On layouts with a dedicated + key (German) or Shift+= (US), Zoom In's
Cmd+= arrives as Key::Plus. No shortcut matched it, so egui's built-in
keyboard zoom scaled the whole UI, and the UI-scale preference reset it
on the next frame. Plus now counts as = for shortcuts, and egui's
keyboard zoom is off since the UI scale is a preference.
InDesign's Text Frame Options has a section list (General, Baseline
Options, Column Rules, ...). General holds Columns (Fixed Number / Fixed
Width with Number, Width, Gutter), Balance Columns, Inset Spacing as a
2x2 grid with a link button, Vertical Justification and Ignore Text
Wrap; Baseline Options holds First Baseline Offset and Min. DesignCraft
showed one flat list without the columns type, width, balance, link,
ignore-wrap or baseline settings, although the model keeps them.
- dialogs: a section list (General, Baseline Options, Column Rules);
General as above (Width shows what Fixed Number columns get, editable
for Fixed Width; a side typed while linked sets all four insets);
Baseline Options; Column Rules as before. Enum captions translated.
- OK sends the new fields only when edited, as before.
- engine: `object.textFrameOptions` takes `columnWidth` (Fixed Width)
and `firstBaselineMin`, which compose already honours.
LYH Studio episode 14 sets two columns (9:45) and a 0.1875 in inset
(10:57) here.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
InDesign's Text Wrap panel has the five wrap buttons with Invert, then
Top, Left, Bottom and Right offsets around a link button that makes them
all the same. DesignCraft's panel had a single Offset field that always
showed 0 (the object's offset was never read), and Invert only in
Properties.
- SelInfo carries the wrap offsets; the panel shows each side's value
in the document's units and sets one side, or all four while linked
(linked by default when they're equal).
- Invert sits next to the wrap buttons; fields are disabled without a
wrap.
LYH Studio episode 14 (11:13) opens Window › Text Wrap to give the quote
a Jump Object wrap.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- designcraft-color: ICC profiles (built-in RGB working spaces, user .icc files) go through
craft-cms from storytold/craft-libs. The default CMYK working space is craft-cms's Coated
FOGRA39; CMYK swatches show relative colorimetric with the settings' black point
compensation. Generic CMYK and Device CMYK stay selectable. A CMYK profile name resolves
through Builtin::stand_in_for; a name with no stand-in is an UnknownProfile error.
ColorSettings::with_known_profiles replaces unavailable saved names with the defaults; the UI
uses it when it restores saved settings at startup. Lab, gamut error and proofing of ICC CMYK
spaces use craft-cms transforms. The Generic CMYK output profile is encoded by craft-cms.
- designcraft-pdf: the PDF/X output intent is the working CMYK space's profile: the FOGRA39
built-in with identifier FOGRA39, user profiles as loaded, Generic CMYK otherwise.
- moxcms is no longer a direct dependency of designcraft-color.
With a placed graphic selected (Direct Selection, or the content
grabber), the graphic's own brown bounding box has eight handles:
dragging one resizes the image inside its frame (Shift keeps its
proportions, Alt from its centre) and leaves the frame as it is.
- tools: a content-handle hit test on the selected graphic's bounds
(after the frame's anchors under Direct Selection), a ContentResize
drag previewing `transform.set {content, bounds}`, the handle cursors,
and the content ghost while dragging. The frame's handles don't resize
the frame while its graphic is selected.
- engine: `transform.set` takes `bounds` for content: the graphic's new
bounding box on the spread (normalized, never empty).
- canvas: the brown content box gets its handles; the frame's handles
are hidden while the graphic is selected.
(cherry picked from commit 8e0e6c2f2e)
The engine's atomic module keeps its functions and signatures and delegates to craft-libs/craft-atomic (pinned to e9546e19), so every save and export caller is unchanged. write_atomic_with also turns a panicking writer into an error, so its temporary file is removed. Recovery checkpoints and package output keep their own writers, which replace links instead of following them.
On Unix, new files follow the umask and replaced files keep their permissions.
open_dropped sent every dropped file that is not a document to
file.place, so a swatch exchange (.ase) file dropped on the desktop
window failed with a "Can't Place the File" alert: "invalid parameters
for `file.place`: unsupported or corrupt image".
open_dropped now sends .ase files to swatch.load with the dropped path,
as Load Swatches in the Swatches panel menu does with the picked path.
The web app already sent dropped .ase files to swatch.load. The
swatches are added to the active document as Load Swatches adds them,
and if the file can't be loaded, the status line shows the error.
eot() only refused fsType 0x0002 exactly, so 0x0003 (which
FontFace::restricted_licence and file.package already treat as
restricted) and Bitmap embedding only (bit 9, e.g. 0x0200, 0x0208) were
embedded with their glyf outlines. Reuse restricted_licence and also
refuse bit 9, matching VectorCraft's Package (storytold/vectorcraft#782).
A frame holding items pasted into it (Edit › Paste Into) was drawn by
its own branch in draw_item that skipped every effect: Basic Feather,
Inner Glow, shadows and the rest were stored but never drawn. LYH Studio
episode 14 (11:51) gives the outlined "GET MORE." title, with a photo
pasted into it, an Inner Glow and a Basic Feather.
