addon.pathtools.divideDashes cuts the selected paths (or only their
direct-selected segments) into separate open paths of a dash length
measured along the curve, with an optional gap (gap pieces dropped
unless removeGaps is false) and Fit to Corners and Ends; pieces keep
the path's appearance, one undo step, at most 100000 pieces. Geometry
in vectorcraft-pathops; dialog with unit fields and Preview; tests,
sweep cases, catalog rows and docs.
addon.arrange.groupOverlapping groups the selected top-level objects
whose visual bounds overlap or touch, chains included (union-find over a
sweep along x, at most 20000 objects), only within one layer or group.
Each group takes its frontmost member's stacking place; one undo step,
all groups made in one pass over the tree. Menu item, tests, sweep case,
catalog rows and docs.
Character panel > Language sets the selected characters' language;
text.setFormat and text.setRangeStyle take `language` by name or tag
(unknown: an error), and character styles carry it. Document Setup's
language list gains Hindi, Marathi, Gujarati, Bengali, Punjabi, Tamil,
Telugu, Kannada, Malayalam, Odia and Urdu, with catalog rows; the
Digits menu's numeral names move to a digits context, as Hindi is now
also a language name.
Regions that only the pointer uses were made with Sense::drag() or
Sense::click_and_drag(), which egui makes focusable, so Tab stopped on
each of them and no key acted there. They now sense drags (and clicks
where they use them) without taking the keyboard focus: the custom
title bar's background and the window's resize zones, the band that
moves a dialog, the Tools panel's grip, a flyout's and a floating
strip's tear-off bar, the isolation bar's background, and the rulers
and their origin box. Their pointer behavior is unchanged, and the grip
and tear-off bars keep their screen-reader names.
Each region has a test that tabs through its UI and fails without the
change.
The Package status and question, the missing-links note, the Missing Fonts
and Find Linked Files search counts, the modified-links questions, Apply to
All, and the CSS Properties panel's notes no longer use a fixed "(s)" or
plural template. They use the plural rows of each catalog, so "1 linked file
not found" and Czech "Nenalezeny 2 propojené soubory" read correctly.
The searched line is built from two plural phrases, "{n} folder" and
"{n} file", in a "{folders} and {files} searched" frame. Package rows that
joined the note to the folder without a space now keep the space.
The `-2`, `-3` suffix for a data set output that already exists is now
looked up only when the destination folder and the output path pass the
read and write access checks, so a call cannot learn which files exist in
a folder it may not use.
The lookup uses only extensions of formats the app knows, without path
separators or `..`, and only paths whose parent is the destination folder.
A step whose `format` is unknown keeps its own path instead of being
pointed into the destination folder. A data set or document named `.` or
`..` gets the `Untitled` stem with its three-digit number.
The Batch dialog has a File Name choice for a Data Sets source, starting
with File + Number (`source001`), as well as File + Data Set Name
(`source_Alpha`) and Data Set Name (`Alpha`). `action.batch` takes it as
`datasetFileNaming`; a call without it keeps File + Data Set Name, and a
folder source ignores it. An unknown value is an error.
A data set output whose name already exists in the destination folder
now takes the next free `-2`, `-3` suffix instead of replacing the file,
and a Windows device name under Data Set Name gets a trailing `-`.
File › Open and File › Place read JP2 files and raw JPEG 2000
codestreams (.jpf, .jpx, .jp2, .j2k, .j2c, .jpc) through hayro-jpeg2000,
and store the pixels as PNG. Gray, RGB, CMYK and ICC-tagged images, with
or without alpha, are converted to RGBA. Several codestreams, JPX
composition or layers, other color spaces, inconsistent or oversize
palettes, inconsistent channel definitions, oversize tile grids and
images past the pixel allowance are refused with a message before the
pixels are decoded.
The capture and display resolution boxes size the image: the box that
comes last sets each axis, and an axis without a usable value uses
72 ppi.
IccProfile::to_srgb_into converts a pixel with the cached transform and
no heap allocation.
A menu under each of the five tiles in Pattern Brush Options lists None,
Original and the document's pattern swatches; the corner menus keep the
four automatic corners. A swatch choice copies the swatch's whole art and
its tile frame into the brush, so the brush keeps drawing after the swatch
is deleted, and the menu then shows that art as Original. Side cannot be
None: OK shows "You must choose a side pattern." and keeps the dialog open.
brush.options takes side_tile, outer_corner_tile, inner_corner_tile,
start_tile and end_tile (a pattern name, none, original, the corner auto
ids, or {"pattern": name} for a swatch named like one of those words), and
rejects side_tile "none" and unknown names before editing.
The dialog offers Remove Strokes and Cancel, so the question asks only about taking the brushes off the strokes. Both questions are reworded in every catalog.
