Media and proxy paths read from a project file, a project template or an
interchange file are opened only when they name a local file or a file on
the network share the document itself is on (craft-docpath); a relative
path is taken from the document's folder. Other paths count as missing:
the item renders the offline slate with the reason, the open says how many
were not opened, and Link Media lists them. This covers the open-time
scan, rendering and proxies, the growing-files look and interchange
import. Files imported or linked in this session are opened as given.
The Scratch Disks folders use the same check, and Captured Audio and Video
(voice-over takes, pasted images, the default proxy folder) and Audio
Previews follow the rule Auto Save and Video Previews already follow.
Project Auto Save and Video Previews folders named in a project file are used
only when they are inside the project's own folder or were chosen in Project
Settings > Scratch Disks on this computer (remembered in the preference
autoSave.scratchFolders). Other folders fall back to the default location,
with a log line and a message when the project opens. Network-share and
device paths are refused for these folders.
A folder or bundle, a link to another kind of file, or a file whose extension
the importer doesn't take is refused with a message instead of being handed to
the system's default app.
Clip > Multi-Camera > Enable and Flatten were enabled for any selection
and then failed when chosen with plain clips selected ("select nested
sequence or multi-camera clips"). Their enabled checks now ask what the
commands need: a nested sequence clip for Enable, an enabled multi-camera
clip for Flatten (linked partners included), so the menu greys them out
otherwise. Calls naming their clips still work without a selection.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Compute the final ASCII frame-number boundary without slicing inside a UTF-8 character. Preserve Unicode prefixes and add parser and public image-sequence import regressions, including missing frames and timeline placement.
Fixes#1565
Co-authored-by: Codex <noreply@openai.com>
Respect per-action linked selection, preserve exact current selections for Clear and Ripple Delete, and keep Option-drag group copying intact. Add regression coverage and align the Spanish and synthetic TIFF test fixtures.
Restores the individual-selection handling originally submitted by @vbasky in #685, with corrected click/drag behavior.
Fixes#1163Fixes#680
Assisted-by: OpenAI Codex
Co-authored-by: Vikram Bhaskaran <vikram.bhaskaran@outlook.com>
Adds Korean as an interface language: Edit ▸ Language ▸ 한국어, Settings ▸
General ▸ Interface Language, and System Language for ko / ko-KR locales.
- crates/ui-egui/src/i18n/ko.tsv: 3,573 entries, the Spanish catalog's sources
plus the macOS Settings item, written clean-room from the plain meaning of
the English text (sidecar ko.tsv.attribution, ATTRIBUTION.md row).
- Hangul is drawn with the installed system face cjk.rs already adds (Malgun
Gothic, Apple SD Gothic Neo, Noto Sans CJK KR…); switching is refused with a
message when there is none, like Chinese.
- Test: korean_covers_the_menus_and_has_no_dead_entries.
- Docs: localization-parity, ROADMAP, ui-egui README.
Native-speaker review welcome.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_013XWUReif4gqcjU5GsjYioc
Remove the selected clips' heads - from each in point through the
playhead - and ripple the sequence closed. Linked clips act as one
group through edit::ripple_trim_group; a playhead past every member's
out point deletes the group whole via edit::ripple_delete_items.
Refused at or before a member's in point, and on locked members.
Tests: crates/engine/src/ripple_head_tests.rs (4 tests, red on main,
green with the patch, negative control by stash round-trip).
Fixes#1357
Problem: `export --list-presets h264` returned nothing because the query
only matched name, description and category, while `h264` is the format
id the CLI takes everywhere else.
Fix: also match the preset's format id and label, compared with
punctuation stripped, so `h264`, `h.264` and `H.264` are equivalent.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Problem: timeline.nudgeUp/nudgeDown returned an error for the whole selection when any selected clip was already on the outermost track in that direction. A video clip with its linked audio (A1 has no track above) therefore could never be nudged.
Fix: clips with no destination track stay where they are; the command only errors when nothing could move. Regression test covers a linked selection.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
During a transition on its track an adjustment layer rendered as nothing, because it has no picture
of its own: Cmd+D at its start left the effects off for the whole dissolve and then cut them in.
In a transition the layer is now the frame below with its effects (opacity, masks and Motion region
included), so a dissolve fades the effects. A fade from or to nothing keeps the layer's blend mode.
Frames where a transition touches an adjustment layer render on the CPU.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Both were offered for import but could never be imported.
`.y4m` is in VIDEO_EXTENSIONS (and file-format-parity.md lists Y4M as
read), but nothing read it. `codecs::y4m` is a YUV4MPEG2 source written
from the format's public documentation (yuv4mpeg(5)): the W/H/F/A/I/C/X
stream header, FRAME lines with their own parameters, 8-bit 4:2:0 / 4:2:2
/ 4:4:4 / 4:4:4 + alpha / mono and 9–16-bit little-endian
(`420p10`, `422p12`, `mono16`, …) as Yuv8 / Yuv16 frames, XCOLORRANGE=FULL
and the pixel aspect. Frames are indexed once from their header lines and
read on demand (a reader opener too), so large files aren't loaded whole.
Sizes, rates and offsets are checked; 4:1:1 and unknown colour spaces are
an "unsupported" error.
The Media Browser listed `.ale` among project files, but FilmCraft only
writes ALE (File ▸ Export; Premiere doesn't import it either, per
file-format-parity.md), so importing one always failed. It is no longer
listed.
Tests: hand-built Y4M files (4:2:0 frame by frame, 10-bit 4:2:2 with frame
parameters, aspect and full range, mono, the reader path), truncated /
bit-flipped / hostile headers under catch_unwind, and an ffmpeg oracle
(8-bit 4:2:0 and 10-bit 4:2:2 files equal ffmpeg's rawvideo output byte
for byte); the browser no longer classifies `.ale`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Graphics ▸ Align to Video Frame (Left, Center Horizontally, Right, Top,
Center Vertically, Bottom) only reached layers inside a graphic clip. With
video or image clips selected instead, it now aligns each clip's scaled and
rotated bounds to the frame by moving Motion ▸ Position only, at the
playhead (a keyframe only when Position is already animated, as typing the
value would). Scale, rotation and other keyframes stay untouched; one undo
step. A selected or named graphic clip still aligns its layers.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
sequence.applyVideoTransition {edge: "out"} with a clip selected put
transitions on both free edges (speed_duration_moves_fade_out_to_the_new_clip_end
failed); with edge given only that side is used.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Brandon Thomas