dataset.export checked only the 1 MiB size, so a document with more than
1000 data sets or 256 variables exported a CSV that dataset.import then
refused. Export now refuses such a document with a message naming the
limit, and the messages have rows in every complete-message catalog.
View > Outline was one app-wide flag saved in the interface preferences,
so after Cmd+Y every later launch drew every opened or new document as
outlines, with no fills. The flag is now part of each document's view:
a document opens in Preview, each tab shows its own Outline or Preview,
and the setting is not saved at launch. An older preferences file that
holds the flag still loads, and its value is ignored.
The Outline command and ui.set's outline act on the active document and
are an error without one.
A row's empty text value fills its field with nothing, the same as a row without a value
for that variable, and OK left every empty field out of dataset.set. An untouched OK
therefore removed the empty value, and selecting the row afterward left the previous row's
text on the art.
Edit Data Set now marks the fields that hold the row's empty text value and keeps those
values on OK. Typing in such a field, or setting it with ui.dialog.set, removes the mark, so
emptying it still unsets the variable.
The test for #3818 checked the tool tip's text color and the style's
window fill. It now also checks the fill of the box drawn behind the tool
tip's text, and that the text and the box have a contrast ratio of at
least 4.5, for every brightness and scheme.
The theme's colors went into egui's style for the current system theme
only. When the system's light or dark setting differed from it or
changed while the app ran, egui switched to its other style, which held
egui's defaults: tool tips became a white box with gray text, or with
the theme's light text. Applying a brightness now sets egui's theme to
match, starting from the current style so settings such as the tool tip
delay carry over.
The color sliders now mark the row they edit with `model: "new"`
instead of a dialog-wide flag, and `recolor.apply` reads a row's own
`model` before the command's. Rows the sliders did not edit keep each
color's model, so with RGB art and a CMYK color group, a slider edit of
one row no longer turns the other rows' art CMYK. Another edit of the
row's new color, Reset and rows reduced again remove the mark, and
`recolor.randomize` moves it with its new color.
A dialog opened on a color group or on loose colors no longer offers Tint for a spot color of
the library: OK saves only the new colors, so a tint set there was lost. The row shows the
process modes instead.
The Tint rail and a tinted row's new color chip show a Lab spot color as art linked to it shows
it: the working-CMYK equivalent while the Spot Colors options use CMYK values, with its inks
scaled.
Changing the color count, a Preserve option or Limit to Library rebuilds the rows from the art's colors, which discards a slider edit. The dialog now also forgets that edit, so preview and OK give the art the rebuilt rows' colors in the art's own model instead of the rows' models.
A wheel drag or a harmony rule on the Edit tab now removes a row's tint
when it gives the row another new color, as the color sliders, the hex
field and the Color Picker already do. With Limit to Library, an edit
that snaps back to the row's own color keeps the tint.
recolor.randomize moves each row's tint with its new color when it
shuffles the order, and removes the tint from a color that saturation
and brightness changes.
Reset now also clears the slider edit, so the preview and OK keep each
color's model again instead of sending model "new". Changing the Colors
count, a Preserve flag or Limit to Library, or pressing Reset, with the
preview on reduced the previewed colors, so the rows no longer matched
the art; the preview is now rolled back before the colors are reduced.
The Tint mode follows the swatch recolor.apply links: the first library
swatch of the library color nearest the row's new color, shown as Tint
only when that swatch is a spot color.
The Assign tab gets a Color Mode menu (HSB, RGB, CMYK, Lab, and Tint when
the row's new color is a spot color of the Limit to Library library) and
its sliders under the rows. They edit the first selected row's new color
and are disabled with no row selected. Once they have edited a color in a
mode, the preview and OK send recolor.apply with model "new", so the art
takes the color in that mode.
recolor.apply rows take an optional tint (percent, default 100): art linked
to the row's global or spot library swatch takes that share of its tint.
recolor.randomize keeps a row's tint.
Object > Plug-ins > Color Effects > Find Nearest Swatch... picks a
library (the document's swatches, a built-in library, or a library or
colour book the user saved or loaded) and Fill and Stroke, and lists
each colour of the selection with its three closest swatches and their
CIEDE2000 difference. Apply gives each colour its nearest swatch as one
undo step.
- addon.color.nearestSwatch (a query): the closest swatches of a
library to each colour of the selection's fills and strokes (solid
colours and gradient stops, inside groups and type), or to a colour
given, with deltaE; count 1..50.
- addon.color.applyNearestSwatch: recolours those paints (and gradient
meshes) to their nearest swatch; global and spot swatches link, and a
library's swatches the colours take are added to the document first
(as swatch.library.add adds them), so a spot colour stays spot.
- The library picker Image Trace's Document Library uses moves to the
Swatches panel module and is shared.
