Part of #535 (item 4).
Pre-2017 bodies without Sony crop tags shot in the camera's 16:9 mode now get
the 16:9 crop of their camera JPEG: width from FullImageSize, anchored left as
before (drops the ILCE-7SM2's 32 padding columns); height from FullImageSize
(ILCE-7SM2) or from an Exif image size of the same width (DSLR-A580, whose
FullImageSize still says 3:2); centred vertically at an even offset, as measured
by registering each camera JPEG on its raw. The aspect now matches the JPEG, so
the camera-look fit runs: ILCE-7SM2 dE 15.2 -> 4.8, DSLR-A580 dE 26.7 -> 3.9.
Only these 2 of 140 Sony decodes change; render cache version 26 (23-25 are
taken by #568, #542, #575).
Tests: crop helper (3:2 unchanged, both 16:9 sources, even offsets, hostile
sizes) and a corpus test of the two crops against their camera JPEGs; both
samples added to the corpus list.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
preset, background, resize, subfolder, conflict, tiffCompression and
dngCompression were in the export tool's schema (and so passed the new
argument check) but were dropped before reaching app.export.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
std::process::exit skipped eframe's on_exit (ui.json, close_library) and the
may_close check, so changes still in memory could be lost on Cmd+Q.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The earlier text quoted the 13 investigation files (held-out RMS within 0.005); the whole CC0 archive shows a worst increase of 0.013 and 7 files that need the conditional-median fallback.
With a CropAngle, Lightroom's CropLeft/CropTop and CropRight/CropBottom
are the top-left and bottom-right corners of the tilted crop on the
stored image, and its angle turns the other way to LightCraft's. The
import treated the edges as an axis-aligned rectangle in the rotated
frame and kept the angle's sign, so straightened crops came out the
wrong shape and size.
Carry the two corners through the orientation and then LightCraft's
straighten rotation (angle = -CropAngle, mirrored orientations flip it
back), using the stored image's aspect from fileWidth/fileHeight. On a
real catalog every one of 223 straightened crops now matches the frame
of Lightroom's export, and the content difference falls to that of
unstraightened crops.
Refs #483
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
