Its glyphs were put in visual order and then cut where the path ran out, which kept the text's end. Now the longest start of the text, in reading order, whose glyphs fit in visual order is laid out, as area type does with each line it breaks, by the same rules that place the line: steps where the glyphs sit, hanging punctuation and the path beyond the brackets.
Glyphs placed one by one with even gaps could be letters set apart or
words of one letter each, and a file's positions can't tell them apart.
The spacing a line's letters share is now taken off its gaps only when
the line also shows where its words break: with spaces it draws (as
with Tc), or with gaps wider than the rest (tracked words placed glyph
by glyph). Otherwise every gap past a fifth of an em is a space, as
before, so A, B, C and D placed with ordinary word spaces between them
still come in as "A B C D".
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A line whose shared gap is over half an em is no longer read as letter
spaced: capping that gap at half an em left glyphs set 0.55 em apart
with no spaces. The regression now covers 0.55, 0.75 and 1 em.
Whether a line is right to left is now known before its gaps are read,
from its logical order: the paragraph direction is only set afterwards,
so right-to-left lines were read for letter spacing too.
The revision-history row moves out of the Headline table, where it had
been put by mistake.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
# Conflicts:
# docs/target-app-parity.md
Document Info had no Repeat Objects category, and document.info
refused category "repeats". The reference app's Document Info panel
menu lists Repeat Objects after Font Details.
Document Info now has a Repeat Objects category after Embedded Images.
It lists each radial, grid and mirror Repeat object by name with its
kind and the number of instances it makes. For a grid it gives the
rows and columns instead, followed by the number of instances it
draws when that is fewer. The count comes from the new
RepeatSpec::instances, which gives the number of instances a repeat
draws. That number is smaller than its options give when repeats
nested in its source would pass the instance budget. With Selection
Only the category lists the Repeat objects in the selection.
document.info gives them as repeatObjects, the panel's flyout offers
the category, and the text report that Document Info › Save… and
File › Package write has a REPEAT OBJECTS section. The title has a row
in every catalog.
Docs: docs/mcp.md, docs/target-app-parity.md.
With one clip group selected, the Properties panel has Edit Clipping
Path and Edit Contents at its top, under the Clip Group heading, as the
reference app does: "With the clip group selected, click the Edit
Clipping Path button at the top of the Properties panel to select and
edit the mask, or click the Edit Contents button to select and edit the
masked content"
(https://www.adobe.com/learn/illustrator/web/crop-using-masks). They
run the existing object.clippingMask.editMask and editContents, which
select the clipping path or the clipped art for the selection tools, as
Object > Clipping Mask does. Edit Contents shows only when the group
clips something. With several objects selected they don't show (the
tutorial describes one selected clip group); the Contextual Task Bar
does the same. Both labels are already in every catalog.
Test: panels::properties::tests::one_clip_group_has_edit_clipping_path_and_edit_contents_at_the_top
(first under the heading, each selecting its part; Edit Clipping Path
alone once the clipped art is deleted; neither for a clip group
selected with another object in either order, or for a plain group).
Documented in docs/target-app-parity.md, docs/ui-parity.md and
docs/gaps.md.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Illustrator documents Unite as a single compound path; use shape_node_styled and compoundPath.release in tests instead of wrapping islands in groups.
Co-authored-by: Cursor <cursoragent@cursor.com>
After Unite, split the result with draw2::components so each island (outer
contour plus its holes) becomes one group child instead of one compound path.
Co-authored-by: Cursor <cursoragent@cursor.com>
Switch to the Touch built-in workspace when the preference is on and a touch
screen is present; restore the prior workspace when it is turned off.
Co-authored-by: Cursor <cursoragent@cursor.com>
Mixed left/right/first-line indents and space before/after now follow the same shared-value rules as alignment buttons.
Co-authored-by: Cursor <cursoragent@cursor.com>
After scaling groups, type.scaleTextAttributes matches panel sizes to what draws on canvas without leaving scale in the affine.
Co-authored-by: Cursor <cursoragent@cursor.com>
Star corners with a large uniform radius kept None in the panel because fitted draw radii differ per tip; tests and UI expect the value the user set.
Co-authored-by: Cursor <cursoragent@cursor.com>
Store corner radii as fractions of each corner's max so rounding scales with the shape; expose via Corners dialog and object.setLiveShape relativeRadii.
Co-authored-by: Cursor <cursoragent@cursor.com>
Hue Shift colorization can sample key color from canvas art via the
eyedropper next to the swatches, matching Illustrator's brush workflow.
Co-authored-by: Cursor <cursoragent@cursor.com>
Users can pick an image in the Texturizer dialog; it is stored as relief heights and survives save/open like Glass textures.