- No colour book data ships: only libraries VectorCraft computes or the
user loads are searched.
The Character panel's All Caps, Underline and Strikethrough buttons, and
its menu's All Caps, Underline, Strikethrough, Proportional Metrics,
Tate-chu-yoko and No Break, read the first selected character's style.
With only some characters marked they could show on, and choosing one
turned the attribute off for every character. They now show on only
when every selected character has the attribute, and a click on a mixed
selection turns it on for all, as Small Caps and Standard Vertical Roman
Alignment do. type.underline (Cmd+Shift+U) underlines a mixed selection
the same way. The Character Alignment and Digits submenus check no item
while the selected characters differ.
text.setFormat ignored a value that was not true or false for underline,
strikethrough, allCaps, proportionalMetrics, tateChuYoko,
standardVerticalRoman, noBreak, hyphenate, hyphenateCapitalized and
romanHangingPunctuation. It now refuses it with "`<key>` must be true or
false" and changes nothing, as text.setRangeStyle does.
addon.document.exportAllOpen {folder, format?} writes a copy of every
open document to one folder as Save a Copy does, each named after its
document with taken names numbered so no file is replaced. Documents
keep their paths and modified state, the active one stays active, and a
document that can't be written is reported while the others are still
written. Object > Plug-ins > Document Tools gets Export All Open
Documents as PDF and as SVG, which ask for the folder.
Double-clicking the Live Paint Bucket did nothing, and the tool always
filled on a click, stroked on Shift-click and highlighted in red at
4 px. It now opens Live Paint Bucket Options with Paint Fills, Paint
Strokes, Highlight, Color and Width.
- Paint Fills (on) and Paint Strokes (off) set what a click paints.
With Paint Strokes alone, a click strokes the edge within 4 px of the
pointer. With both on, a click strokes an edge within 4 px and
otherwise fills the face. With both off, a click paints nothing.
- Shift switches Paint Fills alone to Paint Strokes alone and back, and
switches both to Paint Fills alone. With the defaults, Shift-click
strokes the edge as before.
- Highlight turns the outline of the face or edge under the pointer on
or off; Color (a layer color or a custom color) and Width (1 to 20 px)
set it. With Paint Strokes alone, a selection of ordinary paths no
longer highlights a region, since a click there paints nothing.
- The options are tool options (tool.setOption {tool:
"livePaintBucket"}): they last across tool switches and are saved
with the preferences.
Docs: docs/mcp.md, docs/target-app-parity.md.
Character panel menu > Standard Vertical Roman Alignment, with Show East
Asian Options, is now a check item. It sets a new character attribute,
`standardVerticalRoman` (text.setFormat, text.setRangeStyle), off by
default and saved only when on. In vertical type the marked Latin
letters, digits and other characters that would lie on their side stand
upright one below the other, each in its upright cell. Spaces keep their
width and tate-chu-yoko blocks stay across the column. Horizontal type
keeps the mark and does not change. A combining mark shaped as its own
glyph turns with its letter, in Latin and CJK upright type alike.
Character Style Options labels the Character Alignment row "Character
Alignment" and gives Standard Vertical Roman Alignment its own checkbox.
Reset Panel turns the attribute off. PDF and SVG export place the glyphs
from the layout and need no change.
menus_and_tooltips_show_the_backtick_key_as_it_types put Edit › Clear on Cmd+~.
craft-keymap reserves Cmd+` on macOS, so the override is refused there and
the menu kept Delete. The test now uses Alt+~, which no platform reserves.
symbol.delete {names} expands every instance of the named symbols,
round by round, before it removes any definition, so a symbol and the
one placed inside it delete alike in either order. The Symbols panel's
picks belong to the document they were made in, and a single picked
symbol is deleted only while symbol.unused still lists it.
symbol.unused lists the symbols nothing places: instances in the art
(opacity masks included), graph designs, pattern tiles and brush art
count, and so do instances in a used symbol's art. The Symbols panel
menu's Select All Unused shows them selected, and Delete Symbol asks
once and deletes those still unused in one undo step
(symbol.delete {names}).
The status bar's messages for relinked, replaced, updated and embedded
images, broken links, linked files that can't be read or changed on
disk, images that can't be decoded, added and unavailable fonts, copied
CSS, downloads and exports with notes read "1 image(s)" and similar.
They now say "1 image" and "2 images", and every catalog translates
both through @msgplural rows in the language's plural forms, as the
Package status does.
- i18n::msg_n writes such a message in English and fills its
placeholders in one pass; the status bar's translation fills them in
one pass too, so a path or name that holds "{n}" text stays whole.
- The old "(s)" @msg rows are replaced in all 26 catalogs, with new
rows for Replaced and Break Link.