The question for brushes no stroke uses reads "Delete the brush selection?" with Yes and No, from the bottom button and the panel menu, and Alt-click (Option-click on macOS) on the button still deletes them without asking. When a stroke uses one of the brushes, the button, Alt-click and the menu item ask with Remove Strokes and Cancel; Remove Strokes deletes the brushes and the strokes that used them become plain strokes.
brush.unused also counts the tile that pattern editing's Cancel puts back, which brush.delete already clears, so the panel asks the in-use question for a brush only that tile uses.
The Brushes panel's Delete Brush button and its panel menu item now ask
before deleting the selected brushes, as Swatches and Graphic Styles do.
OK deletes them in one undo step and strokes that used them become plain
strokes; Cancel leaves the document unchanged. Alt-click (Option-click on
macOS) on the button deletes without asking. The brush.delete command
still deletes at once.
A live rectangle, rounded rectangle, ellipse or polygon selected with the
Selection tool shows a Shape Properties button where Lock was. It opens a
popup with the shape's rows from the Transform panel, which stays open
while the fields are edited. Every other selection, and the Direct and
Group Selection tools, keep Lock; Object > Lock and Cmd+2 still lock a
shape.
The Transform panel, the Properties panel and the popup draw the rows
through one live_shape_rows function.
The Symbols panel's Delete Symbol button and menu item now ask before
deleting. A symbol no instance uses gets "Delete the selected symbol?"
with Yes and No. A symbol with placed instances gets Expand Instances,
which turns the instances into ordinary art, Delete Instances, which
removes them, and Cancel; either Instances button deletes the symbol in
one undo step. Alt-click on the button deletes an unused symbol at once
and still asks about one with instances.
The question is bound to the document it was asked in: once another
document is active, or the symbol is gone, Yes deletes nothing, and a
symbol that gained instances while the question was open gets the
in-use question instead. symbol.delete itself does not ask.
The shared dialog frame takes a Cancel label (DialogSpec::cancel) for
the No button. The new strings have rows in every catalog.
SVG export ignored an image's colorize paint and wrote the image's own
black, white and gray pixels. EPS export flattened every colorized image
into a process-color raster, so a spot color lost its plate. Both now
write the image in the fill color, with the coverage the canvas and PDF
export use (darkness times alpha), so white and transparent pixels take
no color.
- SVG writes a coverage PNG as a mask over a rectangle in the color,
shared between repeated images while each keeps its own color. Linked
mode writes the coverage PNG as a file, and SVG Tiny 1.2 writes a PNG
in the color. A colorized image whose pixels are missing, or whose
grayscale pixels can't be decoded, is left out with a warning.
- EPS writes fully covered or uncovered pixels as an imagemask in the
color's process or Separation ink (Registration on every plate), and a
grayscale image as ink samples scaled by coverage. Level 3 masks its
uncovered pixels out and Level 2 writes them white; gray midtones are
written over white, with the existing warnings.
- EPS flattening no longer counts a solid colorize paint on a grayscale
or 1-bit image as transparency by itself. Opacity, blending modes,
opacity masks, effects and overlapping transparent art still flatten
it, and so does a colorize paint the writer can't draw.
The svg crate's tests turn on resvg's raster-images feature to render
the embedded PNGs.
Docs: docs/mcp.md, docs/target-app-parity.md.
The tip preview square in the Blob Brush Tool Options set the Angle by a
drag but had no accessible name, no value and no keyboard control.
Screen readers now get it as the Angle slider with the Angle in degrees
as its value. A click or a drag gives it the keyboard focus, and the
arrow keys, Shift with an arrow, Page Up and Page Down, Home and End
step the Angle within -180 to 180 degrees, as the dialog sliders built
on color_slider_stepped do (crates/ui-egui/src/widgets/color.rs). The
new widgets::stepped_area gives a caller-drawn control that slider's
screen-reader node, focus, keys and focus outline.
Homography::then_after returned products whose entries could overflow to
infinity or become NaN. A move, transform or grid reproject of type or a
symbol instance whose stored projection has large finite entries stored such
a product, and the type was then drawn flat, since a projection that is not
finite reads as none.
- Homography::checked_then_after returns None when an entry of the product
is not finite.
- project_node composes each type and symbol instance projection with it and
returns false, leaving the object as it is, when one would not be finite;
moves and transforms in perspective and Define Perspective Grid with
reproject then return the horizon error and leave the document unchanged.
- transform_map, attach_homography and size_homography return None for such
a product.
- Edit Text returns the horizon error, and does not enter isolation mode,
when the type cannot be shown flat where it is drawn.
A built-in add-on in Object › Plug-ins › Arrange Tools (#4830, #4831, #4832, #4833, #4834):
- addon.arrange.grid lays the top-level selected objects out in rows and
columns, a row or a column (stacking order from the back, visual bounds,
each object centred in its cell), from the selection's top-left or
centred on the artboard.
- addon.arrange.swap swaps two objects' bounds centres, and with `size`
their widths and heights.
- addon.arrange.replace puts a copy of the topmost selected object centred
on each of the others, in its stacking place, kept, stretched or fitted
in proportion; the replaced objects are deleted unless `keep`.
