File > New > Document now shows Recent, Saved, Print, Web and Mobile
tabs of page cards (drawn to the preset's proportions; double-click
creates) beside the preset's details: document name, width and height
with arrows, units, orientation, pages, start page #, facing pages,
primary text frame, columns and gutter, and collapsible margins and
bleed and slug per edge with link toggles. Save Document Preset keeps
presets by name; documents made are remembered for the Recent tab.
Small windows stack the details above the presets and scroll; the
layout mirrors for right-to-left languages. New strings go through the
translation tables (Italian, German, French, Spanish, Japanese, Chinese).
file.new takes intent, units, startPage and per-edge bleed and slug.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Swatch lists (Character panel, Properties, task bar) shaded the row under
the pointer with the theme's hover grey, a few levels from the popup's
own background, so it looked as if nothing changed. The row under the
pointer is now white on blue, like a menu; the current swatch keeps its
shading. The lists also grow to fit their longest name, and their rows
stop short of the scroll bar that floats over the list's edge, so names
like C=15 M=100 Y=100 K=0 are no longer cut by it. The four copies of
the list are one shared function now.
The Glyphs panel counted its columns from the panel's whole width, so
the last column ran under the floating scroll bar and was cut off; the
columns now leave the bar room.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Text is composed in the box around a frame's path in the frame's own
coordinates. A sheared then rotated frame turns that box past its path's
bounds, which was all a move repainted, so its text left trails behind.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The renderer painted the paper, then blended page items with it: black
text in Color Dodge over blank paper dodged the white to white and
vanished, and other modes showed the same way. In InDesign (and in PDF,
where the page group starts transparent) the paper is not a backdrop:
over blank paper an object in any blend mode shows as it is, and only
the objects below it are blended with. On spreads that use a blend mode
the items are now drawn in their own group, laid over the paper once;
other spreads render as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The DestIn mask now covers the whole render target (and the PDF's
exported area), with the gradient kept in item space through the paint
transform, since past the gradient's ends the end opacity carries on: a
child's long drop shadow or thick stroke is faded, not cut off at a box.
feather_bounds counts only shown children and active states, walking
nested groups without recursion.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A gradient feather on a group (Gradient Feather tool over grouped text, as
in LYH Studio's poster tutorial) did nothing on screen: groups never went
through the effects path. In PDF the group's mask was the group's own path
bounds, and a group has no path, so the mask covered a box of zero size and
hid the group.
- Item::feather_bounds: the box the feather spans, the objects' bounds for
a group.
- Render: a feathered group draws its objects in one layer, then fades it
with the same mask as other objects (fx::gradient_feather_mask).
- PDF: the group's mask spans its objects.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Separable blend formulas work channel by channel, so the spread is drawn
twice through the ordinary renderer: C, M and Y complements into RGB, K
into a second raster, with the existing transparency groups, masks,
effects and parent-page placement. The inks are converted to sRGB once and
put over the paper. Two passes regardless of how many objects blend;
parent items, nested blends and effect blends (Multiply satin, shadows)
blend in CMYK too, and the pass covers the whole view, so blending
continues past the trim. An unchanged view is reused from a one-frame
cache (64 MiB cap). Spreads with Hue, Saturation, Color or Luminosity keep
the RGB-then-proof approximation. Effect blend layers sit outside their
clips and offscreen filters, so they see the object's backdrop (RGB too).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- A preview that a menu or script edits or saves while the window is open
becomes a document of its own: Close keeps it and gives it its Untitled
number. document.list and the control inspect mark the preview.
- Close shows the previously active document again only if the preview was
still active; a document opened meanwhile stays active.
- Create refuses invalid fields with a status beside the buttons, keeping
the window and the preview. When the settings are the previewed ones, the
preview document becomes the new document; otherwise file.new makes it,
and a failure puts the window back with the error.
- The preview is rebuilt once the fields have stayed the same for 200 ms,
and refused settings are not retried until they change.
- No recovery discard for preview documents, which are never written.
- The window's key is _previewedDoc, distinct from the interaction preview
key, and ending the preview is a no-op without one.
A Preview checkbox beside Close and Create shows a document with the
window's settings in the workspace and rebuilds it as they change: size,
orientation, pages, facing pages, margins, columns, gutter, bleed and slug.
It is off by default and kept for the session. Fields that don't hold a
value yet, and sizes file.new refuses, keep the last preview.
The engine keeps the preview document (Session::preview_new_document,
end_new_document_preview): it replaces itself in its tab, takes no
Untitled number and is never written as recovery data. Create removes it
and makes the document with file.new, so it starts with a clean undo
history. Close, Escape, ui.dialog.cancel, turning Preview off or another
dialog replacing the window remove it and show the previously active
document again, unchanged.
