An Escape press that cancels a ruler-origin drag or a floating Tools
panel move no longer also closes Edit Toolbar's drawer, leaves pattern
edit, isolation or Global Edit, closes the tool flyout or resets a
rotated view. A later Escape does that action as usual.
In Full Screen Mode and Full Screen Mode with Menu Bar, an Escape that
leaves a focused text field, cancels a ruler-origin drag or cancels a
floating Tools panel move no longer also returns to Normal Screen Mode;
the next Escape does. Tests cover a dialog, a focused field, a tool that
claims Escape, pattern edit, Global Edit, a tool flyout and the rotation
reset pair in both modes.
In Full Screen Mode and Full Screen Mode with Menu Bar, an unmodified
Escape that nothing earlier in the Escape chain takes (a popup, dialog,
field, drawer, tool gesture, edit mode, flyout or the view rotation
reset) runs view.screenMode with mode 0. Presentation Mode and the F
cycle are unchanged.
In vertical type, Alt+Down/Up (with or without Shift) steps kerning at a
caret or tracking of selected text, Alt+Left/Right steps leading, and
Alt+Shift+Right/Left steps baseline shift; Cmd/Ctrl makes five steps.
Horizontal type keeps its mapping. Selected type objects follow the same
rule when all of them are vertical, and a selection that mixes horizontal
and vertical type takes the horizontal mapping in one undo step.
An Xy right after a gradient mesh's /End X! is the mesh's only when the
mesh's own 6 () XW follows. When the layer's LB follows (directly or
after the layer's Xd and 7 () XW) it is the layer's, as before, and the
mesh keeps the state it had. Also corrects the revision-history row that
still said meshes with handle weights of 0 aren't read.
Highlight Alternate Glyphs compares each glyph with required shaping
alone, which turns liga and calt off. Older Arabic fonts (such as the
legacy Arial of the Microsoft core fonts) put the mandatory lam-alef
ligature in liga instead of rlig, so every lam-alef was highlighted.
A lam + alef cluster (any alef form, marks allowed) is now never an
alternate candidate, whatever feature the font uses.
Adds a test font built in code (lam-alef under liga or rlig) and
host-independent regressions. Also two equivalent one-line repairs
strict Clippy needs on main: a nonminimal_bool in the Path Precision
Tools inspect check and is_none() in a gradient panel test.
Object › Plug-ins › Artwork Cleanup and a hideable Text row in its panel
gain text tools, each one undo step:
- Break Text into Lines / Paragraphs / Words / Glyphs: point type pieces
placed by the glyph of their first character, keeping their styles.
- Combine Point Text: one-line point type merged into as few objects as
it can, every glyph staying where it was (tracking and spaces, checked
against the layout).
- Split Text at Cursor, Remove Line Breaks, Remove Paragraph Breaks,
Set Alignment, Keep Position, Reset Text Transform and Replace
Missing Fonts.
The panel cleared its swatch selection when the active document or the
selected art changed, but kept the Shift-click range anchor. A Shift-click
in the other document then selected every swatch from a name clicked in
the first document (for example White) to the clicked one. The anchor is
now cleared with the selection, so the Shift-click selects only the
clicked swatch.
Type on a path from the editing data's text document came in at the
font's advances, while the file's own layout (and its page) closes the
glyphs up round the outside of a curve and opens them up round the
inside, even where the frame keeps no spacing. Round a circle the type
ran on past where the page ends it.
The spacing (Type on a Path Options > Spacing) that reproduces the
layout is now fitted from the layout's glyph positions, advances and
turns, using the text engine's own model, and set on the imported text
object. Corners and straight runs are left out of the fit.
The corner placement of placed files was tried only when the first
placement failed the comparison with the page. A small logo in the wrong
place differs too little to fail, so it stayed there. When the corner
placement draws closer to the page and still matches it, use it.
A .ai whose layers hold placed (linked) PDFs and no text object came in as
its PDF part, saying its layers had no text objects for its page's text.
The PDF part draws each placed file, type and all, where the layers show
its preview, so type that lies inside the placed files (at either of their
placements) is theirs and needs no text object. Type outside them still
does.
An Illustrator EPS draws its crop marks after the last layer, between
%AI3_BeginCrops and %AI3_EndCrops (inside userdict /AI3_noCropMarks known
not { ... } if). The reader took them for art outside the layers, and the
whole file came in as its page in one layer. The section is now skipped,
as other non-art sections are; the crop area is %AI3_Cropmarks.
In the editing data of a .ai or EPS file, a gradient mesh's own state
(`Xy`) comes right after its `/End X!`, before its `Xd` and `XW`, as a
group's comes after its `U`. The reader took it as the next object's, so
a Multiply shadow mesh came in as Normal and painted opaque white over
the art under it, while the file's page shows the shadow.
An `Xy` read straight after a mesh ends now also applies to that mesh.
An `Xy` after the mesh's `Xd` and `XW` stays the next object's.
Some files write a handle weight of 0 on some gradient mesh corners. The
reader took only weights of 1, so the mesh and the whole file's layers
were unread. A weight of 0 draws as the same cubic edge against the files'
pages; other weights still leave the mesh unread.
bs.tsv: Bosnian (Latin script, Ijekavian) catalog covering every key of
VectorCraft's other catalogs, its wording shared with storytold/craft-i18n
locales/bs/ and the strings craft-i18n lacks translated new. Every bs-*
locale selects it; counts use one/few/other. Locale and plural tests,
localization docs and an attribution entry (AI-assisted, not yet
reviewed by a native speaker).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_013Tayw8nmxoLLmKv13jK93z
Effect › Color Effects › Duotone… (addon.color.duotone, also in Object ›
Plug-ins › Color Effects) prints the grey-equivalent tone of each colour
with one to four inks, each with its own tone curve. It is a colour
adjustment like the add-on's others, so it stacks with them and works as
a filter through addon.color.filter.
- One tone of a swatch the document has gives a tint of that swatch,
linked, so a spot tone separates onto its plate; several tones give
the CMYK mix of their tints (the inks overprint, so they multiply).
- Colour adjustments now map paints with their swatch links
(ColorMap::apply_link); the existing adjustments behave as before.
- Skip Objects with Spot Colors leaves spot-linked colours as they are.
- The dialog has a row per tone and the picked tone's curve (the Curves
graph, reused), its points and Reset to Linear / Inverse.
Print Ink Fixes (addon.color.printFixes, Object › Plug-ins › Color
Effects › Print Ink Fixes…) scales CMYK colours over a total ink limit
down to it, removes white overprint and sets black overprint (Overprint
Black's logic) in a CMYK document, as one undo step, and reports what
changed. RGB documents are refused.
The panel opens both under Inks.
Deferred: an opaque undercoat, tones for type only, extra gradient stops
for smoother tints, curve flip and all-100 % buttons.
Each traced path filtered the whole library for its color, twice when
no swatch of that color was linked. The color-to-paint lookup is now
built once before the paths are filled. The first linked swatch of a
color still gives the fill, and the first swatch of that color
otherwise.
When a process swatch listed before a global or spot swatch showed the
same color, a traced fill of that color took the process swatch and
stayed unlinked. Of the swatches that trace as one color, the first
linked one now gives the fill, and the first one otherwise.
With the Perspective Selection tool, Ctrl+Alt-drag (Command+Option-drag on
macOS) now copies objects on their perspective plane, as Alt/Option-drag
does. Before, Cmd/Ctrl lent the last selection tool even with Alt held, so
the drag made a flat copy. Cmd/Ctrl alone still lends the last selection
tool, and the cursor follows the same rule.
dotCooCoo