An effect bound to Cmd+Enter wasn't among all_shortcuts, so the active tool took the Enter
before the keymap ran the effect. Effect items' own shortcuts are now listed with the rest.
Edit > Keyboard Shortcuts lists every Effect menu item under its menu
path and gives each one a shortcut (stored as effect:<id>, mapped to
effect.dialog {effect}, or effect.apply for an effect without options).
The menu shows it, and pressing it opens that effect's dialog for the
selection.
Found while testing crates/engine/src/cmd/fileio/zip.rs:26 (store, deflate) vs :178 (Archive::open)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
After a click on a Layers or Appearance row, a plain Delete or
Backspace now goes to that panel even when the active tool claims the
key. Before, the Artboard tool (and Gradient, Width, Puppet Warp…)
took it first: Delete after a click on a layer row deleted the active
artboard, not the layer.
The Type tool still keeps Delete and Backspace while it edits text.
The native-window harness records each window's texts, so a test can
find a row in it. Delete after a click on the Fill row of an Appearance
panel floating in its own OS window removes the row and leaves the
object.
When an effect that isn't highlighted is dropped on Delete above the
active one, the active effect, the highlight and its anchor now move up
with their rows, and removed rows drop out of the highlight. Before,
they kept their old row numbers and pointed at the wrong effects.
- Drag strokes, fills, characters and effects to move them, or drop them
on the Duplicate or Delete button
- Select several rows with Shift/Cmd-click and move them as one block
- Delete and Backspace remove the highlighted rows, not the selected art
- Row links open their panel (Stroke, Character…) as a flyout
- Stroke weight spinner follows Units > Stroke
- Transparency panel edits the active fill's or stroke's opacity
addon.color.swatchLegend replaces swatch.legend. The dialog sets columns, chip size, gap, the values shown
and whether to use only the swatches selected in the Swatches panel, with a preview; duplicate value
kinds are refused. The Swatches panel menu item is removed. Catalog rows in all 26 languages.
Each chip's fill links to its swatch as paint.setFill {swatch} does, so
editing a global or spot swatch recolours the legend. Labels are area
type the size of the chip that shrinks text to fit. Gray values use the
app's own Gray conversion, and fractional column counts are refused.
swatch.legend draws a grid of chips, one per colour swatch (the given
ones, else every one), each filled with and linked to its swatch and
labelled with its name and colour values (HEX, RGB, CMYK, Lab or
Grayscale; by default its own model; spot swatches marked), black on
light chips and white on dark ones, as one selected group in one undo
step. The Swatches panel menu's Create Swatch Legend draws the selected
colour swatches, else every one.
Found while testing crates/engine/src/cmd/fileio/naming.rs:103
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Window > Arrange > Tile (window.arrange.tile) splits the document area
into one pane per open document, edge to edge, in a grid with as many
columns as the square root of the number of documents, rounded up. Each
document is fitted to its pane, and fitted again when its pane changes
size (a document opened or closed, the window resized) unless it was
zoomed or scrolled since. The current document's pane is the canvas;
the other panes draw their documents with their artboards, guides,
selected objects and Pixel Preview, and a press in one makes its
document the current one, as a click on its tab does. Window > Arrange >
Consolidate All Windows (window.arrange.consolidateAllWindows) goes back
to one document under its tab. It works the same on the desktop and the
web, and the arrangement is not saved.
Tile is enabled with two or more open documents, and Consolidate All
Windows while documents are tiled. ui.inspect reports tiled and the
panes.
With Real-time Drawing and Editing off, a drag drew one outline per selected
object with no limit, so a selection with hundreds of thousands of points
built the overlay mesh that the canvas's 100,000-point limit keeps it from
drawing at rest (#525, #2460). Past the same number of points the drag now
draws the moved selection's bounds, as the canvas does for the selection at
rest.
