The Print dialog's Print Preset list loads [Default] or a saved preset
(reading [Custom] once the settings differ) and Save Preset... names the
settings as a preset. Edit > Print Presets... lists [Default] (generated,
protected) and the saved presets with how they differ from it; New... and
Edit... open the preset editor (the Print dialog's sections), Delete,
Import... and Export... use .vcprintpresets files, which File > Open also
imports. Commands print.presets.list/save/delete/import/export; the presets
live in Prefs.print_presets and persist with the preferences.
The open-dialog filter count test counts the new Print presets filter.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The svg crate's new CSS writer (css_rules) gives the CSS web pages style objects
with: rectangles and ellipses as background-color / linear-/radial-gradient(),
border and border-radius; type as font, color, spacing and alignment; shadows,
glows and blur as box-shadow, text-shadow and filter. It shares SVG export's
declarations (transparency, fonts, type spacing, colours, gradient stops), which
moved into svg/src/css.rs. Options: units, absolute position, width and height,
unnamed objects, rasterize unsupported art (as a PNG background-image).
Commands css.selection, css.generate and css.export; UI commands css.copy and
css.exportFile; the CSS Properties panel with a highlighted code view.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window > Asset Export lists the document's assets as thumbnails: art
dragged in off the canvas (or added with +) becomes one asset per object,
or one of them all with Alt; Object > Collect for Export does the same.
Assets name their objects, so they follow edits (moving the art moves the
crop) and deleting the art removes it from its asset. Click selects,
double-click renames, the bin removes. The panel's export settings are
Export for Screens' own format rows on the document's shared settings, and
Export writes each asset alone, cropped to its art, into a picked folder
(the web downloads a zip). Export for Screens' Assets tab lists the assets
with checkboxes and exports the checked ones.
Commands: assets.add, assets.remove, assets.rename, assets.list,
assets.export, assets.settings.set; document.exportForScreens takes
assets. Model: Document.assets (ExportAsset {id, name, nodes}).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File > Export > Save for Web (Legacy) (Ctrl/Cmd+Alt+Shift+S) opens a dialog with Original,
Optimized, 2-Up and 4-Up views showing each file's size and download time, and settings for
colour reduction, colours, dither, transparency and matte, interlacing, web snap, lossy GIF,
JPEG quality, the colour table (lock, map to transparent, web shift, sort), image size and
anti-aliasing, Clip to Artboard, sRGB, metadata, slices (all or selected), HTML output and
presets. Preview in Browser opens the HTML page.
Engine: document.exportForWeb, document.exportForWeb.preview (its byte count is the size of
the file Save writes), webExport.settings and webExport.presets.list/save/delete. Saved presets
and the remembered settings are stored in Prefs. Render: quantize_locked, and encode::web for
web snap, colour table edits, lossy GIF and GIF/JPEG comments. PNG files get an sRGB chunk.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
ASCII DXF of any version opens (document.open) and places (file.place) through
a new reader in vectorcraft-cad: lines, LW/2D/3D polylines with bulge arcs,
circles, arcs, ellipses, NURBS splines (exact Beziers up to cubic, fitted
otherwise), solids, solid and pattern hatches, TEXT/MTEXT/ATTRIB as point
type, named blocks as symbols (one per look for by-block art), anonymous
blocks and dimensions as groups, MINSERT arrays, OCS extrusion; layers keep
off/frozen/locked/plot state; ACI and true colour, lineweights, linetypes and
transparency resolve through layers and blocks. The `dxf` option object picks
the layout, ratio or fit, lineweight scaling, centring and merged layers;
document.dxfInfo lists layouts, layers and units. Binary DXF and DWG answer a
clear error. The DXF Import Options dialog (dxfImport) asks on open and place
with a layout preview. Fuzzed in import_fuzz.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Every Preferences > File Handling > Data Recovery interval, modified documents
changed since their last copy are written to the recovery store in the
background (the same snapshot and encoder as Background Save; the status bar
shows it). Complex documents (over 20,000 objects) are skipped while Turn off
Data Recovery for complex documents is on.
- A copy goes when its document is saved, reverted, closed or undone back to its
saved state, and when the app quits with nothing unsaved.
- Each running app keeps its copies in an area of its own: a sub-folder whose
.lock file it keeps locked for its lifetime (File::try_lock), or on the web a
heartbeat refreshed every minute. Only areas nobody holds (lock free, or no
heartbeat for three intervals, at least three minutes) are offered, and an
area is held while it is restored or discarded, so a second running instance
never offers or deletes a live instance's copies. Empty leftover areas are
tidied away.
