The second half of #966. With Proportional Metrics on, a vertical segment is
also shaped top to bottom, with and without `vpal`: the difference gives
each glyph's change of advance down the column and its x and y placement.
An upright glyph (not tate-chu-yoko) in a font with vertical metrics takes
them on top of its cell, so it moves with its shorter cell; a font without
vertical metrics keeps `upright_cell`'s cell, and with the switch off
nothing is shaped twice and the column is as before.
As in horizontal type, Line-end Punctuation Half Width takes nothing more
off the punctuation `vpal` re-spaced and trims the punctuation it leaves
full height as before. Docs: mcp.md, and Proportional Metrics leaves the
missing lists in gaps.md, type-parity.md and target-app-parity.md.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The crash: rfd's blocking dialog ran -[NSSavePanel runModal] inside
winit's event handler; when a resize of the panel ends, AppKit runs the
closures winit queued meanwhile, and winit's re-entrancy panic fires
inside an Objective-C block, where it can't unwind, so the app aborts.
As PhotoCraft (#673) and PdfCraft (#145) ship it:
- macOS: picks::ask shows an rfd::AsyncFileDialog as a sheet on the
window (beginSheetModalForWindow returns at once); a waiter thread
sends the paths and wakes the window. A pick asked outside an entry is
refused and logged instead of running a modal. Linux keeps its thread
(#592) and now also wakes the window; Windows is unchanged.
- Nine paths that asked outside an entry now run as entries: Load
Profile, Swatches and Graphic Styles Other Library, the shortcut
editor's Import and Export, and the presets dialogs' Export.
- While a dialog is open: the macOS menu bar is inert except Hide, Hide
Others and Minimize; Quit, Close, Close All and the close button are
refused; Finder/Dock opens and the IME discard wait; another dialog
is refused with a status message. The answer re-activates the
document that asked (by uid) and Save Changes finds its document by
uid; a frame guard clears a stale picks entry after a recovered panic.
- ui.inspect reports fileDialog.
Squashed onto current main by the maintainer (with main's automation
sandbox wrappers and font-name menus kept).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The paragraph alignment shortcuts were missing. Cmd/Ctrl+Shift+L, C and
R align the selected type's paragraphs left, centred and right, J
justifies them with the last line aligned left and F justifies all
lines; while the Type tool edits text they act on the paragraphs its
selection touches, through the Paragraph panel's own path. They are UI
commands (type.alignLeft, …), listed in Keyboard Shortcuts, and enabled
while type is selected.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The name was placed at the top-left corner of the artboard's bounding box
on screen, which a rotated view (Rotate View) turns away from the
artboard's own corner, so the name floated off beside it. It now sits
above the artboard's top-left corner as the view maps it, no wider than
the artboard's on-screen width.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
object.align with neither horizontal nor vertical returned success
and moved nothing. The command palette, and a key bound to it in
Keyboard Shortcuts, run it with no params. It now returns
"give horizontal or vertical", as object.distribute already did.
An action recorded while Align ran from the palette or a bound key
contains an object.align step with no params. Playing that action now
fails at that step, and command.batch rolls back the whole action.
Values outside a parameter's choices were read as another choice or
ignored. Align ignored an unknown horizontal or vertical and aligned
to the selection for an unknown to value. Distribute read an unknown
direction as center. Distribute Spacing and Shear read any axis other
than "vertical" as horizontal, and Reflect read any axis other than
"horizontal" or a number as vertical. A bounds or to value that was
not a string fell back to the default, and a spacing that was not a
number gave automatic spacing. The commands now return an error that
names such a value, before they move anything or record an undo
step. When a to, bounds, axis or spacing value is missing or null,
the command uses the parameter's default: Distribute Spacing without
an axis spaces the objects horizontally.
The run_command description and docs/mcp.md showed object.align with
an align param it does not have; they now use horizontal. The new
status-bar messages have rows in the de, es, fr, it, ja, ru and uk
catalogs.
Docs: docs/mcp.md, docs/target-app-parity.md.
