From e724228e2524055b1256e76a4b989f5f6c071fdd Mon Sep 17 00:00:00 2001 From: aiongg Date: Mon, 26 Oct 2026 21:19:24 +0000 Subject: [PATCH] docs: update source paths for the moved files --- crates/tools/src/cursors.toml | 2 +- crates/ui-egui/src/i18n/bg.tsv | 2 +- crates/ui-egui/src/i18n/pt-br.tsv | 2 +- crates/ui-egui/src/i18n/zh-hant.tsv | 2 +- docs/architecture.md | 2 +- docs/development.md | 2 +- docs/effects-parity.md | 6 +- docs/egui-037-migration-plan.md | 26 +++--- docs/file-format-parity.md | 8 +- docs/gaps.md | 18 ++--- docs/roadmap.md | 2 +- docs/target-app-parity.md | 120 ++++++++++++++-------------- docs/type-parity.md | 6 +- docs/ui-parity.md | 12 +-- packaging/macos/Info.plist.in | 2 +- 15 files changed, 106 insertions(+), 106 deletions(-) diff --git a/crates/tools/src/cursors.toml b/crates/tools/src/cursors.toml index 208f02d0e..fbca7f0af 100644 --- a/crates/tools/src/cursors.toml +++ b/crates/tools/src/cursors.toml @@ -1,4 +1,4 @@ -# The cursors VectorCraft needs: one [[cursor]] per `Cursor` value (crates/tools/src/lib.rs). +# The cursors VectorCraft needs: one [[cursor]] per `Cursor` value (crates/tools/src/cursor.rs). # # This is the source of truth for what each cursor is for, written for whoever draws them: # designers never decide what a cursor is for, this file does. `cargo xtask cursors` warns about diff --git a/crates/ui-egui/src/i18n/bg.tsv b/crates/ui-egui/src/i18n/bg.tsv index f4f5b1fc1..230e2251c 100644 --- a/crates/ui-egui/src/i18n/bg.tsv +++ b/crates/ui-egui/src/i18n/bg.tsv @@ -1,6 +1,6 @@ # Bulgarian (bg) catalog. Same format as zh-hant.tsv: context source translation # (empty context = a plain UI string; `@id` = a command id; `@plural` = "one|other" English forms, -# translated as two Bulgarian forms "one|other"; see `plural` in i18n/mod.rs). +# translated as two Bulgarian forms "one|other"; see `plural` in i18n.rs). # # Clean-room: every entry is written from the plain meaning of VectorCraft's English labels, in # ordinary Bulgarian vocabulary of vector illustration (работна област, път, опорна точка, diff --git a/crates/ui-egui/src/i18n/pt-br.tsv b/crates/ui-egui/src/i18n/pt-br.tsv index 3f3bdccb2..7b0a0e623 100644 --- a/crates/ui-egui/src/i18n/pt-br.tsv +++ b/crates/ui-egui/src/i18n/pt-br.tsv @@ -5,7 +5,7 @@ # that menu item, so one id can read differently from its twin # @plural `source` is "one|other" (English forms); Brazilian Portuguese has # the same two forms, so the translation is "one|other" too (see -# `plural` in i18n/mod.rs) +# `plural` in i18n.rs) # anything else a disambiguating context passed to `tr_ctx` # escapes \n \t \\ inside a column. `{name}` placeholders must appear in both columns. # lines starting with # and blank lines are ignored. diff --git a/crates/ui-egui/src/i18n/zh-hant.tsv b/crates/ui-egui/src/i18n/zh-hant.tsv index 427c20da2..533516327 100644 --- a/crates/ui-egui/src/i18n/zh-hant.tsv +++ b/crates/ui-egui/src/i18n/zh-hant.tsv @@ -4,7 +4,7 @@ # @id a command id (e.g. file.saveAs): wins over the English text for # that menu item, so one id can read differently from its twin # @plural `source` is "one|other" (English forms); Chinese has one form, so -# the translation is a single string (see `plural` in i18n/mod.rs) +# the translation is a single string (see `plural` in i18n.rs) # anything else a disambiguating context passed to `tr_ctx` # escapes \n \t \\ inside a column. `{name}` placeholders must appear in both columns. # lines starting with # and blank lines are ignored. diff --git a/docs/architecture.md b/docs/architecture.md index 0a7990c08..cfe910fe9 100644 --- a/docs/architecture.md +++ b/docs/architecture.md @@ -48,7 +48,7 @@ effects are rendered offscreen per object and cached while panning. See ## Files The native `.vectorcraft` format is versioned, compressed JSON with embedded images, saved atomically, readable -down to v1 and from the old `.drawcraft` name. The `FORMATS` table in `crates/engine/src/cmd/fileio/mod.rs` +down to v1 and from the old `.drawcraft` name. The `FORMATS` table in `crates/engine/src/cmd/fileio/formats.rs` lists every format read or written; importers are fuzzed (`crates/engine/tests/import_fuzz.rs`). See [file-format-parity.md](file-format-parity.md). diff --git a/docs/development.md b/docs/development.md index 74dc55a30..7b05cfb2f 100644 --- a/docs/development.md +++ b/docs/development.md @@ -449,7 +449,7 @@ Character styles cannot represent object opacity or blend modes. With Transparen sampling refuses a non-neutral source or target object before changing art, paint defaults, selection or history. Disable Transparency in Eyedropper Options to sample supported attributes while preserving the target object's transparency. Whole-object sampling remains unchanged. -Regression evidence: `tests_eyedropper.rs` covers Unicode, font/paint, Undo/Redo, tool switches, +Regression evidence: `tests/eyedropper.rs` covers Unicode, font/paint, Undo/Redo, tool switches, and atomic rejection of source and target opacity/blend modes; `text_range_and_brush_sampling_options_coexist` covers upstream brush-key sampling. Scores and estimates unchanged. diff --git a/docs/effects-parity.md b/docs/effects-parity.md index b4c399ced..9a268cd96 100644 --- a/docs/effects-parity.md +++ b/docs/effects-parity.md @@ -32,7 +32,7 @@ Part of [target-app-parity.md](target-app-parity.md); open work is in [gaps.md]( Document Raster Effects Settings exists. When the 64 million pixel cap on an effect image lowers its resolution, PDF export warns once per object with the requested and the lowest achieved ppi -(`crates/engine/src/tests_pdfraster.rs`). +(`crates/engine/src/tests/pdfraster.rs`). ## Photoshop effects @@ -82,7 +82,7 @@ glow colour is the effect's own parameter. All three keep coverage, work in docu Document Raster Effects resolution, and use the generic effect dialog with live preview. Ranges and defaults are chosen for VectorCraft. Evidence: `crates/effects/src/pixel/artistic.rs`, the `artistic_*`, `cutout_*`, `poster_edges_*` and `neon_glow_*` tests in `crates/effects/src/pixel/tests.rs`, -and `artistic_settings_survive_a_save_and_open` in `crates/engine/src/tests_rasterfilters.rs`. +and `artistic_settings_survive_a_save_and_open` in `crates/engine/src/tests/rasterfilters.rs`. Smudge Stick (`artistic.smudgeStick`), Sponge (`artistic.sponge`) and Watercolor (`artistic.watercolor`), Effect › Artistic, are original visual approximations from the public descriptions in [Illustrator's effects reference](https://helpx.adobe.com/illustrator/using/summary-effects.html) and the @@ -156,7 +156,7 @@ The public help pages name each control but publish no numeric defaults or slide follow those control names and the emboss/halftone behaviour described there, while dialog defaults are chosen for VectorCraft and are not verified against proprietary defaults. Evidence: `crates/effects/src/pixel/sketch.rs`, `halftone_*` and `note_paper_*` in `crates/effects/src/pixel/tests.rs`, `SKETCH` and -`halftone_pattern_settings_survive_a_save_and_open` in `crates/engine/src/tests_rasterfilters.rs`, and +`halftone_pattern_settings_survive_a_save_and_open` in `crates/engine/src/tests/rasterfilters.rs`, and `tests_labels::effect_menu_lists_the_sketch_filters_between_sharpen_and_stylize`. Effect › Sketch › Conté Crayon (`sketch.conteCrayon`; `pixel/sketch.rs`) redraws the object in a dense diff --git a/docs/egui-037-migration-plan.md b/docs/egui-037-migration-plan.md index e1109776c..0c2e1da85 100644 --- a/docs/egui-037-migration-plan.md +++ b/docs/egui-037-migration-plan.md @@ -2,7 +2,7 @@ **Status (2026-10-25, shared-docking reconciliation):** the published qualification remains checkpoint `83d6dd2d6603845978f949523e6da2b4945dcffb`, tested with post-PR-4113 `main` `6e7854967d6b8a094bfed809643bd957aa3ba66f` and the two `Id::unique` edits at `crates/ui-egui/src/dialogs/recolor.rs:384,725`; managed job `egui037-vector-postmerge-ci-20261025-1381` passed all 12 mandatory CI stages for that working tree, and publication commit `1072d0e263623882da68d8115934630abbef33ae` records it in PR #4173. The reviewed recolor code is already in `main`: `HEAD` and `origin/main` resolve the same blob `6050af15a3bf7b9a056df6dff347bda7690ad251` for that file. -This checkout, at documentation-only follow-up `12fee85c9cbf9f7f1609a53bc67327b12e4f4dd1` (`M14: distinguish qualification from publication`), is locally reconciling upstream `main` `714434527e1a3e03c4b49096e30dd92b258aab50` (PR #4135: panels on craft-ui's shared docking, floating panels in OS windows). The four conflicted files were resolved by taking upstream's `dock.rs`, `panel_docking.rs` and `panel_docking_tests.rs` and deleting `floating.rs`; `git diff` against `714434527…` is empty for those three files, and no `crate::floating` or `mod floating` path remains. Managed CI job 1422 passed all 12 mandatory stages on the pre-merge tree (`12fee85c9…`); managed job `egui037-vector-combined-ci1443` subsequently passed all 12 mandatory CI stages on the combined working tree, including WASM. Independent integration reviews accepted the conflict resolutions and shared-library pins. This qualification covers the executable source and lockfile; the qualification prose was updated afterward to record that result. Native/platform GUI and IME workflows, final packages and paired app performance remain open. +This checkout, at documentation-only follow-up `12fee85c9cbf9f7f1609a53bc67327b12e4f4dd1` (`M14: distinguish qualification from publication`), is locally reconciling upstream `main` `714434527e1a3e03c4b49096e30dd92b258aab50` (PR #4135: panels on craft-ui's shared docking, floating panels in OS windows). The four conflicted files were resolved by taking upstream's `dock.rs`, `panel_docking.rs` and `panel_docking/tests.rs` and deleting `floating.rs`; `git diff` against `714434527…` is empty for those three files, and no `crate::floating` or `mod floating` path remains. Managed CI job 1422 passed all 12 mandatory stages on the pre-merge tree (`12fee85c9…`); managed job `egui037-vector-combined-ci1443` subsequently passed all 12 mandatory CI stages on the combined working tree, including WASM. Independent integration reviews accepted the conflict resolutions and shared-library pins. This qualification covers the executable source and lockfile; the qualification prose was updated afterward to record that result. Native/platform GUI and IME workflows, final packages and paired app performance remain open. **Historical status (superseded, not current acceptance):** the earlier reconciliation against `main` `8bf090b25389b48aa6f9d7415de57c9ce7ccf8cb` and managed job `egui037-vectorcraft-artboard-green-ci-20261025-0589` recorded 10,197 passing test executions, zero failures and 14 ignored, including the artboard-name geometry regression, input/IME fixtures, no-bundled-font checks and the web app build. The 0.36.2 lock table and the plan-time local craft-libs/CL-2F statements below are historical planning state. Current dependency pins (read from this checkout's `Cargo.toml` and `Cargo.lock` on 2026-10-25): `egui`, `eframe`, `egui-winit`, `egui-wgpu`, `egui_glow`, `egui_extras`, `egui_kittest`, `epaint`, `emath`, `ecolor`, `epaint_default_fonts` are `0.37.0` from `storytold/egui` rev `6d518fc799681571963842f95b55a6b68431b15a`; `egui_system_font_provider` has an unused patch at that same revision and is not in the resolved dependency graph; `winit` is `0.30.13` from `storytold/winit` rev `a517b3846ee8457d84ee4975110bfda6797c44dc`; `wgpu` is `30.0.1`; `kittest` is `0.5.0`; `accesskit`/`accesskit_winit` are `0.25.1`/`0.34.1`; `craft-ui`, `craft-window`, `craft-keymap`, `craft-print`, `craft-pdf` and `craft-docpath` use published `storytold/craft-libs` rev `a0916808f7d78bed8c7b90cdf937176015454a7f`, as do the `hayro-*` and `krilla` patches. @@ -35,7 +35,7 @@ This subsection records the current code after PR #4135; §§2–5 below remain - **Desktop versus web/Wayland:** on the desktop, floating panels open in OS windows of their own through craft-ui's target-gated `native-windows` feature (`crates/ui-egui/Cargo.toml`, `crates/ui-egui/src/panel_docking.rs` module docs, `apps/vectorcraft/src/main.rs::native_input_hook`). On the web and on Wayland they float inside the app window (`panel_docking.rs`; `docs/control-protocol.md`). - **Removed app-side floating:** `crates/ui-egui/src/floating.rs` is deleted. `dock.rs` is now 137 lines and holds `panel_body` plus two scroll-bar tests; `panel_docking.rs` draws the canvas and panels through `craft_ui::docking::DockArea`, with the session-only `Runtime`, `inspect`, `hit_rects`, `known` and `valid`. The old `apply_pending_dock_width`, `cancel_legacy_drag`, `seed_dock_panel_width`, `note_dock_width`, `legacy_dock_default_width`, `shared_dock_default_width` and `dock_width_pending` symbols are gone. `tools_float.rs` keeps the Tools panel's own move state. - **Dock-width persistence:** `UiState::dock_width` is the app-owned preference. `panel_docking::main_width` clamps it into the default layout, `default_flags`/`Transaction::commit` writes a resized width back, `workspaces::Workspace` captures and applies it (test `saved_workspaces_restore_dock_width`), and `layout_migration` carries it across older preference files. No `PanelState` seeding is used for dock width. -- **Tests:** `panel_docking_tests.rs` covers pointer/keyboard docking; `panel_docking_native_tests.rs` covers desktop OS windows (keyboard, drops, modal focus and `ui.docking` hit-rect filtering); `layout_migration_tests.rs` covers conversion of layouts saved before the canvas joined the shared dock; `dock.rs` retains two scroll-bar accessibility tests; `workspaces.rs` covers saved-width restore. These test surfaces are included in the combined-tree CI qualification recorded above; native GUI workflows remain a separate open gate. +- **Tests:** `panel_docking/tests.rs` covers pointer/keyboard docking; `panel_docking/native_tests.rs` covers desktop OS windows (keyboard, drops, modal focus and `ui.docking` hit-rect filtering); `layout_migration/tests.rs` covers conversion of layouts saved before the canvas joined the shared dock; `dock.rs` retains two scroll-bar accessibility tests; `workspaces.rs` covers saved-width restore. These test surfaces are included in the combined-tree CI qualification recorded above; native GUI workflows remain a separate open gate. This plan is deliberately app-specific. The suite-wide dependency order and shared acceptance contract are in the local planning draft `craft-libs/docs/egui-037-suite-rollout.md` (not yet published at the time of writing); this @@ -271,7 +271,7 @@ numbers will drift; symbols are authoritative. | `WidgetType` is now a deprecated alias for `accesskit::Role`, and variants were renamed | Historical anchors `chrome.rs:640`, `dock.rs:122`, `edit_toolbar.rs:533`, `panel_docking.rs:1241`, `widgets.rs:192/1535/1536/2487`; symbols are authoritative, not these line positions | 54 `WidgetType` call sites at planning time; the current tree has none | Map per §3.2 to the renamed `Role` variants. Do not hide all roles behind `Role::Unknown`. | | `Id` is not an `IdSalt` | `dialogs/layer_options.rs:129/130`, `menus.rs:3482/3484` | `Atom::custom(chip, …)`; `Panel::right(Id::new(...))`; `ComboBox::from_id_salt(id)` | `IdSalt::new(...)` only for a parameter typed exactly `IdSalt` (`Atom::custom`); pass the original source to `impl AsIdSalt` APIs (`Panel`, `ComboBox`, `ScrollArea`, `make_persistent_id`). `Id::unique(...)` for root ids. Never pass an `Id` as a salt. | | `WidgetInfo.typ` removed | `dialogs/tests_warp.rs:509` | one test | Use `info.role`. | -| `scroll_area::State.offset` private | `font_menu.rs:507`, `panels/layers.rs:650`, `tests_numfields.rs:614` | 3 sites | Use the public `offset()` method. | +| `scroll_area::State.offset` private | `font_menu.rs:507`, `panels/layers.rs:650`, `tests/numfields.rs:614` | 3 sites | Use the public `offset()` method. | | `FontsView.fonts` private | `i18n/tests.rs:1606/1628` | 2 test sites | Use `definitions()`, `families()`, `characters(&family)` public API. | | `egui::UserData` removed | `lib.rs:1032` | screenshot queue | Replace with per-request `ScreenshotCallback`. | | `Event::Screenshot` removed | `lib.rs:1052` | screenshot collector | Replace with callback completion channels. | @@ -851,7 +851,7 @@ deadlines and background scheduling. Keep egui's `i.time` for UI animation/gestu - Panel order remains app bar / control bar / status+hint / toolbar / dock / central canvas / floating / dialogs. The new `Panel` id-salt behavior must not change the order or clip; assert `response.rect`, `ui.clip_rect()` and hit positions after resize/DPI changes. -- VectorCraft does not call `show_viewport_deferred` itself. The only child native viewports are the desktop floating-panel windows that craft-ui's `native-windows` feature creates; the web and Wayland stay in one window. Floating windows' controls are excluded from `ui.docking`'s `hitRects` and from control-channel pointer input (`panel_docking_native_tests.rs`, `docs/control-protocol.md`). Retest screenshot/root behavior for the main viewport with the native child windows present; still test two queued screenshot requests (issued one at a time) and hidden-window paint because the callback contract is new. +- VectorCraft does not call `show_viewport_deferred` itself. The only child native viewports are the desktop floating-panel windows that craft-ui's `native-windows` feature creates; the web and Wayland stay in one window. Floating windows' controls are excluded from `ui.docking`'s `hitRects` and from control-channel pointer input (`panel_docking/native_tests.rs`, `docs/control-protocol.md`). Retest screenshot/root behavior for the main viewport with the native child windows present; still test two queued screenshot requests (issued one at a time) and hidden-window paint because the callback contract is new. - Docking/floating use `craft_ui::docking`; the app `floating` module is deleted. `panel_docking::Runtime` keeps only session-only space/raise/focus state, and `panel_docking::valid`/`known` plus `Permissions` preserve the layout model and the `MoveFloating` group permission checks. - Test: panels open/close/reorder, dock width restore, floating panel drag/dock, popup/flyout focus, window resize and 1x/1.5x/2x scale; screenshots and geometry agree. @@ -1015,17 +1015,17 @@ Start with the tests that already encode behaviour: | Area | Existing tests/files | What to add | |---|---|---| | Whole-window frame | `crates/ui-egui/src/graphics.rs` `frame`, texture tests | tick/ui split, multi-pass, hidden paint, texture counts | -| Panels/dock | `panel_docking_tests.rs` (pointer/keyboard docking), `panel_docking_native_tests.rs` (desktop OS windows), `layout_migration_tests.rs` (older layouts), `dock.rs` (2 scroll-bar tests), `workspaces.rs` (saved dock width) | dock width restore, panel order/clip, 1x/1.5x/2x, floating, native-window focus/keyboard/drops, layout conversion | +| Panels/dock | `panel_docking/tests.rs` (pointer/keyboard docking), `panel_docking/native_tests.rs` (desktop OS windows), `layout_migration/tests.rs` (older layouts), `dock.rs` (2 scroll-bar tests), `workspaces.rs` (saved dock width) | dock width restore, panel order/clip, 1x/1.5x/2x, floating, native-window focus/keyboard/drops, layout conversion | | Tabs/menus | `panels/tabs.rs` tests, `menus.rs` | keyboard/accessibility tree, menu geometry | -| Fields | `tests_numfields.rs`, `widgets.rs` tests | wheel, focus, names, roles, click-away selection | -| Canvas | `canvas.rs` tests, `tests_rotateview.rs`, `tests_scrub.rs` | wheel source, zoom/pan, multi-pass, IME | +| Fields | `tests/numfields.rs`, `widgets.rs` tests | wheel, focus, names, roles, click-away selection | +| Canvas | `canvas.rs` tests, `tests/rotateview.rs`, `tests/scrub.rs` | wheel source, zoom/pan, multi-pass, IME | | Dialogs | `dialogs/tests*.rs`, `dialogs/modal.rs` | sizing pass, names, focus, screen height | -| Clipboard | `tests_sysclip*.rs`, `tests_clipboard.rs`, `tests_pastechords.rs` | eframe clipboard feature, PasteImage, PRIMARY with per-seat keyboard and pointer serials | -| Saving/recovery | `tests_save.rs`, `tests_svgsave.rs`, `tests_recovery.rs` | save/reopen after migration, autosave under logic-only | -| Native menu | `tests_nativemenu.rs` | host-iteration count once, not per pass, menu sync | -| Automation | `tests_automation.rs`, `control_server.rs` tests | screenshot callback routing, timeout, hidden paint | +| Clipboard | `tests/sysclip*.rs`, `tests/clipboard.rs`, `tests/pastechords.rs` | eframe clipboard feature, PasteImage, PRIMARY with per-seat keyboard and pointer serials | +| Saving/recovery | `tests/save.rs`, `tests/svgsave.rs`, `tests/recovery.rs` | save/reopen after migration, autosave under logic-only | +| Native menu | `tests/nativemenu.rs` | host-iteration count once, not per pass, menu sync | +| Automation | `tests/automation.rs`, `control_server.rs` tests | screenshot callback routing, timeout, hidden paint | -Add a `tests_lifecycle.rs` (new) covering: +Add a `tests/lifecycle.rs` (new) covering: - The test driver calls `raw_input_hook`/`begin_host_iteration` once, then `run_ui(|ui| { tick(ui.ctx()); ui(ui) })` for a full frame, and `run_logic(|ctx| tick(ctx))` for a logic-only frame — the host's actual order. @@ -1041,7 +1041,7 @@ Add a `tests_lifecycle.rs` (new) covering: and monotonic time, not a layout-pass index. - Baseline driver uses 0.36.2 `logic`/`ui` (no `tick`) and produces the same lifecycle/pass count record. -Add a `tests_screenshots.rs` (new) covering: +Add a `tests/screenshots.rs` (new) covering: - one request → exactly one reply and one file; - two requests → distinct images/paths, exactly two replies; diff --git a/docs/file-format-parity.md b/docs/file-format-parity.md index 91f785528..aca1574a1 100644 --- a/docs/file-format-parity.md +++ b/docs/file-format-parity.md @@ -3,7 +3,7 @@ > **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-24 · **Change:** minor (EPS, EMF/WMF and legacy `.ai`: type with ruby keeps the reading (legacy `.ai`: as outlines); previously: PDF export: pattern fills are written as tiling patterns, #3849; previously: SVG: type written as outlines stacks its colour glyphs under their run's paint, as the canvas does; SVG keeps attributes in other applications' XML namespaces on their objects from import to export, the rest of #522; PDF import: a line's spacing is measured from the file's own glyph widths and kept within a hundredth of an em of where the file puts each glyph, so type opens as one run where it is placed; previously: PDF text opens where the file draws it, #722; PDF/X-1a and PDF/X-3 flattening keeps a CMYK document's inks where it rasterizes, #2160; EPS and `.ai` editing data: type keeps stacked art styles as a live appearance; point type frames without a matrix read; `editingData: "always"` for EPS; PDF invisible text, as a scanned page's recognized text is, opens as type with no fill or stroke and is written back as invisible text, #2675; DXF circular cubic paths export as native CIRCLE/ARC where stroke semantics permit (R13–2018 for weighted strokes; R12 weighted strokes remain POLYLINE) (#1299); non-circular curves stay SPLINE; scores and hours unchanged; an Illustrator 3 file without layers, as image editors export their paths, opens with its art on one layer, storytold/photocraft#6036; EPS editing data: legacy mesh corners, vector opacity masks and compound member paint retained; raster page comparison filters minification without relaxing limits; scores and hours unchanged; batch exporting, #1935; legacy `.ai` runs as PostScript with a prolog of its own, #868; legacy `.ai` of version 7 saved, with type as text, hidden objects and an artboard picker, and its type read, #868; PDF.R1: shared PDF reader with windowed content scanning and explicit incomplete-content errors; scores and estimates unchanged; PDF.W1: guarded shared PDF writer; output behavior, scores and estimates unchanged; later 2026-10-14 merges: SVG `:not()` selectors, #1557, stacked selectors, #1703, linked files, #1870; DXF VPORT, #1789; nesting caps, #1852; hostile PDF, `.ai`, EPS, Affinity and native data, #1862, #1863, #1871–#1873; failed saves, #1685, #1693, #1694; type in symbols after reopening, #1738; scores unchanged; verified PngSuite downloads, #1729; EPS stitched shadings, #1653; oversized images in WMF/EMF refused from the header, #1776; PDF name trees with shared nodes, #1781; native size limits for files read from memory, #1783; private temporary files on Unix, #1778; ruzstd 0.9.1, #1807; scores unchanged; SVG import: CSS transforms and the `font` shorthand, #1565, percentage lengths in symbols, #1596, Inkscape flowed text and pages, #1568, #1601, filter warnings, #1598; type on a path from PDF and `.ai`, #1585, #1586; ICC tag alignment in JPEG, TIFF and PSD, #1584; saves to folders that refuse the temporary file, #1620 in part; scores unchanged; TIFF is available in Export for Screens and Asset Export with shared format settings; scores and hours unchanged; compact native saves for documents with a lot of path data, #1492; PDF and EPS paste as vector art, #1499; `.ai` gradient stops listed upwards, #1530; SVG text on basic shapes, #1527; PDF soft masks drawn as images, #1551; Type 42 fonts in EPS, #1553; clips that only seem to cover the page, #1542; images too large to