- The next launch after a crash asks with the Recover Documents dialog (Restore /
Discard / Cancel): restored documents open as "<name> [Recovered]", unsaved, and
Save asks where to save them, suggesting their original file; the copy moves
into the new app's area.
- Store: the recoveryFolder preference, else Data Recovery beside the desktop
app's preferences; browser storage on the web (Services::recovery_store);
tests use an in-memory store (with in-memory locks, or heartbeats).
- Engine: file.recovery.save, file.recovery.list, file.recovery.restore {file?},
file.recovery.discard {file?}; DocState.recovered and DocState.recovery.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
file.print {settings?, path?} lays the document out on paper and writes one PDF page per sheet:
copies (collated, reversed), artboards (all, a range, ignored), blank artboards skipped, paper
size and orientation (or turned per artboard), transverse, Print Layers (template layers never
print), placement on the imageable area, no scale / fit / custom / tiles of the paper or of the
imageable area with overlap and a tile range; printer's marks and bleed as PDF export draws
them; composite or separations (one grey plate per ink that prints, overprints honoured, spots
as process), emulsion down, negative; rendering intent and preserve numbers. print.preview lists
the pages, tiles, inks and warnings; print.setup saves the settings with the document
(Document.print_setup, one undo step).
PDF export and print share one page writer; the ink separation helpers move from the renderer to
vectorcraft_doc::inks and the range parser to vectorcraft_doc::range so print can use them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New crates/eps (L3): a hand-written EPS writer. A DSC header with
%%BoundingBox and %%HiResBoundingBox (y up from the origin), %%LanguageLevel
and spot colours; paths filled and stroked with caps, joins, miter limits
and dashes (strokes a plain line can't draw as filled outlines, brushes as
their art), clipping groups, linear and radial gradients as smooth
shadings at Level 3 and stepped fills at Level 2 or with compatible
gradient printing, patterns as tiles, freeform gradients and placed images
as images (Flate with masked transparent pixels at Level 3, run-length at
Level 2), type as glyph outlines, spot colours as Separation spaces and
overprints when preserved; RGB written as CMYK on request. A TIFF preview
(1-bit or colour, transparent or opaque) behind the binary header, a PNG
thumbnail and the native document in comments (eps::native and
eps::thumbnail read them back for a later import).
document.export {format: eps} and document.exportEps: transparency is
flattened first with a flattener preset (built-in or saved) and options;
the visible art's bounds, or with useArtboards one file per artboard named
{stem}_{artboard}.eps. Export As lists EPS, then EPS Options
(ui.epsOptionsDialog for agents, remembered between exports).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Document.slices holds user slices, Node.slice makes an object an object
slice that follows its bounds, and Document.slices_clip_to_artboard picks
the region auto slices fill (the artboards, or the art and the slices).
Object → Slice: Make, Release, Create from Guides, Create from Selection,
Duplicate, Combine, Divide… (dialog), Delete All, Slice Options… (dialog)
and Clip to Artboard; View → Hide/Lock Slices; Select → Object → Slices;
slice.list reads the numbered layout. The canvas draws the slices in the
Slices preferences' line colour with their numbers.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File > Package (saved documents; unsaved changes are saved first) writes
<folder>/<name>/<document>.vectorcraft, the linked files in Links/ (relinked in the
packaged copy), the fonts its type uses in Fonts/ (leaving out fonts whose licence
doesn't allow embedding) and <document> Report.txt, then offers Show Package. Without a
folder (the web, agents) the same files come back as a zip.
Document Info's flyout picks one category (document, objects, styles, spot colours,
patterns, gradients, symbols, fonts, font details, linked and embedded images) and Save…
writes the text report Package shares.