- addon.arrange.size gives each selected object an exact width and/or
height about a reference point.
- addon.arrange.zoomSelection (a UI command) fits the active view to the
selection.
Places and sizes are measured as object.setBounds measures them (its
transform, now also available per object), strokes scale as Scale Strokes
& Effects says, each command is one undo step, and Arrange in Grid,
Replace with Top Object and Set Size of Each open previewed dialogs.
Catalog rows, command sweep cases, docs/mcp.md, parity docs and the
ROADMAP progress log.
The tangent and perpendicular case is done for every tool the public pages name; its evidence stays in the revision row and in gaps.md and ui-parity.md.
The canvas keeps a hairline visible by raising a stroke's weight to half a device pixel. A width profile multiplies that weight, so a 1 pt stroke with a 6x width point swelled to twice its size at 25% zoom and shrank back on zooming in. The minimum now goes to the profile's widest point instead; plain strokes are unchanged.
The grid options' public page lists a Preview option: the repeat on the canvas follows the fields while the dialog is open. Object > Repeat > Options had none, so a change showed only after OK. Now a Grid Repeat's dialog has the checkbox: Cancel puts the original back without a history step, OK keeps the previewed values as one undo step. Radial and Mirror Repeat Options are left as they are, since their public pages list no Preview.
A mesh read from a file can have any number of patches, and the view any zoom: a 150 x 150 mesh from a 3 MB file exported at 20x asked for about 23 million quads (2 GB), and the command's own cap of 50 rows and columns does not apply to a loaded one. One tessellation now makes at most 1,048,576 quads, the subdivision per patch giving way before that, and a mesh with more patches than that is malformed, like a point count that does not fit.
perspective.move takes constrain: true instead of a plane-space
direction. For each object, the command snaps the move to the nearest
axis or 45-degree diagonal of that object's own plane, so a selection on
several planes keeps every object on a line of its plane. The tool sends
the raw pointer with the flag.
On a diagonal, Snap to Grid now moves along the diagonal by the nearer
per-axis correction, so that edge lands on its gridline.
Holding Shift while dragging objects with the Perspective Selection tool
snaps the move, in the plane's own coordinates, to the nearest plane axis
or 45 degree diagonal. This applies to plain moves and to Alt and
Ctrl+Alt copies. The preview, the final move and the measurement label
use the snapped point. Pressing or releasing Shift, pressing 5 and
pressing 1 to 4 during the drag recompute the preview from the pointer;
a move perpendicular to the plane is not constrained.
Blob Brush Tool Options gain Angle (-180 to 180 degrees, 0 by default)
and Roundness (0 to 100 percent, 100 by default), with a preview of the
tip and three dabs; a drag in the preview square sets the Angle. The
elliptical tip keeps its angle on the page along a stroke, a 0 percent
tip is drawn 0.1 percent as wide as it is long, and Size set to
Pressure still varies its size. path.blob takes angle and roundness,
and both values are kept with the tool's options.
While a non-round tip drags, the Blob Brush shows the outline of the
area it covers with its length label, and an Alt drag that smooths
shows the Smooth tool's thin line.
An open path with a single straight segment was written as a two-vertex
LWPOLYLINE (POLYLINE before R14). It is now a LINE entity from its start
to its end point. A stroke with a weight in R12, R13 and R14 keeps its
polyline, since a LINE has no width. Closed paths and paths with more
than one segment are unchanged.
Part of #1299.
The confirmation for deleting several swatches and groups now goes
through i18n::tn, as the Graphic Styles prompt does, and each catalog
gives the count-dependent forms in an @plural row.
eframe's web build sends a keystroke's text before its key press. On a
layout without Latin letters, the one-key shortcuts paired each text with
the last key press before it, so in the web build a lone keystroke had no
key and ran no shortcut, and a second keystroke in the same frame used
the first one's key.
Each text now takes the press right before it, unless an earlier text in
the frame took that press, and otherwise the press right after it. The
one-key shortcuts and the shortcut names a tool sees while it is busy use
the same pairing. The desktop order (key, then text) pairs as before.
With Document Swatches as the library, traced fills and strokes take the
library color without a swatch link. Global, spot and tint swatches no
longer link the trace, so editing a swatch later leaves the trace
unchanged, and swatch order no longer decides whether a fill is linked.
Each region still takes the nearest library color, and a tint traces at
the color the tint swatch shows.
The Tabs panel's ruler shows an upper marker at the first line's position
(left indent plus first-line indent) and a lower marker at the left
indent. Dragging the upper marker sets the first-line indent. Dragging the
lower marker sets the left indent and keeps each paragraph's first line
where it was; Ctrl-dragging it (Command on macOS) moves both markers.
Marker drags land on whole points, or on ruler ticks with Snap to Unit or
Shift, and each release is one undo step through text.setFormat. With a
marker selected, the X (or Y) field shows and sets its position.
When the touched paragraphs have different left indents, only the upper
marker is shown, and its position applies to every touched paragraph.
bflatastic