decode are reported, #1540; a `.ai` page's art past its artboard no longer lies over the page before it when read as its PDF part; grayscale TIFFs with an alpha channel or extra channels place and open, #1466 in part; a faded or masked fill keeps its stroke apart on PDF and `.ai` import, #1434; SVG knockout groups without masks, #1435; Affinity import: a text frame too short for its first line is made taller, #1423; `.ai` editing data: a compound path takes its last path's paint and keeps paths grouped inside it, #1410; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; `.ai` art styles, clipping fills and compound looks from the editing data; `editingData: "always"` opens a `.ai` from its editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; `.ai` art styles, clipping fills and compound looks from the editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` gradient matrices, meshes and artboard names from the editing data; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; SVG knockout groups of opaque art without masks; a `.ai` whose PDF part is only text opens from it, #1387; PDF and `.ai` import keep overprint, #1388; `.ai` editing data: gradients with middle stops, #1390; type of objects with an appearance, hidden layers and later artboards, #1391; area type in a frame too short for the fallback font, #1392; `.ai` editing data: placed (linked) files read, #1264; gradient-filled shapes import as paths, #1304; white constant alpha soft masks, #1286 in part; DXF control-point SPLINE closure read, #1299 follow-up; `.ai` and PDF trim and bleed boxes as artboard and bleed, #1266; `.ai` keeps its RGB numbers; PDF import keeps a stroke apart from a fill masked or faded by its group) · **Target:** Adobe Illustrator 2026 (30.x) Every format Illustrator opens, places, saves or exports, against VectorCraft's format table (`FORMATS`, -`OPEN_EXTS`, `PLACE_EXTS` in `crates/engine/src/cmd/fileio/mod.rs`). Illustrator's list comes from its public +`OPEN_EXTS`, `PLACE_EXTS` in `crates/engine/src/cmd/fileio/formats.rs`). Illustrator's list comes from its public documentation (helpx "file formats" and Save/Export pages), not from its installed bundle: the clean-room rule forbids reading the install. Part of [target-app-parity.md](target-app-parity.md). @@ -102,7 +102,7 @@ the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPri | EMF / WMF | open, export | yes | yes | an oversized embedded PNG or JPEG is refused from its header, before any pixels are decoded (#1776) | | PSD | open, place, export | yes (merged image, every mode and depth) | yes (layered, max editability) | placing as layers (Photoshop Import Options) missing; the embedded ICC profile's tags are 4-byte aligned (#1584) | | PSB | open | yes (merged image) | no | | -| PNG / JPEG / GIF / BMP / TIFF / Targa | open, place, export | yes (Targa: `.tga`, `.vda`, `.icb` and `.vst`, raw or run-length encoded, with a 16-bit file's one-bit alpha) | yes; TIFF is also selectable in Export for Screens and Asset Export with its existing options | Targa: `tests_tiffbmp.rs`, `tests_links.rs`; TIFF: grayscale with an alpha channel or other extra channels reads (#1466 in part), and so do files that store each channel as its own plane (PlanarConfiguration 2), CMYK ones with their ink amounts, and 1-bit files compressed with CCITT Group 3 (Compression 2 and 3, one- and two-dimensional rows); the ICC profiles embedded in JPEG and TIFF have 4-byte aligned tags (#1584); PNG export marks its colours as sRGB (`embedIcc`, an `sRGB` chunk; no ICC profile is embedded, #2221) | +| PNG / JPEG / GIF / BMP / TIFF / Targa | open, place, export | yes (Targa: `.tga`, `.vda`, `.icb` and `.vst`, raw or run-length encoded, with a 16-bit file's one-bit alpha) | yes; TIFF is also selectable in Export for Screens and Asset Export with its existing options | Targa: `tests_tiffbmp.rs`, `tests/links.rs`; TIFF: grayscale with an alpha channel or other extra channels reads (#1466 in part), and so do files that store each channel as its own plane (PlanarConfiguration 2), CMYK ones with their ink amounts, and 1-bit files compressed with CCITT Group 3 (Compression 2 and 3, one- and two-dimensional rows); the ICC profiles embedded in JPEG and TIFF have 4-byte aligned tags (#1584); PNG export marks its colours as sRGB (`embedIcc`, an `sRGB` chunk; no ICC profile is embedded, #2221) | | WebP | export (Export for Screens) | yes | yes (lossless only; lossy written lossless with a warning) | | | HEIC / HEIF | open, place | no | no | | | JPEG 2000 | open, place | no | no | | @@ -110,8 +110,8 @@ the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPri | FreeHand `.fh*` | open (legacy) | no | no | | | CorelDRAW `.cdr` | open | no | no | | | Text `.txt` | place, export | place (Text Import Options) | yes | | -| RTF `.rtf` | place | place (area type with fonts, size, bold, italic, underline, strikethrough, caps, superscript and subscript, color, alignment, indents and paragraph spacing) | no | `tests_textimport.rs`, `place/rtf.rs`; fuzzed (`text_import_fuzz.rs`); `\'hh` bytes read as Windows-1252 or Mac Roman only | -| Word `.docx` | place | place (area type with the document's styles and its fonts, size, bold, italic, underline, strikethrough, caps, superscript and subscript, color, alignment, indents and paragraph spacing) | no | `tests_textimport.rs`, `place/docx.rs`; fuzzed (`text_import_fuzz.rs`); list numbers, pictures and text boxes are left out | +| RTF `.rtf` | place | place (area type with fonts, size, bold, italic, underline, strikethrough, caps, superscript and subscript, color, alignment, indents and paragraph spacing) | no | `tests/textimport.rs`, `place/rtf.rs`; fuzzed (`text_import_fuzz.rs`); `\'hh` bytes read as Windows-1252 or Mac Roman only | +| Word `.docx` | place | place (area type with the document's styles and its fonts, size, bold, italic, underline, strikethrough, caps, superscript and subscript, color, alignment, indents and paragraph spacing) | no | `tests/textimport.rs`, `place/docx.rs`; fuzzed (`text_import_fuzz.rs`); list numbers, pictures and text boxes are left out | | Word `.doc` | place | no | no | | | CSS | export (CSS Properties) | — | yes | | | OBJ / USDA / glTF | 3D export | — | no | needs 3D (gap G3) | diff --git a/docs/gaps.md b/docs/gaps.md index 6c13994c8..ca0c6d18f 100644 --- a/docs/gaps.md +++ b/docs/gaps.md @@ -19,7 +19,7 @@ Artboard Options forwards the active Artboard tool's Scale Artwork with Artboard | Date | Change | Summary | |---|---|---| -| 2026-10-24 | minor | G12: General › Corner Radius is the Rounded Rectangle tool's radius, a change while the tool is active reaches it, and the radius ↑/↓ set while drawing (or a Tool Options value) becomes the preference, within 0–1296 pt (#394, `crates/engine/src/tests_constrain_tools.rs`); no entry closed, estimate unchanged. | +| 2026-10-24 | minor | G12: General › Corner Radius is the Rounded Rectangle tool's radius, a change while the tool is active reaches it, and the radius ↑/↓ set while drawing (or a Tool Options value) becomes the preference, within 0–1296 pt (#394, `crates/engine/src/tests/constrain_tools.rs`); no entry closed, estimate unchanged. | | 2026-10-22 | minor | Reconcile upstream documentation after review F-3; preserve every dated revision and the original scaleArt runtime evidence without repeating completed jobs. | | 2026-10-22 | minor | Reconcile upstream documentation after review F-2; preserve every dated revision and the original scaleArt runtime evidence without repeating completed jobs. | | 2026-10-22 | minor | Reconcile subsequent upstream progress updates without changing the runtime or repeating completed evidence; retain every dated upstream and feature revision. | @@ -79,7 +79,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall - **Done (part of #4028):** Recolor Artwork › Assign: double-clicking a row's new color opens the Color Picker, as the [public page](https://helpx.adobe.com/illustrator/desktop/manage-colors/modify-colors/assign-new-colors-to-selected-artwork.html) describes ("double-click it and select a color in the Color Picker"). OK sets the row's new color in the model it was picked in, so a CMYK mix is no longer a hex value converted back; Cancel leaves the row. A Lab new color is kept, but can't be typed yet: the picker's Lab fields work in RGB, as for fill and stroke. **Missing:** Lab entry in the picker, swatch libraries in the picker and the row's right-click menu (Pick from Swatches, Limit to Library). -- **Done (#3416):** Recolor Artwork Edit chips scroll to the last color while the heading, color wheel and actions stay visible. Screen resize and UI scaling, Preview, Confirm, Cancel, Undo and #1733 wheel drags are covered in `tests_recolor.rs`. No gap entry closed; estimates unchanged. +- **Done (#3416):** Recolor Artwork Edit chips scroll to the last color while the heading, color wheel and actions stay visible. Screen resize and UI scaling, Preview, Confirm, Cancel, Undo and #1733 wheel drags are covered in `tests/recolor.rs`. No gap entry closed; estimates unchanged. - **Polygon/Star count persistence:** Exact-size placement saves the chosen count for later drags and reopening the existing canvas dialog. Regression coverage includes both tools, repeated drags, switching tools and Cancel. The remaining G1 scope and estimates are unchanged. @@ -115,7 +115,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall - **Done:** Artboard Options' Show Center Mark and Show Cross Hairs ([public source](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/organize-manage-artboards/modify-display-settings-of-artboards.html)): per-artboard checkboxes (`artboard.setProps`/`artboard.new` `showCenterMark`, `showCrossHairs`) that the canvas draws as a center cross and lines from the middle of each side through the center; exports and print leave them out. Video safe areas, video rulers and the pixel aspect ratio remain missing. - **Done:** Document Setup → Edit Artboards applies valid settings, closes the dialog and activates the Artboard tool. Pointer-click tests cover successful handoff, invalid settings, OK, Cancel and Undo in `dialogs/document_setup.rs`. - **Done (#2691):** a double-click on the Line Segment, Arc, Rectangular Grid or Polar Grid tool opens its Tool Options, as the [Rectangular Grid tool](https://helpx.adobe.com/illustrator/using/tool-techniques/rectangular-grid-tool.html) and [Arc tool](https://helpx.adobe.com/illustrator/using/tool-techniques/arc-tool.html) pages (step 3) and the [Tools](https://helpx.adobe.com/illustrator/using/tools.html) page describe: the tool's click dialog without a place to draw (Line Segment adds Fill Line; the grids keep their Default Size and Reference Point). OK draws nothing and sets what the next drag draws with and what a click's dialog opens at; Cancel changes nothing. Editing a grid's rows and columns after it is drawn (the rest of #2691) remains. Broader G1 estimate unchanged. -- **Done:** Simplify of part of a path, as the [manual-simplify page](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/manually-simplify-paths.html) describes for part of a path picked with Direct Selection: with anchors or segments of a path direct-selected, Object › Path › Simplify (the slider, Auto-Simplify and the dialog) refits only each run of selected segments between its end anchors, which stay where they are with their outer handles; the other anchors and segments stay exactly as they were, a closed path's run may cross its start point, separate runs on one path simplify independently in one undo step, and the runs stay selected (`object.path.simplify` `wholePaths: true` simplifies such paths whole). Tests: `crates/engine/src/tests_simplify_part.rs`, `simplify_slider_and_dialog_simplify_only_the_direct_selected_part_of_a_path`. Broader G1 estimate unchanged. +- **Done:** Simplify of part of a path, as the [manual-simplify page](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/manually-simplify-paths.html) describes for part of a path picked with Direct Selection: with anchors or segments of a path direct-selected, Object › Path › Simplify (the slider, Auto-Simplify and the dialog) refits only each run of selected segments between its end anchors, which stay where they are with their outer handles; the other anchors and segments stay exactly as they were, a closed path's run may cross its start point, separate runs on one path simplify independently in one undo step, and the runs stay selected (`object.path.simplify` `wholePaths: true` simplifies such paths whole). Tests: `crates/engine/src/tests/simplify_part.rs`, `simplify_slider_and_dialog_simplify_only_the_direct_selected_part_of_a_path`. Broader