Engine: file.package {folder?, name?, copyLinks?, linksFolder?, relink?, copyFonts?,
report?}; document.info gains category, format: text and sections. Text: FontFace
path, fs_type and embeddable. UI: ui.packageDialog (dialog `package`), file.showPackage,
docInfo.save.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New crates/cad (L3): a hand-written ASCII DXF writer. Layers become DXF
layers (hidden: off, locked, non-printing: not plotted), straight paths
LWPOLYLINE (POLYLINE before R14), curves cubic SPLINEs through every
anchor, fills solid HATCHes (outlines in R12), strokes lines with a
lineweight and a linetype per dash pattern, type TEXT or glyph outlines,
placed images IMAGE entities linked to PNG or JPEG files. Units and
scale ($INSUNITS), scaled lineweights, 8/16/256 indexed or true colour
(420), transparency (440), Preserve Appearance / Maximize Editability,
Alter Paths for Appearance, Outline Text.
document.export {format: dxf} and document.exportDxf; useArtboards
writes one drawing per artboard; selectedOnly (any export) writes the
selection in its layers. Export As lists DXF (then DXF Options,
ui.dxfOptionsDialog for agents, remembered between exports) and DWG
greyed out; document.formats lists DWG and PICT as unsupported with a
hint, and exporting or opening them answers with it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File Info's dates come from the clock, so documents made or saved a second
apart differed: journal_replay_reproduces_document and
rich_fixture_satisfies_invariants_and_undoes_to_blank failed at random.
One approach for every clock-derived date: it is a command input that
defaults to now, and the journal records the value used.
- file.new takes created? and document.save / file.saveAs take modified?
(Unix seconds, or null for none; default now), through date_param /
clock_date on the one save path (save_with), so Save, Save As and the
UI's save stamp alike; Save a Copy still leaves the dates.
- Their journal entries always record the date used, so replaying the
journal makes the same document whenever it runs. Actions recorded from
the journal (Session::journal_for_action) leave those dates out, so
playing an action later dates the document then.
- Test fixtures date their documents fixtures::CREATED, and the MCP
property test dates its local document as the headless one, so
documents built at different moments compare equal.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Older native files (.drawcraft or an older format version) open as
"<name> [Converted]" and Save asks for a .vectorcraft name instead of
overwriting them (preference appendConverted). Open Recent Files honours the
0-30 preference; empty slots are hidden (the native menu rebuilds when they,
saved views or User Defined libraries change). File > Document Color Mode is
one command, file.documentColorMode, converting through the colour settings;
choosing the current mode is not an edit, and object.convertDocumentColorMode
stays as an alias the command palette leaves out. New File > Show in Folder
(file.reveal; paths with spaces work on Windows). Native files store the view
they were saved with (Document.last_view, written at save time so it never
dirties the document) and reopen there.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Built-in presets are generated in code (VectorCraft Default, High
Quality Print, Press Quality, Smallest File Size and PDF/X-1a, X-3,
X-4, the latter listed as not supported yet) and read-only. Saved
presets live with the preferences (Prefs.pdf_presets) and work as
`preset` wherever PDF options are taken: document.exportPdf,
pdfSettings, export/serialize as PDF and .ai saves.
pdf.preset.list / save / delete / export / import manage them
(.vcpdfpresets files; opening one imports it). The Save PDF dialog's
Save Preset… saves its settings under a name; Edit > PDF Presets…
(ui.pdfPresetsDialog) lists the presets with each one's description and
differences from the default, with New…, Edit… (the Save PDF dialog as
a preset editor, ui.pdfPresetDialog), Delete, Import… and Export….
document.pdfSettings now lists what differs from the chosen preset.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A linked image (`ImageObject.link`, now a LinkInfo: absolute path, path relative to the document,
size, modification time, hash, page; old path strings still load) keeps a low-resolution preview
(`ImageBlob.proxy`, at most 256 px a side) that a native save writes in place of the pixels of
images only linked images show. Opening a native document reads the linked files again, looking
for each at its path, then relative to the document and by name in its folder: missing files
show their preview, modified ones are read again only with Update Links: Automatically.
`document.open` reports `missingLinks`, `modifiedLinks` and `updatedLinks`.
links.check reports each link's status, links.update reads modified files again and
links.relink points images at another file or at same-named files in a folder (each keeps its
bounds; one undo step). In the app, a document opened without its linked files asks about each
(Replace…, Ignore, Apply to All), then offers to update modified links when the preference asks.
