The Print dialog's Media list only had Letter/Legal/Tabloid and the ISO A
and B papers, so Japanese papers had to be entered as a custom size, and
"B4"/"B5" were ISO 216 (250 × 353 and 176 × 250 mm) although Japanese
printing uses the JIS sizes (257 × 364 and 182 × 257 mm, JIS X 6310).
Media gains JIS B4, B5 and B6 next to the ISO ones, and はがき
(japanese postcard, 100 × 148 mm), 往復はがき (japanese double postcard,
148 × 200 mm), 封筒 長形3号/長形4号 (japanese envelope #3/#4, 120 × 235
and 90 × 225 mm), 角形2号/角形3号 (kaku #2/#3, 240 × 332 and 216 × 277 mm),
四六判 (yonroku-ban, 127 × 188 mm) and A6, all in millimetres at 72/25.4.
b4 and b5 keep their ISO 216 dimensions so print settings and presets
saved before the Japanese papers existed keep their paper; the dialog
labels say "B4 (ISO)"/"B5 (ISO)" beside "B4 (JIS)"/"B5 (JIS)".
A paper is named by its JSON id or by its dialog label, any case and
spacing ("b5 (jis)", "B5 (JIS)" and "b5jis" all mean the JIS B5), so
agents and the control channel need not know the id spelling; an unknown
name is still refused. Media is written out instead of through the
choice! macro to carry that lookup.
The print.setup/file.print parameter docs and docs/mcp.md list the new
papers; the Print dialog picks them up from Choice::ALL with no UI code
change, and the Japanese labels are translated in ja.tsv (はがき,
往復はがき, 長形3号, 長形4号, 角形2号, 角形3号, 四六判).
Tests: japanese_paper_sizes checks every added size in points, that the
ISO B4/B5 values did not change, name resolution and id/label round
trips, and that each paper prints a PDF page with its own MediaBox size.
Validation: cargo fmt --all -- --check clean; cargo clippy
-p vectorcraft-pdf --all-targets -- -D warnings clean; cargo test
-p vectorcraft-pdf -> 330 passed, 0 failed (328 lib + 2 integration).
file.print, print.preview and print.setup took print settings only as
settings, so an agent had to read a preset with print.presets.list and
copy its settings into the call. They now take preset, the name of
[Default] or of a saved print preset in any case. The preset's settings
are used instead of the document's, settings applies over them, and
print.setup saves them with the document as one undo step. An unknown
name is a parameter error that lists the presets. The app's file.print
with params passes preset on to the engine.
Docs: docs/mcp.md, docs/target-app-parity.md.
Area type and type on a path whose text doesn't fit print without the
text past the end of the frame. text.create, text.createInPath,
text.setText and text.setStyle report it in their replies, but
file.print and print.preview gave no warning, and the Print dialog's
Summary showed none.
Both commands now add a warning that counts the area type and type on
a path that prints and doesn't fit, and gives their ids (the first 20,
then how many more). It counts the objects that the fallback font
warning counts: visible objects on the layers that Print Layers picks,
on the paper of the artboards or tiles that print. The walk that finds
the fonts of the printed type also collects these ids. Type in the art
of symbols, patterns, brushes, opacity masks and placed documents is
not named.
Docs: docs/mcp.md (Print, Fitting area type), docs/target-app-parity.md
(Type).
PDF, EPS, EMF/WMF and raster exports, and SVG exports that outline or
embed fonts, warn when type is set in a font family that isn't
available, but file.print and print.preview gave no such warning. A job
in a missing family printed in Source Sans 3 with no warning, and the
Print dialog's Summary showed none.
Both commands now add the exports' warning for the type that prints:
visible type that fits its frame or path, on the layers that Print
Layers picks, where what it paints (its effects applied) lands on the
paper of an artboard or tile that prints, inside its clipping paths.
The type in the symbols, inline graphics, patterns, scatter brushes,
opacity masks and placed documents of the art that prints counts too.
file.print reads the fonts before raster effects and Print as Bitmap
turn type into images, for PDF and PostScript output.
Docs: docs/mcp.md (Print), docs/target-app-parity.md (Fonts).
- a story is read once however many text objects name it; the text objects, their pairs with the
page's type, the pieces of a line and a story's size are capped, and over a cap the layers aren't used
- the ASCII85 of the text document is bounded before it is decoded
- joining the pieces of lines that interleave no longer removes the wrong pieces
- a run length too large for the text saturates instead of overflowing
- a dictionary left open at the end of a layer, and layers nested deeper than are read, make the
file one that comes in as its page (they were silently dropped)
- a file whose editing data can't be decoded says so, and the notes about art that was too much or
too far away count as losses, so writing over the source asks first
- the private data of a .ai is inflated under a cap of its own (the PDF reader's decoder has none)
- the other writers (PDF, selection, office, print) ask before replacing a source that lost things,
and a recovered copy remembers that
Co-Authored-By: Claude Sonnet 5.5 <noreply@anthropic.com>
Advanced > Overprint: Preserve (the default; document.exportPdf
advanced.overprint) writes each overprinting fill and stroke (an object's
own, a character's, a type object's) with a graphics state of /OP true
/op true /OPM 1 (/OPM 0 in PDF/A); Discard writes none. White ones knock out
when Document Setup's Discard White Overprint is on, as in print. Mask art
never overprints. File > Print's composite PDF honours Print > Advanced >
Overprints: Preserve the same way (separations keep multiplying plates).