Align to Artboard aligned the selection to the artboard under its
center, or to the first artboard when no artboard was under the
center. A press with a selection tool inside an artboard makes that
artboard the active one (#693). With the Selection tool, a
Shift-click on an empty spot inside an artboard also makes it active
and keeps the selection. Align to Artboard did not use the active
artboard.
object.align takes artboard, a 0-based artboard index, and uses it
when its to param is "artboard". The app passes its active artboard,
the one the Artboards panel highlights, to each object.align it runs
that names none, as it does for Paste in Place, Paste in Front, Paste
in Back (#693) and Select › All on Active Artboard (#1006). MCP calls
in remote mode also get it. Without artboard (headless MCP and the
CLI), or with an index the document doesn't have, object.align aligns
to the artboard under the center of the selection, or to the first
artboard when no artboard is under the center.
command.batch takes artboard too, and the app passes it the active
artboard. The batch passes it on to each step of these five commands
that names none, when the step runs. When the document a step runs in
has no artboard at that index (for example, after an earlier step
deleted the active artboard when it was the last one), the step gets
that document's last artboard. A step in a document that an earlier
step opened, created or switched to gets the same index, not that
document's own active artboard.
With Align to Selection, one selected object aligned from the Align
panel, the Control bar or the Properties panel is aligned to the
active artboard too, unless it is the key object.
Recorded actions leave out the artboard that the app passes to these
commands and to the batch. The Actions panel plays an action as a
batch. Its Align to Artboard, All on Active Artboard and in-place
paste steps that name no artboard use the artboard that is active
when it plays, and the default Center on Artboard action now centers
on the active artboard. In-place paste steps recorded since #693 and
before this change still paste onto the artboard that was active when
they were recorded.
Tests cover object.align with and without artboard on three artboards;
a Shift-click that makes an artboard active, after which Align to
Artboard aligns to that artboard but keeps an artboard the call names;
a batch that passes its artboard to each step when the step runs,
after a step deletes the last artboard and in a new document; recorded
actions that leave the artboard out; and recorded Align to Artboard
and Paste in Place steps and the default Center on Artboard action,
which play on the artboard that is active when they play.
Docs: docs/mcp.md (Align to Artboard), docs/target-app-parity.md.
Selecting two objects, clicking one to make it the key object and then
Shift-clicking the other left the remaining object as the key. The
canvas still drew that object with the thick key-object outline. The
Align panel aligned the object to itself, so the object did not move.
The key is now cleared after any change that leaves no other selected
object outside it, such as a Shift-click, or hiding or deleting the
other object's row in the Layers panel. On a single selected object,
or on a group selected with only its own members, select.key sets no
key.
With one object selected and Align to Key Object chosen, the Align
panel, the Control bar and the Properties panel ran object.align with
to: "key", which fails with "no key object" when the selection has no
key. All three now align a single selected object to the artboard
whatever Align To is set to.
Docs: docs/target-app-parity.md.
With a document open, the desktop app ran File › Place on a swatch or
graphic style library, a Libraries panel file, a presets file or a
plug-in dropped on it. A desktop drop has no position, and without one
the app opened only documents and ran File › Place on every other file.
On the web, the app also ran File › Place on these files when they were
dropped on the canvas. File › Place can't read them, and the drop
failed with "Couldn't place X: ... not a format VectorCraft reads".
VectorcraftApp::drop_target now returns Open for these files, with or
without a drop position, and they open as File › Open opens them:
plug-ins are installed, presets are imported, swatch and graphic style
libraries open in the library panel, and a Libraries panel file is
added to the Libraries panel as a new library. A dropped library,
presets file or plug-in that has a path is added to Open Recent Files
when it opens, as File › Open adds it. io::opens_as returns the kind of
each of these files from its extension, and drop_target and
io::open_bytes both call it. The rules from #472 still apply to
documents, pictures and text. On the web the browser gives no file name
before the drop, so the app still outlines the canvas while such a file
is dragged over it.
Tests: drop_target returns Open for each of the eleven extensions, with
no position and with a position on the canvas. A .gpl dropped through
the desktop drop path loads in the library panel and is added to Open
Recent Files, and a .vclibrary dropped the same way becomes a new
library in the Libraries panel.
Docs: docs/control-protocol.md (file.place), docs/development.md
(Drag-and-drop), docs/target-app-parity.md (Evidence, UI).
