Print and Print Preview name the area type and type on a path that
prints without the text past the end of its frame (#2308). The exports
that draw type gave no such warning: a PDF, EPS, SVG, EMF, WMF or
raster export of a frame too small for its text answered with no
warning about it.
These exports now add the same warning, with "isn't drawn in the
export" in place of "doesn't print". Each export counts the visible
objects that it draws. Those are the objects on the pages or artboards
it writes, or all of them in an EPS of the visible art and in an SVG
without chosen artboards. A PDF leaves out layers that don't print
unless includeNonPrinting or createLayers is set. The objects are found
with the walk that fonts::printed_type runs for Print, and typecmd.rs
builds the message with the code that builds Print's. A .ai file keeps
the whole text in its editing data and gives no warning.
Docs: docs/mcp.md (Fitting area type), docs/target-app-parity.md.
With View > Guides > Lock Guides on, Session::select drops the paths
made into guides from the selection (#1534), but commands that set the
selection another way skipped that filter and left a locked guide
selected, so the next move moved it. object.exitIsolation selected an
isolated guide path. Undo, Redo, a canceled undo group, a canceled
drag or dialog preview and a failed command.batch brought back locked
guide paths and ruler guides in the selection. Unlock All, Show All
and Paste selected the guide paths they unlocked, showed or pasted.
Locking the guides deselected them in the active document only.
The filter is now deselect_guides, which also clears the selected
ruler guides. Session::select and Session::edit run it while Lock
Guides is on, and so do object.exitIsolation, Undo, Redo,
Session::cancel_interaction, a canceled undo group and a failed batch.
Locking the guides deselects them in every open document. With Lock
Guides off, the selection is set as before.
Docs: docs/mcp.md.
A marquee measured a clip group, and the objects on a layer with a
clipping mask, by all of their art, including the art the mask hides.
A marquee around a rectangle drawn next to a clip group also selected
the group when it crossed the group's hidden art. A click already
counts only the art inside the clipping path.
The marquee now takes a clip group, or an object on a clipping layer
or sublayer, only when it meets the area inside the clipping path, and
it measures the art there within that area's bounds. The same rule
applies to the objects that Direct and Group Selection select whole,
to Group Selection's E marquee, and in isolation mode when the clip
group or clipping layer itself, or one object directly inside it, is
isolated. The anchor points that Direct Selection's marquee picks are
unchanged.
Docs: docs/target-app-parity.md.
Nothing locked the variables: any command or panel button could delete
or rename a variable that scripts and data sets name.
variable.lock {locked?} (Lock Variables: a lock button in the Variables
panel's bottom bar and an item in its menu) sets a flag that is saved
with the document. Without `locked` it toggles, and a change is one
undo step. While the flag is set, variable.define, variable.delete,
variable.rename and the four variable.make…Dynamic commands are refused
with "variables are locked", and the panel disables New Variable…,
Variable Options…, Delete Variable and Make … Dynamic. Binding,
unbinding and the dataset commands still run. variable.list
reports `locked`. A file without the flag opens unlocked.
Docs: docs/mcp.md, docs/target-app-parity.md.
Document Info's Save, Save Swatch Library and Save Graphic Style
Library to a file, the Libraries panel's Export Library…, the presets
dialogs' Export…, the CSS Properties export, Print to a PostScript
file and Keyboard Shortcuts › Export… passed no file type to the save
panel. On Windows the panel listed "All Files", and neither the Windows
nor the macOS panel added the extension to a name typed without one.
Each of these saves now passes the one file type it writes, as Save and
Export do for document formats. The Windows panel then lists it, and
the Windows and macOS panels add its extension. The labels are the ones
the open dialogs use for these files (Swatch libraries, Libraries, the
presets, Shortcut sets), the Window menu's Graphic Style Libraries, Text
for Document Info, CSS and PostScript.
A selection with more than 100,000 anchors shows its bounds instead of
every outline and anchor (#525). The count took in path anchors only.
Type, images, symbol instances, placed documents, gradient meshes and
envelopes counted nothing, although the selection overlay outlines each
of them: a box, an area type frame or a type path, a baseline marker
for point type, and the points and mesh lines of meshes and envelopes.
The PDF importer makes type objects from a page's text lines, one image
object per image and one gradient mesh per patch or triangle of a mesh
shading, so selecting all of a large PDF outlined each of them: 131,072
selected mesh pieces need 16.8 million vertices, a 336 MB vertex
buffer, past wgpu's 256 MiB buffer limit.
