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vectorcraft/crates/effects/src/pixel/distort.rs
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bflatasticandClaude Opus 5.5 59c890df9e Part of gap 2: Effect › Brush Strokes (Accented Edges, Angled Strokes, Crosshatch, Dark Strokes, Ink Outlines, Spatter, Sprayed Strokes, Sumi-e)
Eight raster effects on the pixel-filter pipeline
(vectorcraft_effects::pixel::brushstrokes), under a new Effect › Brush
Strokes submenu between Blur and Distort in the Raster Effects section:

- Accented Edges (edgeWidth pt 1..14, default 2; edgeBrightness 0..50,
  38; smoothness 1..15, 5): the edges of the softened object painted
  towards white chalk at high brightness or black ink at low brightness;
  Smoothness also leaves the faint edges out. The shape stays as it was.
- Angled Strokes (directionBalance 0..100, 50; strokeLength pt 3..50, 15;
  sharpness 0..10, 3): light areas in right diagonal strokes, dark areas
  in left diagonal ones; 0 makes every stroke a left diagonal, 100 every
  stroke a right diagonal. Sharpness brings detail and bristles back.
- Crosshatch (strokeLength pt 3..50, 9; sharpness 0..20, 6; strength
  1..3, 1): the detail kept under pencil hatching along both diagonals,
  Strength passes of it, the edges roughened.
- Dark Strokes (balance 0..10, 5; blackIntensity 0..10, 6;
  whiteIntensity 0..10, 2): short strokes towards black in the dark
  areas, long strokes towards white in the light areas.
- Ink Outlines (strokeLength pt 1..50, 4; darkIntensity 0..50, 20;
  lightIntensity 0..50, 10): black outlines over the edges, ink hatching
  in the shadows, shadows darkened and highlights lightened.
- Spatter (sprayRadius pt 0..25, 10; smoothness 1..15, 5): each pixel
  shifted by noise up to 0.4 x the radius; Smoothness makes the grains
  larger and smoother.
- Sprayed Strokes (strokeLength pt 0..20, 12; sprayRadius pt 0..25, 7;
  strokeDirection Right Diagonal, Horizontal, Left Diagonal or Vertical):
  strokes along the direction, scattered by up to 0.3 x the radius.
- Sumi-e (strokeWidth pt 3..15, 10; strokePressure 0..15, 2; contrast
  0..40, 16): wet strokes, ink bleeding from the darks along paper
  fibres, more ink with pressure and an S-curve contrast for rich blacks.
  It works in value only: hues and saturation stay, and so does the
  object's shape (no fringe in the transparency).

A stroke averages the colour along a segment through the pixel (16
samples at most, the art softened first when they lie more than a pixel
apart); strokes lie in rows around the object's centre, each row
starting at random and each stroke shifted along itself, with streaked
noise for the bristles. Everything is in document space, so the effects
look the same at any zoom or resolution, move with the object and draw
the same every time; outsets and reaches are exact. On a 2000 x 2000
raster in release the slowest settings take 0.3-2.0 s (Crosshatch at
50 pt with 3 passes the most).

Shared helpers instead of copies: edges::sobel (Glowing Edges now uses
it, unchanged), distort::displace and texture::Tones are pub(super).

Catalogue rows with parameter docs, menu entries, Sprayed Strokes'
direction dropdown, translations (de, es, fr, it, ja, ru, uk, zh-hans,
zh-hant; menu labels in cs and pt-br), tests (parameters and clamping,
outsets and reaches, each filter and option showing, chalk and ink on
the edges only, shadows and rich blacks, Sumi-e keeping the shape and
hues, hatching keeping the tone, strokes smearing along their direction,
Spatter's radius, resolution and move invariance, canvas, multithreaded,
PDF and SVG, the command sweep with junk parameters, the menu) and
ROADMAP.

Behaviour from public documentation only:
https://helpx.adobe.com/photoshop-elements/using/brush-stroke-filters.html
https://www.computerhope.com/jargon/p/photoshop-sprayed-strokes.htm