The theme leaves egui's own checkbox without an outline while inactive,
so an unchecked box was invisible and a checked one a bare tick. #1080
moved Preferences to widgets::check; the remaining ui.checkbox uses
follow: the Properties panel's Snap to Point, Snap to Grid and Scale
Strokes & Effects, Revolve's Keep visible surfaces and Shading, Save
options, Export for Screens, the Variables dialog and plug-in forms.
widgets::check_name shows a document's name (an artboard's, an asset's)
as it is, never translated; the check and radio rows translate their
labels in the public functions, so choice_row draws text as given.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The new id errors reuse messages the catalogs already translate
(`ids` must be an array of object ids, object ids are non-negative
integers, no such layer or object), so complete_languages_translate_every_message
keeps passing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A malformed id gets the existing object-id message, and a listed anchor
that is not a corner the existing "give corners of the path" one, so
only the malformed-list message is new (translated in every catalog
that covers messages).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
parse_freeform and paint.freeform.addLine share point_indices, which also
keeps addLine from wrapping a huge index round on 32-bit targets (wasm).
The new messages are in the catalogs that translate every message.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The drawer width is worked out from the tool cell, and the new test no
longer sits between the existing test and its doc comment.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
These Object commands edited the document even when nothing changed, so
the call recorded an undo step, emptied Redo and marked the document
modified:
- object.align, object.distributeSpacing and object.distribute (three
or more objects) when no object moves. With one object selected,
Object › Align aligns it to its own bounds, so it recorded a step
every time. Calls on objects that were already aligned or evenly
spaced also recorded a step, including objects that an earlier Align
or Distribute left a rounding error away from the position the next
call computes.
- Move, Rotate, Scale, Shear, Transform and Nudge by an identity
transform without a copy, Transform Again after one, Set Bounds with
the current position and size, and a Selection tool drag that ends
where it started.
- Nudge by 0 with anchors direct-selected or with only ruler guides
selected, and Transform with nothing selected or with ids that name
no object, with or without a copy.
- Bring to Front and Bring Forward on objects already in front, Send to
Back and Send Backward on objects already at the back, and Send to
Current Layer on objects already on top of the current layer.
- Ungroup, Release Compound Path and Release Clipping Mask with none of
their objects selected, and Expand Shape with no live shape selected.
- Lock with every selected object already locked, Hide with every one
already hidden, Unlock All with nothing locked and Show All with
nothing hidden.
- object.setProps with the values the objects already have, or with no
object.
- object.setLiveShape with the values the shape already has: a
polygon's sides, angle, radius or equal sides, or a side length that
gives exactly its current radius; an ellipse's pie, including Invert
Pie on a whole ellipse; and a corner radius or kind that the corners
already have.
These commands now return without editing the document, and Align and
Distribute count a move of 1e-9 pt or less on both axes as none. Such a
call records no undo step, keeps the step to redo and leaves the
document unmodified. In these cases Ungroup no longer resets the
selection, and Release Compound Path, Unlock All and Show All no longer
empty it. A Transform with a copy of no object keeps the selection.
Lock and Hide still deselect the objects. A Nudge by 0 no longer
expands a live shape whose anchors are direct-selected. The replies
have the same form as before. An identity transform still sets what
Transform Again repeats. The journal still records each call, so the
Actions panel records it as before.
When every value given to Set Bounds is the current one, it now applies
the identity transform instead of the transform computed from those
values, which can differ from the identity by a rounding error on a
rotated object or with Use Preview Bounds.
When a drag comes back to its start, the identity preview no longer
edits the document. Session::preview now advances the revision when it
undoes the previous preview, so views redraw that drag.
The undo and redo row of docs/mcp.md now notes that many calls that
change nothing record no undo step, so undo after one undoes the step
before it.
A character attribute (Character panel menu with the East Asian options;
`text.setFormat` / `text.setRangeStyle {proportionalMetrics}`), saved only
when on. In horizontal type it applies `palt`; vertical type sets as before
until the vertical shaping change (`vpal`) follows.