The renderer caches previews apart from the file's pixels; the Eyedropper samples previews in
the object's pixel space.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
file.info takes and reports the title, author, author title, description,
keywords, rating, copyright status, notice and URL in one undo step, plus
the read-only created (file.new) and modified (every save to a file) dates;
junk values are refused. Document.metadata (DocMetadata) round-trips
natively. PDF export writes author, subject and keywords to the info
dictionary and XMP, PNG export writes tEXt/iTXt chunks, SVG export writes
<desc> and, with the metadata option, every field as Dublin Core. The File
Info dialog (fileInfo, ui.fileInfoDialog) edits it with keyword chips and
star ratings.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
file.place {path | name+dataBase64, link, template, replace, at, rect, page, crop} places a
file as one undo step without touching the clipboard. Raster images come in at 100% of the
resolution their file declares (PNG pHYs, JFIF/EXIF, TIFF, BMP; 72 ppi otherwise), linked to
their path by default; SVG becomes one group with its embedded images; a PDF/.ai page or a
native document's artboard becomes one clipped group. The images, symbols, patterns and
swatches the art uses join the document (renamed on conflict). Replace keeps the replaced
object's stacking place and transform; Template puts the art on a new locked template layer
below the current one. file.place.info and image.info report size, ppi and colour mode.
File > Place picks a file and opens the Place dialog (Link, Template, Replace); the web picks
through the inbox. The Control bar shows Linked File/Embedded, the file name, colour mode and
ppi of the selected image.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File > New opens a New Document dialog in the reference app's layout:
category tabs (Recent, Saved, Mobile, Web, Print, Film & Video, Art &
Illustration, Branding, Social) over cards of presets generated in code
(page-proportioned thumbnail, neutral name, size with units), and a
Preset Details column: name with Save Preset, width with the units
dropdown, height, portrait/landscape toggles, artboards, linked bleed,
Background Contents with its chip, collapsible Advanced Options (colour
mode, raster effects, preview mode), More Settings, Close and Create.
More Settings is the classic form of the same fields (profile and size
lists, artboard layout buttons, spacing and columns, Templates...).
Choosing a preset fills the fields; editing one makes them custom.
file.new takes every setting (preset, name, orientation, artboards with
artboardLayout {layout, columns, spacing, rightToLeft}, bleed,
backgroundContents, colorMode, rasterEffectsPpi, previewMode; sizes may
carry units). file.newPresets lists the categories; file.newPresets.save
and .delete keep user presets in the preferences; Recent remembers the
last sizes. Print presets and plain sizes start in Preferences > Units >
General, screen presets in pixels. Rearrange All Artboards shares the
grid layout code. The Home screen shows the same preset cards.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
File > Document Setup is a tabbed dialog over one engine command,
document.setup (no params: a query; any keys: one undo step;
document.setUnits stays as the units alias).
- General: units, bleed (four sides with a link toggle), Edit Artboards,
Show Images in Outline Mode (greyscale pixels under the frame),
Highlight Substituted Fonts/Glyphs (pink boxes on screen only).
- Transparency: grid size and colour presets or custom colours, Simulate
Colored Paper, the flattener preset (built-in or saved) and Discard
White Overprint (Overprint Preview keeps white overprints visible).
- Type: language with its quotes, Use Typographer's Quotes for the Type
tool and Smart Punctuation, superscript/subscript size and position and
small caps size (Character panel position/smallCaps; changing the
setup restyles the text in the same undo step), text export (SVG text
as text or outlines by default).
- The canvas draws a red bleed outline and the grid in the document's
colours and cell size as one textured quad, also in rotated views; a
white Background Contents exports raster formats opaque.
Model: Document.setup (DocSetup, defaulted, skipped when default) and
CharStyle position/small_caps; old files load unchanged.
tests_transparencygrid's helper now finds the grid by its texture (the
grid is one textured mesh instead of per-cell rectangles).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
PdfSettings (serde, camelCase) is the Save PDF model: Standard, Compatibility
PDF 1.4-2.0, General (Preserve editing, Thumbnails, Fast web view, View after
saving, Create layers), Compression, Marks and Bleeds, Output, Advanced and
Security. PdfOptions = settings + pages, title and date.
document.exportPdf {path?, preset?, artboard?|artboards?|range?, standard?,
compatibility?, ...sections} -> {path|dataBase64, bytes, warnings} applies the
options over the preset (null keeps the preset's value); PDF/X, passwords,
PDF/A-2b at 2.0 and out-of-range values are refused; options accepted but not
applied yet come back as warnings. document.export {format: pdf} and
document.formats take and list the same options.
The Save PDF dialog (file.export.pdf, ui.savePdfDialog) has Preset,
Standard and Compatibility on top and a section list; it runs the export
before asking for a path, so bad options never open a save dialog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Shipped code no longer unwraps, expects or panics: every one of the 124
unwrap()/expect()/panic!/unreachable! sites outside tests now handles the
failure (Result/Option, ?, let-else, defaults) and reports errors to the user.