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 01:19:26 +07:00

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//! Effect › Distort (Diffuse Glow, Glass, Ocean Ripple).
//!
//! Glass and Ocean Ripple move each pixel's content by a shift that a surface decides (the slope
//! of Glass's texture, smooth noise for the ripples), sampling the object bilinearly. The shift is
//! capped, so the object reaches no farther than [`glass_shift`] or [`ripple_shift`] past its
//! bounds. Diffuse Glow brightens the object's highlights towards white and sprinkles it with
//! white grain. Every surface lies in document space around the object's centre, as the Texture
//! filters' do.
use vectorcraft_geom::{Point, Vec2};
use super::pixelate::{Place, value_noise};
use super::texture::{Texture, cell_noise, luma, premultiply, smooth_noise, straight};
use super::{PixelSpace, blur_plane, pick};
const SALT_GLOW: u64 = 120;
const SALT_FROST: u64 = 128;
const SALT_RIPPLE: u64 = 136;
/// Glass's surfaces, in its Texture menu's order: (label, parameter value).
pub const GLASS_TEXTURES: [(&str, &str); 4] = [("Blocks", "blocks"), ("Canvas", "canvas"), ("Frosted", "frosted"), ("Tiny Lens", "tinyLens")];
/// A Glass surface.
#[derive(Clone, Copy, Debug, PartialEq, Eq)]
pub enum GlassTexture {
Blocks,
Canvas,
Frosted,
TinyLens,
}
impl GlassTexture {
const ALL: [GlassTexture; 4] = [GlassTexture::Blocks, GlassTexture::Canvas, GlassTexture::Frosted, GlassTexture::TinyLens];
/// The surface of `value` (a [`GLASS_TEXTURES`] value, any case); Frosted otherwise.
pub fn parse(value: &str) -> Self {
pick(&GLASS_TEXTURES, &Self::ALL, value, GlassTexture::Frosted)
}
/// The surface's height at `p` (points at 100 %), in points: slopes of about 1 at most.
fn height(self, p: Point) -> f64 {
match self {
GlassTexture::Blocks => blocks(p),
GlassTexture::Canvas => Texture::Canvas.height(p),
GlassTexture::Frosted => frosted(p),
GlassTexture::TinyLens => tiny_lens(p),
}
}
}
/// Square glass blocks 10 points across, flat on top with 2.5-point bevels.
fn blocks(p: Point) -> f64 {
const SIZE: f64 = 10.0;
const BEVEL: f64 = 2.5;
let to_edge = |v: f64| {
let t = v.rem_euclid(SIZE);
t.min(SIZE - t)
};
to_edge(p.x).min(to_edge(p.y)).min(BEVEL)
}
/// Frosted glass: two octaves of fine smooth noise (1.2 and 0.5 points).
fn frosted(p: Point) -> f64 {
0.8 * value_noise(SALT_FROST, p.x / 1.2, p.y / 1.2) + 0.2 * value_noise(SALT_FROST + 1, p.x / 0.5, p.y / 0.5)
}
/// Tiny lenses 4 points across in rows and columns, each a shallow dome.
fn tiny_lens(p: Point) -> f64 {
const SIZE: f64 = 4.0;
let r = 0.5 * SIZE;
let off = |v: f64| v.rem_euclid(SIZE) - r;
let d2 = off(p.x).powi(2) + off(p.y).powi(2);
0.5 * r * (1.0 - d2 / (r * r)).max(0.0)
}
/// The longest shift (points) Glass gives at `distortion` (0..20).
pub(super) fn glass_shift(distortion: f64) -> f64 {
0.5 * distortion.clamp(0.0, 20.0)
}
/// The ripples' size (points) for Ripple Size `size` (1..15).
fn ripple_wave(size: f64) -> f64 {
2.0 + size.clamp(1.0, 15.0)
}
/// The longest shift (points) Ocean Ripple gives for Ripple Size `size` (1..15) and Ripple
/// Magnitude `magnitude` (0..20).
pub(super) fn ripple_shift(size: f64, magnitude: f64) -> f64 {
0.03 * magnitude.clamp(0.0, 20.0) * ripple_wave(size)
}
/// How far (points) Diffuse Glow spreads the highlights (the σ of their blur).
pub(super) const GLOW_SPREAD: f64 = 2.0;
/// Glass: the object seen through a `texture` surface scaled by `scaling` (0.5..2), bent by
/// `distortion` (0..20) and smoothed by `smoothness` (1..15); `invert` turns the surface's heights
/// over.
#[allow(clippy::too_many_arguments)] // the effect's five options
pub(super) fn glass(
px: &mut [[u8; 4]],
w: usize,
h: usize,
space: &PixelSpace,
distortion: f64,
smoothness: f64,
texture: GlassTexture,
scaling: f64,
invert: bool,
) {
let Some(place) = Place::new(space, w, h) else { return };
if !(scaling.is_finite() && scaling > 0.0 && smoothness.is_finite()) {
return;
}
