go, a line taken back to its press point sends no command, and Shift
alone leaves the cut freehand.
Docs: docs/target-app-parity.md.
paint.invert and paint.complement on the Fill proxy, the Edit Colors
commands, the Blend commands and recolor.apply now recolor the color
that colorizes a grayscale or 1-bit image, as one undo step with the
other targets. Before, they left it unchanged. Expand Appearance and
Object > Expand bake color adjustment effects into that color too.
- A colorized image's pixels are not recolored; they stay the gray
coverage of its color. A stroke-only pass reaches the image's stroke
items and leaves its colorize color unchanged.
- A command that would leave a process color on a grayscale image with
an alpha channel fails with the existing message and changes nothing.
Object > Expand undoes its earlier steps when that happens.
- A colorized image counts as a filled object in a blend.
A colorized grayscale or 1-bit image draws its white pixels transparent and is written to
PDF with the image as a soft mask. Node::shows_transparency did not count it, so a PDF 1.3,
PDF/X-1a or PDF/X-3 export whose only transparency was a colorized image was not flattened
and kept the soft mask. A legacy .ai save also wrote such an image as opaque.
- shows_transparency counts a visible image with a colorize paint.
- The legacy .ai writer flattens or leaves out colorized images like other see-through images.
graphicStyle.addFromLibrary with apply: true and ids: null tried to
apply the style to no objects and failed with "no such objects" when
nothing was selected. A null `ids` now behaves as leaving `ids` out:
the style is applied to the selection when there is one, and only added
otherwise.
swatch.library.load, graphicStyle.loadLibrary, symbol.loadLibrary and
brush.loadLibrary read the whole file or decoded data before checking
`name`, so a call with a `name` that is not a string read the file
first, and with a missing file reported the file error instead of the
parameter error. The shared loader now checks every parameter before it
reads anything.
A colorized image's color channel is the paint's samples repeated once a
pixel, and nothing bounded its size: an image colorized in Registration in
a document with many spot swatches could allocate without limit, and an
overflowing length panicked inside repeat. The length is now computed with
checked arithmetic and refused above MAX_RASTER_ALLOC, the image's own
decode budget, and the export leaves such an image out with the existing
"an image couldn't be decoded" warning instead of drawing it uncolored.
Alt in a spiral drag now rounds the fitted segment count to whole winds
of four segments, counted from the segment count when Alt went down.
Ctrl/Cmd takes precedence when both keys are held, and switching back to
Alt starts from the current count with the held inner end kept. Arrow
keys, Escape, release and a new drag clear the held Alt count.
Tests cover both keys together, a switch mid-drag, Escape, the 2 to 1000
bounds and the committed path's anchor count. docs/mcp.md and
docs/target-app-parity.md describe the rule.
The reference app adds or subtracts winds from a spiral with Alt-drag
and changes its decay rate with Ctrl/Cmd-drag. VectorCraft's Spiral
tool did nothing with either key during a drag.
While a spiral is dragged out, Alt or Ctrl/Cmd keeps the spiral's
inner end at the distance from the center it had when the key went
down, and the outer end follows the pointer. With Alt the number of
segments changes to the nearest whole number that fits, within 2 to
1000, so dragging outward adds segments and dragging inward removes
them. With Ctrl/Cmd the decay changes to fit, within 5 to 99.99
percent, the decays a spiral is drawn with. When both keys are held,
Ctrl/Cmd changes the decay. Up/Down with a key still held move the
held radius to the new segment count. The new values stay when the
key is let go, and as the Spiral tool's segments and decay options
for the next spiral. Both keys also work with a 5 percent decay and
hundreds of segments.
Docs: docs/mcp.md, docs/target-app-parity.md.
Effect › Color Effects › Vector Halftone… (addon.color.halftone, also in
Object › Plug-ins › Color Effects) draws its object as the halftone dots
Object › Vector Halftone makes, live: mono (one dot colour, or each dot in
the art's colour under it) or CMYK screens, the five dot shapes,
frequency, angle, invert and clip to the art's outline.
- The screens, dots and caps move to vectorcraft_effects::addons::halftone,
shared by the command (its behaviour and tests unchanged) and the effect.
- The renderer samples the art (vectorcraft_render::addons::halftone) and
keeps the dots by the object's content and what it reads from the
document, so unchanged art isn't sampled again; past 100000 cells per
screen the object draws as it is.
- Expand Appearance turns the object into its dots, and the SVG, PDF, EPS
and AI exporters write them as paths.
- Its dialog reuses the command's fields, without Keep Original.
Deferred: stochastic and radial patterns, a dot-gain curve, per-screen
separation settings, type or symbols as dots.