- Lints: workspace clippy denies unwrap_used, expect_used, panic, todo,
unimplemented and unreachable; clippy.toml allows them in tests, and
integration tests, examples and testkit opt out explicitly.
- Safety net (vectorcraft_engine::guard): a panic in a top-level command rolls
the document back and returns EngineError::Internal; a panicking tool is
reset; the MCP server answers with an internal error and keeps serving; the
UI frame and each control request are guarded.
- APIs that hid failures now return them: Rendered::to_png/to_jpeg/to_webp
return Result (JPEG/WebP errors used to write empty files),
FontDb::face returns Option, Region::top returns Option.
- Fuzzing: engine/tests/import_fuzz.rs feeds garbage, hostile and mutated SVG
and PDF through import → render → export (30k cases locally, no panics).
- Docs: AGENTS.md/CLAUDE.md rule, docs/development.md "Robustness" section,
README pointer and a PR template checklist.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window → Color Themes: the Create tab makes a five-colour theme on a
harmony wheel (a harmony rule from the selected colour, colours moving
together; or Custom, each on its own), with a brightness slider, hex
field, current-colour picker and name; the My Themes tab lists saved
themes to edit, add to Swatches as a colour group, or delete. Themes are
kept in the preferences (Prefs::color_themes; no online service).
Commands: colorTheme.list, colorTheme.save {colors | color + rule, name?,
replace?}, colorTheme.delete, colorTheme.addToSwatches. Harmony::theme
and move_on_wheel live in the colour crate; the wheel is now a shared
widget (widgets::harmony_wheel) used by Recolor Artwork's Edit tab too.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With nothing selected, Stroke panel edits (stroke.set / stroke.setAdvanced: cap, join, dashes,
arrowheads, profile...) and a graphic style clicked in the Graphic Styles panel
(graphicStyle.apply, add too) set up the next object drawn: its stroke options, fills, strokes,
effects, opacity and blend mode, linked to the style. The Appearance panel's New Art Has Basic
Appearance (appearance.setNewArtBasic, preference newArtBasic, on by default) now works: off,
new art takes the whole appearance of the last selection. paint.default resets the template,
appearance.newArt reports it, and with nothing selected the Stroke panel shows its stroke and
the Appearance panel its rows. PaintDefaults gains the template appearance, opacity, blend
mode and style.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Recolor Artwork keys colours by identity (model and exact values), so CMYK
colours stay CMYK and lookalikes stay apart. recolor.reduce groups the
selection's colours into rows (k-means in Lab, weighted by use; tints of a
global swatch share its row) with Preserve White/Black/Grays and Limit to
Library; recolor.apply maps rows by Exact, Preserve Tints, Scale Tints, Tints
and Shades or Hue Shift; recolor.randomize shuffles or varies new colours.
The dialog has Assign (rows with merge, separate, exclude, randomize, method,
library) and Edit (hue/saturation wheel with linked or unlinked handles,
brightness, harmony rules) tabs, and Edit Colors gains Recolor with Preset
(1/2/3 Color Job, Color Library). Colour parameters accept colour keys.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Colours gain a CIE Lab model (`Color::Lab {l,a,b}`, serde tag `lab`), handled through the
CMS (display, separation, conversions, gamut), tints (toward paper white), keep_model, harmonies,
recolouring, blends, Info and the Color panel. Swatch Options gets a Lab mode
(`swatch.edit {mode: "lab"}` / `{color: {l,a,b}}`), and colour params accept `{l,a,b}`.
Swatches panel → Spot Colors… (`ui.spotColors`, dialog `spotColors`) runs `swatch.spotOptions
{useLab}` (Document.spot_use_lab, default on): Lab spot colours show and separate from their Lab
values, or art linked to them takes their working-CMYK equivalents, as one undo step. PDF export
writes Lab spot inks as Separation spaces with a Lab alternate (tint function from paper white),
or a DeviceCMYK one with CMYK equivalents.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window > Attributes (Cmd+F11) shows Overprint Fill/Stroke, Show/Don't Show
Center, Reverse Path Direction Off/On, the non-zero / even-odd fill rule,
Image Map, a URL field with recent URLs and a Browser button, and a note.
