Sketch draws an artboard's layout and square grids only while its layout
view is on; they now import hidden (still there, shown with the eye in
the Layout grid section).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Alpha masks only mask (no drawn copy of their fill); a progressive
opacity (Fade) becomes an alpha mask of its gradient over the layer;
linear gradients run square in pixels as Sketch draws them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The font database knows each face's PostScript name; the Sketch import
finds the installed face a file's font names (CourierNewPSMT is Courier
New Regular) and reads the family from the name only when it isn't
installed. Text without a fixed line height takes the line Sketch draws:
ascent and descent rounded to whole pixels, the line gap left out, a
fifth more for classic Mac fonts, the baseline where Sketch puts it
(measured on sketchtool renders of 80 fonts).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sketch keys a font's variation axes by the tag read as a number; they map
onto the text style's variations (a fontVariations key in the REST
mapping). Font references without font data only name the fonts a
document uses and no longer raise the embedded-font note.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Groups as frames and graphics, stacks as auto layout (instances laid out
by their stack), corners and per-side borders from the style, pins and
sizing, tints (layeringType, fillColor overrides), text colour and
visibility overrides, blur lists (progressive, glass), inner shadows in
the shadow list, angular gradients starting on the right, text sizing,
and texts an override changed measured again on open.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Compared with Sketch's renders of a Sketch 64 file. Resized instances lay
out their layers the way Sketch does (measured: pins share the change in
proportion, a fixed size keeps its centre's share, and files before format
110 just scale); masters' backgrounds show in instances only when Sketch
includes them; swaps to a missing symbol keep the original; artboards
don't draw a style they carry. Apple's system fonts are found under the
names designs use (SF Pro, SF UI Text and Display, SF Compact), the
optical size follows the text size for named styles too, and imported
text keeps the platform's trak tracking as letter spacing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Compared artboard by artboard with Sketch's renders of a real Sketch 50
file (sketchtool, black-box). Shape groups whose children have no
operation are one compound path filled by the group's winding rule (read
from the layer), not a union: rings, map streets and icons keep their
holes. Filled open paths close, as Sketch fills them. Flips apply after
rotation. Text with a fixed line height sits where Sketch's line spacing
behaviour puts it. Edited ovals and rectangles keep their points. Bitmap
colour adjustments become image filters. scale 0 means unscaled. A local
test compares sample files with sketchtool's renders.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
From the branch review: overrides that point at junk (shared styles that
aren't objects, text runs that aren't) no longer panic; symbol expansion
spends a work budget (JSON copied, overrides handed on to nested
instances, grouped once by their first path segment), so small files
can't expand into gigabytes; far path points stay in range; notes are
capped and de-duplicated with a set; shared styles are looked up by
index; a styled second mask's drawn copy isn't clipped by the first;
JSON members are refused past 100 times their packed size or 2 GB in
all, and an unreadable document.json keeps the pages.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
FIGCRAFT_SKETCH_SAMPLES runs every .sketch file of a folder through
file.open (opens with linked instances and finite geometry, or is
refused as too old). File format parity gains a .sketch row; CLI, MCP,
roadmap and ROADMAP mention the import.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Layers linked to artboards navigate there on click (back links go back,
slide animations slide), hotspots become transparent frames with their
link, flow-home artboards start a flow; export options become export
settings (scale, width or height, suffix); artboard layout and square
grids become layout grids, which instances show like their masters.