G1 estimate unchanged. - **Improved:** Curvature uses circular point markers without direction handles or duplicate markers (#1236, in part); real egui frames cover creation, existing paths, Anchor Size and Hide Edges. @@ -241,7 +241,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall - **Done:** Numeric fields keep a text drag's start when the pointer gains focus and movement exceeds the click threshold (#1326, in part). A completed focus click selects the whole value; keyboard focus, double-click and numeric stepping remain regression-tested. Short movements still classified as clicks can select all; that case remains open. -- **Done:** DXF reads control-point SPLINE closure (#1299 follow-up after #1320); open curves keep their open state. DXF export now recognizes circular cubic paths conservatively and writes native CIRCLE/ARC where stroke semantics permit; R12 weighted strokes remain POLYLINE, and a non-circular ellipse keeps the existing fallback. CNC preset and VCarve QA remain open. Escape leaves Artboard editing for Selection; during a drag it first cancels the gesture. Headless egui key events cover idle Escape, active-drag cancellation and a subsequent Escape in `tests_distortkeys.rs`. +- **Done:** DXF reads control-point SPLINE closure (#1299 follow-up after #1320); open curves keep their open state. DXF export now recognizes circular cubic paths conservatively and writes native CIRCLE/ARC where stroke semantics permit; R12 weighted strokes remain POLYLINE, and a non-circular ellipse keeps the existing fallback. CNC preset and VCarve QA remain open. Escape leaves Artboard editing for Selection; during a drag it first cancels the gesture. Headless egui key events cover idle Escape, active-drag cancellation and a subsequent Escape in `tests/distortkeys.rs`. - **Done:** Simplify and Add Anchor Points clear stale component selections on rewritten paths; Simplify previews and reports original/new point counts (#1272). - **Done:** Object › Path › Simplify opens its slider at the Auto-Simplify level for the selection and previews that result, as the [manual-simplify page](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/manually-simplify-paths.html) describes; simplifying only a Direct Selection part of a path is done too (G1). @@ -607,7 +607,7 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall Type/Eyedropper switches preserve highlighted characters; sampling changes only their enabled font/paint attributes. Enabled non-neutral source or target object transparency is refused atomically; disable Transparency to preserve object transparency while sampling the range. -`tests_eyedropper.rs` covers ranges, Unicode, history and transparency; tool tests cover brush-key +`tests/eyedropper.rs` covers ranges, Unicode, history and transparency; tool tests cover brush-key sampling coexistence. Scores and estimates unchanged. See [development.md](development.md#highlighted-text-eyedropper-2026-10-21). ## Drag artwork between document tabs (2026-10-22) @@ -629,7 +629,7 @@ Traps with Process Color, and in the effect Precision and Remove Redundant Point step and groups the traps above the topmost selected object. Effect › Pathfinder is complete (13/13); the Live vector effects missing list no longer names Hard Mix, Soft Mix or Trap. Left: gradient and pattern fills don't trap, and the defaults (0.25 pt, 100%, 40%) are VectorCraft's own, the pages give none. Tests: -`crates/engine/src/tests_trap.rs`, `crates/effects/src/trap.rs`, `crates/pathops/src/trap.rs`. +`crates/engine/src/tests/trap.rs`, `crates/effects/src/trap.rs`, `crates/pathops/src/trap.rs`. ## Revision history @@ -646,7 +646,7 @@ trap, and the defaults (0.25 pt, 100%, 40%) are VectorCraft's own, the pages giv | 2026-10-24 | minor | G1: Live Paint Make, Merge and the Live Paint Bucket refuse type, images and other objects that aren't paths, changing nothing, instead of hiding them among the group's sources; Properties shows Merge Live Paint only for a selection it can take. No entry closed, estimates unchanged. | | 2026-10-24 | minor | G1: Properties: Blend Options and Merge Live Paint in Quick Actions, the Width Profile list and an applied effect's Delete icon in Appearance, and the kind and radius of corners selected with Direct Selection, as the public Properties panel overview lists them. No entry closed, estimates unchanged. | | 2026-10-24 | minor | Docs catch-up: G11's three Missing lines (left by merges, naming fixed bugs) become one: SVG units reverting to points (#864) and a Transform effect in a fill's or stroke's own effect list (#885) remain; Shape Builder regions (#937, closed), PDF text placement (#722), the bezier drag preview (#834) and interior anchor delete are done. G2's pre-#2883 "the Effect Gallery dialog" Missing and 4–6 h estimate lines and a duplicate Done line removed. Estimates unchanged. | -| 2026-10-24 | minor | G5: brush libraries (Window › Brush Libraries, the Brushes panel's Brush Libraries Menu and Open Brush Library / Save Brush Library…, four generated libraries, User Defined, Other Library…, Save Brushes; adding a library brush with the resources its art uses as one undo step, applied to the selected paths or the path it is dropped on; `crates/engine/src/tests_brushlib.rs`, `crates/ui-egui/src/panels/tests_brush_libraries.rs`). Estimate unchanged. | +| 2026-10-24 | minor | G5: brush libraries (Window › Brush Libraries, the Brushes panel's Brush Libraries Menu and Open Brush Library / Save Brush Library…, four generated libraries, User Defined, Other Library…, Save Brushes; adding a library brush with the resources its art uses as one undo step, applied to the selected paths or the path it is dropped on; `crates/engine/src/tests/brushlib.rs`, `crates/ui-egui/src/panels/tests_brush_libraries.rs`). Estimate unchanged. | | 2026-10-24 | minor | G4: ruby (ふりがな) is kept, where it is laid out, by Type › Create Outlines and in EPS, EMF/WMF, legacy `.ai` (outlines where ruby is present) and type that effects, Expand Appearance and flattening turn into outlines; it was dropped there. Estimate unchanged. | | 2026-10-24 | minor | G14 shrinks: pen pressure and the pen's eraser end on macOS, read from AppKit's tablet events (#852; not yet tried on a Mac); estimate 8–16 h → 4–10 h. | | 2026-10-24 | minor | G11: the Shape Builder's edge-source grid files a segment once per cell and holds at most a budget of cell references (a few per item plus a few rows' worth), the rest of the items scanned, so coincident segments (one column, a row each) no longer cost memory quadratic in their count (CodeRabbit's follow-up on #4021); estimate unchanged, #937 open. | @@ -658,7 +658,7 @@ trap, and the defaults (0.25 pt, 100%, 40%) are VectorCraft's own, the pages giv | 2026-10-24 | minor | G10: Fix #3586: the PDF pre-open scan reads a file dense with `stream` keywords in linear time; each keyword walked back up to 64 KiB through every dictionary before it, so 1 MiB of `<> >>stream` took minutes. No entry closed, estimates unchanged. | | 2026-10-24 | minor | Ranked table: one row each for G2 and G13 (doc merges had left G2 twice and G13 three times, at three hour estimates); G13 keeps the newest, 13–23 h; scores and hours unchanged | | 2026-10-23 | minor | G5: Select › Start Global Edit on paths, compound paths and symbol instances (shape match, Appearance and Size, artboard range and canvas, proportional edits as one undo step; #3521); Global Edit of similar groups and Shift-click exclusion remain. Estimate unchanged. | -| 2026-10-23 | minor | G5: symbol libraries (Window › Symbol Libraries, the Symbols panel's Symbol Libraries Menu, Other Library…, Save Symbols, User Defined, adding and placing library symbols as one undo step; `crates/engine/src/tests_symbollib.rs`, `crates/ui-egui/src/panels/tests_symbol_libraries.rs`); brush libraries remain. Estimate unchanged. | +| 2026-10-23 | minor | G5: symbol libraries (Window › Symbol Libraries, the Symbols panel's Symbol Libraries Menu, Other Library…, Save Symbols, User Defined, adding and placing library symbols as one undo step; `crates/engine/src/tests/symbollib.rs`, `crates/ui-egui/src/panels/tests_symbol_libraries.rs`); brush libraries remain. Estimate unchanged. | | 2026-10-23 | minor | G4: threading ports (#2572): every selected area type and type on a path shows its in and out ports in their states (empty, arrow, red "+"); with the Selection tool the out port of any of them loads the text and the in port threads a new or clicked frame before it; a double-click on a port breaking the thread remains; estimate unchanged | | 2026-10-23 | minor | G1: Distance Guides: with the Selection tool, Alt/Option over another object shows the horizontal and vertical distances between it and the selection, and over an empty part of an artboard the selection's distances from its four edges, labelled in the General unit; Preferences › Smart Guides › Invoke Distance Guides turns them off. No entry closed, estimates unchanged. | | 2026-10-23 | minor | No entry closed. Pathfinder › Trap: the panel's Trap… and Effect › Pathfinder › Trap… add overprinting traps where solid colours meet; Effect › Pathfinder 13/13; Live vector effects hours 6–10 → 4–8 in target-app-parity.md. | @@ -668,7 +668,7 @@ trap, and the defaults (0.25 pt, 100%, 40%) are VectorCraft's own, the pages giv | 2026-10-23 | minor | Fix #3705: in Draw Inside, art drawn or pasted inside the isolated object takes isolation mode into its clip group, so it can be clicked and isn't dimmed (it used to stay locked and dimmed beside the isolated path); undo or redo that removes the isolated object ends isolation mode; no entry closed, estimates unchanged. | | 2026-10-23 | minor | G4: OpenType SVG colour fonts draw and export as vector art; colour fonts are done but for images, scripts and text inside SVG glyph documents and palette variables; estimate unchanged. | | 2026-10-23 | minor | G12: General › Constrain Angle acts for the arrow keys, Shift drags (selection tools, Free Transform, slices, Reshape, Measure, Pen handles) and new rectangles, ellipses, grids, type, polygons, stars and size-dialog shapes (#394); no entry closed, estimate unchanged | -| 2026-10-23 | minor | G4: Glyph Scaling leaves hung punctuation at its width and Standard burasagari counts a hung line start as room (`crates/text/src/tests_hang.rs`). No entry closed, estimates unchanged. | +| 2026-10-23 | minor | G4: Glyph Scaling leaves hung punctuation at its width and Standard burasagari counts a hung line start as room (`crates/text/src/tests/hang.rs`). No entry closed, estimates unchanged. | | 2026-10-20 | minor | G4: a paragraph's Auto Leading also drives the Character panel's Leading, the leading nudge and Fill with Placeholder Text; estimate unchanged | | 2026-10-22 | minor | G11: #834 done (a tool drag's preview could miss the position where the pointer came back into the window and the move in the release's frame, so the release committed a stale handle or anchor); estimate unchanged | | 2026-10-23 | minor | G1: a path moved by a press on its stroke or beside its edge (Selection, Group Selection, Direct Selection), and a straight segment Direct Selection drags, snap by the nearest point of the path, so the path lands exactly on a ruler guide with "align" instead of the pressed spot landing there and the path a few pixels beside it (#3701). No entry closed, estimates unchanged. | diff --git a/docs/roadmap.md b/docs/roadmap.md index b3edc3c2f..c30cdbbfc 100644 --- a/docs/roadmap.md +++ b/docs/roadmap.md @@ -123,7 +123,7 @@ M3 follow-up (#1968): native saves retain the per-document transparency grid set Type/Eyedropper switches preserve highlighted characters; sampling changes only their enabled font/paint attributes. Enabled non-neutral source or target object transparency is refused atomically; disable Transparency to preserve object transparency while sampling the range. -`tests_eyedropper.rs` covers ranges, Unicode, history and transparency; tool tests cover brush-key +`tests/eyedropper.rs` covers ranges, Unicode, history and transparency; tool tests cover brush-key sampling coexistence. Scores and estimates unchanged. See [development.md](development.md#highlighted-text-eyedropper-2026-10-21). ## Drag artwork between document tabs (2026-10-22) diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md index 4f5dbcba1..c64210604 100644 --- a/docs/target-app-parity.md +++ b/docs/target-app-parity.md @@ -87,7 +87,7 @@ tests and the CI gate. See [Calibration](#calibration). - Effects catalogue (`crates/effects/src/lib.rs`): see [effects-parity.md](effects-parity.md). - Tests: 4,924 `#[test]` functions plus 40 property-test