Window > Attributes (Cmd+F11) shows Overprint Fill/Stroke, Show/Don't Show
Center, Reverse Path Direction Off/On, the non-zero / even-odd fill rule,
Image Map, a URL field with recent URLs and a Browser button, and a note.
New commands attributes.set and path.setFillRule; path.reverse takes ids and
reversed; attributes.info reports every value. Objects keep the attributes in
Node.attrs. SVG export wraps linked objects in <a>, and import reads links
back. The canvas draws the centre point of selected objects that show it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Window > Graphic Style Libraries and the Graphic Styles panel's library button open
read-only libraries of original styles generated in code (Shadows and Glows, Outlines
and Rules, Hand-Drawn, Gradient Finishes, Shape Effects, Blends and Transparency) in
the shared library panel. Clicking a style adds it and applies it to the selection as
one undo step (Alt: on top). Save Graphic Style Library writes .vcstyles JSON (styles
unlinked from swatches, with the patterns they paint with) to the user library folder
(User Defined) or a file; Other Library loads one, or another document's styles.
Commands: graphicStyle.libraries, graphicStyle.library, graphicStyle.addFromLibrary,
graphicStyle.saveLibrary, graphicStyle.loadLibrary; UI: window.graphicStyleLibrary
(.other), ui.saveGraphicStyleLibrary, window.userGraphicStyleLibrary1-10. The user and
loaded library bookkeeping is shared with swatch libraries.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Paths and compound paths now measure their visual bounds along their shape:
the body (inside/outside alignment, the width profile's widest point), the
tips of the miter spikes the limit keeps, projecting caps' corners and the
arrowheads' reach. A rectangle's right-angle miters stay within half the
weight (Fit to Selected Art, Rasterize and all-art SVG export get tighter,
exact boxes); Appearance::outset is the conservative reach for anything else.
Clicks hit what the strokes paint: outside strokes outside the path (0.8 x the
weight out), inside ones inside, the profile's width where clicked, caps,
spikes and heads. Click culling keeps a cheap box (hit test 0.34 ms per click
on the 50k-path budget). The subpath/tangent helpers move from the stroke
geometry into vectorcraft_geom::bez so both share them; a cross-check test
holds every painted point of the real stroke geometry inside the bounds and
hittable.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Stroke panel's Profile list now holds saved profiles next to the built-ins,
kept with the preferences (Prefs.width_profiles). Add to Profiles… names the
selected stroke's variable width, Delete Profile removes the selected stroke's
saved one (built-ins can't be deleted), Reset Profiles removes them all.
Three more generated built-ins (Pinch, Teardrop, Wave). The dropdown (Stroke
panel and Control bar) lists saved profiles and draws a custom profile's own
silhouette. Commands: stroke.widthProfile.add/delete/reset/list; stroke.set
{profile} takes a built-in id or a saved name.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
One shared colour visitor (`colorcmds::Recolor`, used by Edit Colors, Recolor Artwork, the Blend
commands, the proxy Invert/Complement and Document Color Mode) maps solid colours, gradient stops
and text runs as before, and now also:
- gradient-mesh points (with fills); Blend grades meshes by their average and keeps their shading;
- embedded images' pixels (`includeImages?`, default on): the image becomes a recoloured copy under
a content key, the original stays for undo and other objects; linked images are left alone;
- the tiles of pattern fills and strokes (`includePatterns?`, default on): one recoloured copy per
pattern saved as a new pattern swatch ("Dots 2"), the original untouched.
Everything stays one undo step; only nodes that change are copied, in one walk of the tree.
- doc: `ImageBlob::map_rgb` (decode, map each distinct colour once, keep alpha, re-encode PNG),
`ImageBlob::content_key` (now also used by image import) and `ImageBlob::png`.
- `recolor.colors` lists mesh points and pattern tile colours too.
- patterncmds: `add_pattern` adds a pattern and its swatch (shared by Make Pattern and Save a Copy).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Fill and stroke layers (and type characters' fill and stroke) carry an
overprint flag. object.setOverprint {fill?, stroke?, item?, ids?} sets it
(groups: their contents; type: its characters too; one undo step, none when
nothing changes) and attributes.info reads it back (null where mixed).
