A preset without `format` lost its `bitDepth` before the call's `path` was merged in,
because it was judged against JPEG: `app.export {preset, path: a.png}` with a 16-bit
preset wrote an 8-bit PNG. Session::export_params now merges first and drops a preset's
depth only if the format written (with the caller's fallback) lacks it; a depth the call
passes is still validated. export.savePreset judges the depth at once only when the preset
has a `format`.
app.export with a path like `output` or `output.xyz` and no `format` skipped the depth
check: the desktop app then wrote JPEG and the headless backend PNG, both at 8 bits.
ExportOptions::export_format resolves the format written (with the caller's fallback for
such a path), from_params_or validates against it, and both callers use it instead of
their own override.
The Print dialog's Page section gets Lightroom's Page Options for Single Image
and Contact Sheet: the page number at the bottom right, the print settings line
(sharpening, profile, resolution) at the bottom left, and crop marks at the
corners of each photo. They are `print.set {page: {pageNumbers, pageInfo,
cropMarks}}`, saved with templates, drawn in the preview and composed into the
PDF; marks and text turn white on a dark page.
The grid queues no render behind an unedited raw's quick thumbnail, since the embedded JPEG is
meant to be the thumbnail. But whether that JPEG can be read is only known when the quick job
runs, and `quick_thumb_job` had no fallback: when the preview loader returned nothing the job
failed with "no quick preview", the failure was remembered for that key, and the cell stayed
empty until an edit changed it. The quick job now carries the real thumbnail job as its last
resort, as `quick_view_job` already does for the loupe.
egui gives the opening release's click to the readout, so the field under it surrenders the focus. Only the field's first two frames took it back: a click held any longer ended the edit, and the value could only be typed while holding the button.
A wipe drew its line through the middle of the photo. Zoomed in, that
point is usually off screen, so the whole view fell on one side of it
and showed only the Before (the original) or only the After. The line
now goes through the middle of the part of the photo on screen: the same
place at Fit, and in view at any zoom.
The close button let eframe drop the window while AppKit's run loop was
still running; AccessKit restored the content view's class and AppKit's
Touch Bar KVO observer threw on the next display cycle. on_exit now ends
the process on macOS once settings and library are saved and background
work has stopped, as #444 does for Quit from the menu bar. Same fix as
storytold/gridcraft#117.
Resize::apply rounds the size, then the render fit the frame into that box
again: on a frame a hair under 3:2 the refit gave 1333 x 1.4999999 = 1999.49
and lost a pixel of the long edge. Frame::fit now keeps a box that already has
the frame's aspect up to rounding, and output_size rounds the native size to
whole pixels first so float noise can't decide a half-pixel tie.
Masked lines are measured against the outermost line's level when it sits
just above BlackPoint (K-70, K-1), saturated outer lines count when dark
ones follow (645Z), and a frame whose interior is within the tolerance
keeps its whole area. Line means read samples with get(). Render cache
version 62: PEF frames change size.
With "Leave them", the review refused every click on a file whose photo is in
Recently Deleted, and its "In Recently Deleted" badge was drawn over the
checkbox. Leave them now only keeps such files out of the default selection
(Check All and the file-type toggles skip them); a click checks one and it is
restored, as the import does by default. The badge goes under the checkbox
when it doesn't fit beside it.
The decoders keep the alpha plane, but to_working converted only the
colour, so transparent pixels kept the black most encoders store under
them: renders, previews, exports and contact sheets showed it. The
working image is now flattened onto white, in linear light like the
rest of the pipeline.
Marco Arnulfo