Each overprinting fill or stroke is drawn as a form marked to overprint
(crates/pdf/src/forms.rs); after writing, its content starts by setting the
overprinting graphics state, and the PDF/X self-check runs on the result.
The engine's "overprint is not written to PDF yet" warning and print's
"overprints print as knockouts in composite output" warning are gone.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The pdf crate's PrintSettings gains advanced {printAsBitmap,
overprints: preserve|discard|simulate, flattenerPreset} and
color.profile, all defaulting so saved print_setup values still load.
Composite output discards overprints (no /OP) or simulates them as
Overprint Preview draws them; separations keep them. A printer profile
converts composite colours with the chosen intent (a CMYK one writes
device CMYK) and separations separate with a CMYK one. The engine
flattens transparency with the preset, or renders each printed region
as one image for Print as Bitmap, before PDF or PostScript layout.
The Print dialog's Advanced and Color Management sections show them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
View > Show Print Tiling (view.printTiling) draws the pages of the
document's print settings on the canvas, dashed and numbered, from
print.preview's own layout (print.tiling), so the canvas and the
printed job agree. The Print Tiling tool replaces the no-op tool: a
drag places the first page's imageable corner (print.tiling.set,
saved as print_setup.tileOrigin, one undo step); a double click on
the canvas or the tool button resets it. Tiles start at the origin
and extend to cover the art; the Print dialog shows the tool's
placement with a Reset button.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
file.print {format: "postscript"} (the default for a .ps path) writes the
print job as Level 3 or 2 (level) PostScript instead of a PDF: DSC comments
with %%Pages the page count, one page per sheet with its paper size,
printer's marks in Registration, separations naming their ink (%%PlateColor)
with its halftone screen, a fixed flatness and film negatives. Transparency
is flattened first with flattenerPreset. The answer says which format was
written. In the app, a PostScript job is always saved, never sent to the
printer (the Print dialog's own options are unchanged).
The PDF print's layout is exposed as vectorcraft_pdf::plan (the PDF writer
uses it too); vectorcraft_eps::print draws its sheets with the EPS writer's
document walk, each sheet once however many copies print.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Print dialog's Print Preset list loads [Default] or a saved preset
(reading [Custom] once the settings differ) and Save Preset... names the
settings as a preset. Edit > Print Presets... lists [Default] (generated,
protected) and the saved presets with how they differ from it; New... and
Edit... open the preset editor (the Print dialog's sections), Delete,
Import... and Export... use .vcprintpresets files, which File > Open also
imports. Commands print.presets.list/save/delete/import/export; the presets
live in Prefs.print_presets and persist with the preferences.
The open-dialog filter count test counts the new Print presets filter.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Print dialog (Ctrl/Cmd+P) edits the document's print settings in the
sections General, Marks and Bleed, Output, Graphics, Color Management,
Advanced and Summary, with a preview of each printed page under the section
list (drag the art to move its placement). It drives print.setup,
print.preview and file.print; the preview pages now carry their transform,
printed area and trim box. Print sends the job's PDF to the chosen printer
through the new PrintService (lp on macOS/Linux, the shell print verb on
Windows, a hidden frame and the browser's print dialog on the web); without
one, or with PDF File, it saves the PDF. Done only keeps the settings.
UI commands file.print, print.printers and print.printerSetup.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
file.print {settings?, path?} lays the document out on paper and writes one PDF page per sheet:
copies (collated, reversed), artboards (all, a range, ignored), blank artboards skipped, paper
size and orientation (or turned per artboard), transverse, Print Layers (template layers never
print), placement on the imageable area, no scale / fit / custom / tiles of the paper or of the
imageable area with overlap and a tile range; printer's marks and bleed as PDF export draws
them; composite or separations (one grey plate per ink that prints, overprints honoured, spots
as process), emulsion down, negative; rendering intent and preserve numbers. print.preview lists
the pages, tiles, inks and warnings; print.setup saves the settings with the document
(Document.print_setup, one undo step).
PDF export and print share one page writer; the ink separation helpers move from the renderer to
vectorcraft_doc::inks and the range parser to vectorcraft_doc::range so print can use them.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Midasdf