blocks (was "~2,840" in the last estimate). ~354k lines of Rust (was ~221k on 2026-10-07). - - Formats: the `FORMATS` table in `crates/engine/src/cmd/fileio/mod.rs`, see + - Formats: the `FORMATS` table in `crates/engine/src/cmd/fileio/formats.rs`, see [file-format-parity.md](file-format-parity.md). - Languages: row counts of `crates/ui-egui/src/i18n/*.tsv`, see [localization-parity.md](localization-parity.md). - **From users:** the 71 open GitHub issues on 2026-10-10, which show what real users hit first (Illustrator @@ -105,15 +105,15 @@ dominate; 3D, graphs and automation are specialist). They sum to 105. Feature de | Area | Weight | Done | Main gaps | One agent (h) | Kind | |---|---:|---:|---|---:|---| -| Selection, transform & align tools | 6 | 85% | Direct Selection segment click/Delete corrected (#1278); open-path anchor Delete keeps gaps; Select › Start Global Edit finds the paths, compound paths and symbol instances of the selected object's shape (Appearance, Size and artboard options) and gives an edit of one to all of them in proportion, as one undo step (#3521); remaining: Free Transform/Scale/Reflect along a rotated box, Global Edit of similar groups and excluding a match with Shift-click, transform nuances (no-op anchor Align history regression-tested, #1180 follow-up) | 4–6 | estimated; Global Edit regression-tested (`crates/engine/src/tests_globaledit.rs`; Quick Action, menu label and Escape in `panels::properties::tests::start_global_edit_quick_action_and_escape`) | +| Selection, transform & align tools | 6 | 85% | Direct Selection segment click/Delete corrected (#1278); open-path anchor Delete keeps gaps; Select › Start Global Edit finds the paths, compound paths and symbol instances of the selected object's shape (Appearance, Size and artboard options) and gives an edit of one to all of them in proportion, as one undo step (#3521); remaining: Free Transform/Scale/Reflect along a rotated box, Global Edit of similar groups and excluding a match with Shift-click, transform nuances (no-op anchor Align history regression-tested, #1180 follow-up) | 4–6 | estimated; Global Edit regression-tested (`crates/engine/src/tests/globaledit.rs`; Quick Action, menu label and Escape in `panels::properties::tests::start_global_edit_quick_action_and_escape`) | | Drawing tools (Pen, Curvature, Pencil, shapes, Shaper) | 7 | 85% | Shaper construction widget, Pencil/Pen nuances, Blob Brush options, Touch Type, Dimension tool; see [ui-parity.md](ui-parity.md) | 8–13 | estimated; Curvature point display regression-tested (#1236, in part); Polygon/Star exact-size count persistence regression-covered; Live Corners' Relative rounding done (#3091), score unchanged | -| Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 80% | Shape Builder on the reporter's file (#937: art past 4,096 segments is cut by lines again; unconfirmed on the file itself), its gap detection and options; Live Paint Gap Options | 4–8 | estimated (lowered from 86%: open issues); compound attributes regression-tested (#1197); single-result source names survive SVG export/import (#1293), with [SVG ID semantics](https://www.w3.org/TR/SVG2/struct.html#IDAttribute) and original-shape tests; Simplify component selection and preview regression-tested (#1272); Simplify of a Direct Selection part of a path regression-tested (`tests_simplify_part.rs`); Divide open-cutting-path geometry and appearance regression-tested (#1307); the Shape Builder's edge-source grid is bounded in memory and files a segment once per cell (`planar.rs` test `rect_index_holds_a_bounded_number_of_references`) | +| Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 80% | Shape Builder on the reporter's file (#937: art past 4,096 segments is cut by lines again; unconfirmed on the file itself), its gap detection and options; Live Paint Gap Options | 4–8 | estimated (lowered from 86%: open issues); compound attributes regression-tested (#1197); single-result source names survive SVG export/import (#1293), with [SVG ID semantics](https://www.w3.org/TR/SVG2/struct.html#IDAttribute) and original-shape tests; Simplify component selection and preview regression-tested (#1272); Simplify of a Direct Selection part of a path regression-tested (`tests/simplify_part.rs`); Divide open-cutting-path geometry and appearance regression-tested (#1307); the Shape Builder's edge-source grid is bounded in memory and files a segment once per cell (`planar.rs` test `rect_index_holds_a_bounded_number_of_references`) | | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 92% | 30.0's gradient dither, perceptual blending and gradient presets; freeform and mixed spot/process gradients in SVG/PDF | 4–7 | estimated (lowered from 96%: target moved); unpainted zero-width stroke restoration fixed (#1253), score and hours unchanged; Eyedropper source reads regression-tested (#1251) | -| Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 80% | Shape Builder misses planar regions in real files (#937), its gap detection and options; Live Paint Gap Options | 4–8 | estimated (lowered from 86%: open issues); compound attributes regression-tested (#1197); single-result source names survive SVG export/import (#1293), with [SVG ID semantics](https://www.w3.org/TR/SVG2/struct.html#IDAttribute) and original-shape tests; Simplify component selection and preview regression-tested (#1272); Simplify of a Direct Selection part of a path regression-tested (`tests_simplify_part.rs`); Divide open-cutting-path geometry and appearance regression-tested (#1307) | +| Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 80% | Shape Builder misses planar regions in real files (#937), its gap detection and options; Live Paint Gap Options | 4–8 | estimated (lowered from 86%: open issues); compound attributes regression-tested (#1197); single-result source names survive SVG export/import (#1293), with [SVG ID semantics](https://www.w3.org/TR/SVG2/struct.html#IDAttribute) and original-shape tests; Simplify component selection and preview regression-tested (#1272); Simplify of a Direct Selection part of a path regression-tested (`tests/simplify_part.rs`); Divide open-cutting-path geometry and appearance regression-tested (#1307) | | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 92% | 30.0's gradient presets (gradient dither and perceptual blending are done); freeform and mixed spot/process gradients in SVG/PDF | 4–7 | estimated; Recolor model selection is available through the engine and MCP only (#2520); the dialog retains its existing controls (lowered from 96%: target moved); unpainted zero-width stroke restoration fixed (#1253), score and hours unchanged; Eyedropper source reads regression-tested (#1251); screen-bounded Recolor Edit chip list (#3416), score and hours unchanged | | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 92% | 30.0's perceptual blending and gradient presets (gradient dither is done); freeform and mixed spot/process gradients in SVG/PDF | 4–7 | estimated; Recolor model selection is available through the engine and MCP only (#2520); the dialog retains its existing controls (lowered from 96%: target moved); unpainted zero-width stroke restoration fixed (#1253), score and hours unchanged; Eyedropper source reads regression-tested (#1251); screen-bounded Recolor Edit chip list (#3416), score and hours unchanged | | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 92% | 30.0's gradient dither, perceptual blending and gradient presets; freeform and mixed spot/process gradients in SVG/PDF | 4–7 | estimated; Recolor model selection is available through the engine and MCP only (#2520); the dialog retains its existing controls (lowered from 96%: target moved); unpainted zero-width stroke restoration fixed (#1253), score and hours unchanged; Eyedropper source reads regression-tested (#1251); screen-bounded Recolor Edit chip list (#3416), score and hours unchanged | -| Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 80% | Shape Builder misses planar regions in real files (#937); gap detection shares Live Paint’s finder, with a 72 pt custom cap and the existing options; Live Paint Gap Options | 4–8 | estimated; Shape Builder Gap Detection shares Live Paint’s spatial gap finder and temporary merge bridges (#2526); Custom is capped at 72 pt in the existing options dialog (lowered from 86%: open issues); compound attributes regression-tested (#1197); single-result source names survive SVG export/import (#1293), with [SVG ID semantics](https://www.w3.org/TR/SVG2/struct.html#IDAttribute) and original-shape tests; Simplify component selection and preview regression-tested (#1272); Simplify of a Direct Selection part of a path regression-tested (`tests_simplify_part.rs`); Divide open-cutting-path geometry and appearance regression-tested (#1307) | +| Path operations, Pathfinder, Shape Builder, Live Paint | 5 | 80% | Shape Builder misses planar regions in real files (#937); gap detection shares Live Paint’s finder, with a 72 pt custom cap and the existing options; Live Paint Gap Options | 4–8 | estimated; Shape Builder Gap Detection shares Live Paint’s spatial gap finder and temporary merge bridges (#2526); Custom is capped at 72 pt in the existing options dialog (lowered from 86%: open issues); compound attributes regression-tested (#1197); single-result source names survive SVG export/import (#1293), with [SVG ID semantics](https://www.w3.org/TR/SVG2/struct.html#IDAttribute) and original-shape tests; Simplify component selection and preview regression-tested (#1272); Simplify of a Direct Selection part of a path regression-tested (`tests/simplify_part.rs`); Divide open-cutting-path geometry and appearance regression-tested (#1307) | | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 92% | 30.0's gradient presets (gradient dither and perceptual blending are done); freeform and mixed spot/process gradients in SVG/PDF | 4–7 | estimated; Recolor model selection is available through the engine and MCP only (#2520); the dialog retains its existing controls (lowered from 96%: target moved); unpainted zero-width stroke restoration fixed (#1253), score and hours unchanged; Eyedropper source reads regression-tested (#1251) | | Colour, swatches, gradients, patterns, mesh, recolor | 7 | 92% | 30.0's perceptual blending and gradient presets (gradient dither is done); freeform and mixed spot/process gradients in SVG/PDF | 4–7 | estimated; Recolor model selection is available through the engine and MCP only (#2520); the dialog retains its existing controls (lowered from 96%: target moved); unpainted zero-width stroke restoration fixed (#1253), score and hours unchanged; Eyedropper source reads regression-tested (#1251) | | Strokes, brushes, width profiles | 5 | 88% | Shift-double-click adjoining adjustment is implemented; brush libraries are done (four generated libraries, User Defined, Other Library…, Save Brushes); remaining: Art brush Overlap, Pattern brush auto corners, pen pressure on macOS, tilt/bearing/rotation | 8–15 | estimated; width-point creation and adjoining adjustment regression-tested; dialog layout reviewed; evidence below; finite-arithmetic follow-up regressions and full CI passed (evidence below) | @@ -136,7 +136,7 @@ dominate; 3D, graphs and automation are specialist). They sum to 105. Feature de | Image Trace, graphs, image tools | 3 | 75% | graph Column designs, Image Trace Create Strokes depth (Create Object Mosaic is done; junction-returning piece survival has source-generated regressions in `image-trace-quality.md`; large images trace with a warning; Auto Color keeps rare distinct colours) | 5–8 | estimated (raised from 72%); quick presets reveal adjustment controls, Properties reopens them | | Layers, artboards, document setup | 5 | 78% | Selected-artboard deletion is consistent across panel actions (all-selected retains artboard 1); history prunes removed indices while preserving valid multiselection; remaining: 30.0's artboard locking and colours and managing artboards from the canvas, Layers panel row context menus and Collect for Export (click-to-fit objects is done, #1227) | 5–8 | estimated (lowered from 82%: target moved); Artboard deletion keys keep artwork and the first of an all-selected set; Artboard Options' Show Center Mark and Show Cross Hairs draw on the canvas only (exports and print leave them out), regression-tested; Artboard Options' Show Video Safe Areas and Video Ruler Pixel Aspect Ratio (per artboard, native format) are done ([video display options](#evidence-what-ships-today-by-area)), score unchanged | | View & navigation | 3 | 70% | multiple windows and Arrange | 9–14 | estimated; document-tab artwork hover/copy and lossless transfer tested (2026-10-22; score/hours unchanged); cached canvas reprojection preserves scale during resize, rotation and DPI changes (regression and contributor original-file evidence below; scores/hours unchanged); cached canvas dimensions match the renderer limit before cache-key creation, view construction and worker submission (regression evidence below) | -| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), guides lost (#779), no writing of Illustrator's editing data (#868), FreeHand/CorelDRAW/DWG/HEIC/JPEG 2000 import, 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified | 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests_reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions) | +| File formats | 6 | 75% | `.ai` files open with a flattened or wrong layer structure in real cases (#951), guides lost (#779), no writing of Illustrator's editing data (#868), FreeHand/CorelDRAW/DWG/HEIC/JPEG 2000 import, 3D export; see [file-format-parity.md](file-format-parity.md); EPS legacy mesh/opacity-mask and raster comparison follow-up verified | 10–20 | estimated (lowered from 85%: open issues); DXF control-point SPLINE import closure regression-tested (#1299 follow-up after #1320); PDF writer metadata, reader streaming and immutable backend checks in `crates/pdf/src/tests.rs`, `crates/pdf/src/tests/reader_streaming.rs` and `xtask/src/pdf_deps.rs`; PDF Place and clipboard paste retain live text (synthetic regressions) | | View & navigation | 3 | 70% | multiple windows and Arrange | 9–14 | estimated; document-tab artwork hover/copy and lossless transfer tested (2026-10-22; score/hours unchanged); cached canvas reprojection preserves scale during resize, rotation and DPI changes (regression and contributor original-file evidence below; scores/hours unchanged) | | View & navigation | 3 | 70% | multiple windows and Arrange | 9–14 | estimated | | Guides, grids, smart guides, snapping, rulers | 3 | 80% | 30.0's tangent snapping to curves and perpendicular snapping to straight segments for lines drawn with the Pen, Curvature and Line Segment tools (Preferences › Smart Guides › Geometric Guides and Control bar › Snapping, #2530; other tool and drag cases remain), "intersect" smart guides for a moved selection's anchors (drawn points and dragged anchors snap to intersections, #1658), distance readouts while drawing | 4–7 | estimated (lowered from 85%: target moved); new ruler-guide Alt orientation implemented; video rulers (View › Rulers › Show Video Rulers, #2849) done, score unchanged | @@ -345,7 +345,7 @@ sandboxed WebAssembly plug-ins, and every command, gesture and dialog drivable b Film Grain (G2, 2026-10-12) is the first Artistic filter: deterministic document-space monochrome grain, transparency-preserving tone controls, a bounded live dialog, undo and appearance editing, with PNG rendering and SVG/PDF raster baking. Evidence: `crates/effects/src/pixel/artistic.rs`, -its `film_grain_*` tests and the canvas/export cases in `crates/engine/src/tests_rasterfilters.rs`. +its `film_grain_*` tests and the canvas/export cases in `crates/engine/src/tests/rasterfilters.rs`. This raises the measured Photoshop filter count to 29/57; the depth estimate is conservatively 49%. The full feature/readiness headline remains unchanged at its existing rounding. @@ -353,10 +353,10 @@ Cutout, Neon Glow and Poster Edges (G2, 2026-10-16) follow as original Artistic preview, undo, appearance editing and save/reopen, keeping coverage at any Document Raster Effects resolution. Evidence: `crates/effects/src/pixel/artistic.rs`, its `cutout_*`, `neon_glow_*` and `poster_edges_*` tests, and `artistic_settings_survive_a_save_and_open` in -`crates/engine/src/tests_rasterfilters.rs`. Smudge Stick, Sponge and Watercolor follow (G2, 2026-10-16) as original Artistic filters with the same +`crates/engine/src/tests/rasterfilters.rs`. Smudge Stick, Sponge and Watercolor follow (G2, 2026-10-16) as original Artistic filters with the same live preview, undo, appearance editing and save/reopen; evidence: `crates/effects/src/pixel/paint.rs`, its `pixel::tests_paint::*` tests and `tests_rasterfilters`. Measured Photoshop filter count 36/57; depth unchanged. -`crates/engine/src/tests_rasterfilters.rs`. Bas Relief, Charcoal, Photocopy and Stamp (G2, 2026-10-16, #2527) follow as original Sketch filters +`crates/engine/src/tests/rasterfilters.rs`. Bas Relief, Charcoal, Photocopy and Stamp (G2, 2026-10-16, #2527) follow as original Sketch filters (`crates/effects/src/pixel/sketch_ink.rs`, `pixel::tests_sketch::*`). Measured Photoshop filter count 37/57; depth unchanged. ## Detailed missing items per area (2026-10-05 table, still current unless the area table above says otherwise) @@ -449,7 +449,7 @@ since 2026-10-01. ## Evidence: what ships today, by area -- 3D lighting presets: `crates/effects/src/lighting_presets.rs`, `crates/engine/src/cmd/tests_lighting_presets.rs` and the pointer tests in `crates/ui-egui/src/dialogs/tests_revolve.rs` cover recognition, atomic targeting, native round trips, preview, Cancel, reset and Undo. +- 3D lighting presets: `crates/effects/src/lighting_presets.rs`, `crates/engine/src/cmd/effectcmd/lighting_presets_tests.rs` and the pointer tests in `crates/ui-egui/src/dialogs/revolve/tests.rs` cover recognition, atomic targeting, native round trips, preview, Cancel, reset and Undo. - **Status-bar pointer readout (2026-10-18):** uses the same effective ruler origin as the position fields, then formats the relative X/Y in General units. The absolute pointer position, document, selection, Undo/Redo and saved state are preserved. Three `chrome::tests::status_coordinates_*` painted-text regressions cover zero/positive/negative origins, unit conversion, global/artboard mode, active artboard, reset and missing pointer/document. Original headless status-bar captures were reviewed before and after the change. Scores and hours are unchanged. @@ -480,11 +480,11 @@ since 2026-10-01. - **Effects in the art's bounds:** Export with Use Artboards off, Fit to Artwork Bounds, and the other exports of the whole art (EPS without artboards, Export for Screens' Full Document, Save for Web (Legacy) with Clip to Artboard off) measure each visible object as the export crops above do. The drop shadows and other effects of groups, layers, type and images are inside the image or the artboard. A Shaper group without effects of its own is measured by the art it shows, and the hidden members of a group with a drop shadow, a glow or another raster effect do not count unless it is a Shaper group or also has a geometry, Pathfinder, Crop Marks or 3D effect or a visible effect on its own fill or stroke. The SVG of an artboard keeps an object whose effects alone reach the artboard. Tests measure a group, type and an image with a drop shadow, export a group and type with Use Artboards off and fit an artboard to them. - **Selected artboard deletion:** the Artboards panel menu, panel trash button and Properties use the same selected set; selecting all retains artboard 1. Pointer-event tests cover nonadjacent and single selections, the original first-board survivor, ordinary artwork, Undo/Redo and the single-board guard. Public reference: [Delete artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/delete-artboards.html). -- **Delete Empty Artboards:** the Artboards panel menu item ([Delete artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/delete-artboards.html)) runs `artboard.deleteEmpty`: every unlocked artboard with no artwork goes with its guides in one undo step, artboard 1 stays when every artboard is empty and none is locked, and the panel makes an artboard that is left active; an artboard is empty when no object (hidden, locked and template art included; guides not) has visual bounds that meet or touch it, a group counting by its members and a clip group or clipping layer by its members inside the clip (our reading of "no artwork"; the pages give no finer rule). Engine tests in `tests_panelcmds.rs` (`delete_empty_artboards_*`) and the panel test `delete_empty_artboards_deletes_the_empty_ones_and_selects_one_left`. +- **Delete Empty Artboards:** the Artboards panel menu item ([Delete artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/delete-artboards.html)) runs `artboard.deleteEmpty`: every unlocked artboard with no artwork goes with its guides in one undo step, artboard 1 stays when every artboard is empty and none is locked, and the panel makes an artboard that is left active; an artboard is empty when no object (hidden, locked and template art included; guides not) has visual bounds that meet or touch it, a group counting by its members and a clip group or clipping layer by its members inside the clip (our reading of "no artwork"; the pages give no finer rule). Engine tests in `tests/panelcmds.rs` (`delete_empty_artboards_*`) and the panel test `delete_empty_artboards_deletes_the_empty_ones_and_selects_one_left`. - **Artboard history selection:** headless pointer/key tests in `panels/properties.rs` pass for panel New → Undo → Delete/Backspace/Properties, Duplicate → Undo → Delete, pruning removed indices and preserving valid multiselection. They assert board survivors, artwork and object selection, Move/Scale Artwork options, saved state and Undo/Redo. Full workspace CI passes. - **Artboard tab-switch follow-up:** changing the active document through its tab aligns the Artboard tool with the displayed board before Properties Delete; clicking the already-active tab preserves multiselection and Move/Scale Artwork options. Three headless `chrome::tests::artboard_document_tab_*` regressions cover actual tab A → B → A clicks followed by Properties Delete, surviving boards and guides, preserved artwork/symbols and Undo/Redo; controls cover same-tab multiselection, Move/Scale Artwork options and other tools. Historical focused validation on `dbd2497b` recorded one expected RED failure with two passing controls, then all three GREEN tests passed. All three also passed in historical full CI on `a0671777`. A full CI retry on the five-unit combined source at `a0671777` passed all seven stages with 6,613 test outcomes on 2026-10-14. An earlier full-CI run on the identical source panicked in the randomized `ai_mutated_save_never_panics` test; the cause remains unresolved. This five-fix batch does not claim to repair that failure. - **Artboard clean active-tab close (2026-10-15):** with the Artboard tool active, closing a clean active tab restores the surviving document's displayed board before Properties Delete. Nine targeted checks passed: three existing tab regressions, one clean close/Delete regression and five existing unsaved-document controls. The close regression checks the correct surviving board, preserved artwork/symbols and object selection, affected guides, one Delete edit, saved state and Undo/Redo. Three reviewed original full-app headless captures show the active tab before closing, the surviving document's shown board after closing, and the correct survivor after Properties Delete, using the actual tab × and Delete controls. -- **Colour emoji with bitmap glyphs:** `sbix` (Apple Color Emoji) and `CBDT` (Noto Color Emoji) glyphs draw as their largest strike's PNG, placed with the type and unpainted by its fill; PDF writes them in Type 3 glyphs or as images, SVG as images with outlined text, EPS and legacy `.ai` as images, and Create Outlines makes embedded images. Synthetic test fonts in `crates/text/src/test_fonts.rs`; tests `crates/text/src/tests_bitmaps.rs`, `crates/render/src/tests_bitmapglyphs.rs`, `crates/svg/tests/it/colour_glyphs.rs`, `pdf::tests::colour_bitmap_glyphs_export_as_images`, the `eps` `colour_bitmap_glyphs_*` tests and `tests_pathops::create_outlines_turns_bitmap_glyphs_into_images`. COLR and OpenType SVG fonts remain. +- **Colour emoji with bitmap glyphs:** `sbix` (Apple Color Emoji) and `CBDT` (Noto Color Emoji) glyphs draw as their largest strike's PNG, placed with the type and unpainted by its fill; PDF writes them in Type 3 glyphs or as images, SVG as images with outlined text, EPS and legacy `.ai` as images, and Create Outlines makes embedded images. Synthetic test fonts in `crates/text/src/test_fonts.rs`; tests `crates/text/src/tests/bitmaps.rs`, `crates/render/src/tests/bitmapglyphs.rs`, `crates/svg/tests/it/colour_glyphs.rs`, `pdf::tests::colour_bitmap_glyphs_export_as_images`, the `eps` `colour_bitmap_glyphs_*` tests and `tests_pathops::create_outlines_turns_bitmap_glyphs_into_images`. COLR and OpenType SVG fonts remain. - **COLR colour fonts:** v0 and v1 glyphs draw as vector layers (solid colours, linear and radial gradients, clips, blend modes, the foreground colour from the