Add a muted flag to Keyframe. Muted keys stay in the Timeline and Graph Editor (dimmed, selectable and movable) but evaluation skips them, so the active neighbours interpolate as if they were not there; auto-Bezier and eases use the active neighbours. When every key is muted the property falls back to its static value.\n\nkeys.setMuted {muted} mutes or unmutes the selected keys in one undo step. The Timeline context menu offers Mute/Unmute Keyframes and the Animation menu has Mute Keyframes. Muted keys have no Bezier handles and motion-path points are dimmed.\n\nLottie export omits muted keys (with a warning) because Lottie has no mute state; scripting keeps seeing them in numKeys/key().\n\nTests: keyframe evaluation (linear, auto-Bezier spatial, all muted), serialization and value replacement, engine command + undo, Lottie export.
Reconcile main 991904888a and preserve the reviewed lifecycle, IME, rendering and lockfile changes.
Formatting, strict lint, layers, assets and WASM passed. Full CI retained 3,961 passes, 14 baseline-matching GPU failures and 31 ignored executions. The local review commit has explicit approval to retain these documented failures; native/browser acceptance and paired app performance remain open.
Review follow-up to the panel/dialog step: the composition-settings tabs
translate "Basic" and "Advanced" through `tr(variable)` and the Preview
transport translates "Play/Stop", but none of the three had a catalog
row, so they stayed English. Add them to the Japanese, Simplified and
Traditional Chinese catalogs and pin them in
`japanese_rows_translate_the_panels`.
The shared "Type" key means "kind" in the Project column and the Camera
Settings dialog, so the Chinese rows read 类型/類型 instead of 文字
("text").
Keep the graph button bar's automation labels English: translate only
the drawn label and tooltip, and translate the stored English strings
when the hidden-button menu draws them.
Recount the docs from the catalogs: 628 menu rows, 996 Japanese and 998
Chinese panel rows; count Simplified Chinese's 306 effect names in its
numerator (46%) and average the ten After Effects languages the table
actually names (21%, not the stale 27%). Update the measurement basis,
the cross-references in gaps.md and target-app-parity.md, and ROADMAP.
The panel catalog behind the menu bar translated the dialogs and
Preferences, but much of the work area was still English: panel tabs, form
fields, panel context menus, the tracker and graph controls, text-panel
options, the File panel's footers and the credits. Add 300 rows to the
Japanese catalog — and the matching Simplified and Traditional Chinese
sources the tests keep it in step with (the other languages may lag, an
untranslated row falls back to English):
- panel tabs (dock.rs / dock_ui.rs titles), the Project panel's columns,
footer tooltips and column menu;
- form and dialog labels and choice options (the forms the panels open —
import, interpret footage, render queue, trackers, text animators…);
- panel context menus (timeline layer/property menus, graph editor);
- the tracker, graph editor, text-panel, animator and Content-Aware Fill
labels;
- the Preview panel's transport tooltips, credits table headers and sort
options, the composition-settings tabs and the About links;
- the engine's text-animator menu labels, added as a data source like the
settings pages (they are interface text the panels draw).
Strings are wrapped where they are drawn with the existing `tr`/`tr_args`
mechanism (the label helpers already ask the catalog, so the data tables
need no new ids); the catalog tests keep the three complete languages
listing the same sources, reject duplicate or empty rows and keep the
placeholder counts. A new test assertion in
`japanese_rows_translate_the_panels` pins a sample of this step.
The panel catalogs are now 993 Japanese and 995 Chinese rows (the two
Chinese catalogs are the complete source list); with the 628-row menu
catalogs Japanese is 1,621 of ≈ 4,200 interface strings (39%, up from 27%).
Still English: effect parameter names (≈ 1,650 registry names, drawn from
the model, not the catalogs), Home-screen literals, tooltips drawn from
engine data, engine error messages, and the rows other languages lack.
Docs: localization-parity (header, per-language table, overall share,
revision history), ROADMAP (language table, progress log, revision history).
Co-Authored-By: Claude <noreply@anthropic.com>
(cherry picked from commit 6277a98f3ff6207bd215213af514c5f6fb481532)
(cherry picked from commit 646f4055b180d98ccc6ac6898b64ba97f9e2ad7d)
(cherry picked from commit b21932ed7058cec68da01d337ba46521501ebc49)
(cherry picked from commit 0d6b93962e123b2e0179622f2abd472cfa9015ac)
Opening the Graph Editor (header button, menu, Shift+F3, control channel)
frames the graphs on its first frame: Fit Selection to View when keys are
selected, else Fit All Graphs to View. Switching value/speed graph refits
too (different units). A selected key now shows its property's graph even
when its layer isn't selected, and Fit Selection on a lone key also frames
its neighbouring keys.
Co-Authored-By: Claude <noreply@anthropic.com>
(cherry picked from commit a3c95f601e78e7a12f62aba94ee3515b2ade1670)
(cherry picked from commit d6309ffad79b91676d6409d1845de508e485873d)
(cherry picked from commit 78f557433742e443c9b7db34c1dac67e6a2b8e18)
(cherry picked from commit 7a4e160434b7bf1289cbf5900a86715814d1c791)
The Graph Editor's bottom bar lays out 17 text buttons in one row
(about 1100 px) on a painter clipped to the graph area, so on a
normal-width Timeline the right-hand ones (keyframe interpolation and
easing) were cut off and unreachable. Buttons that would pass the bar's
right edge now go, in order, to a » menu at its end; picking one there
runs the same action on the next frame. Hidden buttons register as
timeline.graph.more.<id> while the menu is open.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01QiAJeFttZp83Fh7YuzAR5f
Right-clicking a property's name in the Timeline did nothing, so
Position's dimensions could be separated only from the Graph Editor.
