#630 shipped German for the menus. This adds the other 3,213 strings, so
de.tsv has every entry of the Spanish catalog (3,590): panels, dialogs,
effects and their parameters, transitions, presets, Settings, shortcut
commands, export presets, tooltips and status messages. Same style as the
menus (du, infinitives, placeholders, ellipses and escapes kept); the
glossary in the header is extended. The 377 menu entries are unchanged.
german_entries_cover_the_original_menu_catalog required every entry to be
a menu label. It becomes german_covers_the_menus_and_has_no_dead_entries,
like the French and Italian tests: every entry needs a Spanish counterpart,
the core menus and the native macOS app menu are required, later strings
may stay English. german_renders_with_bundled_fonts checks the umlauts,
ß and German quotation marks against the bundled fonts.
Docs: ROADMAP.md, docs/localization-parity.md, docs/gaps.md, ui-egui README.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01KJhvSJ5odpWzFw9HhPzAix
craft-libs#169 is merged, so the fork pin is no longer needed. Pinned to
storytold/craft-libs 82a24b006eefa036b43c09a67fb9a3fbd17ffe63 (main after the merge) rather than the older 12281d07,
which predates resolve_absolute and the Windows colon refusal.
Writer::add rejected a duplicate name by comparing the new name with every
sibling through compare_names, which allocates two Vec<u16> per call, so n
children in one storage cost O(n^2) allocating comparisons. An AAF export
puts every marker and component in one storage: 20 000 markers took 58 s,
20 000 clips 56 s, 20 000 connected clips 87 s and 100 000 markers never
finished (an FCPXML of 1 MB is enough). Doubling the input quadrupled the
time; every other exporter stayed linear.
Each storage keeps a set of its children's names as sibling order compares
them (UTF-16 code units, upper-cased), so the duplicate check is a hash
lookup. Same result: case-insensitive, also beyond ASCII, per storage.
20 000 markers now export to AAF in 0.38 s, 100 000 in 2.0 s, 20 000 clips in
0.23 s and 20 000 connected clips in 0.45 s.
Tests: adding 40 000 children must take under 3 s (0.02 s now, 21 s before)
and the duplicate rules are unchanged.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Found while testing crates/ui-egui/src/calc.rs:34-41 (eval)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Found while testing crates/tts-text/src/normalize.rs:352 (parse_amount, used by parse_money at :266)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Media and proxy paths read from a project file, a project template or an
interchange file are opened only when they name a local file or a file on
the network share the document itself is on (craft-docpath); a relative
path is taken from the document's folder. Other paths count as missing:
the item renders the offline slate with the reason, the open says how many
were not opened, and Link Media lists them. This covers the open-time
scan, rendering and proxies, the growing-files look and interchange
import. Files imported or linked in this session are opened as given.
The Scratch Disks folders use the same check, and Captured Audio and Video
(voice-over takes, pasted images, the default proxy folder) and Audio
Previews follow the rule Auto Save and Video Previews already follow.
Project Auto Save and Video Previews folders named in a project file are used
only when they are inside the project's own folder or were chosen in Project
Settings > Scratch Disks on this computer (remembered in the preference
autoSave.scratchFolders). Other folders fall back to the default location,
with a log line and a message when the project opens. Network-share and
device paths are refused for these folders.
A folder or bundle, a link to another kind of file, or a file whose extension
the importer doesn't take is refused with a message instead of being handed to
the system's default app.
ColorSignal::apply_to wrote the sample entry's colr box only for HDR, so
SDR ProRes, DNxHR and APV MOVs carried no colour that Apple's media stack
reads (it takes their colour only from colr, not from the codecs' frame
headers): QuickTime Player and Final Cut saw no primaries, transfer or
matrix. SDR exports now get colr with the export's colour too (nclc in
MOV, nclx in MP4); HDR metadata stays PQ-only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Found while testing apps/filmcraft-cli/src/main.rs:468
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Clip > Multi-Camera > Enable and Flatten were enabled for any selection
and then failed when chosen with plain clips selected ("select nested
sequence or multi-camera clips"). Their enabled checks now ask what the
commands need: a nested sequence clip for Enable, an enabled multi-camera
clip for Flatten (linked partners included), so the menu greys them out
otherwise. Calls naming their clips still work without a selection.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Main now falls back to CPU effects when an adapter cannot render to
Rgba32Float, so the scene, blend and transition parity tests still run
on such adapters. Only gpu_effect_chains_match_cpu_render needs a float
render target, and it is the one test that skips without it. Also revert
the import reorder, which failed cargo fmt --check on edition 2024.
An avcC High-profile extension or an hvcC record can carry a chroma
format of 0 for a 4:2:0 stream, which labelled such files "YUV 4:0:0"
in Media File Properties (two files of the 92 in #1959). The SPS is what
the decoder decodes, so it is read first; the record's fields are only
the fallback when no SPS can be parsed.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_011K1peyrh5MdZ6ttHkVq8Gh
Claude