Adds LICENSE-MIT, LICENSE-APACHE and docs/brand/LICENSE-brand.txt from the Crafting Apps
licensing standard. NOTICE follows the standard template (copyright, licence, brand carve-out)
and keeps the third-party list, now noting the Feather-derived Lucide icons (also MIT) and the
egui default fonts compiled into the app. ASSETS.md gives the docs/brand/ files their trademark
terms and marks the 21 Feather-derived Lucide icons. README uses the standard License and credits
section; AGENTS.md/CLAUDE.md point to the licence and brand files.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Shift-sampling a type object's run gradient projected the document point onto a vector kept in
text space, so placed gradients on moved or turned type sampled the wrong colour. The eyedropper
now reads the paint through Node::proxy_paint and samples in the paint's own space and box (text
space for runs, the stroke-inflated box for strokes).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Lossless gradient params carried a saved gradient's vector (document coordinates of the art it
came from) into swatch applications and the default paint, so a swatch applied elsewhere, or the
next shape drawn, got a gradient placed off the object. Applying a gradient swatch now fits it to
each object (keeping its aspect, on type in text space), and the default for new art keeps all
but the placement. Saving a swatch stays lossless.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The double-click that opens the popover lands outside it in the same frame, so the popover
closed as soon as it opened; only a later click elsewhere closes it now. The selected stop
remembers the document, first selected object and proxy it was picked on (Session::selected_stop),
so selecting other art or toggling Fill/Stroke no longer lets Delete or the arrows edit a stop
on a different gradient.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
swatch.new takes mode and group; swatch.newGroup takes fromArtwork, toGlobal and includeTints and reports the group's swatches and the paints it linked. Adds a shared radio widget and the ui.newSwatch / ui.newColorGroup openers.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Hollow heads draw as rings (the open arrow as a chevron) and closed paths get
no heads. The stroke stops under each head, so it never shows through a hollow
head or past the tip; stroke.set {arrowAlign: "extend"|"tip"} chooses whether
the tip extends past the end point (default) or sits on it with the stroke
shortened. Line and heads share one paint box (a gradient runs on into the
head) and take the stroke and object opacity once, as one layer on the canvas
and one group in PDF. StrokeLayer.arrow_align is a new defaulted field, so
older files load unchanged. The Stroke panel's Align buttons get two generated
icons and are disabled when the stroke has no head.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The shared stroke geometry now has its own arc-length dash generator: a dash
of length 0 becomes a dot that a round cap paints as a disc and a projecting
cap as a square turned along the path (a butt cap paints nothing). Dashes
restart per subpath, join across the start of closed subpaths, and a pattern
too fine for the path draws solid. The canvas and raster export use it through
line_outline; the stroke.set params doc says how to get dots.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Arrowheads, width-profile outlines and dashed line outlines now come from
vectorcraft_effects::stroke (stroke_pieces, line_outline, width_outline), used by
the canvas and PDF export alike; the renderer caches profile outlines too. Width
profiles are a doc-level catalogue (WidthProfile::PRESETS, preset, preset_id,
id_of) shared by stroke.set and the Stroke panel; stroke.set rejects unknown
profile ids and its params doc lists the arrowhead names.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text import turns the gap between an absolutely positioned <tspan y> and the previous line into
that many line breaks, with two problems:
- At least one break was added even when the tspan sits on the current baseline. Styled or
kerned runs written with x and y on every tspan (as Illustrator writes them) were split into one
line per run: "Hello <tspan y=same>world</tspan>" came back as "Hello \nworld".
- The count had no upper bound. A tspan with y="1e15" (or any y far below its text) asked for
~10^14 '\n' characters, and opening the file aborted the app, the MCP server or
`vectorcraft-cli` with "memory allocation failed" after eating all memory.
A tspan less than half a line from the current baseline now adds no break, the gap is capped at
10 000 line breaks, and a non-finite gap counts as one; other gaps are unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
VectorCraft writes and reads SVG at 1 user unit (CSS px) = 1 pt, but a root width/height in
absolute units was taken in CSS pixels (96 per inch). An A4 document from Inkscape
(width="210mm" height="297mm" viewBox="0 0 210 297") opened on a 793.7 × 1122.5 pt artboard,
i.e. 280 × 396 mm, with all art 4/3 too large, and its PDF export came out on that page size;
width="8.5in" gave an 11.3 inch artboard and width="300pt" a 400 pt one.
