Commit Graph
10 Commits
Author SHA1 Message Date
dotCooCoo 4712fb2c2f Character: variable fonts get a slider for each axis
VectorCraft listed a variable font's named instances as styles, but
type could not be set between or past them. The reference app's
Character panel has a Variable Font control that adjusts a variable
font's axes, such as Weight, Width and Slant.

Type now keeps Variable Font settings by axis tag
(CharStyle::font_axes, saved as fontAxes only when set). text.setFormat
and text.setRangeStyle take fontAxes: each value is clamped to its
axis's range, a tag the font has no axis for is left out, and null
goes back to the style's own setting. Another font or style clears
them, including one from a character style that does not set them. A
character style captured from type sets them, with {} for none.
text.fontList {family, style} lists a font's axes.

Layout, outlines, the substituted-glyph highlight and PDF export use
the font instanced at the settings, and neighboring runs at different
settings are shaped apart, as runs in different fonts are. SVG export
writes them as font-variation-settings, the wght setting as the weight
and the wdth setting as font-stretch, and embeds the font instanced
there; SVG import reads font-variation-settings back. Legacy .ai export
warns that the settings are left out.

The Character panel shows a Variable Font button for a variable font.
It opens a slider and a field for each axis the font does not hide,
labeled with the font's name for the axis, and screen readers get each
slider under that name. A drag is one undo step. Reset Panel leaves
the settings, as it leaves the font and style.

Missing Glyph Protection now keeps the settings and the font version
on the characters that keep their font; before, it kept only the
family and style. A character style applied or redefined with another
font now clears the old font's version, as text.setStyle does, unless
the style sets one. SVG export with embedded fonts warns when faces of
one weight, style and width share characters, which browsers then draw
in one of the faces.

Docs: docs/mcp.md, docs/target-app-parity.md, docs/type-parity.md.
2026-10-17 19:38:46 +07:00
bflatastic db85d465c8 SVG import: flowed text with a region too large to place is left out with a warning 2026-10-13 10:52:37 +07:00
Gert Pellin e794c1ac63 SVG import: Inkscape flowed text (flowRoot) becomes area type
<flowRoot> (SVG 1.2 flowed text, which Inkscape writes for text typed
into a frame) was dropped without a word: usvg doesn't draw it. The
text pass now reads it as area type: the first <rect> of its
<flowRegion> is the frame (with the rect's transform), each <flowPara>
a paragraph (white space collapsed), styled through the same cascade
as <text>. Another kind of region leaves the text out with a warning.

Fixes #1568
2026-10-13 10:52:37 +07:00
Gert Pellin 2c01a42b35 SVG import: CSS transforms in CSS syntax move objects; the font shorthand styles type
usvg takes a `transform` CSS property as a presentation attribute that
overrides the element's own, but reads its value as SVG: CSS units
(`translate(100px, 0)`, `rotate(45deg)`) don't parse, and the object
was left with no transform at all. Before usvg runs, transform
declarations in `style` attributes and `<style>` rules are now written
in SVG syntax (lengths in px, angles in deg/rad/grad/turn, translateX/Y,
scaleX/Y and skew as SVG's functions); values that can't be are left.

The text pass's own cascade now expands the `font` shorthand into its
longhands, as usvg does for the rest of the drawing, so text styled
with `font: italic bold 30px …` keeps its size, weight and style.

Refs #1557
2026-10-13 08:53:06 +07:00
Gert Pellin 3239e8b97e SVG import: <textPath> follows basic shapes (circle, ellipse, rect, line, polyline, polygon)
A <textPath href="#id"> pointing at a basic shape imported as point type
with "textPath has no usable path", as only <path> was followed. SVG 2
allows any basic shape, and Inkscape writes one whenever text is put on
a circle. The shape now becomes its equivalent path as SVG 2 defines
it: circles and ellipses start at 3 o'clock and rounded rects after the
top-left corner, all clockwise; lines, polylines and polygons follow
their points. The shape's transform applies as for a <path>. Shapes
that render nothing (zero radius or size) still fall back to point
type with the warning.

Fixes #1527
2026-10-13 06:56:37 +07:00
arhammusheer 5beac4f122 #1244: smaller objects: Node 352 -> 152 bytes, NodeKind 200 -> 80, and a cheaper undo estimate
Rarely set fields move into one optional boxed NodeExtras, and large NodeKind payloads (images,
live shapes, blends, envelopes) are boxed. Every object, and every undo step that copies it,
shrinks: a 50k-path move keeps ~24.5 MB per step instead of ~40 MB. Files stay byte-identical
(Node keeps its flat JSON through a borrowed Serialize and a from-wire Deserialize, no flatten),
and loading is slightly faster. Undo and redo reuse their step's size estimate instead of
walking the document again (8.3 -> 5.6 ms for a 50k-path move).

