The layer context menu gains an Effects submenu between Blending Mode and Arrange, mirroring the After Effects layer menu: the effect registry grouped by category (sorted), synced with the Effect menu; picking one applies it to the selected layers.
A colour pick clicked in the Composition panel before the viewer had a frame
(still rendering on a background thread, or a readback pending) sampled nothing
but was used up, leaving the colour unchanged. The click now leaves the
eyedropper armed, as the text colour eyedropper already does.
timeline_colour_eyedropper_samples_the_comp clicked without waiting for the
frame and hit this in about one run in four; it now waits for the frame.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The floating group's title strip used the same id as its Area's own
background widget, and the Area was shifted back into the window while
the group's rect kept moving, so the two no longer overlapped and egui
painted "Double use of widget ID" over the panel. The strip has its own
id and the group is drawn where its rect says.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The attach point's 12 px grab area sat on top of the feature region and is tested first. Zoomed out, a default feature region is smaller than that on screen, so every press inside it moved the attach point instead of the point. Inside the feature region the attach point now grabs only the region's inner half.
Problem: the built-in animation preset library had no Backgrounds category
(gap 7: 31 presets against After Effects' 621).
Fix: 23 original Backgrounds presets in crates/engine/presets/backgrounds.json,
built from our own generator, noise, colour and stylize effects: Soft Gradient
Drift, Aurora Veil, Slow Fog, Cloud Bank, Dark Smoke, Ember Haze, Magma Flow,
Ice Flow, Pastel Plasma, Cell Drift, Crystal Facets, Hex Mosaic, Mirrored Silk,
Water Caustics, Blueprint Grid, Checker Scroll, Scrolling Stripes, Pulse Rings,
Bokeh Drift, Spotlight Floor, Dawn Sky, Sweeping Light, Grainy Wash.
The preset format gains `expr` (an expression per property, so backgrounds keep
moving for the whole layer) and point parameters written as fractions of the
layer size. Effects & Presets lists them under * Animation Presets > Backgrounds.
Tests: catalogue uniqueness and categories, apply/undo/redo of every preset
(engine), render of every preset with the expression engine: finite,
non-flat, deterministic, moving (host), panel listing and apply (ui-egui).
Sidecar, ATTRIBUTION.md, gaps.md row 7 and effects-parity.md updated.
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Undoes the 800 px Project Settings width from #980: the form is back at the
shared 480 px.
A form's choice popup keeps its 240 px column and ends a long choice (a GPU
adapter's name) in an ellipsis instead of widening the grid past the dialog.
Only the fields scroll, and only vertically; OK and Cancel sit under the
scroll area, so they stay in view.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
(cherry picked from commit 9fd5b1e5618a6ad19638494b480460e9527debde)
(cherry picked from commit 812e34fd7834e828bebd3f79440f831d188a1a99)
(cherry picked from commit 283adb1a30e6b51ab6603488e57b9997a0ca83f0)
(cherry picked from commit cb2e659baad5e4fe853c124dafe32491335b8232)
(cherry picked from commit 0acb03da5f0d09d726047013e931e5eeff5504ce)
(cherry picked from commit 66427c0149c5f2fd46931945a4f11a9530c12269)
(cherry picked from commit d5fadffc1ac9f072a985a918cd6a62e9763bc2bf)
(cherry picked from commit adec1c33542c2566183c6698cb0b1ad8e8afa0e0)
(cherry picked from commit 9d6352faea454ebcd1a575056c4d5f0bafcc80ea)
(cherry picked from commit d6110a23e9c459eb4c677b439d811b7438b1a999)
(cherry picked from commit f46595d119d253c9298eb045ad521420a155b422)
(cherry picked from commit fff43e6f6edc00bf60aa031643f3356b9e7ccfad)
The In/Out trim zones were 6 pt strips inside the bar only: at or just outside an end the pointer got the default cursor, and on footage/precomp layers just outside the end it hit the slip zone, which shows the same arrow but slips the source instead of trimming. Zones now reach 4 pt outside and up to 5 pt inside each end (short bars keep their middle third as body), registered after the slip zones so trimming wins there. The trim zones show the system resize cursor (upstream port: the fork also offers an owner-local cursor, left out here). Test: ui_timeline_trim.
