Object > Rasterize, Crop Image, Flatten Transparency, Expand
Appearance of raster effects and Vector Halftone draw the art with the
renderer and replace it with the result. When the art held an image
that could not be decoded, the renderer drew nothing for it, and the
result lacked the image with no message. A raster export of the same
art warns that "an image couldn't be decoded and is missing from the
picture".
These five commands now compare decode_failures before and after they
draw, as raster exports do, and their replies carry that text as
`warning`. They still make their result in one undo step. The app
shows a command's `warning` in the status bar: after a menu command,
after OK in a dialog with a preview, and after a tool runs a command
(Crop Image's Apply).
Docs: docs/mcp.md (Flatten Transparency, Expand Appearance, Document
Raster Effects Settings, Vector halftone).
A selected clip group drew the outline of everything inside it: the
clipping path, the whole rectangle of a clipped image, and the whole
outline and anchors of each clipped path. The Selection tool's
bounding box, which fits the clipping path, showed on top of them.
The hover highlight and the key object outline drew the same hidden
art.
The selection overlay, the hover highlight and the key object outline
now show only the clipping path of a clip group or clipping layer,
its first child. The overlay's limit on anchors counts only that path
too, so a clip group that hides a large trace still shows its
clipping path's anchors and hover highlight. The art inside still
shows its whole outline when it is selected on its own: with Edit
Contents, a Direct or Group Selection click, or in isolation mode.
Docs: docs/target-app-parity.md.
file.new takes a width and height up to 163,830 pt, 1 to 1,000
artboards, a spacing of 0 to 100,000 pt and a bleed of 0 to 72 pt a
side, but a saved or Recent New Document preset in the preferences
was read as it was stored. With a width of -5, file.new failed with
"width/height must be positive and within the canvas"; a spacing of
-50 overlapped the artboards, a preset with 5,000 artboards made 5,000
artboards, and a bleed of 100 reached the document. A .vectorcraft
file's Document Setup bleed, superscript and subscript proportions and
small caps size also opened as stored, and document.setup then failed
when its own report was passed back to it.
These values are now read as the nearer end of the range their
setter takes, and an artboard width or height of 0 or less is read as
1 pt. Presets and files with values in range read as before.
Docs: docs/mcp.md (Document Setup, New Document).
Found while testing crates/svg/src/css.rs:84 (font_props)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
object.createObjectMosaic read columns and rows with as_u64 and fell
back to 10 for anything else, so 2.5, -3 or "4" made a 10 x 10 mosaic
and reported success. Transform Each read reference and seed the same
way (a reference of 2.5 used the center point, and a seed of 7.5 used
the default seed), and Rearrange All Artboards cut 1.5 columns to 1
and read "1" as the default 2.
These five parameters now take a whole number, written 4 or 4.0 as the
Rearrange All Artboards dialog sends it. A fraction or a negative
number is refused with "`columns` must be a whole number", the message
object.slice.divide gives. A string or another value that is not a
number is refused with the check_numbers error. The command then
changes nothing. The existing ranges stay: 1 to 1000 mosaic tiles
across and down, a reference of at most 8, and 1 to the artboard
count of columns.
Docs: docs/mcp.md, docs/target-app-parity.md.
In a CMYK document, an RGB color from the Eyedropper, a hex value or
paint.setFill was stored as CMYK by the profile-free formula
(k = 1 - max(r, g, b)), not through the color settings. RGB 83/170/223
came in as C63 M24 Y0 K13. A CMYK image was sampled through the RGB its
decoder shows, so its inks came back only when the formula happened to
round-trip them.
paint_from now converts an RGB color into a CMYK document with
Cms::convert and the settings' intent, as Document Color Mode and Swatch
Options already do. This covers paint.setFill and paint.setStroke,
gradient stops, swatch.new {color} and the Eyedropper. With Generic CMYK,
83/170/223 now separates to C59 M12 Y3 K0, and #ff0000 now separates to
C0 M97 Y100 K0 instead of C0 M100 Y100 K0. keepModel: true still keeps
RGB. paint.sampleColor with a stop stores the color the same way.
The Eyedropper samples a CMYK image's ink amounts (a four-component
JPEG, or an 8- or 16-bit chunky CMYK TIFF) and returns them unchanged
(ImageBlob::sample_cmyk_object), also in an RGB document. It takes an
RGB image's sRGB pixel into the working RGB space, as the screen color
sampler does, so the picked color shows as the pixel when the working
space is not sRGB.
Docs: docs/mcp.md, docs/target-app-parity.md.
A PDF-compatible .ai read through its editing data kept the PDF part's
warnings that text was kept as outlines ("text was converted to
outlines", the U+FFFD warning and the warning on glyphs that differ
from the installed font). The layers take from the page only text
nodes and the stroked paths around them, so filled outlined glyphs
don't reach the document, and type made from the text document holds
every character.
- The warnings are dropped when the document holds no glyphs kept as
outlines. Stroked glyphs that come in with stroked type keep them.
- A text object that takes the page's type, next to glyphs the page has
only as outlines, lacks those characters: a new warning counts such
objects.
- vectorcraft_pdf exports the three warnings, is_outlines_note,
is_glyph_outlines and holds_outlines.
Docs: docs/target-app-parity.md.