- Sites: dialogs/missing_links.rs, dialogs/missing_fonts.rs,
app/links.rs, panels/css_properties.rs, dialogs/find_links.rs,
panels/links.rs, place.rs, canvas.rs, io/export.rs and
dialogs/save_for_web.rs.
The OpenType panel gains Stylistic Alternates (salt) and Titling Alternates
(titl) checkboxes after Swash. The Figure menu lists Default Figure, Tabular
Lining, Proportional Lining, Proportional Oldstyle and Tabular Oldstyle.
Proportional Lining sets pnum and lnum and turns tnum and onum off; Tabular
Lining keeps lnum, Proportional Oldstyle keeps pnum, and Default Figure and
Tabular Oldstyle turn both off. Every catalog has rows for the three new
labels.
The stop drop now checks Escape the way the indent-marker drop does, so Escape in the release frame leaves the stops as they were after a plain drag, a Ctrl-drag (Command on macOS) of all the stops, or a drag off the ruler.
In the Tabs panel, a stop dragged on the ruler with Ctrl held (Command on
macOS) moves every stop by the same distance, set in one text.tabs.set and
one undo step. The stops keep their order, alignment, leaders and Align On,
and the ruler draws them at their new positions during the drag.
Ctrl is read when the drag starts, as the Left Indent marker reads it. A drag
that would take the leftmost stop below 0 leaves it at 0, and one that would
take the rightmost past 100,000 pt leaves it at 100,000 pt, keeping the
spacing of the others. A Ctrl-drag released off the ruler deletes only the
dragged stop, as a plain drag does. A plain drag still moves one stop.
The Brazilian Portuguese catalog was marked complete under the tests, but 174 strings that the
German, French, Italian and Spanish catalogs already translate still fell back to English: smart
object and smart-filter editors, print presets and Japanese paper names, dimension lines and text,
the gutter, workspace names, swatch names and canvas messages.
Rows follow the catalog's vocabulary (dimension = cota, swatch = amostra, artboard = Mesa de
Trabalho, gutter = medianiz, line weight = espessura da linha) and are appended after the existing
entries; placeholders, ellipses and colons are unchanged. The parity doc records the new count
(6,126) with the commit it was measured on, following the rule in "How it is measured".
An open blend shows a <Spine> row below its key objects, where Release
leaves the spine. A click selects the blend (Shift/Cmd toggles it), so
Direct Selection edits the spine on the canvas; a locked blend's row
selects nothing, and the row is left out while searching or filtering.
Filled rectangles are drawn on whole pixels, but the gradient chip is a
mesh, which was drawn at its exact position. At a fractional position or
display scale the Gradient button under the Fill/Stroke proxy sat up to
half a pixel off the Color and None buttons beside it. gradient_chip now
rounds its rect to pixels first, which also lines it up wherever else a
gradient chip sits next to a color chip.
The backdrop behind a modal dialog took clicks with Sense::click(), which
egui makes focusable, so Tab stopped on it. It now senses clicks without
taking the keyboard focus.
The Tab tests now check that Tab reaches a known control in each region
instead of only that some widget took the focus: the title bar's three
caption buttons, a control inside each dialog, a Tools panel button and a
floating strip's Put back in the toolbar button, and the isolation bar's
back button. The dialog test also checks that Tab skips the backdrop.
Each action set now has an id of its own, assigned when the set is made
(Default Actions, New Set, Begin Recording on an empty panel) and when it
is loaded from the saved preferences. The id is not saved.
The question Delete Selection asks about sets holds their ids, and
ui.actionSet.delete takes ids in place of all: OK deletes the asked sets
wherever they are now, and deletes nothing when one of them no longer
exists. Before, the question matched sets by the list of names, so with
two sets of the same name, or a new set made under the asked one's name
while the question was open, OK could delete a set it did not ask about.
ui.actionSet.delete runs while a dialog is open, from the control channel or MCP. An open
Set Options or Batch dialog for a deleted set now closes, and one for a later set has its set
index lowered so that OK renames or batches the same set.
The Delete Selection question now carries the names of all sets as they
were when it asked (`all`). `ui.actionSet.delete` deletes nothing unless
the panel's sets still have exactly those names in that order, so a set
with a repeated name that moves into the asked index is not deleted.
Shift-click on a set's name selects the sets from the current one to it
also while an action in the current set is selected.
The question Delete Selection asks now passes the names of the sets it
names along with their indexes. ui.actionSet.delete deletes nothing and
returns an error when the set at an index no longer has that name, so a
set deleted or added above them while the question is open does not
make OK delete a different set. An index above the platform's usize
range is refused as "no such action set" instead of wrapping on 32-bit
builds.
dotCooCoo