fx_color kernels mirror the CPU effects operation for operation: one per-pixel
pass for the point effects, Lumetri with its Sharpen luminance blur, and Key
Light's matte pipeline (pre-blur, clip, rollback, despot, shrink/grow, softness,
edge band) as plane passes. CPU fallback: Key Light with Inside/Outside masks or
Hard Colour after Screen Softness, Colorama with Interpolate Palette off.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Kernels in fx_generate.wgsl mirror the CPU effects; wipe edges use f64
per-column/per-row terms uploaded as (hi, lo) pairs. CPU helpers shared
with the GPU are now public (camera_lens_spans, gen_mode, pattern_kind,
GrainLook, place_layer). GPU tests in tests_fx_generate.rs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Compute kernels in shaders/fx_distort.wgsl mirroring the CPU effects; per-row/column
structure (map coordinates, wave phase, tile bounds, mesh triangle buckets) is computed
in f64 on the CPU and uploaded. Displacement Map fetches its map layer through the
effect host as the CPU does and samples it on the GPU. CPU oracle tests in
tests_fx_distort.rs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Layer > Camera > Create Stereo 3D Rig (left/right eye comps with expression-linked eye
cameras, Stereo 3D Controls effect, stereo comp through 3D Glasses), Create Orbit Null,
Create Cameras from 3D Model; Layer > Light > Create Lights from 3D Model
(KHR_lights_punctual), Control Light with Camera, Create Environment Light Background
Layer (equirectangular sky drawn through the camera). glTF cameras and punctual lights
are parsed by effectcraft-model.
Advanced 3D: per-sample motion blur over the comp shutter, and blend modes / track
mattes / Preserve Transparency composited through the 2D path in depth order.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text: text.animatorFontAxes (replaces the stub) lists the layer font's
variation axes (skrifa) or adds an animator property that offsets one axis
(weighted by the selectors, from the axis default); the renderer redraws each
character's outline at its design-space position (cached per location). The
Timeline's Animate: menu lists the font's axes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Viewer: the region of interest has corner and edge handles that resize it
from the opposite corner/edge; Pan Behind snaps the anchor point (layer
features, guides, grid) and measures from the press point (it lagged by the
drag threshold); Choose Grid and Guide Options > 3D Reference Axes toggles a
world-axis triad seen through the view's camera (Settings > 3D).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
ANM-4: the Graph Editor's reference graph and key snapping already existed;
Snap now also targets comp and layer markers, layer in/out points and the
work area (graph_tools::comp_snap_times), with a unit test.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
LYR-9: Layer > Layer Styles > Layer Style Options... (layer.style.options)
and choosing a style from that menu open a Layer Style dialog: style list
with check boxes (Blending Options first) and the selected style's controls
built from its layerStyles properties, edited live through prop.set (one
undo step per control); Cancel rolls back everything done since it opened.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The 3D Camera Tracker analysis joins the offloaded jobs. The disk cache stays off in the
browser (std::env::temp_dir panics on wasm32 once a config store exists).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text: vertical type turns Roman characters on their side (CJK stays
upright) unless Standard Vertical Roman Alignment is on; Tate-Chu-Yoko sets
selected characters horizontally in a one-em cell of the column (layer.setText
tateChuYoko / verticalRomanUpright, Character panel toggles). A Left-to-Right
paragraph is now forced LTR instead of auto-detected. The editing caret follows
animators and text on a path (render::text::caret_maps). Lottie export writes
per-character style runs as index-unit range animators.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Interface: Timeline outline columns wider than the pane scroll horizontally
(Shift+wheel/trackpad, scroll bar above the footer; headers clipped); the
Project panel's optional columns scroll under the frozen Name/Label columns.
ANM-1: keyframe colour labels (keys.setLabel, Label submenu, tinted key
icons) and Edit > Select Keyframe Label Group on selected/all layers and
visible keyframes (keys.selectLabelGroup replaces the stub). Alt-drag time
scaling of key groups already existed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Persistence: settings, shortcuts, recent projects, imported media, saved projects and
auto-saves live in OPFS (IndexedDB fallback) through an in-memory mirror flushed in the
background (apps/effectcraft-web/src/store.rs, persist.rs); ConfigStore gains FileOps so
auto-save / recovery work in the browser store; the session snapshot restores the last
project + editor state on reload; File > Open Recent works from storage.
