`cargo xtask wasm` (part of `cargo xtask ci`) checked the wasm-safe crates but not
apps/vectorcraft-web, so web-only code was never compiled before a merge. It now runs
`cargo check --target wasm32-unknown-unknown -p vectorcraft-web` too (no Trunk, no network).
The SVG importer's cap on the web was 48, sized from native measurements. rustc links the web
build with a 1 MiB stack (`-z stack-size=1048576`; the app passes no linker arguments of its
own) and usvg uses about 15 kB a level: half the stack at that cost gives 34, set in one place
with the arithmetic.
Replace the Trunk post_build hook packaging/web/copy-fonts.sh with `cargo xtask web-fonts` (xtask/src/web_fonts.rs), so the web build only needs trunk, the wasm32 target and cargo, with no POSIX shell, and works the same on Windows.
The new task reuses crates/text/build/web_fonts.rs for list parsing and URLs, so build.rs and the copier can't disagree on fonts/<sha16>/<file>. It still does nothing without CRAFT_FONTS_DIR, checks each file's SHA-256 against the manifest, and copies the licence next to each face. A listed face that an older craft-fonts checkout lacks is now skipped with a warning, as build.rs does, instead of failing the build. A relative CRAFT_FONTS_DIR is resolved from the workspace root.
Update the references in Trunk.toml, fonts.rs, build.rs, craft_fonts.rs and web-fonts.txt, and document the web build's requirements in docs/development.md. Add tests for the copy, a hash mismatch and the no-op case.
Signed-off-by: Ahmed Moussa <moussa.ahmed95@gmail.com>
Open and Place read Affinity documents natively (.af from Affinity 3,
.afdesign/.afphoto/.afpub from Affinity 1 and 2): layers and sublayers,
groups, artboards with their names and backgrounds, Publisher pages side
by side, curves with live corners, parametric shapes, compound shapes,
clipping by nesting, vector and pixel masks, solid and gradient fills,
strokes, fill layers, artistic and frame text, placed images (their
original JPEG/PNG), pixel layers, embedded documents as their cached
picture, opacity, visibility, locking and blend modes, at the document's
resolution in points. Unsupported content (effects, adjustments, brushes,
master pages, special shapes, Affinity-only blend modes...) is listed in
the import warning, one line per kind. A file whose native data can't be
read opens as its embedded preview with the reason, and that preview
cannot be placed or used as a template or library. Save never writes back
over the Affinity file and there is no Affinity export.
The document semantics were fitted to the thumbnails Affinity embeds in
176 public documents. `cargo xtask corpus --affinity` fetches 22 public
CC0/MIT/Apache-2.0 documents at pinned commits, sha256-verified; the new
engine test renders each and compares it with Affinity's own thumbnail
(0-4.4 of 255 mean difference, per-file ceilings). import_fuzz mutates a
synthetic native document's stream and container through open, render
and export; the fuzz crate gains a stream target.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01GQPh8UDgMyARR5Hat9UchC
Edit -> "PDF Presets…"; the clipboard preferences read "Legacy vector
clipboard (no transparency)" / "Legacy vector clipboard" (keys copyAicb and
aicbMode unchanged); the second keyboard shortcut set is "Classic Defaults",
and the old set name is still accepted from saved UI preferences, imported
sets and shortcuts.preset. The MCP server instructions, the apply_effect and
create_graph tool descriptions, the text.createInPath params doc,
docs/mcp.md, the ui-egui crate description and the PDF compatibility docs
no longer name another vendor.
New `cargo xtask brands` (run by `cargo xtask ci`) fails on vendor product
or company names in Rust string literals (labels, params docs, menus,
panels, MCP definitions; comments and test code skipped), Cargo.toml
descriptions and text under docs/ and packaging/; a required legacy alias
is marked `brand-ok`. xtask shares one git file listing between the asset
and brand checks. docs/development.md describes the gate.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
skylar taylor-barrick