The type parity row no longer says the NumLock-on path was tried on
Windows: neither path has been run on a Windows machine yet. The comment
on the NumLock-off egui keys says Clear comes as the top-row 5, and the
test comment names the keys 0151 and 0234 actually use.
Follow-up to #5939. With NumLock off the keypad sends Insert, End, arrows,
Clear, Home and Page Up/Down; Windows still composes the code from them,
but the app also moved the caret, so the character landed elsewhere. With
Alt held, those keys without the extended-key flag now count as digits and
are taken out of the frame; the separate navigation keys keep their meaning.
Found while testing crates/render/src/encode/psd.rs:225
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Each rib of a dashed stroke with a width profile looked up to 256 points
either way along the path, asking the profile at every step, and reached
as wide as the stroke gets anywhere past that. A sliding maximum over the
points' precomputed cover now gives every rib's reach in time in
proportion to the points, with no bound and no fallback to the widest
width (review on #6093).
With a width profile, every slice of a stroke gradient (along or across)
reached as far as the stroke is wide anywhere. Where the stroke crosses
or runs close by itself, the later, narrower part painted a square of
its colour over the wider part beside it, clipped only to the whole
outline. Each rib now reaches as far as the stroke is wide there and on
its way to the next points (each side of a profile stays between its
widths at a span's points); for a dashed stroke, as wide as it gets
within a cap's reach, since caps and dots reach along the path.
The mask test now checks the whole fill and stroke (colour, overprint,
width, cap, join, miter, dash) and the fill rule against the owner's,
and that an object after the mask's dictionary paints with the owner's
paint, not the paint the mask's art set. open_mask_object gets a doc
comment.
A dictionary's state starts afresh, with a black fill. Mask art is written
going on from the paint before the mask's dictionary, which the writer leaves
out when it doesn't change, so a mask rectangle with no colour of its own
came in black and hid the white letters it masks. Mask art now starts from
the paint (fill, stroke, line style, fill rule, overprint) before the
dictionaries it is in; lock, visibility and transparency still start afresh.
A pattern's definition (in either form) and a brush's art were read
without the file's art styles, so an object there with a style came in
as the look it draws, with a "drawn look" note, while the same object on
a layer or in a symbol came in as itself with its effects live. The
three definition readers now take the art styles as the symbol reader
does, and an object in a pattern's art with a style in the file's style
list keeps that graphic style's id.
An art styles section inside a symbol's, a pattern's or a brush's art
is now skipped, so it no longer replaces the file's own art styles.
The editing-data writer wrote a run's key 35 only for Tate-chu-yoko (3).
Type with Standard Vertical Roman Alignment, on or off, was saved with no
key, so the setting was lost from the editing data. Every run now carries
key 35 in the form the reader reads it (crates/eps/src/import/ate.rs,
Texts::style, lines 669-670): 1 when the setting is on, 2 when it is off
and 3 for Tate-chu-yoko. The document's defaults and the normal character
style carry 1.
Key 35 holds one value, so a run with both Tate-chu-yoko and the setting
is written as Tate-chu-yoko, and the save reports the type attributes
warning for it.
- writer/texts.rs: baseline_direction() gives each run's value;
normal_char() writes 1; loses() and TYPE_ATTRIBUTES name the setting.
- tests.rs: a vertical and a horizontal object with the setting on, off
and Tate-chu-yoko come back the same through the reader, lay out as
before, and carry the expected keys; a run with both is reported.
- docs/file-format-parity.md: the .ai save section lists the written
values.
Don Omondi