New commands attributes.set and path.setFillRule; path.reverse takes ids and
reversed; attributes.info reports every value. Objects keep the attributes in
Node.attrs. SVG export wraps linked objects in <a>, and import reads links
back. The canvas draws the centre point of selected objects that show it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Object > Expand… opens a purpose-built dialog (Object, Fill and Stroke
checkboxes, disabled when the selection has nothing for them; Expand
Gradient To: Gradient Mesh or Specify N Objects, default 255). Every
option now does something:
- Object: type to outlines, live shapes to paths, effects baked.
- Stroke: strokes outlined into filled paths.
- Fill: linear/radial gradient fills become N solid rectangles or
concentric ellipses, or a gradient mesh with lines where the colour
changes, inside a clip group shaped like the object; freeform
gradients become a mesh shaped like the object. Colours keep their
stops' colour model. With Fill off gradient fills stay live.
object.expand {} defaults match the dialog (stroke now defaults on);
new query object.expand.info and UI command ui.expandDialog.
Create Gradient Mesh on a gradient-filled object takes the colours the
gradient paints at each point (GradientMesh::for_path_with, from_grid,
highlight).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window > Graphic Style Libraries and the Graphic Styles panel's library button open
read-only libraries of original styles generated in code (Shadows and Glows, Outlines
and Rules, Hand-Drawn, Gradient Finishes, Shape Effects, Blends and Transparency) in
the shared library panel. Clicking a style adds it and applies it to the selection as
one undo step (Alt: on top). Save Graphic Style Library writes .vcstyles JSON (styles
unlinked from swatches, with the patterns they paint with) to the user library folder
(User Defined) or a file; Other Library loads one, or another document's styles.
Commands: graphicStyle.libraries, graphicStyle.library, graphicStyle.addFromLibrary,
graphicStyle.saveLibrary, graphicStyle.loadLibrary; UI: window.graphicStyleLibrary
(.other), ui.saveGraphicStyleLibrary, window.userGraphicStyleLibrary1-10. The user and
loaded library bookkeeping is shared with swatch libraries.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Saved presets live in Prefs.flattener_presets (persisted with the preferences) beside the
built-in High, Medium and Low Resolution ones, which stay read-only. New commands:
flattener.presets.list / save / delete / import / export (a .vcflattener JSON file; opening one
imports it). Any saved preset name works as `preset` wherever flattener options are taken
(Session::flatten_options). The manager dialog lists the presets and edits the selected saved
one in place; the Flatten Transparency dialog lists saved presets and gains Save Preset….
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Double-clicking the Eyedropper opens Eyedropper Options (dialog
eyedropperOptions): raster sample size (point, 3x3, 5x5) and Picks Up /
Applies trees (transparency; focal fill colour, transparency, overprint;
focal stroke colour, transparency, overprint, weight, cap, join, miter,
dash; character and paragraph attributes). The options live in the
preferences (Prefs::eyedropper, eyedropper.setOptions, prefs key
eyedropper) and replace the earlier appearance/transparency switches.
appearance.copyFrom takes pickUp/apply overrides, reverse (Alt-click:
the selection's attributes onto the clicked object) and append
(Shift+Alt-click: add the source's fills and strokes). Type copies font,
size and paragraph attributes to type. Clicking an image samples its
pixels; sampled colours keep their colour model.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
object.flattenTransparency {preset?|options, ids?} splits the targets into groups of overlapping
objects. Groups with transparency become atomic regions (faces of the arrangement of every fill,
outlined stroke and clipping path) filled with the colour the renderer composites there: blend
modes, group opacity, isolated and non-isolated groups, knockout groups and knockout shapes, over
white or (Preserve Alpha) over nothing. Regions reached by gradients, patterns, images, opacity
masks or raster effects are rendered into one image per group, under the regions, clipped to
them with Clip Complex Regions. The raster/vector balance rasterizes whole groups past its region
budget (all at 0). Options and presets live in FlattenOptions; single visible paints keep their
colour and overprint; text and strokes can be outlined everywhere. One undo step.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
paint.freeform.addPoint/setPoint/deletePoint/addLine/splitLine/selectPoint
and the paint.freeform.get query edit the freeform gradient behind the active
proxy (one undo step each; errors on other paints). The session keeps the
selected point. The Gradient tool on a freeform gradient selects and drags
points, adds points on the art (joined in Lines mode) and on lines, and
deletes the selected point. The Gradient panel shows the Draw toggle and the
selected point's colour, opacity, spread and Delete Point; the Color panel
recolours the selected point.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Freeform gradients carry their own points (colour, opacity, spread) and lines
(Catmull-Rom curves through points), blended by inverse-distance weighting
from each disc of pure colour. paint.editGradient {kind: "freeform", mode?}
places 4+ points inside the shape, coloured along the stops (which follow the
points' colours). The renderer samples the field on a cached colour grid
drawn as an image paint clipped by the fill or stroke. Moves, transforms,
box rebases and warps move the points; old files load unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window > Swatch Libraries and the Swatches panel's library button open a
read-only, floating library panel (thumbnail and list views, find field,
libraries menu, previous/next arrows). Clicking a swatch adds it to the
document and applies it as one undo step; Shift/Cmd-clicks select swatches
and groups for Add to Swatches. Default Swatches restores missing defaults.
