- packaging/linux/package.sh: one verify_sha256 helper replaces the four
repeated printf|sha256sum -c pipelines.
- packaging/macos/package.sh: stapler_retry copies its positional
arguments into locals before use.
- swatch_options: f64::from(v) instead of v as f64 (same value; the
argument is an f32, so the conversion stays).
Art Brush Options' Width had no pen tablet option, so an art brush
drew at one width whatever the pressure. The Width row now has a
Fixed or Pressure menu and a second width. With Pressure the art is
Width wide at the lightest pen pressure and the second width at the
heaviest, following the pressure the Paintbrush recorded along the
stroke, and half way between the two on a stroke drawn without
pressure. brush.options takes width_mode and width_max; a brush
without them is saved as before.
Pencil Tool Options has a Live curve fitting checkbox, on by default.
With it off, the path shown while a Pencil stroke is drawn joins the
stroke's points with straight segments, and the release fits the curve
at the Fidelity, as it does with the option on. Choosing another tool
while a stroke is drawn also keeps the stroke fitted. The option is
saved with the tool's other options.
path.freehand takes fit (true by default): with fit false, a new path,
a continued path and a redrawn section join the points with straight
segments.
The reference app detects lists typed as 1., 1), A. or A), and makes
custom bullets from *, #, > or + followed by a space. In VectorCraft
the characters stayed as text.
When the Type tool types a space on its own after one of these at the
start of a paragraph in no list, the typing so far becomes one undo
step. The new command text.startList then removes the typed characters
and the space and makes the paragraph a numbered list in 1, 2, 3 or
A, B, C, or a bulleted list with the filled dot. A paragraph with no
indents gets the 18 pt hanging indent. One Undo puts the characters
back as text with no list, and the caret goes on after them; Redo
removes them again. The same characters later in a paragraph, list
characters pasted in one piece with the space and a paragraph already
in a list start nothing.
Docs: docs/mcp.md, docs/target-app-parity.md.
The test checked only that each outline had a dark pixel, which a line
two or more pixels wide also has. It now counts the dark pixels across
the path, a stem of the type and the guide, and expects one, with and
without supersampling.
Move opened without Distance and Angle, so its first frame replaced the
values a control client set with ones computed from Horizontal and
Vertical, and OK read Horizontal and Vertical without the Distance and
Angle set since the last frame. Move now opens holding the Distance and
Angle of its offset, and OK applies a Distance and Angle set since the
last frame.
A command.batch that edited a document with an undo group and then a
document without one was dropped from the journal as a whole when the
group was canceled, so a replay lost the second document's edit, which
the session kept. Each batch step is now noted in the undo groups it
belongs to, by the same rule as a top-level command, and a cancel takes
only those steps out of the batch's journal entry. A step that changed
the active document becomes that change. Undo groups that stay open
follow the entry and step numbers that a cancel changes.
With Preview off, selecting a plain image after an Image Trace object
kept the panel on that object without saving its waiting settings. A
trace of the image then made the image's trace the panel's object, and
selecting the first object again showed its stored settings and lost the
change. The panel now keeps the waiting settings for the object it
leaves whatever is selected next.
The test of a color whose every path straightens to no area traced a
pale blue row with a library of a light color, black and [40, 120, 240].
With Document Library weighing hue and chroma three times as much as
lightness, the row takes the light color instead of that blue, so the
test no longer traced any blue. The library blue is now [60, 130, 235],
which the row still maps to; the assertions are unchanged.
With Method Overlapping, each color layer covered every pixel of the colors
above it in the stack. A small dot or square on a background was then traced
once in its own color and again, at the same bounds, in every color between
the background and it, and with Shapes on each copy became its own live shape.
Those layers also ended on edges they never touched and showed through the
anti-aliased rim there.
Each layer now leaves out every 4-connected part of its stacked area that holds
no pixel of its own color. This changes the result of many Overlapping traces,
the photo presets included: fewer paths (High Fidelity Photo 121 to 69.6 on its
own quality inputs, Low Fidelity Photo 37.1 to 26.1) and no rim, around a
shape, of a color that sits apart from it. One existing test that counted the
extra copies now expects one layer per area, and another that compared layer
pixel counts now checks that the bottom layer covers the whole image.