As in After Effects, it now opens the property's menu: Reset, Edit
Value…, Separate Dimensions (Position and, once separated, X / Y / Z
Position, checked), Add / Remove Expression and Add Property to
Essential Graphics. Only Position separates, as in After Effects
(Scale stays one property).
`prop.reset` without `default` used to leave the value as it was: it
now gives the property its own default (an effect parameter's, or a
Transform property's, shared with Layer ▸ Transform ▸ Reset), which
also makes the Properties panel's Reset reset the values. `prop.set
{layer, prop}` without `value` opens the value dialog, like
`keys.set`.
Tests: timeline_property_names_have_the_property_menu
(ui_blank_context_menus), reset_gives_a_property_its_default (engine).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Timeline switches and column headers, the viewer's tools and guides, the Project panel's menus,
tooltips and the layer, properties, graph, marker, tracker and camera-tracker panels now go through
`crate::i18n`.
Dragging a Bezier handle in the Graph Editor changed only that key's
ease. As in After Effects, the same side's handles of every selected
key now move with it, by as much as the pointer moved (time and value
or speed alike), in one undo step. Each handle keeps its offset from
where the drag began, so a handle stopped at a limit (100 % influence)
doesn't drag the others on.
Test: a_graph_handle_drag_moves_the_handles_of_every_selected_key
(ui_keyframes).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- J / K (Go to Previous / Next Keyframe) and Ctrl+Alt+A (Select All Keyframes) act on what the
Timeline shows, as in After Effects: the keys of its revealed properties, layer and comp
markers and the work area (they used every property of the selected or all layers, revealed
or not). The commands take `visible: [{layer, prop}]`, which the Timeline fills in; agents
calling them without it keep the previous behaviour.
- Graph Editor ▸ Auto-Select Graph Type (an "Auto" button, on by default as in After Effects):
the speed graph when every property shown is spatial (Position, Anchor Point…), else the
value graph; choosing Value or Speed turns it off.
- Docs: parity, agents.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- `keys.transform {fromStart}`: each step of a merged drag gives the whole transform since the
drag started and applies to the keys as they were then. Keys squeezed onto one frame on the
way (Alt-drag scaling, the transform box) are no longer merged for good, and a slow
transform-box move, whose per-frame offsets rounded to nothing, now moves the keys.
- Dragging a key in the Graph Editor moves every selected key in time and value (it moved only
the grabbed one), by how far the pointer went from where the button went down (the key no
longer jumps under the pointer); Shift keeps the drag to the time or the value axis.
- Shift+click toggles a key in or out of the selection; Ctrl+click switches Linear ↔ Auto
Bezier and Ctrl+Alt+click toggles Hold, as in the Timeline.
- The transform box and the Timeline's Alt-drag scale send whole-gesture values.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Graph Editor (ANM-4) and timeline keyframe tools:
- Transform box around two or more selected keys: corners scale time and
value about the opposite corner, edges one axis, the inside moves the
keys (keys.transform, one undo step per drag, times land on frames).
- Snap: dragged key times snap to the current time and other keys.
- Show Reference Graph: the other graph type, faint, behind the curves.
- Timeline Alt-drag of a key group's first or last key scales the group in
time about the other end.
- keys.transform takes dims (only the shown dimensions change).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Engine (all commands with undo/redo + tests in engine/src/tests_timeline.rs):
- keys.copy/paste (Edit Copy/Cut/Paste route to keys when keys are selected;
relative timing kept, paste at CTI, cross-property paste of same type),
keys.selectAll (Cmd+Alt+A), keys.nudge* (Alt+Arrow, Alt+Shift+Arrow),
keys.set / keys.setEase (graph editor drags), keys.info (dialog data),
keys.timeReverse; keys.interpolation gains continuous/auto Bezier, spatial
interpolation and roving; keys.velocity takes per-dimension values and
Continuous.
- Roving keys (keyframe::retime_roving): constant speed along the motion path.
- Layer > Time: layer.timeStretch (percent|duration, hold in/current/out),
layer.timeReverse (Cmd+Alt+R), layer.enableTimeRemap (Cmd+Alt+T),
layer.freezeFrame, layer.freezeOnLastFrame; render uses Time Remap as the
source time for precomp/footage layers.
- prop.separateDimensions (X/Y/Z Position; prop.set on Position writes them).
- layer.setParent compensates so the layer stays in place (compensate:false
to opt out).
- prop.pickWhip writes AE-style reference expressions (thisComp.layer(..),
effect(..)(..), mask(..).maskFeather, temp=…;[temp,temp], …[0]).
- prop.setExpression: syntax errors keep the text but disable the expression.
- expr: arrays of properties returned by an expression are resolved.
UI: Keyframe Velocity, Keyframe Interpolation and Time Stretch dialogs;
Graph Editor (value + speed graphs, draggable keys and Bezier/influence
handles, auto-zoom, fit, show selected, separate dimensions, hold/linear/
auto Bezier/Easy Ease buttons); key + layer context menus. Clears the
workspace clippy -D warnings failures.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
bflatastic