Line-end Punctuation Half Width takes nothing more off the punctuation
`palt` re-spaced (the flush opening bracket, consecutive punctuation, the
line-end half width): the segment is shaped once more without `palt`, and
the glyphs whose advance differs are marked. Punctuation the font leaves
full width is trimmed as before. SVG writes `"palt" 1` with the
character's other features.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
After scaling 12 pt type 2x, the Character panel still showed 12 pt and
typing 10 pt gave 20 pt type. Character controls and text commands now
work in document points: the size, leading and baseline shift shown and
set are the stored ones times the text's scale along its em height, and
horizontal scale includes the ratio of the transformed em axes. Rotation,
reflection and shear stay in the transform, so text remains editable.
Groups' text counts, keyboard increments use the same units, Shrink
Text to Fit works in document tenths, and a collapsed transform rejects
dimensional edits without touching the document.
text.getRange takes effective: true for the document-space values.
A .ai in PostScript form went only to the PostScript interpreter, which
stopped on the first operator its missing prolog would define
(`Adobe_packedarray`, `Lb`, `Np`): files from Rhino and other CAD apps name
the procsets without including them.
- Such a program is its own editing data: when it has layers
(`%AI5_BeginLayer`) and no private data, the editing-data reader reads it,
compared with the page when the program runs, from the layers alone when
it can't be run. If the layers can't be read either, the error says why.
- The reader takes the legacy ten-operand `Lb`, ignores flatness `i`, and
uses the bounding box as the page when nothing else says where it is.
- Tests on synthetic files; fuzz fixture and hostile-program layers added.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
# Conflicts:
# ROADMAP.md
# docs/file-format-parity.md
# docs/gaps.md
- Guides on a hidden or locked layer leave the selection (Selection::prune,
run after every edit and selection change), their Layers rows neither
select nor drag them, and guide.move / guide.remove / guide.setLayer
refuse them; guide.setLayer refuses a locked target layer, as dragged
rows are refused there.
- A new guide goes where new art goes (the current layer, else the top
shown and unlocked one; refused when there is none), so it never lands
on a hidden layer and vanishes.
- Layer commands keep guides with their layers: Duplicate (and Alt-drag
copies of rows) copy a layer's guides onto the copy, Merge Selected and
Flatten Artwork put the merged layers' guides on the merged layer and
Flatten discards a hidden layer's. One shared doc predicate for "the
layer a guide is on"; the deleted-layer cleanup moves into the doc.
- Tests: engine tests for the above and their undo, a doc check that an
old guide reads with no layer and none is written, and a headless
Layers panel test of guide rows (select, drag to another layer, locked).
- Translations for the new message; docs and a ROADMAP progress line.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Guide rows in the Layers panel drag (the selected guides when the row is
one of them) onto any row of another layer, which lights up, and go to
that layer in one undo step (guide.setLayer takes indexes). Guides on no
layer, from files saved before guides had layers, go on the top visible,
unlocked layer when a document opens or is reverted.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
A ruler guide goes on the current layer (guide.add {layer}), shows,
hides, locks and is deleted with its layer, is listed in the Layers panel
as a row that selects it, and moves to another layer (guide.setLayer).
Guides on a hidden layer neither show nor snap; those on a locked layer
can't be picked.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
A dock column's groups scroll under its top strip, each open panel at
least 160 points tall, instead of running off the bottom of the window.
Drop zones in a column only use the part of a group in view.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
A group's upper half inserts the dropped groups right above it and its
lower half right below it, in floating sets and dock columns alike, and a
dock column's room under its groups puts them at its bottom; the edge
bands were too thin to hit, and the one above a dock column's top group
lay outside the column. The tabs a drop stacks panels with now light up
over the panels.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
A floating set dropped on the left edge of the icon column or of a dock
column docks as a new dock column there, building a multi-column dock.
Its groups stack, take tabs and tear out as in a floating set; the strip
along its top floats the column again and its × docks its panels where
they live. Popped-out icon panels open left of the dock columns. Columns
are kept in preferences and workspaces; window.panel.dock takes column.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
Floating panel groups dropped on another group's top or bottom edge join it
in a set: the groups stack top to bottom, move together by the top group's
title bar (whose × docks them all), and a group dragged by its tab strip
leaves the set. A double-click on a tab collapses a group to its tabs.
Sets and collapsed groups are kept in preferences and workspaces, and
window.panel.float takes below, above and collapsed.