Libraries are computed in code (OKLCH, rounded to 8-bit sRGB): Web Safe 216,
Grays and Neutrals, Earth Tones, Skin Tone Ramps, Pastels, Brights,
Metallic Gradients, Perceptual Scales, Harmony Sets.
Commands: swatch.library.list, swatch.library.get, swatch.library.add
{library, names?, apply?, focus?}, swatch.resetDefaults {replace?};
UI command window.swatchLibrary {library}.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Fill and stroke layers (and type characters' fill and stroke) carry an
overprint flag. object.setOverprint {fill?, stroke?, item?, ids?} sets it
(groups: their contents; type: its characters too; one undo step, none when
nothing changes) and attributes.info reads it back (null where mixed).
Overprint Preview and Separations Preview draw overprinting fills and strokes
with Multiply. The old Document.unknown["overprintBlack"] id list migrates to
the new flags on load; Overprint Black now sets the flags.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Gradient tool handles (a drawn vector's start and end, the end handle and the moved start) snap to anchors, edges
and smart guides, with the guide overlays; Shift constrains to 45° steps from the Constrain Angle preference
(`ToolContext::constrain_angle`, `constrain_angle_from` in geom). Double-clicking a toolbar button runs the new UI
command `tool.options {tool}`: the Gradient tool opens the Gradient panel, the Eyedropper opens Eyedropper Options
(`eyedropper.setOptions {appearance?, transparency?}`, which `appearance.copyFrom` honours and its params override).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The double-click that opens the popover lands outside it in the same frame, so the popover
closed as soon as it opened; only a later click elsewhere closes it now. The selected stop
remembers the document, first selected object and proxy it was picked on (Session::selected_stop),
so selecting other art or toggling Fill/Stroke no longer lets Delete or the arrows edit a stop
on a different gradient.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
While a mask is edited, the Transparency panel and its commands act on the
masked object (Release leaves editing first). Mask commands and
transparency.set take ids and work without a selection; Make Opacity Mask
with one object adds an empty mask and enters editing. Opacity is 0..100 in
every command. transparency.info reports the panel's values with null for
mixed ones, shown blank. Saves and exports never include the editing layer
(Document::without_edit_modes; mask_edit is not serialized).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Clicking a fill or stroke row runs appearance.setActiveItem; the toolbar,
Control bar and Properties proxies and the Color, Swatches, Gradient,
Stroke and Transparency panels show and edit that item, and the gradient
tool's annotator follows it. paint.setFill/setStroke, stroke.set/
setAdvanced, paint.editGradient/setGradientGeom and transparency.set take
item (omitted: the active item, null: the top one). Item edits and the
appearance.* commands address the selected objects' own stacks, so a
group's own fills no longer leak into its contents. Any selection change
clears the active item.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
No behaviour change: every command keeps its id, label, menu, shortcut and
params doc.
- Engine: swatch.* -> cmd/swatch.rs, graphicStyle.* -> cmd/style.rs,
appearance.* (incl. copyFrom) -> cmd/appearance.rs, stroke.set/setAdvanced
-> cmd/stroke.rs, paint.editGradient/setGradientGeom -> cmd/gradient.rs.
Shared helpers in cmd/mod.rs: leaf_targets/paint_targets (replacing three
copies) and unique_name (swatch and graphic style naming).
- UI: dialogs.rs -> dialogs/ with one file per dialog and a DialogSpec
registry (one DialogKind row per dialog); shared field widgets in
dialogs/form.rs. Headless frame tests draw and confirm every dialog.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
