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Docs: parity docs list Composition - Retain Layer Sizes for PDF / Illustrator (#1536)

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Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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bflatastic
2026-10-16 17:05:49 +07:00
co-authored by Claude Opus 5.5
parent 1abaabfb8b
commit bafc7e620d
2 changed files with 2 additions and 2 deletions
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docs/file-format-parity.md
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@@ -43,7 +43,7 @@ trips and renders, checked by tests, not against After Effects), **partial** (na
| TIFF | R/W | yes | yes (sequence) | good |
| OpenEXR (multi-layer, Cryptomatte) | R/W | yes | yes (32-bit sequence) | good; HTJ2K compression fails (#482); EXRs without an unnamed RGB layer decode twice (#474) |
| Photoshop PSD / PSB | R (footage, composition) / W (layers, sequence) | yes (layers, groups, masks, styles, smart objects) | Save Frame As ▸ Photoshop Layers; no Photoshop sequence output | good, from Adobe's published spec |
| Illustrator `.ai`, PDF, EPS | R | yes (vector, Continuously Rasterize, Create Shapes) | — | partial: no JPX / JBIG2 images, no Illustrator procset EPS |
| Illustrator `.ai`, PDF, EPS | R | yes (vector, Continuously Rasterize, Create Shapes; Composition and Composition - Retain Layer Sizes, #1536) | — | partial: no JPX / JBIG2 images, no Illustrator procset EPS |
| SVG | R | yes | — | good; SVG markup on the clipboard pastes as a shape layer (26.3, #738); Illustrator's own clipboard data (PDF/AI) doesn't |
| GIF | R/W | yes | yes (animated) | good |
| BMP | R | yes | — | good |
docs/target-app-parity.md
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@@ -426,7 +426,7 @@ the disk cache in the formats wave; the 3D Camera Tracker in M12.6.)
| Layers | 88% | 4.8 | motion blur of collapsed precomps (their own motion and the parent camera's) and of animated layer content (lock-aware layer commands, delete keeping children in place, step-by-step Arrange, Transform keeping depth and separated dimensions and links kept on duplicate / paste landed in M3.11; frame blending, collapse transformations and slip edit in M4.3–M4.4) |
| Output | 97% | 0.8 | Render Settings complete (field render + 3:2 pulldown, effects/solo/guide/depth/blending/blur overrides, time sampling, storage overflow), Output Module crop/ROI/resize, alpha modes, post-render actions, PCM formats, templates with defaults, render logs, Notify (M10.2); WebM VP9 key + inter frames with motion search, loop filter and rate control; M13.4: HEVC export (MP4 `hvc1`, `effectcraft-hevcenc`: Main / Main 10, IDR + P slices, quarter-pel motion, deblocking, bit-exact with ffmpeg) and AV1 export (MP4 `av01` and WebM, `effectcraft-av1enc`: 8/10-bit key + inter frames, quarter-pel motion, loop filter, bit-exact with libdav1d) with profile, level, bitrate / constant-quality and key-frame interval options; Opus SILK (NB/MB/WB, mid/side stereo) and hybrid (SWB/FB) modes chosen by bitrate and Audio/Voice tuning, with the Opus bitrate in the Output Module. HEVC/AV1 import decodes through FilmCraft (MP4/MOV/MKV/WebM); WebM VP9 alpha (BlockAdditions) imports as straight alpha. Left: HEVC/AV1 have no B-frames, multi-reference, SAO/CDEF/restoration or alpha (compression below mature encoders); Opus has no FEC/DTX and only 20 ms frames; Photoshop sequence output, overflow for movies only checks at file creation |
| Audio | 85% | 0.5 | audio to keyframes |