(cherry picked from commit e2490f801067365addc03858bd555731cb188ad1)
(cherry picked from commit b704fc52c4fdb43816721e95d13f132a11062aa1)
(cherry picked from commit 17faf9cebf9e347534ceab37386e79979da8f786)
(cherry picked from commit 9b9d21aacc4d025e36e13a05e4416a49f448bdf1)
Co-Authored-By: Claude <noreply@anthropic.com>
(cherry picked from commit 562bfa51bd6ee86d1f8f5558b1ad466c7e4b4517)
(cherry picked from commit 0779d6944ede8afdff6ab49ea5d2caad19dfbfa3)
(cherry picked from commit 38e224f5c5037b7c79a283ab058582a3ad200339)
(cherry picked from commit 5e7b68be23ace400d92672ebf41c59124d29b101)
Co-Authored-By: Claude <noreply@anthropic.com>
(cherry picked from commit 6277a98f3ff6207bd215213af514c5f6fb481532)
(cherry picked from commit 646f4055b180d98ccc6ac6898b64ba97f9e2ad7d)
(cherry picked from commit b21932ed7058cec68da01d337ba46521501ebc49)
(cherry picked from commit 0d6b93962e123b2e0179622f2abd472cfa9015ac)
Opening the Graph Editor (header button, menu, Shift+F3, control channel)
frames the graphs on its first frame: Fit Selection to View when keys are
selected, else Fit All Graphs to View. Switching value/speed graph refits
too (different units). A selected key now shows its property's graph even
when its layer isn't selected, and Fit Selection on a lone key also frames
its neighbouring keys.
Co-Authored-By: Claude <noreply@anthropic.com>
(cherry picked from commit a3c95f601e78e7a12f62aba94ee3515b2ade1670)
(cherry picked from commit d6309ffad79b91676d6409d1845de508e485873d)
(cherry picked from commit 78f557433742e443c9b7db34c1dac67e6a2b8e18)
(cherry picked from commit 7a4e160434b7bf1289cbf5900a86715814d1c791)
The Timeline footer's zoom-out / zoom-in mountain icons were painted but not
interactive, and the zoom slider only reacted to drags (a click on the track did
nothing) and set the zoom without the whole-comp clamp. The icons are now buttons
(timeline.zoomOutButton / timeline.zoomInButton, one = / - step), the slider
jumps on click, and both go through set_zoom, centred on the CTI.
The layer bars and the Graph Editor share one time zoom (TimelineState start /
pps, as in After Effects); regression tests drive = / -, the buttons, the slider
and the navigator over the control channel in both views and check switching
views keeps the zoom.
Co-Authored-By: Claude <noreply@anthropic.com>
(cherry picked from commit 2ee0fb656ff6bd16eed6857be10495d9f30e3a64)
(cherry picked from commit f1997d32d4c51b58467a04944889131fd741a22a)
(cherry picked from commit 1c25aeb51d37357b4b37857858db4dbea246b13a)
(cherry picked from commit 81d7fcccfc91f76f7b9640cbb7d3f75dcea56e30)
Shortcut presets accept Physical+<key> (egui US-position names) so layouts that report the
same logical key for two physical keys (AZERTY's - and )) can bind them separately; physical
bindings win for that press, and a focused panel's binding wins over an application command on
the same chord. ui.key accepts the same notation. Adds time.workAreaStart / time.workAreaEnd.
(cherry picked from commit 209543e9e0ba32f809f9ff333abb8b8ec4125cea)
(cherry picked from commit f8301a9e3e0b60e200e8a233455398741658481e)
(cherry picked from commit 4d002fabf992934e1bb73a0c32bc9f3fd3ae5447)
(cherry picked from commit 5d466c5955ee934d5347c194ec7d15fb5f58bba4)
Shift+Spacebar set Skip to 1, so it played every other frame out of the box. It now plays every
frame, like Spacebar. Skip still works when it is set.
Co-Authored-By: Claude Haiku 5.5 <noreply@anthropic.com>
First in the menu, as in After Effects, and for the right-clicked comp rather than the one in the viewer: the dialog keeps the comp it edits and OK passes it to comp.settings. comp.settings with only {"comp": id} opens the dialog on that comp.
Zoom to Fit Comp remembers the span it left and goes back to it when pressed
again from the whole comp.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Cmd-click (or Alt-click) a twirl arrow now takes the whole tree with it in
three more places: Audio's Waveform row in the Timeline, an effect or effect
group in Effect Controls, and a folder in the Project panel.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The engine's layer.create has shapesFromText and masksFromText, but the
timeline and Composition context menus only offered Create Shapes from Vector
Layer, so text could not be converted to editable outlines from the UI. Gate
the two text conversions on a text layer (LayerMenuCaps replaces the lone
vector flag), beside the vector one.