The count now takes in what the overlay draws for each kind. Paths
count their anchors. Area type and type on a path count the anchors of
their frame or path, and point type counts six: its box's corners and
the ends of its baseline marker. Images, symbol instances, placed
documents, and area type or type on a path in perspective count the
four corners of their box, and gradient meshes and envelopes count
their points and the ends of their mesh lines. The selection's outline,
the key object's outline and the hover highlight all use the count.
Docs: docs/target-app-parity.md.
On an edge two artboards share, the artboard to the right of it or below
it holds a point, except at the end of the edge that lies on that
artboard's bottom or right edge, such as where both artboards' bottom
edges meet. There the first artboard holds it, or the last when
topmost. The doc comment and the test comments now say so, and the test
asserts that corner.
The Print Tiling tool's press and print.tiling.set without `artboard`
decided which artboard a point is on with Rect::contains, which leaves
out the right and bottom edges. A press exactly on an artboard's right
or bottom edge picked no artboard when no other artboard holds that
point, so the drag did not snap to that artboard's edges. An origin
there was measured from the first printed artboard: with artboards at
0 to 300 pt and 300 to 600 pt, an origin on the second one's right edge
was saved as x 600 instead of 300.
Both now count the edges as Document::art_on_artboard does, within a
millionth of a point.
Rearrange All Artboards, Select › All on Active Artboard (for objects
with no area), Copy's source artboard for Paste in Place, Align to
Artboard without an index, Crop Image, the Crop Image tool, Place with
`at`, CSS positions and a filter plug-in's artboard decided whether a
point or an object's center is on an artboard with Rect::contains,
which leaves out the right and bottom edges. A line along an artboard's right or
bottom edge was on no artboard: Rearrange left it behind, and All on
Active Artboard did not select it. Document::art_on_artboard counts
art flush with those edges (#890).
They now count the edges as art_on_artboard does, within a millionth
of a point. On an edge two artboards share, the artboard to the right
of it or below it still holds the point. All on Active Artboard
selects a line on a shared edge from either artboard. A press exactly
on a right or bottom edge now picks that artboard, and the Artboard
tool's cursor shows Move there.
Rearrange and Select › All on Active Artboard measured a symbol
instance as its transform applied to the 20 × 20 square around the
symbol's origin, not by the symbol's art. An instance whose art lies
away from that square moved with, or was selected on, the artboard
the square was on. Convert to Artboards, Transform Each, Lock and
Hide › All Artwork Above, Paste and Place from Library at a point,
and the clipboard imports measured the instance the same way, as did
Copy and Cut when they recorded the source artboard and library.add
when it sized a graphic.
These commands now measure an instance by its art through
Document::symbol_boxes, as Document::art_on_artboard, Fit to Artwork
Bounds and the Align commands do. Clipboard::bounds measures with the
symbols the clipboard holds. clipboard.exportPng, clipboard.exportPdf
and the PNG and PDF that Copy offers other apps are now cropped to
the instance's art.
Docs: docs/mcp.md.
The blend spine commands and the gradient mesh point commands read
their anchor, segment or index as a number and dropped its fraction,
so object.blend.spine.moveAnchor with anchor 1.5 moved point 1 and
reported success. object.envelope.setMeshPoint did the same and also
read a negative index as 0. Specified Steps in object.blend.make and
object.blend.options, and the rows and columns of object.mesh.create,
object.envelope.makeWithMesh and resetWithMesh, dropped their fraction
in the same way.
These commands now fail with "`<key>` must be a whole number" for a
fraction, and object.envelope.setMeshPoint fails with "index must be
≥ 0" for a negative index, as the other point commands do. Whole
numbers written as 4.0, as the Blend Options and Make with Mesh
dialogs send them, still work.
Docs: docs/target-app-parity.md.
dataset.select skipped every bound object inside a hidden layer or
group. Type on a hidden layer kept the previous row's text, which
showed when the layer was shown again, and dataset.list and the
Variables panel reported every row as matching that type while the
layer stayed hidden.
dataset.select, dataset.next and dataset.prev now rewrite type and
apply the other values on hidden objects and inside hidden layers and
groups. Those objects stay hidden unless a visibility value shows
them. Objects that are locked or inside a locked layer or group are
still skipped and counted in `skipped`. dataset.list, dataset.capture
and dataset.update read hidden objects as well. Binding still refuses
art inside a hidden layer or group.
The values now go in the order the variables are defined. The passes
that applied visibility values before and after the other values are
removed.
Docs: docs/mcp.md, docs/target-app-parity.md.