When the root width or height has an absolute unit (in, cm, mm, pt, pc) the import now scales by
72/96 along that axis, so the artboard and the art keep their physical size (595.3 × 841.9 pt for
A4); geometry, stroke widths and text follow through the same transform. Unitless, px, % and
viewBox-only files are unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Area type was written as one <tspan> per paragraph at the frame's top-left: SVG text never wraps,
so every SVG viewer (and VectorCraft's own import) showed each paragraph as a single line running
out of the frame. Centred and right-aligned area type also got text-anchor="middle"/"end" at the
frame's left edge, so it was centred on (or ended at) that edge instead of inside the frame.
The exporter now asks the text layout for the lines: each line is a <tspan x y> at its baseline,
at the line's left edge, centre or right edge to match the text-anchor, with hyphenated breaks
written with their hyphen and the spaces at soft breaks dropped. The <text> carries the first
line's position too, so importers that place text by its own x/y (ours included) start at the
first line. Re-importing an exported file now reproduces the area type pixel for pixel as point
type with the same line breaks (justified lines lose their extra word spacing).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
PNG/JPEG/WebP export renders the artboard at the requested scale with no size check. The CPU
rasteriser addresses at most 65535 pixels a side (and panics at that edge), so a large artboard at
a print resolution, e.g. the maximum 16383 pt artboard at 300 ppi (~68 000 px), or a screenshot at
scale 16, panicked inside vello_common: the desktop app or the MCP server exited and unsaved work
was lost.
`vectorcraft_render::raster_size` checks the pixel size first (at most 32 768 px a side and 268
megapixels, like Rasterize already refuses oversized images) and the export paths return an error
that names the size: `document.export` / `exportSelection` / `serialize`, the MCP `export` and
`screenshot` tools, File ▸ Export and the control protocol's `ui.render`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A dash pattern with a negative value (for example [-5, 3], from `stroke.set` or a PDF `d`
operator) was handed to the dasher whenever any value was positive. When the values sum to zero
or less the dasher never advances, so rendering the document hung forever (canvas, screenshot,
PNG/JPEG export, `vectorcraft-cli convert`).
PDF (32000-1 §8.4.3.6) and SVG (`stroke-dasharray`) both define such a pattern as invalid and the
stroke as solid. `Dash::is_dashed` now says whether a pattern draws dashes (finite, non-negative,
not all zero), and the renderer, the width-profile outline, the SVG and PDF exporters and the PDF
importer use it, so an invalid pattern is drawn, written and read back as a solid stroke everywhere
(the PDF exporter used to clamp negatives to 0, writing zero-length dashes).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
VectorCraft exports type on a path as <text><textPath href="#text-path-N"
startOffset="…%"> with the path in <defs>, but the XML text fallback read
every <text> as point type at the text element's x/y. Text on a path
therefore re-imported as a straight line at (0, 0), above the artboard
and mostly out of view, and lost its path.
Resolve the textPath's href (SVG 2 href or xlink:href) to the <path>,
bake the text's user-space transform (and the path's own transform) into
it, and read startOffset (a percentage, or a length along the path) into
TextKind::OnPath.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Headless `open_file` (and `file.open` through run_command) had its own
loader that stopped at .vectorcraft and .svg, so an agent could not open
a PDF or an .ai file without the desktop app, although the engine and
`vectorcraft-cli` already import them through vectorcraft-pdf.
The headless loader now imports .pdf, .ai and any file starting with
%PDF through vectorcraft_pdf::import_with_report (default options, as
File ▸ Open uses), and returns the import warnings like the SVG path.
The open_file tool description lists the new types.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Document::swatches_iter/_mut, swatch_mut, swatch_group_of, remove_swatch and a copy-on-write
walk over linked solid paints (map_solid_paints) cover every colour group.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Edit -> "PDF Presets…"; the clipboard preferences read "Legacy vector
clipboard (no transparency)" / "Legacy vector clipboard" (keys copyAicb and
aicbMode unchanged); the second keyboard shortcut set is "Classic Defaults",
and the old set name is still accepted from saved UI preferences, imported
sets and shortcuts.preset. The MCP server instructions, the apply_effect and
create_graph tool descriptions, the text.createInPath params doc,
docs/mcp.md, the ui-egui crate description and the PDF compatibility docs
no longer name another vendor.
New `cargo xtask brands` (run by `cargo xtask ci`) fails on vendor product
or company names in Rust string literals (labels, params docs, menus,
panels, MCP definitions; comments and test code skipped), Cargo.toml
descriptions and text under docs/ and packaging/; a required legacy alias
is marked `brand-ok`. xtask shares one git file listing between the asset
and brand checks. docs/development.md describes the gate.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Every colour-management test reads or changes the process-wide colour
settings or proof view, so all of them now hold the file's lock; the
legacy-profile-name test switching the RGB working space could otherwise
shift a parallel RGB/CMYK round-trip.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