Cmd-click (or Alt-click) the arrow of Effects, Contents, Masks or any other
group in the Timeline twirls every group under it open, or closed, with it,
as the layer's own arrow already did.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Shift-click adds a vertex to the selection and removes it again, a plain
click collapses to one, and a marquee from empty viewer area selects the
enclosed vertices (additive with Shift) without moving the layer. These
behaviors regressed or were never covered; the tests drive them through the
Composition viewer like a user.
The Properties panel kept its own ephemeral per-layer link toggle, so
unlinking Scale there left the Timeline linked and vice versa, and its edit
math differed from the Timeline's. Use the shared per-property unlinked set
and widgets::constrained, with the stable match id instead of the display
name, plus Alt-edits-one-axis like the Timeline.
The viewer.nudge shortcuts bailed out unless Composition, Viewer or Timeline
had focus, so with any other panel focused the arrows silently did nothing.
After Effects nudges from almost anywhere; only the Project panel owns the
arrows for its own keyboard navigation. Typing, dialogs, menus and selected
mask vertices still keep the keys.
Tests: arrow nudge from Effect Controls, no nudge from Project, Shift+arrow
10x, time untouched, click-row path.
Right-clicking selected layers and choosing Pre-compose grouped only the
right-clicked layer in 0.8.0 while Layer > Pre-compose grouped all of them.
The menu plumbing was fixed since; add a regression test driving the dialog
from both the outline row and the layer bar and asserting both selected
layers end up nested in the new composition.
The message box's only button is OK, the default; Enter now dismisses it
(back to Settings when opened from there), as Escape already does.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Numpad * always added a composition marker. As in After Effects, it now
adds a layer marker to the selected layers at the current time, and a
composition marker only when no layer is selected.
Right-clicking a layer offered no way to mark it. The layer context menu
now has After Effects' Markers submenu with Add Marker (layer.addMarker,
as Layer ▸ Markers ▸ Add Marker), which marks the right-clicked layer, or
the selection it belongs to, at the current time. The submenu title reuses
the menu catalogs' "Markers" translation in the panel catalogs.
The viewer's Rotation tool wrote start rotation + (atan2 angle now - atan2 angle at
press), so the value jumped a full revolution back whenever the pointer crossed
atan2's ±180° seam (left of the anchor) and could never pass 360°. Sum the
per-frame angle change, wrapped to (-180°, 180°], instead: the value keeps
growing across revolutions in both directions (1x +0.0°, -1x -90.0°…), Shift
snaps the accumulated value to 45°, other selected layers follow, and one drag
is still one undo step. Non-finite angles turn by nothing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Renderer: no cover step for adjustment layers (#686); their buffer is the comp below.
Restores a single CPU step in split adjustment stacks.
- Effect Controls rename (#953): focus the name field the frame it exists. Focusing an id
not yet drawn left AccessKit with a focus outside its tree (a panic in the consumer).
The tests double-click at 60 fps, within egui's double-click time.
- i18n: Russian, French and German entries for Copy Frame to Clipboard and the extrusion
Front/Bevel/Side/Back Color submenus added by today's other PRs.
- Tests: "fr" is now a valid language; the marker dialog's comment is focused on open
(#922), so Enter-is-OK is tested with the focus elsewhere; the toolbar gradient tests
give the selected layer its paint kind, since the toolbar mirrors it (#732).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Footage sources: the cancellable wrapper (#784) forwards frame_with (#752 float curves)
and problem (#887); problem's default lives on the trait.
- Media: a called-off decode (#784) is not a footage problem (#887).
- Effect Controls rename (#953): Escape cancels (egui drops focus on Escape the same
frame), the Rename item is translated; regression test.
- i18n (#873): drop the /out-i18n/ ignore rule and the note about an uncommitted script.
- Tests: text range selector caps (#926) re-borrow the layer; the RAM preview test (#793)
sets the comp's own Resolution (#462).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Viewer: each composition keeps its Resolution in the project, as in After Effects (#417)
# Conflicts:
# crates/ui-egui/src/control.rs
# crates/ui-egui/src/menus.rs
# crates/ui-egui/src/panels/viewer_tools.rs
Egon 5000