Footage paths stored in a project are resolved through craft-docpath against
the project file when it is opened or imported: relative paths are taken from
the project's folder, and an item whose path is on another computer, names a
device or is a non-file URL is marked missing without being looked at. The
footage check, the changed-on-disk scan, Reload Footage, Relink, Edit Original
and Reveal in Finder resolve the path again before touching the file, and the
Project panel, Metadata panel and waveforms read no file details of missing
footage.
Lottie image assets are resolved against the Lottie file; one on another
computer is skipped with a warning. Files a 3D model names are read only when
local or on the model's own share.
Reveal in Finder refuses a folder that would open as an app or other bundle.
Files imported or relinked in this session are opened as given.
Add Layer Styles submenu to the Timeline and Composition viewer layer context menu, matching After Effects parity and the application Layer ▸ Layer Styles menu.
- Adds Layer Styles submenu between Blending Mode and Effects
- Exposes Layer Style Options..., Convert to Editable Styles, Show All, Remove All, and the 9 individual styles
- Translates Layer Styles across all 7 UI catalogs
- Adds regression test verifying submenu presence, position, and action invocation
Drop the byte-count tooltip, the "—" marker and their strings and UI test,
and the bench wrapper script: they are outside this PR's scope and After
Effects leaves the Size cell blank when the size is unknown. The size sort
and its tests are unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review on #1627: the X arrow tip can sit on a bounding-box handle (a 120 px
wide layer at 100%). The arrow is painted on top, but the press and hover
tests checked the handles first, so dragging it scaled the layer. Check the
arrows first in both, and cover the overlap with a pointer-input test.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The 3D gizmo's X/Y/Z arrows were drawn but not interactive, so pushing a
layer in depth meant typing Z Position by hand. With the Selection tool,
dragging an arrow now moves the layer along that axis only (no snapping),
as one undo step, reusing the viewer's Move gesture.
An axis pointing at the camera (Z in the default front view) projected to
a dot; it is now drawn as a short diagonal stub so it can be grabbed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Effect Controls header menu and the Timeline property menu build their
items with the same local closure the layer menu used, so they still drew
English. Both now go through i18n::context_item; Copy, Paste, Edit Value…
and Remove Expression get panel catalog rows.
The font scan read only whether a face has an fvar table, so a variable
family offered one style (its default instance), fontStyle = "Black"
picked that face with synthetic bold, and an instance's PostScript name
(Figtree-Black, what After Effects scripts use) found no face at all.
The scan now reads the named instances (style, axis values, PostScript
name, or the one Adobe Technical Note #5902 derives). They are styles of
the family in text.fonts and the font menus, a style, PostScript name or
full name selects the instance, and layout uses its axis values as the
base variations; axes set on the text still win.
`pen_press` placed each new vertex where it was clicked (after snapping)
whatever the modifiers, so Shift did nothing and a vertical, horizontal or
45° segment had to be lined up by eye. With Shift held, the new vertex now
moves onto the nearest line at a multiple of 45° through the vertex before
it, as far along that line as the click lies (`constrain_45`). Masks and
shape paths both go through this path.
The PDF / Illustrator import dialog now offers Composition - Retain Layer
Sizes. Each file layer's footage is cropped to its artwork bounds (fills,
stroke outlines, images, clips) and positioned to keep its place on the
page. Decoding, continuous rasterisation, shape conversion and reload share
one crop (effectcraft_pdf::layer_doc_with_sizes), so they agree.
Also collapses a match guard in the STL reader for current stable clippy.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Merge each offloaded property-group result against the snapshot the job started from. Preserve disjoint live edits, group identity and child changes; refuse conflicting results without changing the document or undo/redo history.
Record an apply rejection on its originating job so completion logs and waiting control commands report failure. Keep concurrent jobs' outcomes separate and retain the correct completion position when the bounded log rolls over.
Add actual-worker regressions for conflicts, disjoint edits, concurrent analyses and undo/redo, plus control completion/error regressions.
Fixes#1249
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Problem: effect colour labels (26.5) were drawn only on the Effect Controls header; the Timeline's effect rows looked unlabelled.
Fix: an effect group row in the Timeline paints the label colour as a 4 px bar on its left edge (same look as the Effect Controls header) and registers `timeline.group.<uid>.label` with the label's name for agents. Docs: gaps.md row 21 and ui-parity.md updated.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Brandon Thomas