Path Precision Tools gains the Parametric Shape Tool: ten kinds of shape
(rectangle, ellipse, polygon, star, ring, arrow, cross, heart, gear,
speech bubble) that stay editable as numbers.
- Geometry in vectorcraft_pathops::addons::pathtools::shapes: each kind's
outline, corner rounding limited to the middle of a side, a fingerprint
of the outline, recovery of centre, size and rotation after a move,
turn or scale, and recognition of plain rectangles, ellipses and
regular polygons.
- The tool (parametricShape, All Tools drawer and Object › Plug-ins ›
Path Precision Tools only, no shortcut): drag from the centre (Shift:
45° steps), arrow keys change the count and values while dragging,
handles edit a selected shape, double-click places one.
- Commands addon.pathtools.shape.create / .set / .convert, one undo step
each; params checked (counts 3..1000, sizes up to 16384 pt).
- A shape keeps its numbers in one object-data entry (vc-pathtools-shape)
that SVG export already leaves out; anchor edits make it a plain path.
- Parametric Shape panel, cursor stand-in, catalog rows in all 25
languages, docs and tests.
With no library yet, library.add made and saved "My Library" before it
looked for the group or item to place the new one by, so a bad `group`,
`before` or `after` failed but left an empty library behind. The new
library is now kept only once the item is in it.
Art dragged off the canvas and colours dragged in from elsewhere (swatches, another library's)
used to be added at the end of the ungrouped items, wherever they were dropped. They now land
as items dragged within the list do: on another item of their kind, just before or after it by
the pointer's half and in its group; on a group, into it; away from the items, ungrouped at the
end as before.
library.add takes group and before/after, placed as library.moveItem places an item (the
placement is shared). A library change that fails partway now leaves the library as it was.
People reuse the same gradients across documents and rebuilt them by
hand. The Gradient panel now has a Presets menu: the presets of the
app's built-in gradient libraries, grouped by library (theme), then
the saved ones. Choosing one gives the gradient behind the active
proxy (or a solid paint) the preset's type, stops, method and dither,
keeping its placement, as one undo step, through paint.editGradient.
The panel menu saves the current gradient as a preset (named in a
dialog) and deletes saved ones; Hide/Show Presets toggles the row.
Saved presets are kept with the preferences, next to the other user
preset lists (width profiles, flattener, perspective). Stops linked to
a document swatch keep their colour, unlinked, since a preset is used
in other documents. Built-in presets can't be deleted; names are
unique.
Commands: gradient.presets.list, .apply, .save and .delete. The menu's
rows are drawn only while in view, as its headings are.
Tests: engine tests for list, apply (fill and stroke, placement kept,
one undo step), save (unique names, unlinked swatch stops) and delete;
panel tests for applying from the menu and saving, deleting and
hiding presets from the panel menu, including scrolling the menu to
the saved presets. Docs: gaps G13, target-app and UI parity, ROADMAP.
Patch and triangle mesh shadings of more than 4,096 patches, and strokes
painted with a mesh shading, came in as a flat grey. Illustrator writes
meshes of up to 14,355 patches, and writes a freeform gradient on a
stroke as a stroke painted with a type 7 shading.
- MAX_PATCHES is 16,384, as in the .ai editing-data reader.
- A stroke painted with a mesh shading is the meshes clipped to the area
the stroke paints (stroke_outline: width, caps, joins, miter limit and
dashes, built in the path's space and then transformed); draw_meshes
always clips a stroke's meshes.
Two follow-ups to the empty-page fallback:
- A page counts as empty only when nothing on it was skipped: its only
notes are the page's own (art off the artboards, art past the page). A
page whose only content couldn't be read, such as an image that can't
be decoded, keeps its notes and goes through the usual check against
the editing data, instead of being replaced by it unchecked.
- With textAs: outlines, the document read from the editing data alone
has its type outlined. The usual path takes outlines from the page,
but an empty page (or a text-only placeholder, #1387) has none to give.
A mesh in the editing data that the reader couldn't read made the whole
file come in as its page or PDF part, without its layers. Three cases
were rejected that files write routinely:
- A mesh starts grey, and `/CS` is written only where the colour space
changes, before the corner it applies to, even within a patch. Meshes
with no `/CS`, or one that changed between corners, were unread.
- Named colours (`[c m y k /DeviceCMYK (name) /Process]` or `/Spot`) and
`/NChannel` inks: each corner gives the tint, 1 being the full colour.
- Grids over 64 patches a side or 4,096 patches (files have 97 x 72).
Each corner now takes the colour space last set before it; named
colours paint at their tint and inks overprint at theirs; the limits
are 128 a side and 16,384 patches.
BFlat