Double-clicking the Live Paint Bucket did nothing, and the tool always
filled on a click, stroked on Shift-click and highlighted in red at
4 px. It now opens Live Paint Bucket Options with Paint Fills, Paint
Strokes, Highlight, Color and Width.
- Paint Fills (on) and Paint Strokes (off) set what a click paints.
With Paint Strokes alone, a click strokes the edge within 4 px of the
pointer. With both on, a click strokes an edge within 4 px and
otherwise fills the face. With both off, a click paints nothing.
- Shift switches Paint Fills alone to Paint Strokes alone and back, and
switches both to Paint Fills alone. With the defaults, Shift-click
strokes the edge as before.
- Highlight turns the outline of the face or edge under the pointer on
or off; Color (a layer color or a custom color) and Width (1 to 20 px)
set it. With Paint Strokes alone, a selection of ordinary paths no
longer highlights a region, since a click there paints nothing.
- The options are tool options (tool.setOption {tool:
"livePaintBucket"}): they last across tool switches and are saved
with the preferences.
Docs: docs/mcp.md, docs/target-app-parity.md.
Character panel menu > Standard Vertical Roman Alignment, with Show East
Asian Options, is now a check item. It sets a new character attribute,
`standardVerticalRoman` (text.setFormat, text.setRangeStyle), off by
default and saved only when on. In vertical type the marked Latin
letters, digits and other characters that would lie on their side stand
upright one below the other, each in its upright cell. Spaces keep their
width and tate-chu-yoko blocks stay across the column. Horizontal type
keeps the mark and does not change. A combining mark shaped as its own
glyph turns with its letter, in Latin and CJK upright type alike.
Character Style Options labels the Character Alignment row "Character
Alignment" and gives Standard Vertical Roman Alignment its own checkbox.
Reset Panel turns the attribute off. PDF and SVG export place the glyphs
from the layout and need no change.
symbol.unused lists the symbols nothing places: instances in the art
(opacity masks included), graph designs, pattern tiles and brush art
count, and so do instances in a used symbol's art. The Symbols panel
menu's Select All Unused shows them selected, and Delete Symbol asks
once and deletes those still unused in one undo step
(symbol.delete {names}).
A 16-bit piece holding half of a UTF-16 surrogate pair was placed with
U+FFFD in its place; the document is now refused. A pair split between
two pieces is decoded as one character.
A field with no result (no separator, never ended, or nested past 64)
is left out with its own warning, and the warning about fields placed
as their results is given only for fields that have one.
File > Place reads a Word 97-2003 document (a compound file named .doc,
or one that holds a WordDocument stream) and sets its main text as area
type, as it does for .rtf and .docx files. The text comes from the
piece table, in 16-bit Unicode or compressed 8-bit pieces. Formatting
is resolved from the style sheet's default font, the paragraph style,
the character style and the direct character and paragraph properties,
and keeps the same properties the .docx reader maps.
Table cells are separated by tabs and each row is a paragraph, and a
field places as its result. Hidden and deleted text, pictures, headers,
footers, notes, comments and text boxes are left out, and the reply's
warnings name each kind of content left out or changed once. Word 6.0
and Word 95 documents, encrypted documents and documents last saved
with fast save are refused, and so are structures that lie outside
their streams.
The compound file is read with the cfb crate (MIT), which adds one
package to Cargo.lock.
Each action set now has an id of its own, assigned when the set is made
(Default Actions, New Set, Begin Recording on an empty panel) and when it
is loaded from the saved preferences. The id is not saved.
The question Delete Selection asks about sets holds their ids, and
ui.actionSet.delete takes ids in place of all: OK deletes the asked sets
wherever they are now, and deletes nothing when one of them no longer
exists. Before, the question matched sets by the list of names, so with
two sets of the same name, or a new set made under the asked one's name
while the question was open, OK could delete a set it did not ask about.
The Delete Selection question now carries the names of all sets as they
were when it asked (`all`). `ui.actionSet.delete` deletes nothing unless
the panel's sets still have exactly those names in that order, so a set
with a repeated name that moves into the asked index is not deleted.
Shift-click on a set's name selects the sets from the current one to it
also while an action in the current set is selected.
