While an opacity mask is edited the Layers panel lists only the mask, so a new layer was added where no row showed it, and only the panel's layer count went up. Both commands are now disabled then, as isolation commands already are (outside_mask_editing).
The document point under the pointer (Object Highlighting, the rulers' marks, the status bar and the Info panel) was taken wherever the pointer was over the canvas's rectangle, even over a dialog, a floating panel or a menu on top of it, so objects under the Print or Export for Screens dialog lit up as the pointer moved over the dialog. It now takes the same check as the tool's hover (the canvas's own layer under the pointer), except during a drag that began on the canvas.
The commands opened the panel as an icon column's flyout, but Separations Preview isn't in an icon column, so the dock dropped the request on the next frame and nothing showed. They now show it the way Window › Separations Preview does (in its group, its remembered place, or floating), and leave it showing when it already does.
In single-line text and numeric inputs across panels and dialogs, egui
0.37 defaulted TextEdit alignment to Align2::LEFT_TOP, placing the text
galley at the very top of the allocated input box (e.g. 1pt top margin,
11pt bottom margin in 26pt rows).
Align single-line TextEdit instances to Align2::LEFT_CENTER across
recessed_text, opt_field_named (dash/gap cells), hex fields, search
fields, and dialog inputs, matching DesignCraft's vertical centering.
Add regression assertions in look_tests verifying balanced vertical
spacing.
A file's PDF part draws a right-to-left paragraph's words in the order
they show ("mm 120.5"), while its text object keeps them in the order
they are typed (" 120.5 mm "). The page's type was matched to the text
objects by their letters in order, so it matched none and stayed beside
the label as a second copy. It is now matched word by word.
A point type label turned a quarter (a vertical dimension's) lay outside
the box its text object was looked for in, which was always level; that
box now runs along the type's baseline.
The check of a selected object's masked art looked at its own place
only. A click goes down from the layer (or the isolated container) and
never reaches a Shaper group's original shapes outside Construction
mode, however deep the object lies in them; and below a layer whose
Preview is off it hits art in outline. A press inside such a path's
fill, or on a path in a Shaper group's hidden shapes, started a move.
The way down to the selected object is now checked as a click goes:
a Shaper group's part a click can't reach on it rules the object out,
and a Preview-off layer on it (below the isolated container) makes the
object count by its outline.
Tests also cover Shift with Direct and Group Selection (a marquee) and
an object a click hits over the masked art (it is selected).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01EjfPR4a1jPek7r3nyFFNYv
With ruler guides selected on their own (a click on one), the
Properties panel showed the Document sections, so a guide's position
could be typed only in the Transform panel.
The panel now has a Guides heading and a Transform section with the
Transform panel's guide fields (#1597): X moves the vertical guides and
Y the horizontal ones, together. With art selected too, it shows the
art's sections as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01EjfPR4a1jPek7r3nyFFNYv
With a layer selected, Object > Hide > Unselected Artwork hid every object
on that layer, since the selected layer was dropped from the objects to
keep. The objects of a selected layer now count as selected.
While Lock Guides is on, a group that held a guide path was hidden whole,
which hid the guide with it. Guide paths now count as selected, so the
command keeps such a group visible and hides its other members one by one.
BFlat