- Audio: Web Audio output (AudioWorklet, ScriptProcessor fallback) fed by AudioPlayback::pump
on wasm32; A/V sync from AudioContext.currentTime; meters; unlock on first gesture.
- Background jobs: engine::offload (WorkerRequest/WorkerReply protocol, Offload trait,
run_request); Render Queue, tracker, mask tracker, Warp Stabilizer and Roto Freeze run in Web
Workers (a second engine instance on the shared compiled module), progress streamed back;
cancel terminates the worker.
- GPU: WebGPU viewer frames drawn straight from the compositor's texture (gpu_display on
wasm32 when the viewer draws plainly); async readback (Gpu::read_display_async) for pixels.
- PWA: manifest, service worker precaching the build (xtask fills list/version), icons copied
from assets/app-icon; COOP/COEP kept from cached responses; offline reload works.
- window.effectcraft: saveToBrowser, listStored, removeStored, flush; info() reports storage,
audio, gpu, workers.
- Tests: native store + protocol + offload (render, track, cancel) tests; smoke.mjs extended
(GPU path, worker render responsiveness, audio gesture + playback, reload persistence,
Open Recent, offline reload).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
3D-1: Classic 3D depth of field renders the camera's Iris Shape (Fast
Rectangle box or Triangle…Decagon polygon), Iris Rotation, Roundness, Aspect
Ratio and Diffraction Fringe as a span-kernel gather blur, with Highlight
Gain/Threshold/Saturation boosting highlights first; tilted layers blur
progressively by per-pixel camera depth. Layer > Camera > Link Focus Distance
to Point of Interest / to Layer (expressions) and Set Focus Distance to Layer
replace the stubs.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window > Essential Graphics: Primary comp, Solo Supported Properties (timeline filter),
template name, typed controls editing the source properties, drag a property name from the
timeline onto the list, rename/reorder/remove, Add Formatting (group, comment), Media
Replacement, Export Template, and the selected instance's Essential Properties with Revert /
Push. The comp viewer shows an expression error bar (click to reveal); the expression editor's
f button opens the categorised Expression Language menu. Project panel proxy switch; Interpret
Footage dialog gains Guess, matte colour, Invert Alpha, Separate Fields, Linear Light, Proxy.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Shapes (SHP-2): Stroke Taper (pixels/percent start/end length, width, ease) and
Wave (amount, pixels/cycles, wavelength, phase) rendered as a variable-width
outline; Dash 2/Gap 2/Dash 3/Gap 3 (shape.dashes.add/remove, timeline +/-
buttons); radial gradient Highlight Length/Angle as a focal gradient.
Masks (MSK-1): mask feather points on the Mask Path (mask.featherPoint.*,
Mask Feather tool add/drag), per-point signed radius and tension, rendered
from the signed distance to the path; carried through vertex edits.
Motion blur (LYR-10): Adaptive Sample Limit comp setting; 2D layers take one
sample per pixel of shutter travel between Samples Per Frame and the limit.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Items (footage and comps) carry a proxy rendered in their place at the source's size when
its switch and Render Settings > Proxy Use allow it; Create Proxy queues a half-resolution
render whose post-render action attaches it. Interpret Footage gains Separate Fields
(upper/lower first, fields become frames at twice the rate), Guess alpha with matte colour,
explicit matte colour, Invert Alpha, Interpret As Linear Light; non-square footage, solids
and precomps are stretched by their pixel aspect in the comp. The four proxy stubs are gone.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
sampleImage renders the sampled layer through the evaluating renderer's footage source
(EvalCtx::footage), cached per thread and frame. File > Import reads .json/.csv/.tsv as data
footage kept in the project. expr.errors collects failing expressions for the error bar;
expr.languageMenu lists the categorised Expression Language menu. Marker keys expose
protectedRegion and cue points; colorDepth, timeToFeetAndFrames, comp.activeCamera.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Comps expose controls (properties typed as text/color/slider/checkbox/point/angle/dropdown,
Media Replacement, groups, comments); precomp layers get an Essential Properties group whose
edits override per instance (Push to Comp / Revert); templates export/import as an open ZIP
(manifest.json + project subset + media + poster). Stretched precomps keep protected regions
at their original speed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Adds Review, Learn, Essential Graphics, Color and Undocked Panels to the
built-in workspaces (Libraries, an Adobe service, is left out), lists them all
in Window > Workspace in After Effects' order, and gives each its own layout:
Review (large viewer, Markers and Project), Learn (Default plus the Home
screen with the community links), Essential Graphics (Properties panel full
height, type panels), Color (wide Effect Controls, Info), Undocked Panels
(Composition docked, the other panels floating). Tests check every AE
workspace exists, has its own layout, has each panel once and is in the menu.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Composition > Composition Flowchart charts the active comp as a node graph:
nested comps, footage and solids, optionally the layers and their effects
(panel switches Solids / Layers / Effects), left to right or top to bottom.