| Import | 97% | 0.5 | JPX / JBIG2 images and predefined non-Identity CJK CMaps inside PDF/AI files, Illustrator EPS relying on Adobe procsets, PSD 3D layers (M13.12: mesh shadings — free-form / lattice Gouraud triangles, Coons and tensor patches — and function-based shadings, CCITT G3 / G4 images, knockout / isolated transparency groups with group alpha and soft masks on the group's result, `/W2` vertical metrics, EPS text with embedded Type 1 / CFF or bundled fonts, and Create Shapes from Vector Layer keeping images as parented footage layers in paint order; M13.6: PDF/AI text with embedded TrueType / CFF / Type 1 / Type 3 fonts and standard-14 fallback to the bundled fonts, Flate / DCT / inline / stencil images with soft masks, Indexed and ICC alternates, luminosity / alpha soft masks, the 16 blend modes, tiling patterns, calculator functions, any page via `file.import page` and the Import dialog, clip groups kept by Create Shapes from Vector Layer as layer masks / Merge Paths; PSD smart-object perspective quads and placed-layer warps — named styles and custom quilt meshes — baked as placed; PDF / PDF-compatible AI / EPS vector footage with Continuously Rasterize, layered composition import and Create Shapes from Vector Layer, and PSD smart objects with embedded files landed in M13.2; PSD as footage/composition/retain layer sizes, SVG footage earlier) |
| Import | 97% | 0.5 | JPX / JBIG2 images and predefined non-Identity CJK CMaps inside PDF/AI files, Illustrator EPS relying on Adobe procsets, PSD 3D layers (M13.12: mesh shadings — free-form / lattice Gouraud triangles, Coons and tensor patches — and function-based shadings, CCITT G3 / G4 images, knockout / isolated transparency groups with group alpha and soft masks on the group's result, `/W2` vertical metrics, EPS text with embedded Type 1 / CFF or bundled fonts, and Create Shapes from Vector Layer keeping images as parented footage layers in paint order; M13.6: PDF/AI text with embedded TrueType / CFF / Type 1 / Type 3 fonts and standard-14 fallback to the bundled fonts, Flate / DCT / inline / stencil images with soft masks, Indexed and ICC alternates, luminosity / alpha soft masks, the 16 blend modes, tiling patterns, calculator functions, any page via `file.import page` and the Import dialog, clip groups kept by Create Shapes from Vector Layer as layer masks / Merge Paths; PSD smart-object perspective quads and placed-layer warps — named styles and custom quilt meshes — baked as placed; PDF / PDF-compatible AI / EPS vector footage with Continuously Rasterize, layered composition import and Create Shapes from Vector Layer, and PSD smart objects with embedded files landed in M13.2; PSD as footage/composition/retain layer sizes, SVG footage earlier; PDF / AI Composition - Retain Layer Sizes crops each layer to its artwork in place, #1536) |
| Automation | ≈ 99% | 0.1 | `.jsxbin` (AUT-2: concave / self-intersecting `onDraw` fills, real images in `drawImage`, image controls and icon buttons landed in M13.11; ScriptUI resource strings, `onDraw`/ScriptUIGraphics, live `onChanging`, `Socket`, Essential Graphics hooks — `addToMotionGraphicsTemplate(As)`, `canAddToMotionGraphicsTemplate`, `exportAsMotionGraphicsTemplate`, `motionGraphicsTemplateName`, controller count/names — and Watch Folder landed in M13.7; the core object model landed in M14.4; ScriptUI windows/dialogs/dockable panels with `scriptui.*` agent commands, File ▸ Scripts install + sample scripts, and the effect plug-in API (EFF-6, WebAssembly) landed in M13.1) |
| Shapes | ≈ 80% | 1.5 | Lottie can't carry stroke taper/wave (stroke Taper and Wave, Dash 2/Gap 2/Dash 3/Gap 3 and radial-gradient Highlight Length/Angle landed in M13.5; pen tool for shape paths and vertex editing in M6.5) |
| Compositions | ≈ 81% | 3.3 | Mocha-style planar tracks for templates; nested comp markers on the precomp layer bar (Preserve frame rate / resolution when nested and nested comps showing nothing past their end landed in M4.9–M4.10; Pre-compose keeping the comp's settings and New Comp from Selection's dialog in M3.12; CMP-7: Essential Graphics mirrored and linked properties landed in M13.11; Font and uniform Scale controls, Composition ▸ Open in Essential Graphics, Save Frame As ▸ Photoshop Layers / ProEXR and the VR Comp Editor landed in M13.7; the marker dialog, Composition Flowchart, Essential Graphics with master properties, `.ectemplate` templates and Responsive Design — Time landed: CMP-6, CMP-7) |