run's fill) on the canvas, as paths in SVG, EPS, legacy `.ai` and PDF with outlined text, as Type 3 text in PDF, and as editable groups with Create Outlines; sweep gradients and Porter-Duff compositing draw the glyph as an image. Measured by `tests_colr`, `render::tests_colrglyphs`, `pdf::tests::colr_glyphs_export_as_vector_art`, `svg/tests/it/colour_glyphs.rs`, `eps` `colr_glyphs_*`, `tests_pathops::create_outlines_turns_colr_glyphs_into_layer_groups`. Scores unchanged (estimated). - **OpenType SVG colour fonts:** each glyph's SVG document is read by the SVG importer (registered by the engine) into vector art in the run's colours, then drawn, exported and outlined as COLR glyphs are; PDF real text writes them as text that draws nothing and draws their art where they sit. Measured by `tests_svg_glyphs`, `svg/tests/it/svg_glyphs.rs`, `tests_colourfonts::create_outlines_turns_svg_glyphs_into_groups`, `tests_colourfonts::pdf_real_text_draws_svg_glyphs_as_art_and_keeps_their_characters`. Scores unchanged (estimated). - **Character-style Auto leading:** capture and explicit style attributes retain Auto as a reset, distinct from omitted leading. Redefine and later numeric updates preserve local leading overrides; the Character Styles marker recognizes Auto correctly. Regression assertions cover partial definitions, Undo/Redo and native save/load serialization. Public references: [Character and paragraph styles](https://helpx.adobe.com/illustrator/using/character-paragraph-styles.html) and [Leading](https://helpx.adobe.com/illustrator/using/line-character-spacing.html). @@ -496,26 +496,26 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur - **New ruler guides (G1):** Alt swaps orientation while dragging from either ruler, following the [public shortcut reference](https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html). Preview, snapping and final placement use the current axis. Tool and egui event tests exercise both rulers, modifier changes, cancellation and one-step Undo/Redo; existing-guide Alt-copy and ruler-origin gestures are unchanged. -- **Width-point finite-arithmetic follow-up (G1/M3):** Adjoining adjustments avoid intermediate overflow; non-finite normalized or resulting factors are rejected before committing. Engine regressions in `tests_widthpoints.rs` cover finite extremes, small nonzero results, atomic rejection, Undo/Redo and native save/reopen. Historical focused validation on the `a3357121` integration observed 2 expected RED failures with 11 passing controls, then all 13 tests passing with the repair; none were ignored. All three added regressions passed in current full CI. A full CI retry on the five-unit combined source at `a0671777` passed all seven stages with 6,613 test outcomes on 2026-10-14. An earlier full-CI run on the identical source panicked in the randomized `ai_mutated_save_never_panics` test; the cause remains unresolved. This five-fix batch does not claim to repair that failure. Scores and hours unchanged. +- **Width-point finite-arithmetic follow-up (G1/M3):** Adjoining adjustments avoid intermediate overflow; non-finite normalized or resulting factors are rejected before committing. Engine regressions in `tests/widthpoints.rs` cover finite extremes, small nonzero results, atomic rejection, Undo/Redo and native save/reopen. Historical focused validation on the `a3357121` integration observed 2 expected RED failures with 11 passing controls, then all 13 tests passing with the repair; none were ignored. All three added regressions passed in current full CI. A full CI retry on the five-unit combined source at `a0671777` passed all seven stages with 6,613 test outcomes on 2026-10-14. An earlier full-CI run on the identical source panicked in the randomized `ai_mutated_save_never_panics` test; the cause remains unresolved. This five-fix batch does not claim to repair that failure. Scores and hours unchanged. - **Width-point creation (G1):** double-click a stroked segment with the Width tool to open Width Point Edit using sampled side widths. OK creates the point and optionally adjusts adjoining widths in one undo step. Cancel or Delete discards a prospective point without changing the document or redo history. Command and pointer tests cover profiles, compound paths, adjoining adjustment, existing-point editing and Undo/Redo. Message-catalog checks and full CI passed; the original capture verifies opening and Cancel, and the dialog layout was reviewed (2026-10-13: 28 focused Width tests, all seven cargo xtask ci stages, and a headless opening/Cancel capture with original PNG review). [Variable-width strokes](https://helpx.adobe.com/illustrator/using/stroke-object.html). - **Rulers (#1212):** drag the intersection to preview and set a document zero point, or double-click it to reset to the active artboard's top-left. Transform, Properties and Control X/Y fields measure from it and convert entered positions back to absolute command coordinates. The origin survives every native format version and compression; geometry, guides and patterns stay in place. Public reference: [Use rulers](https://helpx.adobe.com/ca/illustrator/desktop/measure-and-align/grids-and-guides/use-rulers.html). -- **Global and artboard rulers:** View › Rulers › Change to Global / Artboard Rulers (Cmd+Alt+R, `view.globalRulers`). A new document has artboard rulers: the rulers and the Transform, Properties, Control and Info X/Y count from the active artboard's top-left corner, or the zero point dragged out for that artboard, which moves with it; with global rulers one document zero point serves every artboard. Guide readouts and Shift ruler-tick snapping follow the same zero point. The mode is saved with the document; files from before it open with global rulers, as they measured. Regression tests: `engine/tests/it/ruler_origin.rs`, `ui-egui/src/tests_ruler_origin.rs`, `tools/src/rulerguide.rs`. Public reference: [About rulers](https://helpx.adobe.com/illustrator/desktop/measure-and-align/grids-and-guides/about-rulers.html). -- **Video display options (#2849):** Artboard Options' Show Video Safe Areas and Video Ruler Pixel Aspect Ratio, and View › Rulers › Show Video Rulers ([Set video display options for artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/organize-manage-artboards/set-video-display-options-for-artboards.html)). Each artboard has its own (`artboard.setProps`/`artboard.new` `showVideoSafeAreas`, `videoRulerPixelAspectRatio` 0.1–10, default 1), set in one undo step and written to the native format only when on or not 1, so other documents save byte for byte as before. The help page names the safe areas without numbers; our choice is [EBU R 95](https://tech.ebu.ch/docs/r/r095.pdf)'s (note 5): the canvas outlines the action-safe area 3.5% and the title-safe (graphics-safe) area 5% in from each edge, 1 point wide and turned with the view; exports and print leave them out. Show Video Rulers (`view.videoRulers`) shows the rulers counting the active artboard in pixels from its top-left corner, whatever the ruler origin: a pixel is as many points wide as the ratio and one point tall, so a 720 × 480 pt artboard at 0.9 reads 800 × 480. Hide Video Rulers returns them to the General unit; Shift ruler-tick snapping of new guides keeps the General unit. Regression tests: `tests_panelcmds.rs` (`artboard_video_display_options_*`, `artboard_display_marks_stay_out_of_exports`), `tests_docsetup.rs` (`an_artboard_shows_its_video_safe_areas`), `canvas.rs` (`video_rulers_count_the_artboard_in_pixels_of_its_aspect_ratio`), `tests_ruler_origin.rs` (`show_video_rulers_counts_the_active_artboard_in_pixels`), `dialogs/tests.rs` (`artboard_options_show_video_display_options`). +- **Global and artboard rulers:** View › Rulers › Change to Global / Artboard Rulers (Cmd+Alt+R, `view.globalRulers`). A new document has artboard rulers: the rulers and the Transform, Properties, Control and Info X/Y count from the active artboard's top-left corner, or the zero point dragged out for that artboard, which moves with it; with global rulers one document zero point serves every artboard. Guide readouts and Shift ruler-tick snapping follow the same zero point. The mode is saved with the document; files from before it open with global rulers, as they measured. Regression tests: `engine/tests/it/ruler_origin.rs`, `ui-egui/src/tests/ruler_origin.rs`, `tools/src/rulerguide.rs`. Public reference: [About rulers](https://helpx.adobe.com/illustrator/desktop/measure-and-align/grids-and-guides/about-rulers.html). +- **Video display options (#2849):** Artboard Options' Show Video Safe Areas and Video Ruler Pixel Aspect Ratio, and View › Rulers › Show Video Rulers ([Set video display options for artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/organize-manage-artboards/set-video-display-options-for-artboards.html)). Each artboard has its own (`artboard.setProps`/`artboard.new` `showVideoSafeAreas`, `videoRulerPixelAspectRatio` 0.1–10, default 1), set in one undo step and written to the native format only when on or not 1, so other documents save byte for byte as before. The help page names the safe areas without numbers; our choice is [EBU R 95](https://tech.ebu.ch/docs/r/r095.pdf)'s (note 5): the canvas outlines the action-safe area 3.5% and the title-safe (graphics-safe) area 5% in from each edge, 1 point wide and turned with the view; exports and print leave them out. Show Video Rulers (`view.videoRulers`) shows the rulers counting the active artboard in pixels from its top-left corner, whatever the ruler origin: a pixel is as many points wide as the ratio and one point tall, so a 720 × 480 pt artboard at 0.9 reads 800 × 480. Hide Video Rulers returns them to the General unit; Shift ruler-tick snapping of new guides keeps the General unit. Regression tests: `tests/panelcmds.rs` (`artboard_video_display_options_*`, `artboard_display_marks_stay_out_of_exports`), `tests/docsetup.rs` (`an_artboard_shows_its_video_safe_areas`), `canvas.rs` (`video_rulers_count_the_artboard_in_pixels_of_its_aspect_ratio`), `tests/ruler_origin.rs` (`show_video_rulers_counts_the_active_artboard_in_pixels`), `dialogs/tests.rs` (`artboard_options_show_video_display_options`). - **Saved views (G7):** View › New View… and Edit Views… ([public source](https://helpx.adobe.com/illustrator/using/viewing-artwork.html): up to 25 views per document, saved with it, renamed or deleted in Edit Views, chosen from the bottom of the View menu). Each view keeps the zoom, centre and rotation; the View menu lists all 25 (`view.goto1`–`view.goto25`), and Edit Views… lists them to rename or delete, applied together as one undo step. A file's views are checked when it opens (at most 25, unique names up to 255 characters, a finite centre and a positive zoom). Tests: `saved_views_round_trip_and_from_a_file_are_tidied` (`crates/format/tests/prop_format.rs`), `crates/engine/src/cmd/views.rs`, `crates/ui-egui/src/dialogs/edit_views.rs` and `every_saved_view_is_listed_at_the_bottom_of_the_view_menu` (`crates/ui-egui/src/menus.rs`). - **Document Setup modal handoff:** Document Setup → Edit Artboards applies valid settings, closes the dialog and activates the Artboard tool. Pointer-click tests cover successful handoff, invalid settings, OK, Cancel and Undo in `dialogs/document_setup.rs`. - **Control bar with the Artboard tool:** while the Artboard tool is in use, the Control bar shows the active artboard's controls in place of the object controls: Preset, Portrait and Landscape, New Artboard, Delete Artboard, the Name field, Artboard Options, Rearrange All Artboards, the Transform link, Move and Scale Artwork with Artboard and, while the bar has room, the reference point with X and Y, and W and H with the Constrain Width and Height Proportions link. Each runs the command its Properties or Transform panel counterpart runs (`artboard.setProps`, `artboard.new`, `artboard.delete`, `tool.options {tool: "artboard"}`), and the reference point is the one the Transform panel uses. In an 800-point window the controls up to the Transform link fit, Move and Scale Artwork with Artboard show as their boxes alone with their names in tooltips, and the link opens the Transform panel with the artboard's position and size. Pointer and key tests in `panels/artboards.rs` cover the controls, W about the reference point, the orientation and the name. Public reference: [Using multiple artboards](https://web.archive.org/web/20210925094818/https://helpx.adobe.com/illustrator/using/using-multiple-artboards.html) (archived copy). -- **Names of new and renamed artboards, brushes and patterns:** `artboard.new` and `artboard.setProps` trim the white space around the name they are