Behaviour from public documentation:
https://helpx.adobe.com/illustrator/using/workspace-basics.html
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
The Transform panel has both options; the Properties panel's Transform
section had no way to them. A More Options button after the flip buttons
now opens a popup with the two (the scaleCorners / scaleStrokes prefs),
open while they are toggled.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With art selected the picker changed it only on OK. Each new colour now
previews paint.setFill / paint.setStroke on the selection through the
session interaction (the spec is preview: true): OK keeps the last one as
one undo step, Cancel puts the art back. Nothing previews until the colour
first changes, nor without a selection (the colour then only becomes the
default paint, on OK).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Lucide names its flip icons for their mirror line: flip-horizontal-2
draws a horizontal line with triangles above and below (the top-bottom
flip). The Properties and Transform panels showed it on the left-right
flip, and the other on the top-bottom one. Swapped back, with a comment.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Beside every corner of the bounding box the curved rotate cursor bowed
up. It now bows from the box's centre toward the pointer, in 45° steps
(Cursor::RotateToward, made by Cursor::rotate_about): at the top right
it opens toward the bottom left, at the bottom right toward the top left.
The Selection tool shows it over the rotate zone and while rotating (it
follows the pointer round), and Free Transform does the same.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The link watch wakes the app every two seconds only while the last look
found links (068a934, #967). A file placed less than two seconds after a
look that found none asked for no more frames, so while the window sat
idle nothing stamped it; a change made meanwhile was taken for the file
as first seen and never acted on. The watch now remembers the active
document's uid and revision at each look and, when they differ on a
later frame, asks for one wake when the next look is due. There is
still no per-frame walk of the links, and no two-second wakes for a
document without links.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The menu item sends no artboard, so the engine fell back to the first one even with another
active in the Artboards panel.
The frontend fills in the active artboard (the view's, as the Artboards panel and navigator
show it) for select.allOnArtboard, as it already did for Paste in Place / in Front / in Back
(#693); the two now share one block, and the index is kept within the artboards. An explicit
artboard still wins; the engine is unchanged.
The test makes artboard 2 active, then 1, and invokes the menu item each time, then passes
artboard 1 explicitly with artboard 1 active.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
# Conflicts:
# ROADMAP.md
The desktop app's ui.render (MCP `screenshot` when connected) always rendered the first
artboard and ignored `artboard`, which the headless backend honours.
It now renders the 0-based `artboard` (the first without one, an error for one that doesn't
exist), as headless does. control-protocol.md and the control.rs list show the parameter.
The test drives ui.render through the control channel on a 64 x 64 and a 96 x 48 artboard:
no index and 0 give 64 x 64, 1 gives 96 x 48 (48 x 24 at scale 0.5), 2 is an error.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
# Conflicts:
# ROADMAP.md
With every layer hidden or locked, the insertion layer fell back to the top layer anyway, so
drawing a shape, typing, pasting, making a graph, a flare, a grid, trim marks or a symbol put
the art on a hidden or locked layer: invisible, or unselectable by Select All. Illustrator
refuses to draw on a locked or hidden target layer (public forum answers, e.g.
https://community.adobe.com/t5/illustrator/can-t-draw-a-new-object-in-my-document/m-p/11107182).
DocState::target_parent is insertion_parent for new art, failing with "the target layer is
locked or hidden" when it would be a layer that isn't editable; those creation paths use it.
Another layer that is shown and unlocked still takes the art, as before. The message is in the
de, es, fr, it, ja, ru and uk catalogs. File > Place is left as it is (another branch reworks
it).
The test hides, then locks, the only layer: an ellipse, a polar grid, text and a paste each
fail with the message and leave the document unchanged; a new layer then takes a rectangle.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
# Conflicts:
# ROADMAP.md
The headless test taken from #1015 set `RawInput::modifiers`, which egui
0.36 doesn't have, and clicked left of the spinner (the right-aligned
label's text ends before its box). Modifiers now come as
`ModifiersChanged` events, as the Appearance panel tests send them, and
the click is placed from the field's text. It also checks Ctrl/Cmd steps
a tenth. It fails with the spinner ignoring modifiers (15 pt for 24).
rustfmt.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The PR kept a field's integer kind only while its value had been an
integer: typing 2.5 in Columns and then 3 sent 3.0, and the mosaic fell
back to 10 × 10 again. A whole number typed in any command dialog is now
an integer (`typed_number`) whatever the field held before; commands
that take any number read integers as well, and a fraction stays one.