Smart Layout, stacks and locked overrides are noted once per file.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Shared layer styles become a paint style for their fills, a paint style
for their border colours (linked to strokes) and an effect style; shared
text styles become text styles (colour stays on the layers); local and
library copies alike, unused ones listed too. Layers link to them, keeping
their own values where they differ. Color Variables (swatches, also
library ones) become colour variables in a Color Variables collection,
with fills, borders and text colours bound to them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Symbol masters become components, also those copied from libraries (on a
page of their own); instances carry their master's layers with their
overrides applied (text, nested symbol swaps and hiding, images, layer
and text styles, nested paths) and resize them by their constraints, so
editing a master still updates every instance. A symbol inside itself
stops with a note; instances of missing symbols are empty frames.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text layers keep their string and styled runs (font, size, colour, line
height, letter spacing, decorations, text transform; ranges in UTF-16
units, clamped), paragraph alignment and spacing, vertical alignment and
how the box sizes. Fonts named by PostScript name become family and
style; the engine then matches families to installed ones ignoring
spaces (PingFangSC → PingFang SC). Fonts embedded in newer files are
named in the import report.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sketch draws a clipping mask with its fills, borders and effects under
what it clips; a FigCraft mask only clips. A plain copy of such a mask
goes underneath it, so a light avatar circle with a white icon in it no
longer vanishes on a white artboard.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sketch 51 and older files make masks from shape groups; the mask flag was
lost when the group became its shape or boolean operation, so a masked map
spilled out of its card.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Solid, gradient (linear, radial with its ellipse, angular) and image
pattern fills (tile, fill, stretch, fit); borders as strokes with the
first enabled border's width and position, dashes, caps, joins and arrow
ends; shadows, inner shadows, layer and background blurs; layer and paint
opacity and blend modes; clipping masks, wrapped in a group of their own
where Sketch breaks the mask chain; Display P3 documents. Shape groups
pass their style to the shape or boolean operation they become. Noise
fills, motion and zoom blurs are listed in the import report.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Paths become editable vector networks (handles, per-point corner radius,
open and closed, winding rule). A shape group with one shape becomes that
shape in the group's place; several combine as boolean operations, mixed
operations nesting from the left as Sketch applies them. Stars and
polygons stay stars and polygons while their points are the generated
ones, edited ones and triangles become vectors.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Artboards (and Sketch 2025 frames) become frames with their background
(white by default, as Sketch shows them), groups and graphics groups,
rectangles with their corner radii, ovals ellipses, bitmaps rectangles
with the image, slices slices. Positions accumulate through groups,
rotation and flips keep their direction, resizingConstraint bits become
constraints. Not yet mapped layer kinds are listed in the import report.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
.sketch archives (document.json, meta.json, pages/*.json) open through
file.open, file.import, drag and drop, the CLI and MCP; files saved by a
Sketch older than 48 are refused with a message saying how to convert
them. Layers come in the next commits.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Calls storytold/craft-common-actions/.github/workflows/sonarcloud.yml@main
with secrets: inherit. Adds SonarCloud badge to README where missing and
removes the redundant sonar-project.properties (config now passed by the
reusable workflow).
* feat(window): adopt shared craft-window for Linux decorations
Replace FigCraft's bespoke Wayland xdg-decoration probe
(apps/figcraft/src/linux_window.rs) with the shared craft-window crate
from craft-libs, so every Craft app agrees on who draws the window frame
per desktop.
The decision is now made once, before the viewport is built, by
craft_window::Choice::probe(Prefix::new("FIGCRAFT")) and mapped onto
FigCraft's existing TitleBar enum:
Frame::Desktop => TitleBar::Native (TitleBar::Inset on macOS, unchanged)
Frame::App(_) => TitleBar::Custom
This drops the old runtime send_viewport_cmd(Decorations(..)) switch and
the linux_window probe. macOS keeps its inset traffic lights and Windows
keeps the system frame exactly as before. The only behaviour change: on
KDE and other Wayland compositors with server-side decorations (Sway,
Hyprland, COSMIC) FigCraft now keeps the native frame instead of always
drawing its own custom title bar, matching the rest of the suite.
NOT MERGEABLE YET: craft-window is pinned to the unmerged feature branch
from storytold/craft-libs#217 and must be repointed to a merged rev
before this can land.
* fix(window): preserve Windows titlebar; pin craft-window to merged rev
- Keep FigCraft's own custom title bar on Windows. craft-window returns
Frame::Desktop on Windows, and the mapper was turning that into
TitleBar::Native, flipping Windows from its existing undecorated custom
bar to the system frame. Map Frame::Desktop to Custom on Windows (as
macOS maps to Inset); only Linux/BSD Frame::Desktop becomes Native. This
keeps macOS and Windows unchanged; the sole change stays KDE/Wayland.
- Repoint craft-window from the (now-merged) feature branch to the squash
commit on storytold/craft-libs (craft-libs#217), and commit Cargo.lock.
Verified: cargo build -p figcraft and cargo test -p figcraft (53 tests)
pass against the merged dependency; rustfmt clean.
Include document UID in pages_seen_page to correctly handle page selection and scroll tracking when switching between documents. Record page as seen only after the active row renders so that pages filtered out by search scroll into view when the filter is cleared.
Found while testing crates/svg/src/lib.rs:589 (also :604 and :611)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Adds .coderabbit.yaml so CodeRabbit no longer reviews or comments on PRs opened by dependabot[bot].
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Found while testing crates/collab/src/code.rs:~150 (Local::from_link, u64::from_str_radix on the token)
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
A .figcraft, .fig or file JSON dropped on the canvas ran file.import,
which added its pages to the file in front. It now opens as a file of
its own, as on the home screen, in the browser too. Images and SVG
still import at the drop point; File > Import still adds pages.
- pending_open::open_dropped queues a dropped file as file.open; the
home screen and the canvas share it.
- Dragging only documents over the canvas says "Drop to open" (not in
the browser, which names no file until the drop).
- The tab-switch import test drops an SVG: it pinned where an import
lands, using a .figcraft only as a file to import.