A two-finger rotation on a Mac trackpad did not turn the view. With
the new General preference Trackpad Gesture to Rotate View
(`trackpadRotateView`, on by default) and the pointer over the canvas,
the rotation turns the view about the pointer, keeping the document
point under it in place. The view does not turn until the rotation
reaches 5°; it then turns by the whole rotation and follows each later
rotation event. A rotation ends 0.25 s after its last event. A rotation
in the same frame as a pinch zooms and turns about the same point.
egui reports the gesture as `Event::Rotate`: egui-winit makes it from
winit's macOS rotation gesture, and eframe makes it from Safari's
gesture events in the web build. Rotation events that arrive while
fingers are on a touch screen do not turn the view. With the
preference off, the gesture does not turn the view.
Docs: docs/mcp.md, docs/target-app-parity.md, docs/hardware-parity.md.
The Selection and Direct Selection tools drew the start, center and end
brackets of every selected type on a path, and hit-tested each of
them, however large the selection was: 32,768 selected type on a path
objects added 1,310,720 vertices to the frame's mesh, 40 for each
object. The PDF importer makes type on a path for curved text lines,
so selecting all of a large PDF can reach that size.
With more than 10,000 type on a path objects selected, the tools now
neither draw nor hit-test any bracket: a press where a bracket would
be does not start a bracket drag, and the pointer does not change to
the bracket cursor there. The tools draw 10 points for each object's
brackets, so 10,000 objects take 100,000, the same number as the
canvas's limit on the anchor points it outlines. The tools crate has
its own constant with the same value.
Docs: docs/target-app-parity.md.
File › Open, File › Place and the Links panel note an image that needs
more than the decode allowance (2 GiB, 512 MiB in the web build). The
note counted the bytes the decoder gives, one a pixel for an 8-bit or
1-bit gray image, so a 1-bit gray PNG of 23,171 × 23,170 pixels (537 MB
as gray, 2,147,488,280 bytes as RGBA) got no note, although sampling,
recoloring and Load Texture refuse it for its RGBA size.
The note now counts width × height × 4, or the decoder's bytes when
they are more, against the allowance, with the size computed in 64
bits. Such an image gets the note an oversized RGBA image gets. Images
within the allowance get no note, as before.
Object > Rasterize, Crop Image, Flatten Transparency, Expand
Appearance of raster effects and Vector Halftone draw the art with the
renderer and replace it with the result. When the art held an image
that could not be decoded, the renderer drew nothing for it, and the
result lacked the image with no message. A raster export of the same
art warns that "an image couldn't be decoded and is missing from the
picture".
These five commands now compare decode_failures before and after they
draw, as raster exports do, and their replies carry that text as
`warning`. They still make their result in one undo step. The app
shows a command's `warning` in the status bar: after a menu command,
after OK in a dialog with a preview, and after a tool runs a command
(Crop Image's Apply).
Docs: docs/mcp.md (Flatten Transparency, Expand Appearance, Document
Raster Effects Settings, Vector halftone).
A selected clip group drew the outline of everything inside it: the
clipping path, the whole rectangle of a clipped image, and the whole
outline and anchors of each clipped path. The Selection tool's
bounding box, which fits the clipping path, showed on top of them.
The hover highlight and the key object outline drew the same hidden
art.
The selection overlay, the hover highlight and the key object outline
now show only the clipping path of a clip group or clipping layer,
its first child. The overlay's limit on anchors counts only that path
too, so a clip group that hides a large trace still shows its
clipping path's anchors and hover highlight. The art inside still
shows its whole outline when it is selected on its own: with Edit
Contents, a Direct or Group Selection click, or in isolation mode.
Docs: docs/target-app-parity.md.
file.new takes a width and height up to 163,830 pt, 1 to 1,000
artboards, a spacing of 0 to 100,000 pt and a bleed of 0 to 72 pt a
side, but a saved or Recent New Document preset in the preferences
was read as it was stored. With a width of -5, file.new failed with
"width/height must be positive and within the canvas"; a spacing of
-50 overlapped the artboards, a preset with 5,000 artboards made 5,000
artboards, and a bleed of 100 reached the document. A .vectorcraft
file's Document Setup bleed, superscript and subscript proportions and
small caps size also opened as stored, and document.setup then failed
when its own report was passed back to it.
These values are now read as the nearer end of the range their
setter takes, and an artboard width or height of 0 or less is read as
1 pt. Presets and files with values in range read as before.
Docs: docs/mcp.md (Document Setup, New Document).
Found while testing crates/svg/src/css.rs:84 (font_props)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
BFlat