Test: Object › Create Object Mosaic… opened from its menu item, 3 typed
over Columns and Enter makes a 3 × 10 mosaic (it made 10 × 10 before,
#1000).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Eight raster effects on the pixel-filter pipeline
(vectorcraft_effects::pixel::brushstrokes), under a new Effect › Brush
Strokes submenu between Blur and Distort in the Raster Effects section:
- Accented Edges (edgeWidth pt 1..14, default 2; edgeBrightness 0..50,
38; smoothness 1..15, 5): the edges of the softened object painted
towards white chalk at high brightness or black ink at low brightness;
Smoothness also leaves the faint edges out. The shape stays as it was.
- Angled Strokes (directionBalance 0..100, 50; strokeLength pt 3..50, 15;
sharpness 0..10, 3): light areas in right diagonal strokes, dark areas
in left diagonal ones; 0 makes every stroke a left diagonal, 100 every
stroke a right diagonal. Sharpness brings detail and bristles back.
- Crosshatch (strokeLength pt 3..50, 9; sharpness 0..20, 6; strength
1..3, 1): the detail kept under pencil hatching along both diagonals,
Strength passes of it, the edges roughened.
- Dark Strokes (balance 0..10, 5; blackIntensity 0..10, 6;
whiteIntensity 0..10, 2): short strokes towards black in the dark
areas, long strokes towards white in the light areas.
- Ink Outlines (strokeLength pt 1..50, 4; darkIntensity 0..50, 20;
lightIntensity 0..50, 10): black outlines over the edges, ink hatching
in the shadows, shadows darkened and highlights lightened.
- Spatter (sprayRadius pt 0..25, 10; smoothness 1..15, 5): each pixel
shifted by noise up to 0.4 x the radius; Smoothness makes the grains
larger and smoother.
- Sprayed Strokes (strokeLength pt 0..20, 12; sprayRadius pt 0..25, 7;
strokeDirection Right Diagonal, Horizontal, Left Diagonal or Vertical):
strokes along the direction, scattered by up to 0.3 x the radius.
- Sumi-e (strokeWidth pt 3..15, 10; strokePressure 0..15, 2; contrast
0..40, 16): wet strokes, ink bleeding from the darks along paper
fibres, more ink with pressure and an S-curve contrast for rich blacks.
It works in value only: hues and saturation stay, and so does the
object's shape (no fringe in the transparency).
A stroke averages the colour along a segment through the pixel (16
samples at most, the art softened first when they lie more than a pixel
apart); strokes lie in rows around the object's centre, each row
starting at random and each stroke shifted along itself, with streaked
noise for the bristles. Everything is in document space, so the effects
look the same at any zoom or resolution, move with the object and draw
the same every time; outsets and reaches are exact. On a 2000 x 2000
raster in release the slowest settings take 0.3-2.0 s (Crosshatch at
50 pt with 3 passes the most).
Shared helpers instead of copies: edges::sobel (Glowing Edges now uses
it, unchanged), distort::displace and texture::Tones are pub(super).
Catalogue rows with parameter docs, menu entries, Sprayed Strokes'
direction dropdown, translations (de, es, fr, it, ja, ru, uk, zh-hans,
zh-hant; menu labels in cs and pt-br), tests (parameters and clamping,
outsets and reaches, each filter and option showing, chalk and ink on
the edges only, shadows and rich blacks, Sumi-e keeping the shape and
hues, hatching keeping the tone, strokes smearing along their direction,
Spatter's radius, resolution and move invariance, canvas, multithreaded,
PDF and SVG, the command sweep with junk parameters, the menu) and
ROADMAP.
Behaviour from public documentation only:
https://helpx.adobe.com/photoshop-elements/using/brush-stroke-filters.htmlhttps://www.computerhope.com/jargon/p/photoshop-sprayed-strokes.htm
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Revolve dialog and gizmo strings in German (the catalog landed after
this branch was written), with Kreiseln and Aussehen umwandeln as the
catalog already names them. Intensity, which main's Texture filters
added meanwhile, is kept once per catalog. README's missing list says
what 3D still lacks beyond the initial Revolve.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
