- A new test walks every code point from U+0000 to U+10FFFF, surrogates
left out, and compares the start and part checks with Unicode Standard
Annex #31's general-category definition of ID_Start and ID_Continue,
written out in the test. The test also checks the set sizes against the
totals in Unicode 16.0's DerivedCoreProperties (141,269 and 144,541).
- The Other_ID_Continue test covers every code point of the property,
U+136A to U+1370 and the zero width non-joiner and joiner included.
- The zero width non-joiner and joiner are part of the Other_ID_Continue
list in chars.rs instead of a separate case.
is_id_start now accepts the Other_ID_Start characters (U+1885, U+1886,
U+2118, U+212E, U+309B, U+309C), and is_id_part the Other_ID_Continue
characters (U+00B7, U+0387, U+1369 to U+1371, U+19DA, U+30FB, U+FF65),
as Unicode's ID_Start and ID_Continue properties and the ECMAScript
Names and Keywords clause define them. Letters, marks, digits and
connectors that are Pattern_Syntax are refused, which replaces the
U+2E2F special case. Escaped identifier characters go through the same
check. A supplementary letter right after a number is now the
"identifier starts immediately after numeric literal" error.
Letter categories still come from Unicode 16.0, so characters assigned
in later versions are not identifier characters yet.
Docs: docs/mcp.md, docs/target-app-parity.md.
docs/mcp.md and docs/target-app-parity.md said that a width or height
typed with Measure Type by Glyph Bounds on changes the font size by the
scale. The font size follows the vertical scale only: a width typed
alone, out of proportion, changes the horizontal scale and keeps the
font size, and a height typed alone changes the horizontal scale the
other way. A new test checks both.
Each Extrude & Bevel and Inflate solid now takes up to 65,536 outline
points (was 2,048) and 163,840 faces (was 32,768), VectorCraft's own
limits, as Revolve's. Before any point is sampled, the outline's lines
and curves are counted with each curve's tolerance pieces, and the faces
the walls, bevels and caps (Extrude) or the sides (Inflate) need. When
they do not fit, every curve takes fewer pieces, down to 4; a shape that
does not fit at 4 is refused with the existing surface error before any
face is built. The subpath count is capped at the point limit too. The
error texts are unchanged.
A closed path of 2,000 curves now extrudes with a bevel and inflates,
and paths of 5,000 and 10,000 curves build at the default settings.
Docs: docs/three-d.md, docs/mcp.md, docs/target-app-parity.md.
The file-format revision row for #3179 says that the page check weighs
a live envelope of type as the art it draws, that layers used though
they don't draw as the page leave envelopes of type their drawn art,
and that a slot bound to a visibility variable keeps it too, and lists
the new tests. The parity assessment's evidence says the same, and
the change gets its row and status entry there.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
An envelope whose contents hold type kept its drawn art, with the type
hidden, because the type is laid out from the text document only after
the layers are read. It now waits for that, as warped type does: once
its text slots hold their type, the envelope is made of that type and
drawn by VectorCraft's own rule, and where it draws as the drawn art the
file saves (the same check and budget as other envelopes) it takes the
drawn art's place, with the type visible and editable in Edit Contents.
The hidden copy of the type goes.
As other live envelopes are, it is held to the page: when the layers
with it don't draw as the page, its drawn art and hidden type are put
back. A .ai whose layers would open alone, without its PDF part, now
waits on the PDF part when an envelope of type is in them; where none
opens live, the layers open alone as before. Layers built without a page
leave envelopes of type their drawn art.
Elsewhere it keeps its drawn art and hidden type, with the note: type in
a font that isn't available, a slot without made type (threaded, bound
to a text variable, a wrap object, type a look draws), an envelope that
doesn't read, no check left, or one that draws differently. Envelopes in
a symbol's or a pattern's art keep their drawn art.
Part of #3179.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The custom dictionary's words in a list, with an Entry field and Add, Delete
and Change, applied on Done, as the public Check and correct spelling page
describes it. The menu item moves from the Spelling submenu to the Edit menu,
where the page puts it.
In Outline the canvas kept the Preview pasteboard color and filled each
artboard with white paper. Paths and type draw as black hairlines, so
art on the pasteboard was close to invisible in the dark interface
brightnesses.
In Outline the whole canvas is now white in every interface brightness
and Canvas Color, pasteboard included. The artboards draw no paper and
show as their edges, so Simulate Colored Paper, an artboard's background
color and the paper of View > Hide Artboards no longer show in Outline.
The artboard names and the ruler origin's crosshair draw in dark gray
there. In split views and floating windows the artboard names follow
that window's own Outline setting, as the canvas already did.
A right-click on type has a Spelling submenu with Auto Spell Check, as the
public Check and correct spelling page describes. A submenu that holds only
toggles shows their check marks, even in the context menu.
Escape reset a rotated view only as the second of two presses less than
a second apart, and a click or another key between them started the
count again. With the Rotate View tool one press reset it.
Now an Escape that has nothing else to end resets the rotation. An
Escape that ends something else (isolation mode, a path being drawn, a
full screen mode, a dialog and the others listed in
docs/target-app-parity.md) ends only that, and the next Escape resets
the view, however long after it comes. Tools report a path or pick that
Escape ends with `Tool::ends_on_escape`.
The rotate view tests that needed two presses now check one press, and
the screen mode test that named the old pair is renamed.
Docs: docs/target-app-parity.md.
With Measure Type by Glyph Bounds on, point type is measured by its
glyph outlines and its underline and strikethrough bars, as the canvas
draws them. A typed W or H gives what is drawn that size, and underlined
or struck-through spaces are measured by their bars instead of the em
box.
The texts now say that each point type object selected as an object
(not inside a selected group) is measured this way, that moved type
snaps by its ink box, and which Arrange Tools commands follow the
option: Swap Objects, Replace with Top Object, Set Size of Each and
Sort Objects. Arrange in Grid and Group Overlapping Objects keep
measuring visual bounds.
BFlat