Double-click a comp to open it, Cmd/Ctrl-click to reveal an item in the
Project panel (a layer: select it), drag or scroll to pan. Reveal Layer in
Project Flowchart shows layers with the layer selected. The graph builder is
pure and cycle-safe (shared items drawn once, back edges to comps on the path).
Commands flowchart.options {layers, effects, solids, direction, comp} and
flowchart.graph (the graph as JSON); automation ids flowchart.node.<id> and
flowchart.option.<key>.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Home screen (panels/home.rs) gets New Project / Open Project / New
Composition / Open Demo Project / Import, the recent projects from Settings
(File > Open Recent) with thumbnails, folder and modified date (click opens,
Clear list), and the ArtCraft community links (Discord, getartcraft.com, the
EffectCraft page, GitHub, sibling apps) where After Effects has Learn / What's
New. A 96x54 thumbnail is stored in the config store when a project is opened
or saved and the viewer shows it. Automation ids: home.<command>,
home.recent.<i>, home.clearRecent, home.sibling.<slug>.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Native menu bar (apps/effectcraft, muda, macOS only): the engine's After Effects
menu tree mirrored into NSMenu through a pure, serializable spec
(ui-egui native_menu: submenus, separators, live labels, check marks, enabled
state, Cmd/Ctrl/function-key shortcuts as accelerators, Open Recent). Hide /
Hide Others / Show All are macOS' predefined items (app.hideOthers/app.showAll
are real commands now, via NSApplication); Services added; About, Settings and
Quit dispatch our commands. State is pushed only when the session revision,
selection, history, settings or journal change; structural changes rebuild.
Activations dispatch the same command ids as the in-window bar; Edit
Cut/Copy/Paste/Select All/Undo/Redo act on a focused text field. Settings >
Appearance > Use In-Window Menu Bar on macOS switches back.
Timeline: column visibility from the column header's context menu (A/V
Features, Keys, Label, #, Comment, Switches, Modes, Parent & Link, In, Out,
Duration, Stretch; Source/Layer Name toggle), Comment editing
(layer.setComment), draggable In/Out/Duration cells, Stretch opens Time
Stretch; property search filters layers and reveals matching properties with
their groups; Shift+P/S/R/T/A/E/M/F/L/U add to the revealed properties; UU
reveals all modified properties; Shift-drag in the ruler snaps the CTI to keys,
in/out points, markers and the work area. Commands: timeline.column,
timeline.sourceName, timeline.search, timeline.revealAdd.*.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Structure from motion for the 3D Camera Tracker in effectcraft-track
(camtrack): long KLT feature tracks with re-detection, parallax keyframes,
two-view initialisation (normalised 8-point essential matrix in RANSAC or
planar homography decomposition), incremental resection + triangulation,
sparse Levenberg-Marquardt bundle adjustment with the Schur complement and
Huber loss, focal length search (Fixed / Variable Zoom / Specify Angle of
View), tripod pan solve, Auto Detect, ground plane / target / world mapping.
Synthetic-scene tests (path, focal, error, tripod, flat, rendered frames).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New L0 crate effectcraft-opusenc: clean-room RFC 6716 CELT-only encoder
(fullband 48 kHz, 20 ms packets, mono/stereo as dual L/R stereo, constant
packet size from the bitrate) with the RFC 7845 OpusHead and pre-skip.
Forward low-overlap MDCT, inter/intra coarse energy, fine/final energy,
the decoder's exact allocation, recursive band splitting, PVQ search and
codeword indexing, silence frames.
crates/export depends on it; filmcraft-opus (dev) is the round-trip oracle
in tests/opus_roundtrip.rs, with ffmpeg reading an in-test Ogg Opus file
as a second oracle when installed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Extruded text keeps per-character 3D: each glyph's outline is extruded in its own space and
placed by its animated matrix; shape layers extrude their fill outlines (gradients use their
mid colour). Shadow-map bias scales with the texel footprint at the receiver and the PCF
reach (no acne on curved casters), identically on CPU and GPU. Docs: Advanced 3D in
architecture.md, parity table updated (3D, Text).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Aux-channel model (effectcraft_raster::channels3d: depth, object/material
ID, normals, UV, coverage, Cryptomatte ranks + manifests, MurmurHash3);
EffectHost::aux; multi-layer OpenEXR channels via the exr crate
(FootageSource::aux); the compositor's depth / layer-ID / Cryptomatte pass
(Renderer::comp_aux) so the effects work on precomps of 3D comps.