The question Delete Selection asks now passes the names of the sets it
names along with their indexes. ui.actionSet.delete deletes nothing and
returns an error when the set at an index no longer has that name, so a
set deleted or added above them while the question is open does not
make OK delete a different set. An index above the platform's usize
range is refused as "no such action set" instead of wrapping on 32-bit
builds.
Delete Selection in the Actions panel (the bottom bar's trash and the
panel menu's new Delete) now deletes the selected action set with its
actions and keeps the other sets, after asking. A selected action is
still deleted at once. Shift-click on a set's name selects the sets from
the current one to it, and one question deletes them together. Default
Actions and the last set can be deleted; New Set still works on the
empty panel.
ui.actionSet.delete {sets?: [index]} does the deletion: an index past
the last set is an error before anything is deleted, a recording into a
deleted set stops, and a recording into a later set stays in its set.
Undo does not restore a deleted set.
Double-clicking the Objects on Path tool opens Objects on Path Tool
Options: a nine-point Pivot grid, a Rotate field, Reset (the center and
0) and Save. Save sets the tool's options, which last across tool
switches and are saved with the preferences. The tool sends them with
each attach, and object.objectsOnPath.attach without pivot or rotate
uses them, so they apply to the objects attached next; groups attached
before keep theirs.
addon.pathtools.divideDashes cuts the selected paths (or only their
direct-selected segments) into separate open paths of a dash length
measured along the curve, with an optional gap (gap pieces dropped
unless removeGaps is false) and Fit to Corners and Ends; pieces keep
the path's appearance, one undo step, at most 100000 pieces. Geometry
in vectorcraft-pathops; dialog with unit fields and Preview; tests,
sweep cases, catalog rows and docs.
addon.arrange.groupOverlapping groups the selected top-level objects
whose visual bounds overlap or touch, chains included (union-find over a
sweep along x, at most 20000 objects), only within one layer or group.
Each group takes its frontmost member's stacking place; one undo step,
all groups made in one pass over the tree. Menu item, tests, sweep case,
catalog rows and docs.
Character panel > Language sets the selected characters' language;
text.setFormat and text.setRangeStyle take `language` by name or tag
(unknown: an error), and character styles carry it. Document Setup's
language list gains Hindi, Marathi, Gujarati, Bengali, Punjabi, Tamil,
Telugu, Kannada, Malayalam, Odia and Urdu, with catalog rows; the
Digits menu's numeral names move to a digits context, as Hindi is now
also a language name.
A save in the native, template or .ai formats with separateArtboards writes an
artboard file even when the document has one artboard, so an existing file with
that name now gives the data set the next free suffix too.
When a step can write one file per artboard (Save in the native, template or
.ai formats, or Export in SVG, EPS, the raster formats, DXF, EMF, WMF or .ai)
and the document has more than one artboard, an existing file with one of the
stem's artboard file names now gives the data set the next free -2, -3 suffix,
as the stem's own file does. Names a data set's outputs will take are also
reserved for the later data sets of the same batch.
The naming choice reaches batch_datasets as a field of the run, and the short
Batch entry in docs/mcp.md is back to main's text; the longer Batch section
names datasetFileNaming and when an existing output gets a suffix.
The `-2`, `-3` suffix for a data set output that already exists is now
looked up only when the destination folder and the output path pass the
read and write access checks, so a call cannot learn which files exist in
a folder it may not use.
The lookup uses only extensions of formats the app knows, without path
separators or `..`, and only paths whose parent is the destination folder.
A step whose `format` is unknown keeps its own path instead of being
pointed into the destination folder. A data set or document named `.` or
`..` gets the `Untitled` stem with its three-digit number.
The Batch dialog has a File Name choice for a Data Sets source, starting
with File + Number (`source001`), as well as File + Data Set Name
(`source_Alpha`) and Data Set Name (`Alpha`). `action.batch` takes it as
`datasetFileNaming`; a call without it keeps File + Data Set Name, and a
folder source ignores it. An unknown value is an error.
A data set output whose name already exists in the destination folder
now takes the next free `-2`, `-3` suffix instead of replacing the file,
and a Windows device name under Data Set Name gets a trailing `-`.
