Commit Graph
8 Commits
Author SHA1 Message Date
imachusandClaude Opus 5.5 621e1a6640 Type: Proportional Metrics — full-width glyphs on the font's proportional widths, palt (#966)
A character attribute (Character panel menu with the East Asian options;
`text.setFormat` / `text.setRangeStyle {proportionalMetrics}`), saved only
when on. In horizontal type it applies `palt`; vertical type sets as before
until the vertical shaping change (`vpal`) follows.

Line-end Punctuation Half Width takes nothing more off the punctuation
`palt` re-spaced (the flush opening bracket, consecutive punctuation, the
line-end half width): the segment is shaped once more without `palt`, and
the glyphs whose advance differs are marked. Punctuation the font leaves
full width is trimmed as before. SVG writes `"palt" 1` with the
character's other features.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 07:00:35 +07:00
lollinoo c5274beb23 #1034: scaled type shows and takes its scaled sizes
After scaling 12 pt type 2x, the Character panel still showed 12 pt and
typing 10 pt gave 20 pt type. Character controls and text commands now
work in document points: the size, leading and baseline shift shown and
set are the stored ones times the text's scale along its em height, and
horizontal scale includes the ratio of the transformed em axes. Rotation,
reflection and shear stay in the transform, so text remains editable.
Groups' text counts, keyboard increments use the same units, Shrink
Text to Fit works in document tenths, and a collapsed transform rejects
dimensional edits without touching the document.

text.getRange takes effective: true for the document-space values.
2026-10-11 07:00:34 +07:00
bflatasticandClaude Opus 5.5 c183c47df3 Review: guides on hidden or locked layers, and through layer commands
- Guides on a hidden or locked layer leave the selection (Selection::prune,
  run after every edit and selection change), their Layers rows neither
  select nor drag them, and guide.move / guide.remove / guide.setLayer
  refuse them; guide.setLayer refuses a locked target layer, as dragged
  rows are refused there.
- A new guide goes where new art goes (the current layer, else the top
  shown and unlocked one; refused when there is none), so it never lands
  on a hidden layer and vanishes.
- Layer commands keep guides with their layers: Duplicate (and Alt-drag
  copies of rows) copy a layer's guides onto the copy, Merge Selected and
  Flatten Artwork put the merged layers' guides on the merged layer and
  Flatten discards a hidden layer's. One shared doc predicate for "the
  layer a guide is on"; the deleted-layer cleanup moves into the doc.
- Tests: engine tests for the above and their undo, a doc check that an
  old guide reads with no layer and none is written, and a headless
  Layers panel test of guide rows (select, drag to another layer, locked).
- Translations for the new message; docs and a ROADMAP progress line.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 06:03:48 +07:00
redrun6767andClaude Opus 5.5 2d2e0c6992 Docs: ruler guides on layers in the parity docs
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
2026-10-11 06:03:47 +07:00
redrun6767andClaude Opus 5.5 53f8516cc6 Docs: panel sets and dock columns in the parity docs
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
2026-10-11 06:03:25 +07:00
redrun6767andClaude Opus 5.5 d93e4e9cf1 Docs: Shift-selecting guides with art in the parity doc
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01CC5DiGJEZ5ADaQMBEQk4W1
2026-10-11 04:35:16 +07:00
bflatasticandClaude Opus 5.5 59c890df9e Part of gap 2: Effect › Brush Strokes (Accented Edges, Angled Strokes, Crosshatch, Dark Strokes, Ink Outlines, Spatter, Sprayed Strokes, Sumi-e)
Eight raster effects on the pixel-filter pipeline
(vectorcraft_effects::pixel::brushstrokes), under a new Effect › Brush
Strokes submenu between Blur and Distort in the Raster Effects section:

- Accented Edges (edgeWidth pt 1..14, default 2; edgeBrightness 0..50,
  38; smoothness 1..15, 5): the edges of the softened object painted
  towards white chalk at high brightness or black ink at low brightness;
  Smoothness also leaves the faint edges out. The shape stays as it was.
- Angled Strokes (directionBalance 0..100, 50; strokeLength pt 3..50, 15;
  sharpness 0..10, 3): light areas in right diagonal strokes, dark areas
  in left diagonal ones; 0 makes every stroke a left diagonal, 100 every
  stroke a right diagonal. Sharpness brings detail and bristles back.
- Crosshatch (strokeLength pt 3..50, 9; sharpness 0..20, 6; strength
  1..3, 1): the detail kept under pencil hatching along both diagonals,
  Strength passes of it, the edges roughened.
- Dark Strokes (balance 0..10, 5; blackIntensity 0..10, 6;
  whiteIntensity 0..10, 2): short strokes towards black in the dark
  areas, long strokes towards white in the light areas.
- Ink Outlines (strokeLength pt 1..50, 4; darkIntensity 0..50, 20;
  lightIntensity 0..50, 10): black outlines over the edges, ink hatching
  in the shadows, shadows darkened and highlights lightened.
- Spatter (sprayRadius pt 0..25, 10; smoothness 1..15, 5): each pixel
  shifted by noise up to 0.4 x the radius; Smoothness makes the grains
  larger and smoother.
- Sprayed Strokes (strokeLength pt 0..20, 12; sprayRadius pt 0..25, 7;
  strokeDirection Right Diagonal, Horizontal, Left Diagonal or Vertical):
  strokes along the direction, scattered by up to 0.3 x the radius.
- Sumi-e (strokeWidth pt 3..15, 10; strokePressure 0..15, 2; contrast
  0..40, 16): wet strokes, ink bleeding from the darks along paper
  fibres, more ink with pressure and an S-curve contrast for rich blacks.
  It works in value only: hues and saturation stay, and so does the
  object's shape (no fringe in the transparency).

A stroke averages the colour along a segment through the pixel (16
samples at most, the art softened first when they lie more than a pixel
apart); strokes lie in rows around the object's centre, each row
starting at random and each stroke shifted along itself, with streaked
noise for the bristles. Everything is in document space, so the effects
look the same at any zoom or resolution, move with the object and draw
the same every time; outsets and reaches are exact. On a 2000 x 2000
raster in release the slowest settings take 0.3-2.0 s (Crosshatch at
50 pt with 3 passes the most).

Shared helpers instead of copies: edges::sobel (Glowing Edges now uses
it, unchanged), distort::displace and texture::Tones are pub(super).

Catalogue rows with parameter docs, menu entries, Sprayed Strokes'
direction dropdown, translations (de, es, fr, it, ja, ru, uk, zh-hans,
zh-hant; menu labels in cs and pt-br), tests (parameters and clamping,
outsets and reaches, each filter and option showing, chalk and ink on
the edges only, shadows and rich blacks, Sumi-e keeping the shape and
hues, hatching keeping the tone, strokes smearing along their direction,
Spatter's radius, resolution and move invariance, canvas, multithreaded,
PDF and SVG, the command sweep with junk parameters, the menu) and
ROADMAP.

Behaviour from public documentation only:
https://helpx.adobe.com/photoshop-elements/using/brush-stroke-filters.html
https://www.computerhope.com/jargon/p/photoshop-sprayed-strokes.htm

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-11 01:19:26 +07:00
Brandon ThomasandClaude Opus 5.5 d4b0a5479b Progress docs: target-app parity, gaps, alpha gate, readiness by audience (#994)
Progress docs per craftrules standards/progress-docs.md: target-app parity, gaps, roadmap with alpha gate, readiness by audience (full / mainstream / essentials) with Opus 5.5 hours, and feature, format, hardware, UI and localization parity docs.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-10 14:11:14 -04:00