Such a frame now goes the way of any other object: draw_body draws its
fill, its items clipped to the frame and its stroke, so draw_item_fx
wraps all of it. Its silhouette counts as solid for shadow spread.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A frame holding items pasted into it isn't a group. Ungroup took it
apart like one, leaving its content loose and losing the clipping shape,
and the Properties panel called it "Group" with an Ungroup quick action.
As in InDesign, Ungroup now only takes real groups apart; other objects
stay as they are and stay selected (Ungroup used to clear them from the
selection). Such frames are labelled by their shape (<ellipse>, ...), so
Properties shows "Ellipse" with Convert Shape.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
As in InDesign, outlining a text frame gives a group with one compound
path per line (split further by text colour within a line), so Ungroup
leaves each line on its own: LYH Studio episode 14 ungroups the outlined
title at 4:56 to tighten the space between its lines before making one
compound path again. A single line in one colour stays a single compound
path.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Backspace at the start of the second of two consecutive tables merged their
anchor paragraphs: Story::delete kept one table id, the other table was
dropped and the paragraph held two anchors. Pasting a table next to an anchor
replaced the existing table the same way, and pasting several paragraphs
right before an anchor left its table unreferenced. Saving succeeded;
reopening failed with "paragraph must hold exactly one anchor".
fix_tables now splits a table paragraph that holds further anchors, so every
anchor gets its own paragraph again. delete and insert_story tell it which
table each surviving anchor belongs to (fix_tables_with), and insert_story
fixes tables up once after the whole paste instead of after every run.
Regression tests in doc (Backspace between tables, deleting the middle of
three, paste before/after an anchor, paragraphs pasted before an anchor) and
engine (text.delete and edit.paste through commands, then a file round-trip);
all failed before the fix.
Claude-Session: https://claude.ai/code/session_01La6SDgsmdZfgfDDmx3wiGU
With a placed image selected via Direct Selection (InDesign's content
selection), Copy now copies the graphic itself: a frame of the whole
image's bounds (uncropped) at its spread position, without the frame's
fill, stroke or effects. Paste Into then puts the full picture in place
inside the target shape, as InDesign does (LYH Studio episode 14, 5:44).
Cut and Delete with the graphic selected remove only the graphic; the
frame stays, empty and selected.
Nested items copy in spread coordinates (parent transform applied).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The .docx/.xlsx text import iterates attributes with quick-xml's default duplicate check, so one crafted
start tag with N attributes cost O(N^2) (RUSTSEC-2026-0194, fixed in quick-xml 0.41). Bumping also clears
RUSTSEC-2026-0195 (NsReader namespace allocation), which this workspace does not reach (no NsReader).
unescape_value() is deprecated in 0.41 (clippy -D warnings); normalized_value(Implicit1_0) is what the
deprecated method now does. Regression test: an element with 100,000 attributes parses in < 5 s.
Co-Authored-By: Claude Opus 5.5 (1M context) <noreply@anthropic.com>
As in InDesign, the Eyedropper applies a colour sampled from a placed image
to the fill or the stroke, whichever is in front in the toolbox: with the
Stroke box in front a selected line takes it on its stroke (it has no
fill to show it). The toolbox's state reaches tools through
ViewInfo/ToolContext::stroke_in_front.
Depends on #572.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Side handles map to the frame's local axis through spread and frame
rotation. Graphic frames honour the axis. Locked frames and frames on
locked layers are left alone. Text frames fit by searching the frame
height with its own columns and vertical justification, so two columns
stay two columns and Bottom/Center/Justify don't inflate it. A mouse
double-click on a handle fits (main's canvas counts clicks on the press);
a UI test covers it with one undo step.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
In InDesign double-clicking a selection handle fits the frame to its
content: a corner fits both sides, a top or bottom handle the height, a
side handle the width. LYH Studio's tutorial uses it at 9:30 to fit the
INDESIGN text frame before moving it to the corner. In DesignCraft the
double-click switched to the Type tool.
- Selection tool: a double-click on a handle runs object.fit
{mode: fitFrameToContent, axis: both|height|width}.
- object.fit fitFrameToContent fits text frames to their composed text:
the bottom to the last line's descent, the right side to the longest
line (one column), plus the insets, keeping the top-left. Overset text
grows the frame first. Before, it fitted graphic frames only.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Review follow-up. Enter in the Save Document Preset popup created the
document and Escape closed the whole dialog: the dialog footer took
both keys while a popup was open. The dialog now leaves Enter and
Escape to an open popup (read before it draws, as egui closes a popup
on Escape that frame): Enter in the preset name saves the preset,
Escape closes only the popup. Clicking the name field no longer closes
the popup either (menus close on any click; this one only outside), and
the field takes focus when the popup opens.
Saved presets lived only in the UI state, so `file.new {preset: name}`
refused them. They are now engine preferences (saved with prefs.json):
`file.savePreset {name, …the file.new settings}` replaces a preset of
that name and refuses built-in names, `file.deletePreset {name}` removes
one, `file.presets` lists them after the built-in ones (`saved: true`),
and `file.new {preset}` makes documents from them by name. The Saved tab
reads and writes them through those commands.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
PiMinusMax