Two shapes that overlap by less than the region precision (0.01 pt) leave
their overlap out of the Shape Builder's regions as a sliver. Merging the
regions on both sides of it united only the picked faces, so the result
was a compound path with a hairline gap where the overlap had been.
A merge now takes in each dropped sliver next to a merged face when only
the merged faces' shapes fill it, both from the arrangement and from the
planar map used when open paths are selected. A thin cutout that no shape
fills stays a hole. What is left of a shape after the merge takes in a
sliver only where the shape covers it and the merged shape does not take
it in, so the two do not overlap. Pathfinder operations and Live Paint do
not use the merger and are unchanged; Live Paint's planar map does not
test which shapes cover a sliver.
After imageTrace.setView, screenshot and render_preview still drew the
tracing result, because ui.render renders with the export options and only
the canvas turns on trace views. Only the app window showed the view.
ui.render now takes traceViews. With traceViews: true, Image Trace objects
draw in the view set with imageTrace.setView, as on the canvas, both
headless and in the running app. screenshot and render_preview take
traceViews and pass it on; without it they draw the tracing result, as
exports do. The trace-and-style prompt names the argument.
A supersampled render drew Outline view's lines, type outlines and dotted
guides as little as a quarter of an output pixel wide, so they came out
pale gray. The renderer now scales those widths and the guides' dashes by
the supersampling factor in the larger frame, so the lines stay one output
pixel wide.
Docs: docs/mcp.md (render_preview, screenshot), docs/control-protocol.md
(ui.render).
ui.dialog.set stored any field name it was given, so a misspelled field
(`discrad` for `discard`) was kept without effect and the dialog then
ran with its old value. It now answers such a field with an error that
lists the dialog's fields, and leaves the dialog unchanged.
A dialog accepts the fields it holds, `__` fields, `discard` with a
discard button, `preview` with a live preview, the fields it reads
before a control adds them (each spec's `inputs`, for example Copy and
the object options of the Transform dialogs, Move's `distance` and
`angle`, the reference point, `path` of the export options dialogs,
`searchFolder`, Brush Options' `tips`, the Justification and
Hyphenation values that open blank, the Corners `kind` and `radius` of
corners that differ, the Gradient Stop popover's `color`, `opacity`,
`location` and `spread`, and a new artboard's `color` and display
marks), and the fields it passes to the command it runs: every
parameter of the generic `command` dialog's command, and the
`textureImage` that Load Texture… sets in the Glass and Texturizer
effects. Edit Selection now opens holding `deleted<i>` for each of its
rows, so setting a row number it does not have returns an error, and
Transparency Flattener Presets opens holding the selected preset's name
and options instead of adding them on its first frame.
With Preview off, changes made in the Image Trace panel for one Image
Trace object were lost when another object was selected: selecting the
first object again showed its stored settings. The panel now keeps the
waiting changes for each object and shows them again when that object
is selected, unless the object's own settings changed in the meantime.
When Preview was turned on while another object was selected, the
object is traced with its changes when it is selected again.
Preview is now the UI command imageTrace.preview ({on?}: on, off or
toggle), and both the panel's checkbox and ui.set's imageTracePreview
run it. The command label has a row in every catalog.
With the Document Library palette, each pixel took the library color
nearest in plain Oklab distance. A 50% gray lies nearer in that distance
to a saturated blue of the same lightness than to black or a light
cream, and a muted brown is also nearer to the blue than to either. With
a black, cream and blue library, both traced as the blue.
This changes how Document Library matches pixels: each pixel now takes
the library color nearest with differences in hue and chroma (Oklab a
and b) counted three times as much as lightness. The same measure picks
which library colors are used. Neutral and muted tones take a neutral
library color, and the other palettes are unchanged.
When both sides of a 1.5 pt bar have a point level with a click 0.1 pt
from its end, the point of each side nearest the click is the end of a
segment, so the sides were not tried and an Alt-click there touched the
end edge.
A segment end now also counts when the segment is square there to the
line to the point, so splitting a side at the click gives the same
answer as an unsplit side.
BFlat