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01VmMmc1J8XeNLxhRihWv9cc

# Conflicts:
#	crates/engine/src/cmd/graph.rs
#	crates/svg/src/export.rs
2026-10-12 11:02:32 +07:00
bflatasticandClaude Opus 5.5 1706e84829 Fix #429: Type on a path brackets, flip and Type on a Path Options that keep the type in place
Type on a path could only be repositioned by Type on a Path Options, whose menu item sent
`{start: 0}`, so OK threw the text to the start of its path; nothing showed or dragged its
brackets. Now, as in Illustrator:

- Type on a path flows between a start and an end bracket (`TextKind::OnPath { end }`, None:
  the end of the path or once round a closed one; `TextKind::path_span`). Flipping
  (`TextObject::flip_on_path`) reverses the path keeping a closed path's first anchor and swaps
  the brackets, so the type keeps its stretch of the path.
- Type on a Path Options gains Align to Path (ascender, descender, center, baseline) and
  Spacing (glyphs spaced as if set that far above the path: closed up round the outside of
  curves, opened up round the inside), laid out by the text engine.
- `type.pathOptions {start?, end?, flip?, effect?, alignToPath?, spacing?, ids?}` sets them in
  one undo step; with none of them it queries. The menu item opens the dialog with the selected
  type's Effect, Flip, Align to Path and Spacing (dropdowns for the choices) and leaves the
  brackets alone, so OK as opened changes nothing.
- The Selection and Direct Selection tools show selected type on a path's path and its start,
  centre and end brackets (`tools::pathtype`, with a bracket cursor): dragging the start or end
  bracket sets where the type runs, dragging the centre bracket slides it along the path and,
  across the path, flips it (Cmd/Ctrl held: it only slides). Each drag is one undo step.
- Arc-length measuring moved to `vectorcraft_geom::ArcPath` (layout, the tools and
  `text.createInPath` share it). SVG export outlines path type whose end bracket, alignment or
  spacing `<textPath>` can't express.
- docs/mcp.md documents the command and the drags; ROADMAP updated; dialog strings translated.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-08 12:50:25 +07:00
bflatasticandClaude Opus 5.5 ffed92aba5 Fix #396: SVG type opens at the size it draws at
SVG import kept a <text>'s nominal font-size and left the scale of the
transforms and viewBox above it in the type's transform, so the Character
panel showed one size and the canvas drew another (7 pt under scale(3)
drew at 21 pt).

The importer now moves that scale into the type: the scale across the
baseline (the mean scale for type on a path) multiplies the size,
leading, baseline shift, character stroke weights and dashes and the
text path, and the transform keeps only the rest (a stretch along the
baseline, a skew, a rotation or a reflection). The type draws exactly as
before. Paints resolve in the grown text space, non-scaling strokes and
the stroke under the characters are worked out before the fold, the
factor is rounded to 6 significant digits (usvg's transforms are single
precision) and never pushes sizes past the Character panel's
0.1–1296 pt (the rest stays in the transform).

Tests: a group's, the text's own and a viewBox scale; rotated and scaled
text equal to the same text written at twice the size; stretch and skew;
type on a scaled path; the size limits; gradients on scaled text; SVG
export → import of scaled type (stable over two round trips).

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-08 07:18:34 +07:00
bflatasticandClaude Opus 5.5 303fc3cbca M4.42: SVG import reads linked images from the SVG's folder, intersects nested clips, keeps hidden objects and expands reflected gradients
document.open {path} (and File > Place) find an SVG's relative <image>
links in its folder: raster files stay linked images (LinkInfo with size,
time and hash), SVG files and data: SVGs import as vector art, and a file
that can't be read becomes a placeholder in its box that keeps the link,
with a warning and a missingLinks row (Update Links / Relink read it
later). The SVG library itself reads no file unless given a reader.
Nested clip paths become clip groups in clip groups; undisplayed objects
(display:none) come back hidden; spreadMethod reflect and repeat are
expanded into stops over the painted area (matching resvg). Midpoint stops
and focal points keep folding back as before.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-05 12:12:06 +07:00
bflatasticandClaude Opus 5.5 5c58ebcb32 M4.19: SVG text import fidelity — text keeps its place, group, clip and mask; textPath, per-character positions, weights, spacing, paints and CSS selectors survive
Each <text> is swapped for a placeholder group before usvg runs, so the text keeps its z-order,
parent group, clip, mask, opacity, link and <use> instances, and usvg resolves its gradient and
pattern paints (in text space). <textPath> becomes type on a path (startOffset, side, anchor),
vertical writing-mode type on a vertical path. Per-character x/y/dx/dy/rotate lists become line
breaks (bounded), kerning (absolute x measured against the layout), baseline shift and rotation;
baseline-shift, numeric and relative weights (style names), letter/word spacing, kerning and the
character stroke's cap, join, miter and dashes are kept. The style cascade supports type, #id,
multiple-class, attribute, descendant and child selectors with !important and specificity.
<pattern> paints become pattern swatches. The import fuzz covers the new attributes and CSS.

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-05 07:20:10 +07:00