3D Channel Extract, Cryptomatte, Depth Matte, Depth of Field, EXtractoR,
Fog 3D, ID Matte, IDentifier.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Advanced 3D comps render their 3D runs as one scene of world-space triangles: model and
primitive layers (meshes, skinning, animation clips by layer time), extruded text/shape
layers, and textured cards for every other layer with their Material Options. Shading is
physically based in linear light: Cook-Torrance GGX + Lambert for parallel/spot/point lights
(AE falloff and cone), ambient lights, image-based light from an Environment light's layer
(equirectangular; cosine irradiance map + roughness mip chain + split-sum BRDF fit), and
PCF shadow maps (spot/parallel/point cube faces). 2x2 SSAA, depth of field as a gather blur
by circle of confusion, back to the working encoding.
The software rasteriser (depth buffer, top-left rule, perspective-correct, opaque visibility
then sorted transparent blending) is the reference and CI path; effectcraft-gpu implements
Accelerator::raster_3d with a wgpu render pipeline (advanced3d.wgsl) and matches it within
tolerance. Environment layers are hidden from both renderers.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Particle Playground: cannon, grid, layer exploder, layer map, gravity,
repel, wall and persistent property mapper; deterministic, stepped from
t=0 through the checkpointed SimCache.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Key Light is registered under a generic name (Keylight is a vendor
trademark); lookup() resolves "Keylight (1.2)" to it. mocha shape reads a
documented JSON shape format (Mocha's own export format is not public).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Liquify stores its strokes as effect data and replays them into a cached
displacement mesh; liquify.stroke / liquify.clear commands for agents.
Rolling Shutter Repair measures motion with effectcraft-track KLT (new
effects -> track same-layer edge).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New crate effectcraft-model (L2): glTF 2.0 (.gltf/.glb, data URIs, external buffers and
images, PBR metallic-roughness with base/MR/normal/occlusion/emissive textures, node
hierarchy, skins, step/linear/cubic animations) and OBJ/MTL import, parametric primitives,
extruded/bevelled outline meshes and polygon triangulation with holes.
Project: FootageKind::Model, LayerSource::Model/Primitive, Layer::environment, Geometry and
Material Options builders, Environment light Source. Media probes and loads models
(FootageSource::model). Engine: layer.newModel, layer.new3dPrimitive/newPrimitive,
comp.renderer, layer.environment, material.set/reset/duplicateAssign/revealSource (stubs
replaced); File > Import and layer.addItem pick up models. Hand-written fixtures with
attribution sidecars.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Built-in minimal OCIO config (ACES2065-1, ACEScg, ACEScct, sRGB, Rec.709,
Rec.2020, Display P3, linear variants, XYZ) from published primaries,
transfer functions and Bradford adaptation; CDL v1.2 maths; .cube/.3dl/.csp
and .cc/.ccc/.cdl file transforms with nearest/trilinear/tetrahedral
interpolation and inverse; displays/views/looks.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Restores commits dropped from local main by a reset to origin/main.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
# Conflicts:
# xtask/src/main.rs
# xtask/src/version.rs
- effectcraft-cli: support --version/-V/version (the packaging smoke tests call it).
- Linux release job installs libasound2-dev for alsa-sys; deb/rpm depend on
libasound2/alsa-lib; Flatpak gets --socket=pulseaudio.
- packaging/web/package.sh builds with `cargo xtask web` (wasm-bindgen) and zips
<target>/web/dist; the release job installs wasm-bindgen-cli 0.2.129.
- xtask: version.rs (ported from PhotoCraft) called helpers that don't exist here,
so xtask didn't compile; use the local run() and wire up `cargo xtask version`.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
5af4196 added xtask/src/version.rs calling crate::cargo() and a 2-arg run()
that don't exist, and never dispatched it; xtask (and cargo xtask ci) failed to build.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
These merges (703c8cd..1398df5) were dropped from local main by a 'reset to origin/main';
restoring them on top of the new README/release-pipeline commits.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
