addon.document.exportAllOpen {folder, format?} writes a copy of every
open document to one folder as Save a Copy does, each named after its
document with taken names numbered so no file is replaced. Documents
keep their paths and modified state, the active one stays active, and a
document that can't be written is reported while the others are still
written. Object > Plug-ins > Document Tools gets Export All Open
Documents as PDF and as SVG, which ask for the folder.
A new text_import_fuzz case builds a valid Word 97-2003 document (version
3 or 4 compound file, its streams in the mini stream or in FAT sectors),
checks that it places, and then damages the container itself: header
fields, the sector and mini sector shifts, FAT and mini FAT entries,
directory entry fields and stream sizes, single bytes, and truncation.
Session::execute turns a panic into EngineError::Internal, so the cases
in this file did not fail when an import panicked. They now go through
no_panic, as import_fuzz.rs does.
* ci: i18n report without a rebuild; PR print runs stop saving caches
- xtask ci: the i18n report selects the whole workspace as the test stage did. With
`-p vectorcraft-ui-egui` alone cargo resolved features differently and recompiled for about
3.5 minutes. `cargo xtask i18n-report` on its own still builds only that crate.
- print.yml: only main saves the desktop-print cache. Each PR saved its own 1.3 GB cache that
only that PR can read (6.3 GB across five PRs), pushing the repository past its 10 GB limit
and evicting caches main's gate restores.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* ci(xtask): i18n report selects the test run's targets too
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The test run builds --lib --bins --tests; a binary target's dependencies (the desktop app's
eframe features) could still resolve differently under --lib alone. Match the selection
exactly, and drop --quiet so a rebuild would show in the log.
* ci: leave print.yml unchanged
print.yml still runs its own jobs, and CLAUDE.md (CI workflows) keeps additions out of such files.
The cache churn it causes goes to craft-common-actions instead. This PR is now the xtask change only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
---------
Co-authored-by: FredApps <FredApps@users.noreply.github.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Double-clicking the Live Paint Bucket did nothing, and the tool always
filled on a click, stroked on Shift-click and highlighted in red at
4 px. It now opens Live Paint Bucket Options with Paint Fills, Paint
Strokes, Highlight, Color and Width.
- Paint Fills (on) and Paint Strokes (off) set what a click paints.
With Paint Strokes alone, a click strokes the edge within 4 px of the
pointer. With both on, a click strokes an edge within 4 px and
otherwise fills the face. With both off, a click paints nothing.
- Shift switches Paint Fills alone to Paint Strokes alone and back, and
switches both to Paint Fills alone. With the defaults, Shift-click
strokes the edge as before.
- Highlight turns the outline of the face or edge under the pointer on
or off; Color (a layer color or a custom color) and Width (1 to 20 px)
set it. With Paint Strokes alone, a selection of ordinary paths no
longer highlights a region, since a click there paints nothing.
- The options are tool options (tool.setOption {tool:
"livePaintBucket"}): they last across tool switches and are saved
with the preferences.
Docs: docs/mcp.md, docs/target-app-parity.md.
Character panel menu > Standard Vertical Roman Alignment, with Show East
Asian Options, is now a check item. It sets a new character attribute,
`standardVerticalRoman` (text.setFormat, text.setRangeStyle), off by
default and saved only when on. In vertical type the marked Latin
letters, digits and other characters that would lie on their side stand
upright one below the other, each in its upright cell. Spaces keep their
width and tate-chu-yoko blocks stay across the column. Horizontal type
keeps the mark and does not change. A combining mark shaped as its own
glyph turns with its letter, in Latin and CJK upright type alike.
Character Style Options labels the Character Alignment row "Character
Alignment" and gives Standard Vertical Roman Alignment its own checkbox.
Reset Panel turns the attribute off. PDF and SVG export place the glyphs
from the layout and need no change.
A Perceptual linear or radial gradient was always written as an image,
so a gradient of spot ink tints lost its plate, and no warning named the
spot ink.
PDF export now writes a Perceptual gradient whose stops are tints of one
spot color (and paper white) as a Separation shading in that ink. Its
tints follow the gradient's curve: at each stop the renderer places on
the curve, the tint with the OKLab lightness of the color there.
Dithered fills, freeform gradients and Perceptual gradients that mix a
spot color with other colors are still images, and the export now warns
when such a gradient has stops linked to a spot swatch that its spot
colors are written in process colors.
Make Opacity Mask expands a layer among its targets to the art that can
be edited: an object in a sublayer of a hidden or locked layer, or on a
locked artboard, is neither the mask nor masked, so it stays where it is.
Make Opacity Mask took the topmost target as the mask. When that target was
a layer (a targeted layer above the art, or `ids` ending in a layer id), the
whole layer was removed from the layer tree and became the mask art. A layer
on top now stands for its visible, unlocked art, as a layer below the mask
already does: its topmost object is the mask and the rest of its art is
masked with the art below. A top layer with no such art is refused and the
document is left unchanged.
print.yml still runs its own jobs, and CLAUDE.md (CI workflows) keeps additions out of such files.
The cache churn it causes goes to craft-common-actions instead. This PR is now the xtask change only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The test run builds --lib --bins --tests; a binary target's dependencies (the desktop app's
eframe features) could still resolve differently under --lib alone. Match the selection
exactly, and drop --quiet so a rebuild would show in the log.
- xtask ci: the i18n report selects the whole workspace as the test stage did. With
`-p vectorcraft-ui-egui` alone cargo resolved features differently and recompiled for about
3.5 minutes. `cargo xtask i18n-report` on its own still builds only that crate.
- print.yml: only main saves the desktop-print cache. Each PR saved its own 1.3 GB cache that
only that PR can read (6.3 GB across five PRs), pushing the repository past its 10 GB limit
and evicting caches main's gate restores.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
menus_and_tooltips_show_the_backtick_key_as_it_types put Edit › Clear on Cmd+~.
craft-keymap reserves Cmd+` on macOS, so the override is refused there and
the menu kept Delete. The test now uses Alt+~, which no platform reserves.
From the CodeRabbit review: the Serbian and Croatian quote marks name
their sources with the Pravopis's ISBN and links to CLDR's sr and hr
data, in the code and in docs/type-parity.md; the quotes test says what
it checks.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_011wCJ9DkszhZKxYL3LgcSfZ
Document Setup and Character › Language list Serbian: Cyrillic (sr-Cyrl),
Serbian: Latin (sr-Latn) and Croatian (hr). Text tagged Serbian is shaped
in it (#4940, #4959), so fonts draw their Serbian forms, the italic б,
г, д, п, т. Serbian quotes follow the Pravopis (Matica srpska 2010,
т. 168) and CLDR: „…” and ’…’; Croatian per CLDR: „…“ and ‚…‘.
Illustrator lists Croatian but not Serbian.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_011wCJ9DkszhZKxYL3LgcSfZ
symbol.delete {names} expands every instance of the named symbols,
round by round, before it removes any definition, so a symbol and the
one placed inside it delete alike in either order. The Symbols panel's
picks belong to the document they were made in, and a single picked
symbol is deleted only while symbol.unused still lists it.
symbol.unused lists the symbols nothing places: instances in the art
(opacity masks included), graph designs, pattern tiles and brush art
count, and so do instances in a used symbol's art. The Symbols panel
menu's Select All Unused shows them selected, and Delete Symbol asks
once and deletes those still unused in one undo step
(symbol.delete {names}).
BFlat