File › Open and File › Place read JP2 files and raw JPEG 2000
codestreams (.jpf, .jpx, .jp2, .j2k, .j2c, .jpc) through hayro-jpeg2000,
and store the pixels as PNG. Gray, RGB, CMYK and ICC-tagged images, with
or without alpha, are converted to RGBA. Several codestreams, JPX
composition or layers, other color spaces, inconsistent or oversize
palettes, inconsistent channel definitions, oversize tile grids and
images past the pixel allowance are refused with a message before the
pixels are decoded.
The capture and display resolution boxes size the image: the box that
comes last sets each axis, and an axis without a usable value uses
72 ppi.
IccProfile::to_srgb_into converts a pixel with the cached transform and
no heap allocation.
A menu under each of the five tiles in Pattern Brush Options lists None,
Original and the document's pattern swatches; the corner menus keep the
four automatic corners. A swatch choice copies the swatch's whole art and
its tile frame into the brush, so the brush keeps drawing after the swatch
is deleted, and the menu then shows that art as Original. Side cannot be
None: OK shows "You must choose a side pattern." and keeps the dialog open.
brush.options takes side_tile, outer_corner_tile, inner_corner_tile,
start_tile and end_tile (a pattern name, none, original, the corner auto
ids, or {"pattern": name} for a swatch named like one of those words), and
rejects side_tile "none" and unknown names before editing.
The question for brushes no stroke uses reads "Delete the brush selection?" with Yes and No, from the bottom button and the panel menu, and Alt-click (Option-click on macOS) on the button still deletes them without asking. When a stroke uses one of the brushes, the button, Alt-click and the menu item ask with Remove Strokes and Cancel; Remove Strokes deletes the brushes and the strokes that used them become plain strokes.
brush.unused also counts the tile that pattern editing's Cancel puts back, which brush.delete already clears, so the panel asks the in-use question for a brush only that tile uses.
SVG export ignored an image's colorize paint and wrote the image's own
black, white and gray pixels. EPS export flattened every colorized image
into a process-color raster, so a spot color lost its plate. Both now
write the image in the fill color, with the coverage the canvas and PDF
export use (darkness times alpha), so white and transparent pixels take
no color.
- SVG writes a coverage PNG as a mask over a rectangle in the color,
shared between repeated images while each keeps its own color. Linked
mode writes the coverage PNG as a file, and SVG Tiny 1.2 writes a PNG
in the color. A colorized image whose pixels are missing, or whose
grayscale pixels can't be decoded, is left out with a warning.
- EPS writes fully covered or uncovered pixels as an imagemask in the
color's process or Separation ink (Registration on every plate), and a
grayscale image as ink samples scaled by coverage. Level 3 masks its
uncovered pixels out and Level 2 writes them white; gray midtones are
written over white, with the existing warnings.
- EPS flattening no longer counts a solid colorize paint on a grayscale
or 1-bit image as transparency by itself. Opacity, blending modes,
opacity masks, effects and overlapping transparent art still flatten
it, and so does a colorize paint the writer can't draw.
The svg crate's tests turn on resvg's raster-images feature to render
the embedded PNGs.
Docs: docs/mcp.md, docs/target-app-parity.md.
A built-in add-on in Object › Plug-ins › Arrange Tools (#4830, #4831, #4832, #4833, #4834):
- addon.arrange.grid lays the top-level selected objects out in rows and
columns, a row or a column (stacking order from the back, visual bounds,
each object centred in its cell), from the selection's top-left or
centred on the artboard.
- addon.arrange.swap swaps two objects' bounds centres, and with `size`
their widths and heights.
- addon.arrange.replace puts a copy of the topmost selected object centred
on each of the others, in its stacking place, kept, stretched or fitted
in proportion; the replaced objects are deleted unless `keep`.
- addon.arrange.size gives each selected object an exact width and/or
height about a reference point.
- addon.arrange.zoomSelection (a UI command) fits the active view to the
selection.
Places and sizes are measured as object.setBounds measures them (its
transform, now also available per object), strokes scale as Scale Strokes
& Effects says, each command is one undo step, and Arrange in Grid,
Replace with Top Object and Set Size of Each open previewed dialogs.
Catalog rows, command sweep cases, docs/mcp.md, parity docs and the
ROADMAP progress log.