With Preferences › Performance › Real-time Drawing and Editing off, a
Selection tool move drag leaves the object in place until release, and
the bounding box was hidden for the whole drag. The box, with its
handles, now follows the pointer during the drag (Session::deferred_move
gives the offset the document has not taken yet). Scale and rotate
drags, and drags with Real-time Drawing on, hide the box as before.
Docs: docs/target-app-parity.md.
Position Panel Above Text sizes the Tabs panel so its ruler spans the
text at the canvas zoom. A floating panel is at least 220 pt wide, so
for narrow text at a low zoom the panel comes out wider than asked, and
the ruler stretched the text's width across the whole panel. Its marks
then no longer sat over the text.
After Above Text, while the same text in the same document is selected
and the panel floats no wider than the narrowest panel, the ruler now
draws the text at its screen scale and runs on past the text's width.
Any other ruler fits the span to its width as before.
Where a line lies under the outline of a closed path in front of it (such as
a shape an earlier merge made, which takes the place of the art in front of
the lines), the planar map gave that stretch only to the closed path, so the
line had no piece there. A merge or an erase across it left the line whole,
and the next map split the new shape along it into two regions.
- pathops: each planar edge records every input it lies on, and
BuilderArrangement::lines_under holds the lines' pieces under a closed
outline in front of them. lines, edges and Live Paint are unchanged.
- tools: BuilderMap adds those pieces to its lines, so a merge or an erase
removes the stretch between the regions it takes, as it does elsewhere.
An Alt-click where a line lies under an edge hits the one in front.
A group (`u`), clipping group (`q`) or compound path (`*u`) opened after
the last layer and never closed was accepted, and the art inside it was
dropped without a message. The reader now stops with "it ends inside a
group or compound path", as it already does for data that ends inside a
layer. Pattern and symbol definitions, which are read inside a group of
their own, are not affected.
Edit > Keyboard Shortcuts listed commands whose params are all optional
but that do nothing or fail when a key runs them with none, such as
Transparency (transparency.set) and Opacity Mask Options
(transparency.setOpacityMask). These are now left out while they have
no shortcut, along with Align and Distribute, Delete Swatch, Move
Swatch, Spot Options, Adjust Color Balance, the library and data set
loaders, stroke.set, layer.setProps and menu queries that no menu item
runs. A key saved for one of them before keeps it listed so it can be
cleared.
A shortcut for a command whose menu bar items all give it the same
params now runs what a click on that item runs, so Clean Up..., Print
Ink Fixes... and Find and Replace... open their dialogs.
Exports warn about type in a symbol's art that is set in a missing
font and point to Find Font, but Find Font and Replace Missing Fonts
only looked at the type on the layers.
- text.fonts lists the fonts of the type in the document's symbols too;
with selectionOnly, of the symbols the selected instances show.
- select.font (Find) also selects the instances of the symbols whose
art uses the font in type that is not hidden or locked.
- text.replaceFont changes that type in the symbols in scope, so every
instance follows. Type hidden or locked in a symbol's art, and the
type of symbols that only a selected hidden or locked instance shows,
keeps its font and is counted in skipped.
- addon.cleanup.replaceFonts replaces missing fonts in symbols' type.
While a symbol is edited, its type is taken from the editing layer
only, so it is counted and changed once.
Right-to-left manual kerning was added to the glyph's offset, which
Character Rotation turns, so a rotated character with kerning moved
across the line (up at 90 degrees) instead of away from the next
character in reading order. The shift is now applied to the pen
position along the baseline, outside the rotation, and the rotation
turns the glyph about that moved pen position.
A manual kerning value on a character in right-to-left text changed the
space between it and the character before it in reading order, under
both Auto and Optical kerning. The shaped glyphs of a right-to-left
cluster now also move right by the value, so the space its advance
gains is at its left, between it and the next character in reading
order. Left-to-right text and tracking are unchanged.
Optical kerning no longer takes the left glyph's manual value off the
advance it measures, since right to left the value is in that glyph's
offset as well.
Don Omondi