Overprint Preview and Separations Preview draw overprinting fills and strokes
with Multiply. The old Document.unknown["overprintBlack"] id list migrates to
the new flags on load; Overprint Black now sets the flags.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A CMYK document (file.new {colorMode: "cmyk"}, Document::new_with_mode)
starts with CMYK default swatches (default_swatches(model)), and RGB
colours and gradient stops applied to it are stored as CMYK (Gray stays
Gray) unless paint.setFill/setStroke get keepModel; the Color panel keeps
the model picked on its sliders. RGB documents keep colours as given.
Harmonies and Color Guide variations keep the base colour's model, Recolor
Artwork the replaced colour's, and Edit Colors blends between models take
the document's, through a shared Color::in_model / keep_model.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
New Document.page_isolate / page_knockout, set by
transparency.togglePageIsolatedBlending / togglePageKnockoutGroup {value?}
(one undo step each, saved with the document, reported by
transparency.info) and the Transparency panel menu's check items. The page
renders as an isolated group (top-level blend modes no longer blend with
what lies under the page) and/or a knockout group whose elements are the
layers (neutral layers pass their objects through). PDF and SVG wrap the
page content in an isolated group and write page knockout as soft masks.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The eyedropper (`appearance.copyFrom`), `graphicStyle.new` and `graphicStyle.apply` move placed gradients so they
sit at the same place relative to each target's bounds (type: its layout box in text space) instead of where the
source had them; the paint defaults take the gradient unplaced, so new art fits it. Model: `GradientGeom::rebase`
/ `GradientPaint::rebase` (color), `Appearance::rebase_gradients` (strokes relative to their inflated boxes) and
`GraphicStyle::unit_box`: new styles store placed gradients in unit-box space; styles from older files keep
document coordinates and apply as before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Knockout Group is now Knockout {Neutral, Off, On} (old files' true loads as
On, false as Neutral). In a knockout group each child erases what the
children below it drew where it paints, then adds itself, so it composites
against the group's backdrop; neutral plain groups pass their children
through to the enclosing knockout group. transparency.set / object.setProps
take knockout "on"|"off"|"neutral"|bool; transparency.info reports the
state. PDF and SVG write knockout groups as nested soft masks with the same
look (PDF warns); the Transparency panel has a tri-state checkbox.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Styles now store the object's opacity, blend mode, isolate and knockout and apply them.
New Graphic Style from a group without its own paint captures its topmost object's
appearance, and from type its characters' fill and stroke. Names are made unique.
graphicStyle.apply takes ids and add (Alt-click in the panel adds the style on top of the
existing appearance). graphicStyle.list reports every style. Applying links objects to a
stable style id (Node.graphic_style), which the management commands build on.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Hollow heads draw as rings (the open arrow as a chevron) and closed paths get
no heads. The stroke stops under each head, so it never shows through a hollow
head or past the tip; stroke.set {arrowAlign: "extend"|"tip"} chooses whether
the tip extends past the end point (default) or sits on it with the stroke
shortened. Line and heads share one paint box (a gradient runs on into the
head) and take the stroke and object opacity once, as one layer on the canvas
and one group in PDF. StrokeLayer.arrow_align is a new defaulted field, so
older files load unchanged. The Stroke panel's Align buttons get two generated
icons and are disabled when the stroke has no head.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Arrowheads, width-profile outlines and dashed line outlines now come from
vectorcraft_effects::stroke (stroke_pieces, line_outline, width_outline), used by
the canvas and PDF export alike; the renderer caches profile outlines too. Width
profiles are a doc-level catalogue (WidthProfile::PRESETS, preset, preset_id,
id_of) shared by stroke.set and the Stroke panel; stroke.set rejects unknown
profile ids and its params doc lists the arrowhead names.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
While a mask is edited, the Transparency panel and its commands act on the
masked object (Release leaves editing first). Mask commands and
transparency.set take ids and work without a selection; Make Opacity Mask
with one object adds an empty mask and enters editing. Opacity is 0..100 in
every command. transparency.info reports the panel's values with null for
mixed ones, shown blank. Saves and exports never include the editing layer
(Document::without_edit_modes; mask_edit is not serialized).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Document::swatches_iter/_mut, swatch_mut, swatch_group_of, remove_swatch and a copy-on-write
walk over linked solid paints (map_solid_paints) cover every colour group.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