Co-authored-by: Cursor <cursoragent@cursor.com>
Overlapping faces take the highest of each CMYK channel from every covering shape and drop strokes, matching Illustrator's Hard Mix effect.
Co-authored-by: Cursor <cursoragent@cursor.com>
Pen Cmd-borrow keeps Direct Selection when Alt is held so guide copy and other Alt modifiers on the lent tool still work.
Co-authored-by: Cursor <cursoragent@cursor.com>
When Direct Selection was last used or is active, Cmd+Alt borrows Group Selection for pointer presses, matching the documented modifier chord.
Co-authored-by: Cursor <cursoragent@cursor.com>
Route dock and floating strip reorders through shared logic, sync layout.floating order, and assert reorder via window.panel.move in the harness test.
Co-authored-by: Cursor <cursoragent@cursor.com>
Route floating strip drags through the same command path as the dock strip and centralize group tab index moves in one helper.
Co-authored-by: Cursor <cursoragent@cursor.com>
Reuse catalogued window.panel.move errors, keep legacy dock drags from clearing docking on Escape, reorder floating tabs locally without reconcile re-entry, and fix dock_tab_order test setup.
Co-authored-by: Cursor <cursoragent@cursor.com>
Legacy and floating strip drags update order via the panel.move command; partial saved orders append missing tabs, with command-level tests and Illustrator workspace doc link.
Co-authored-by: Cursor <cursoragent@cursor.com>
Rows two PRs of the batch both changed came out twice in localization-parity, target-app-parity and type-parity; the newest of each is kept. prefs_dialog.rs is formatted.
A Word paragraph justified with w:jc lowKashida, mediumKashida or
highKashida placed as plain justified type, and its kashida length was
dropped. ECMA-376 Part 1, 17.18.44 (ST_Jc) gives these values a
slightly longer, a medium and the widest kashida length.
Such a paragraph now places justified with Insert Kashidas set to
Short, Medium or Long. A paragraph justified with both, and every other
alignment, still places with Insert Kashidas set to None. VectorCraft
writes no Word or RTF files, so this change does not affect export.
Docs: docs/mcp.md, docs/target-app-parity.md.
A click on the Tabs panel's ruler added a stop, and a drag moved one,
at the fraction of a point under the pointer. The reference app's Tabs
page says that the tab ruler does not set stops in increments smaller
than 1, and that the X or Y field sets them as finely as 0.01 point.
The page does not name the unit of 1. The ruler here uses 1 point, the
unit the page gives for the X or Y field, in every General unit.
With Snap to Unit off and Shift not held, a stop placed or dragged on
the ruler now lands on the nearest whole point. With Snap to Unit on,
or Shift held, it still lands on the ruler's nearest tick, which on a
millimeter ruler is a fraction of a point. A position typed in the X
or Y field keeps its hundredths of a point.
Docs: docs/target-app-parity.md.
#2027 gave vectorcraft-text and vectorcraft-engine a `bundled-fonts`
feature for an embedder that supplies every document font at run
time, but vectorcraft-ui-egui (and vectorcraft-mcp) named the engine
with its default features, so an embedder that hosts the panels got
the fonts whatever it asked for. Each now has a `bundled-fonts`
feature of its own, on by default, that turns the engine's on, so a
downstream user keeps the fonts unless it asks otherwise. For a
member to leave the engine's default features out, the workspace has
to declare the engine without them, as it already declares
vectorcraft-text; the crates that used the engine's default now ask
for the fonts: the three apps and vectorcraft-testkit. Off,
vectorcraft-text's copy of the fonts (3.4 MB) is left out; theme.rs's
own copies of five of them, the panels' interface faces, stay either
way.
Nothing the workspace builds changes: for every workspace member and
for the whole workspace, with and without dev-dependencies, for all
targets, wasm32-unknown-unknown, aarch64-apple-darwin and
x86_64-pc-windows-msvc, `cargo tree -e normal[,dev] -f '{p} [{f}]'`
resolves the same features for every package as on main, apart from
the new feature names (the engine's `default` no longer listed;
ui-egui's and mcp's `bundled-fonts` and `default`).
A test of the panels can't see their configuration without the fonts
(their dev-dependencies turn them on), so `cargo xtask ci`'s
`no-bundled-fonts` step now also reads that tree for
vectorcraft-ui-egui and vectorcraft-mcp: with their default features
it must show the fonts, and without them, for any target (a wasm-only
dependency too), it must not. Documented in docs/development.md
(Fonts › Leaving out the bundled fonts).
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Jürg Lehni