The snap ring on an anchor (or a dot on a line) and the rubber band now follow the snapped point, so both measured points visibly land on anchors.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A tab's width depends on where it falls from the tab origin. Line breaking and the line width measure it from the left edge, but a centred or right aligned line is placed from its own start, so its tabs stopped elsewhere. The line is now laid out with its tabs measured from the left and then aligned as a whole.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Smooth Zig Zag ran the ridge points through a Catmull-Rom spline. Its end tangents slant across the path, and where the ridges are taller than about twice their spacing the sharp-turn floor of turn_tangent lengthens the handles, so the result read as straight diagonals with rounded tips. Each peak and valley is now a smooth point whose handles run along the path, a third of the way to the neighbouring ridge, so every span follows a half cosine through the path.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A path with a Transform effect that makes copies and a gradient was still merged into one path by bake_leaf and expand_leaf, so the gradient spanned every copy. Route it through reshape / expand_outlined like the renderer does.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A corner's radius was capped at half its shorter side whatever its neighbours did, so one corner of a 100 pt square rounded alone stopped at 50 pt. Each corner now rounds until its cut reaches the cuts its neighbours ask for: the whole side when the neighbour is square, halfway when both ask for more. The corner widget drag, the red limit outline and CSS border-radius export follow the same limit.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Line breaking, the line's natural width (and so justification) and the composer counted a tab as its glyph's width, a space, while it is set up to its next tab stop. A paragraph starting with a tab, as in the report, filled a justified line as if the tab were one space, and the line ran past the frame. break_line and the line width now measure tabs with tab_advance, and a paragraph with a tab is broken line by line, since the composer works with fixed glyph widths.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Shift click already snapped the second point to 45-degree steps, but the dashed line from the first point followed the raw pointer, so the constraint looked absent until the click.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The UI parity row (and G12 in gaps.md, M12 in roadmap.md) said quick Image
Trace presets reveal the editable controls. Since baadbe2c6 a quick trace
leaves the panel as it was (test a_quick_trace_leaves_the_panel_as_it_was)
and the Image Trace button in the Control bar or Properties opens the
controls. That matches the public documentation: choosing a preset traces
the image with it straight away, and the panel is opened with the Image
Trace button in the Control panel or the Properties panel's Image Trace
section
(https://helpx.adobe.com/illustrator/using/image-trace-results-optimization.html).
Reworded the three rows, cited the URL, added revision-history entries and
status-line notes. Wording only; scores, statuses and hours unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_018tBcdwNhptqtmX32JCGFzB
BFlat