With write root ...\out, a save to ...\out\x.svg:evil was accepted: it stays inside the root, but writes a hidden stream no folder listing shows. A ':' in any name after the drive is now refused with the device names. The check is a plain name test, so it is covered on every platform; the check-then-open race (item 1 of the report) is a documented limitation and is not touched.
perspective.move takes constrain: true instead of a plane-space
direction. For each object, the command snaps the move to the nearest
axis or 45-degree diagonal of that object's own plane, so a selection on
several planes keeps every object on a line of its plane. The tool sends
the raw pointer with the flag.
On a diagonal, Snap to Grid now moves along the diagonal by the nearer
per-axis correction, so that edge lands on its gridline.
perspective.move takes an optional constrain: [dx, dy], a plane-space
direction. For an in-plane move, Snap to Grid's correction is projected
onto that direction, so a move the Shift key constrains to a plane axis
or a 45-degree diagonal stays on that line when an object edge lies near
a gridline. The Perspective Selection tool sends the direction for
Shift moves and copies. Moves without the param behave as before.
Blob Brush Tool Options gain Angle (-180 to 180 degrees, 0 by default)
and Roundness (0 to 100 percent, 100 by default), with a preview of the
tip and three dabs; a drag in the preview square sets the Angle. The
elliptical tip keeps its angle on the page along a stroke, a 0 percent
tip is drawn 0.1 percent as wide as it is long, and Size set to
Pressure still varies its size. path.blob takes angle and roundness,
and both values are kept with the tool's options.
While a non-round tip drags, the Blob Brush shows the outline of the
area it covers with its length label, and an Alt drag that smooths
shows the Smooth tool's thin line.
Alter Paths for Appearance wrote every stroke as its filled outline, so a
1 pt circle became two circles and a hatch, and an open arc became a
closed outline and a hatch: two cut lines where a CAM program expects
one. The option now outlines only the strokes a line can't draw: the ones
Preserve Appearance outlines, strokes wider than the widest lineweight
(2.11 mm, to the hundredth), and every stroke in R13 and R14, which have
no lineweights. Other strokes stay CIRCLE, ARC, SPLINE and LWPOLYLINE
entities with their lineweights; R12 keeps them as POLYLINEs with their
width.
A dashed stroke whose offset starts part way into its pattern is now
outlined with Preserve Appearance and with Alter Paths: a linetype always
starts at the start of its pattern, so the dashes were written in the
wrong place.
An open path with a single straight segment was written as a two-vertex
LWPOLYLINE (POLYLINE before R14). It is now a LINE entity from its start
to its end point. A stroke with a weight in R12, R13 and R14 keeps its
polyline, since a LINE has no width. Closed paths and paths with more
than one segment are unchanged.
Part of #1299.
Path Precision Tools gains the Shared Edge Merge Tool, kept out of the
toolbars (All Tools drawer and Object › Plug-ins › Path Precision Tools,
no shortcut), and Keep Shared Points Together:
- Shared Edge Merge Tool (sharedEdge): over two paths touching at two
coincident anchors (tolerance 0 to 3 pt) hovering shows the two
stretches and the merged edge; a click replaces both with it, half way
between them, or following the upper (Shift) or lower (Alt) path. Both
paths stay closed or open, anchors either stretch has inside are
matched on the other, one undo step.
- Making ends: near anchors meet on a click and an anchor one path lacks
is added to match; Shift+Alt asks for this inside a stretch.
- Keep Shared Points Together: an option that makes Slide Anchor Along
Path, Extend Path and Set Anchor take coincident anchors along. Nothing
else in the app changes.
- Shared Edges section in the Anchor Inspector: brush diameter,
coincidence and the option.
- Commands addon.pathtools.mergeEdge and movePointsTogether, params
validated and covered by the command sweep.
- Cursor stand-in, catalog rows in every language, docs and tests.
With the Live Paint Bucket, Alt-click on vector art samples its fill,
stroke and stroke weight into the paint defaults, and on a placed image
it samples the pixel as a solid fill with no stroke. Alt+Shift-click
samples only the color under the pointer, including an intermediate
gradient color or image pixels, into the active fill or stroke. Neither
click paints or changes the selection or selected art, and the next
Bucket click paints with the sampled paint. While Alt is held, the
Bucket shows the Eyedropper cursor and no face or edge highlight.
appearance.copyFrom takes `defaultsOnly: true` to update only the paint
defaults, and paint.sampleColor takes `clearStroke: true` to clear the
stroke default after an image sample into the fill.
dotCooCoo