The mesh covers the image's rectangle with its transform kept; each point takes the average colour and opacity of the picture around it. A linked image is refused.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
View › Rulers › Change to Global Rulers (Cmd+Alt+R) was a disabled
stub: the rulers always counted from one document zero point. The
reference app's public help describes two modes: artboard rulers, the
default, count from the active artboard's top-left corner, and each
artboard can have its own zero point; global rulers keep one zero point
for the whole document whichever artboard is active.
https://helpx.adobe.com/illustrator/desktop/measure-and-align/grids-and-guides/about-rulers.htmlhttps://helpx.adobe.com/illustrator/desktop/measure-and-align/grids-and-guides/use-rulers.html
`view.globalRulers {global?}` switches the mode (toggle by default),
undoable and saved with the document (`rulers`). The menu item reads
Change to Artboard Rulers while global rulers are on. A new document has
artboard rulers; a file saved before the mode existed has no `rulers`
key and opens with global rulers, so it measures as it did.
With artboard rulers, dragging the ruler corner sets the active
artboard's zero point, kept as an offset from its corner
(`artboard_ruler_origins`, by artboard id) so it moves with the
artboard, and double-clicking the corner resets it. The global zero
point (`ruler_origin`) stays separate. `document.rulerOrigin`,
`document.setRulerOrigin` and `document.resetRulerOrigin` take
`artboard`; `Document::ruler_origin_for` is the zero point with an
artboard active, falling back to the corner or the global one when a
stored value is out of range.
The rulers, the Transform, Properties and Control bar X/Y, the Info
panel's X/Y (which ignored the zero point before), ruler-guide
readouts and Shift ruler-tick snapping all count from that zero point:
the view's active artboard reaches the tools through `ViewInfo` and
`ToolContext::ruler_origin`. Command coordinates stay absolute.
Tests: engine/tests/ruler_origin.rs (default mode, per-artboard origin
following its artboard, global origin apart, toggle and undo, save and
legacy files, out-of-range values), ui-egui/src/tests_ruler_origin.rs
(position fields and corner drag on the active artboard, menu label and
shortcut), tools/src/rulerguide.rs (guide readouts and tick snapping).
Tests written for the single global zero point now turn global rulers
on first. "Change to Artboard Rulers" is translated in every catalog.
Docs: docs/ui-parity.md, docs/gaps.md (G7), docs/target-app-parity.md,
docs/mcp.md.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01U2JbUtM4MkzWLm9FgYiEsq
The Appearance panel's inline effect editor showed a parameter that
picks one of some values (Roughen's Points, Offset Path's Joins, the
menus of Smart Blur, Glass, Texturizer and De-Interlace) as a text
field holding the stored value, where the effect's dialog has a
dropdown. Its labels did not have the dialog's mappings ("Channel1"
and "Max Radius" for "Channel 1:" and "Max. Radius:"), and a plug-in
choice named mode whose value is a blend mode name showed the blend
mode list.
The editor now shows the other parameters that effect::choices lists
as dropdowns with the dialog's labels (Drop Shadow's Shade keeps its
radio buttons), translated in the "effect" context, and a pick sends
the dialog's value with effect.setParams. Glass's Texture menu ends
with Loaded Texture once a texture is loaded. A plug-in's choice lists
the plug-in's values, and the blend mode dropdown is only for our own
effects. The labels are form::humanize's without the colon. The dialog
and the panel both call form::choice_label and effect::glass_textures.
Docs: docs/target-app-parity.md.
In a rotated view the resize and rotate cursors were the ones for an
unturned view. With the view turned 90°, the right-middle handle of a
selection's bounding box shows at the middle of the box's bottom edge
and drags up and down, but its cursor was the left-right arrow. This
affected the Selection, Free Transform, Artboard, Slice Selection, Crop
Image, Perspective Grid and Perspective Selection tools, ruler guides,
and the spread handle of a freeform gradient.
Now each of these cursors turns with the view to the nearest 45°. The
Selection tool and the Perspective Selection tool turn the handle's
direction by the view's angle before they round it to a cursor.
ToolContext::view_angle reads the view's angle from the screen frame,
and Cursor::turned turns a resize or rotate cursor by it. The new
Cursor::rotate_about_in_view turns the pointer's direction from the
center by the view before it picks one of the rotate cursor's eight
directions. Cursor::rotate_about keeps its signature and behavior. At
0° every cursor is as it was.
Docs: docs/target-app-parity.md.
Three original Artistic filters on the pixel pipeline, each with a
catalogue row, the generic live dialog, translations and tests.
- Cutout: colours softened by Edge Simplicity (less with Edge Fidelity),
split into Number of Levels steps per channel and painted as flat
pieces in their average colour; slivers along softened edges take the
nearest large piece's colour.
- Poster Edges: channels posterized to Posterization + 2 levels, black
lines on the edges of any channel and of the outline, widened by Edge
Thickness and darkened by Edge Intensity.
- Neon Glow: dimmed greys screened with a glow colour from the light
areas (positive Glow Size) or the dark ones (negative), as strong as
Glow Brightness.
All keep coverage and work in document units at any Document Raster
Effects resolution. Photoshop filters 33/57; cargo xtask ci passes all
9 steps.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Native review of the rows added in the Finnish merge: "artboard" is
piirtoalusta everywhere else in the catalog, so the two export rows that
said piirtoalue now match; "Color Scheme" becomes Väriteema so it no
longer reads the same as Swatches (Värimallit). The other added rows
read correctly and are kept.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
BFlat