// Slopes over a quarter point of the surface per step of Smoothness, or half a pixel where
// pixels are larger: a smoother glass bends the image more gently.
let step = (0.25 * smoothness.clamp(1.0, 15.0)).max(0.5 * place.px / scaling);
let gain = 0.25 * distortion.clamp(0.0, 20.0) * if invert { -1.0 } else { 1.0 };
displace(px, w, h, &place, glass_shift(distortion), |q| {
let t = Point::new(q.x / scaling, q.y / scaling);
let at = |dx: f64, dy: f64| texture.height(Point::new(t.x + dx, t.y + dy));
Vec2::new(at(step, 0.0) - at(-step, 0.0), at(0.0, step) - at(0.0, -step)) * (gain / (2.0 * step))
});
}
/// Ocean Ripple: the object as if under rippling water, ripples about `size` (1..15) points plus
/// two across, shifting it by up to [`ripple_shift`].
pub(super) fn ocean_ripple(px: &mut [[u8; 4]], w: usize, h: usize, space: &PixelSpace, size: f64, magnitude: f64) {
let Some(place) = Place::new(space, w, h) else { return };
let (wave, most) = (ripple_wave(size), ripple_shift(size, magnitude));
displace(px, w, h, &place, most, |q| {
let n = |salt: u64| 0.7 * smooth_noise(salt, q, wave) + 0.3 * smooth_noise(salt + 2, q, 0.5 * wave);
Vec2::new(n(SALT_RIPPLE), n(SALT_RIPPLE + 1)) * most
});
}
/// Diffuse Glow: the object as seen through a soft diffusion filter. Its highlights, softened over
/// [`GLOW_SPREAD`], glow white as strongly as `glow` (0..20) says, from the brightness that
/// `clear` (0..20) leaves clear of glow; white grain as dense as `graininess` (0..10) says is
/// sprinkled over it, thicker in the glow.
pub(super) fn diffuse_glow(px: &mut [[u8; 4]], w: usize, h: usize, space: &PixelSpace, graininess: f64, glow: f64, clear: f64) {
let Some(place) = Place::new(space, w, h) else { return };
let mut light: Vec<f32> = px.iter().map(|p| luma(straight(*p)) * f32::from(p[3]) / 255.0).collect();
blur_plane(&mut light, w, h, GLOW_SPREAD / place.px);
let amount = (glow / 20.0).clamp(0.0, 1.0) as f32;
let from = (0.9 * clear / 20.0).clamp(0.0, 0.9) as f32;
let grain = (graininess / 10.0).clamp(0.0, 1.0);
place.each(px, |x, y, p| {
if p[3] == 0 {
return;
}
let g = ((light.get(y * w + x).copied().unwrap_or(0.0) - from) / (1.0 - from)).clamp(0.0, 1.0);
let chance = 0.5 * (cell_noise(SALT_GLOW, place.at(x, y), 1.0, 0) + 1.0);
let dot = if chance < grain * (0.08 + 0.32 * f64::from(g)) { 0.55 } else { 0.0 };
let white = (amount * g + dot).min(1.0);
*p = premultiply(straight(*p).map(|v| v + (1.0 - v) * white), f32::from(p[3]) / 255.0);
});
}
/// Move the object's content by `shift(q)` (document units; `q` a pixel's centre relative to the
/// object's centre, its length capped at `most`): each pixel takes the colour `shift` away from it,
/// interpolated between pixels, transparent beyond the raster.
pub(super) fn displace(px: &mut [[u8; 4]], w: usize, h: usize, place: &Place, most: f64, shift: impl Fn(Point) -> Vec2) {
if !(most.is_finite() && most > 0.0) {
return;
}
let src = px.to_vec();
place.each(px, |x, y, p| {
let q = place.at(x, y);
let d = shift(q);
if !(d.x.is_finite() && d.y.is_finite()) {
return;
}
let len = d.hypot();
let d = if len > most { d * (most / len) } else { d };
let s = place.to_px * (q + d);
*p = sample(&src, w, h, s.x - 0.5, s.y - 0.5);
});
}
/// The premultiplied colour at (`x`, `y`) of `w` × `h` pixels (pixel centres at whole
/// coordinates), interpolated between the four around it, transparent outside.
fn sample(src: &[[u8; 4]], w: usize, h: usize, x: f64, y: f64) -> [u8; 4] {
if !(x.is_finite() && y.is_finite()) {
return [0; 4];
}
let (x0, y0) = (x.floor(), y.floor());
let (fx, fy) = (x - x0, y - y0);
let at = |i: f64, j: f64| -> [f64; 4] {
if i < 0.0 || j < 0.0 || i >= w as f64 || j >= h as f64 {
return [0.0; 4];
}
src.get(j as usize * w + i as usize).map_or([0.0; 4], |p| p.map(f64::from))
};
let (a, b, c, d) = (at(x0, y0), at(x0 + 1.0, y0), at(x0, y0 + 1.0), at(x0 + 1.0, y0 + 1.0));
std::array::from_fn(|k| {
let top = a[k] + (b[k] - a[k]) * fx;
let bottom = c[k] + (d[k] - c[k]) * fx;
(top + (bottom - top) * fy).round().clamp(0.0, 255.0) as u8
})
}