Keeps upstream's ColorData 66 handling (white level from the data); recounts
coverage (259 verified, 919 unverified, 232 preview); drops the duplicate
raw-parity rows; notes high-QP R6 Mark II C-RAW and unverified R7 C-RAW.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
Fitted with `lightcraft-cli calibrate` to 144 usable ILCA-99M2 ARWs (of
150, seven shooting days, Standard creative style, DRO Auto) and their
in-camera JPEGs; aggregate colour statistics only.
On 30 withheld photos (profile fitted to the other 120) mean dE76 against
the camera JPEG goes 5.11 -> 4.87; 25 of 30 improve, the worst
regression is 0.24. All 150 photos stay accepted. The public raw.pixls.us
ILCA-99M2 file, not used for fitting, stays accepted (5.57 -> 5.73).
A corpus test checks that this public sample's fit keeps exactly the
built-in profile's matrix and table; the ILCE-7CR test now shares its
body. LOOK_VERSION 5 -> 6, as the profile changes the fit of this model.
Setting up Synchronize Folder, an import review or an import made a table
of every photo in the library on the session's thread before the first
file was looked at, and naming one photo's sidecar worked out who owns
every shared sidecar name in the library. In a library of 3.5 million
photos (`scan_setup_bench`, release, a folder of 500): 5.8 s before a
Synchronize scan, 2.6 s before an import review, 1.7 s before an import,
2.4 s for each sidecar written.
- A scan keeps the library as it is (photos are shared, not copied) and
looks up the files it finds (`library_files`) and the contents it probes
(`library_hashes`) on its own thread.
- An import looks the library up with its first files
(`ImportJob::look_up_library`), from the library and the options as they
were when it was set up.
- The owners of shared sidecar names are worked out for the photos asked
about (`StemOwners::among`): all five callers name only those photos.
- Synchronize Folder names its photos' sidecars in the scan, after it has
seen that the folder is there.
Now 0.9 s, 0.05 s, 0.05 s and under 1 s. What is found, and how sidecars
are named, is unchanged: the tests hold the owners against the table of
the whole library as it was made before, and the key made without
allocating against the key, for every string of up to six of the
characters that decide it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Conflict in panels/dialogs.rs: keep upstream's PQ/HLG HDR curve choice
and route both labels through i18n::tr. Czech for the new strings:
8 catalog entries (import, missing files, GPU notice, mask overlays),
3 format strings (other editor, identical copies) and the HLG label.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Add the Cmd+Shift+D row to the library shortcut table with a short note on
what it does and where it can be rebound, add a checklist row for it with
status partial (covered by headless key tests; the native macOS menu path
is not verified), and update the checklist's Last updated line, revision
history and the summary counts that this one row changes.
- All pages checked against the v0.7.1 tag and its release assets;
verified: bumped to 0.7.1.
- Install: 32-bit Windows (x86) installer and portable build; pre-0.6
upgrades keep their install folder.
- Import: Recently Deleted photos are restored by default; progress shows
in the activity stack.
- Edit: HDR button next to B&W.
- Export: JPEG XL Effort and Progressive, lossy JPEG XL colour space
note, Add to Apple Photos on macOS.
- Lightroom import: activity stack progress and stopping with its X.
- Raw troubleshooting: Adobe RGB fix now released, monochrome picture
style tone, EOS R5 Mark II C-RAW decodes, Leica DNG and dark scenes
still open; drop "import again" (duplicates are skipped).
- docs/user/CLAUDE.md is a regular file instead of a symlink.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
`embedded_preview_srgb` (the loupe stand-in and the grid thumbnail of an unedited raw) decoded the
largest embedded JPEG whatever the size asked for: a 512 px thumbnail of a Sony A7R VI ARW decoded
its 9984 x 6656 JPEG (5.6 MB) although the file holds a 1616 x 1080 one (0.3 MB).
`lightcraft_raw::embedded_preview_covering(bytes, min_edge)` returns the smallest of a TIFF-based
raw's JPEGs whose long edge is at least `min_edge` and that is a copy of the largest one: aspect
ratio within 1 % (not a letterboxed thumbnail of another shape) and the same number of components
(not the grey semantic masks of an iPhone ProRAW DNG); else the largest, as `embedded_preview`.
The colour-space handling stays in `decode_raw_preview` (a `covering` argument); an unsupported
raw's editing source and the camera-look fit keep the largest JPEG, so a source never depends on
its size level.
On 120 raws of every make in the corpus at 256 / 512 / 1600 px: wherever the largest JPEG is still
chosen the output is identical byte for byte; where a smaller one is (Sony, Nikon, Panasonic,
Adobe DNG) orientation matches, the size is equal or 1-2 px off, mean difference <= 4.7 / 255.
- Rebased onto #1020: its plan route (`preview_window` -> `planned_preview`) now takes the box size and picks
with `embedded_preview_covering` too, so a TIFF raw read through the sparse plan gets the whole file's JPEG.
Co-Authored-By: Claude <noreply@anthropic.com>
Calibration's header runs section.calibration, now a registered command (no menu
item); section.<id> refuses an id the Edit panel hasn't got instead of closing
the real sections for a phantom one. "Solo Mode" sits with the other So… keys
in the catalogs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Option-click goes through section.<id> {solo: true}, so agents can open just one
section; view.soloSections and section.* refuse flags that are not true / false
(bool_param); toggle_section reuses solo_section.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