given, as the Artboards panel's rename does, and a blank name gives the artboard its default name, Artboard N for the Nth artboard. `brush.new`, `brush.duplicate`, `brush.options`, `object.pattern.make`, `object.pattern.saveCopy` and `pattern.options` trim the name as the Brush Options dialog and the Pattern Options panel do, and compare the trimmed name with the names there are; a blank name gives the name each command gives when there is none, and Brush Options and Pattern Options keep the name. Tests in `tests_panelcmds.rs`, `tests_brushsym.rs` and `tests_pattern.rs` cover each command. Public references: [Using multiple artboards](https://web.archive.org/web/20210925094818/https://helpx.adobe.com/illustrator/using/using-multiple-artboards.html), [Brushes](https://web.archive.org/web/20251018101754/https://helpx.adobe.com/illustrator/using/brushes.html) and [Create and edit patterns](https://web.archive.org/web/20211031180358/https://helpx.adobe.com/illustrator/using/create-edit-patterns.html) (archived copies). -- **Pattern names and swatch names:** `pattern.options` refuses a new name that another pattern, a swatch or a color group has. It takes a name that only the pattern's own swatches have. The reference page does not say what happens when the new name is taken; the refusal follows VectorCraft's rule that swatches and color groups share one namespace (`Document::swatch_name_taken`), which `swatch.new` and `swatch.edit` also follow. A rename gives the new name only to the pattern's swatches that had the old one; any other swatch with the old name keeps it, and art linked to that swatch stays linked. `object.pattern.make` and `object.pattern.saveCopy` number a color group's name as they number a swatch's. Tests in `tests_pattern.rs` cover each command. Public reference: [Create and edit patterns](https://web.archive.org/web/20211031180358/https://helpx.adobe.com/illustrator/using/create-edit-patterns.html) (archived copy). +- **Names of new and renamed artboards, brushes and patterns:** `artboard.new` and `artboard.setProps` trim the white space around the name they are given, as the Artboards panel's rename does, and a blank name gives the artboard its default name, Artboard N for the Nth artboard. `brush.new`, `brush.duplicate`, `brush.options`, `object.pattern.make`, `object.pattern.saveCopy` and `pattern.options` trim the name as the Brush Options dialog and the Pattern Options panel do, and compare the trimmed name with the names there are; a blank name gives the name each command gives when there is none, and Brush Options and Pattern Options keep the name. Tests in `tests/panelcmds.rs`, `tests/brushsym.rs` and `tests/pattern.rs` cover each command. Public references: [Using multiple artboards](https://web.archive.org/web/20210925094818/https://helpx.adobe.com/illustrator/using/using-multiple-artboards.html), [Brushes](https://web.archive.org/web/20251018101754/https://helpx.adobe.com/illustrator/using/brushes.html) and [Create and edit patterns](https://web.archive.org/web/20211031180358/https://helpx.adobe.com/illustrator/using/create-edit-patterns.html) (archived copies). +- **Pattern names and swatch names:** `pattern.options` refuses a new name that another pattern, a swatch or a color group has. It takes a name that only the pattern's own swatches have. The reference page does not say what happens when the new name is taken; the refusal follows VectorCraft's rule that swatches and color groups share one namespace (`Document::swatch_name_taken`), which `swatch.new` and `swatch.edit` also follow. A rename gives the new name only to the pattern's swatches that had the old one; any other swatch with the old name keeps it, and art linked to that swatch stays linked. `object.pattern.make` and `object.pattern.saveCopy` number a color group's name as they number a swatch's. Tests in `tests/pattern.rs` cover each command. Public reference: [Create and edit patterns](https://web.archive.org/web/20211031180358/https://helpx.adobe.com/illustrator/using/create-edit-patterns.html) (archived copy). - **A clip group in Properties:** with one clip group selected, the panel has Edit Clipping Path and Edit Contents at its top, under the Clip Group heading, which select the clipping path or the clipped art for the selection tools to transform alone, as Object › Clipping Mask does (: with a clip group selected, the tutorial uses Edit Clipping Path at the top of the Properties panel to select the mask for editing, and uses Edit Contents to select the masked art). Edit Contents shows only when the group clips something. Not checked against the reference app: whether Properties keeps the buttons while the clipping path or the contents is selected; the Control bar has no clip-group buttons here. Evidence: `panels::properties::tests::one_clip_group_has_edit_clipping_path_and_edit_contents_at_the_top`. - **Contextual controls in Properties:** the [Properties panel overview](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/properties-panel-overview.html) lists controls that appear for particular selections and tools; Properties has them, each running the existing command. Quick Actions has Blend Options for one selected blend while the Blend tool is in use (the Blend Options dialog, OK one undo step) and Merge Live Paint when a Live Paint group is selected with more paths and nothing Live Paint refuses (`livePaint.merge`). Appearance has the stroke's Variable Width Profile list, the Control bar's, with the Width tool or when the stroke has a variable width (`stroke.set {profile}`), and beside fx the Delete icon: with one effect on the one selected object (its own or a fill's or stroke's) its name and an icon that removes it (`effect.remove`), with several an icon that opens the Appearance panel, as the overview describes. With Direct Selection and corners of one path selected, Corner and Corner Radius set the kind and radius of those corners (`object.setLiveShape`); a live rectangle's and polygon's own rows already do. Each edit is one undo step. The overview's Variable Font icon was already in Character. Not checked against the reference app: whether Merge needs two Live Paint groups (the overview speaks of several selected groups; `livePaint.merge` takes a group and paths), and where exactly each control sits in its section. Evidence: `panels::properties::tests::{blend_options_is_a_quick_action_for_one_blend_with_the_blend_tool, merge_live_paint_is_a_quick_action_for_a_live_paint_group_and_more, the_width_profile_shows_for_a_variable_width_or_the_width_tool, direct_selected_corners_show_their_kind_and_radius, one_effect_has_a_delete_icon_in_appearance}`. - **Edit Artboards in Properties:** the active artboard's name is a field. Typing a new name and pressing Enter or clicking elsewhere renames that artboard in one undo step, as the Artboards panel's rename does (`artboard.setProps {index, name}`); pressing Escape or leaving the field empty keeps the old name. A click on the Artboard Options icon beside the field opens Artboard Options for the active artboard, as double-clicking the Artboard tool's button does (`tool.options {tool: "artboard"}`). Pointer and key tests in `panels/properties.rs` cover both. Public references: [Resize artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/resize-artboards.html) and [Create and add new artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/add-new-artboards.html). - **Artboard background colors:** each artboard can have a background color (`artboard.setProps {index, color}`, `color: null` removes it). With the Artboard tool, Properties has a Fill row: its list sets None, White or Black, and its chip and its Color Picker… item open the Color Picker for the artboard. Artboard Options has a Background Color row with a list that sets None, White or Black, and a color button. The canvas draws the artboard's paper in the color, multiplied with the paper color while Simulate Colored Paper is on, and the transparency grid still covers it. The native format saves the color, and a document without colors saves as before. Exports and print do not draw the color. Engine, canvas, Properties, Color Picker and Artboard Options tests cover it. Public reference: [Apply colors to artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/organize-manage-artboards/add-background-color-to-artboards.html). -- **Resizing several artboards:** with several artboards selected with the Artboard tool, a new W or H in Properties, the Transform panel or the Control bar, a preset or an orientation in Properties or the Control bar, and a new Width or Height in Artboard Options resize every selected artboard in one undo step (`artboard.setProps {artboards}`); with Scale Artwork with Artboard on, Properties, the Transform panel and the Control bar scale each object once, with the artboard it was inside before the change. The Transform panel, the Control bar and Artboard Options resize each one about its own reference point, a preset sizes each one in its own orientation, and X and Y still move the active artboard alone. Pointer and key tests in `panels/properties.rs`, dialog tests in `dialogs/tests.rs` and an engine test in `tests_xform.rs` cover them. Public references: [Artboard Enhancements In Illustrator CC](https://blog.adobe.com/en/publish/2017/11/10/artboard-enhancements-in-illustrator-cc) (a height and a width entered once resize every selected artboard) and [Using multiple artboards](https://helpx.adobe.com/illustrator/using/using-multiple-artboards.html) (2019). -- **Artboard Escape routing:** Escape leaves Artboard editing for Selection; during a drag it first cancels the gesture. Headless egui key events cover idle Escape, active-drag cancellation and a subsequent Escape in `tests_distortkeys.rs`. +- **Resizing several artboards:** with several artboards selected with the Artboard tool, a new W or H in Properties, the Transform panel or the Control bar, a preset or an orientation in Properties or the Control bar, and a new Width or Height in Artboard Options resize every selected artboard in one undo step (`artboard.setProps {artboards}`); with Scale Artwork with Artboard on, Properties, the Transform panel and the Control bar scale each object once, with the artboard it was inside before the change. The Transform panel, the Control bar and Artboard Options resize each one about its own reference point, a preset sizes each one in its own orientation, and X and Y still move the active artboard alone. Pointer and key tests in `panels/properties.rs`, dialog tests in `dialogs/tests.rs` and an engine test in `tests/xform.rs` cover them. Public references: [Artboard Enhancements In Illustrator CC](https://blog.adobe.com/en/publish/2017/11/10/artboard-enhancements-in-illustrator-cc) (a height and a width entered once resize every selected artboard) and [Using multiple artboards](https://helpx.adobe.com/illustrator/using/using-multiple-artboards.html) (2019). +- **Artboard Escape routing:** Escape leaves Artboard editing for Selection; during a drag it first cancels the gesture. Headless egui key events cover idle Escape, active-drag cancellation and a subsequent Escape in `tests/distortkeys.rs`. - **Shift with the Artboard tool:** a Shift-click adds an artboard to the selection or takes it out when the button comes up. A Shift-drag inside an artboard draws a new artboard there, and a Shift-drag on the pasteboard is a marquee that toggles the artboards it touches, as the [default keyboard shortcuts](https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html) (a Shift-drag draws an artboard within an existing one) and [Using multiple artboards](https://web.archive.org/web/20210925094818/https://helpx.adobe.com/illustrator/using/using-multiple-artboards.html) (archived copy) describe. Shift no longer keeps an artboard move at 45° steps or a drawn artboard square. Escape during a marquee or while a new artboard is being drawn cancels it and keeps the Artboard tool. Pointer and key tests in `crates/tools/src/xform/artboard.rs` cover the four gestures and Escape. -- **Artboard deletion keys:** Delete/Backspace delete selected boards in one Undo step, retaining the original first board in the current order when all are selected, as in the public [Delete artboards guide](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/delete-artboards.html). The last board and active drags stay protected; neither key clears selected artwork. Headless shortcut regressions in `tests_distortkeys.rs` cover reordered boards, artwork, saved state and Undo/Redo. -- **Locked artboards:** a click in the Artboards panel's lock column locks or unlocks an artboard in one undo step (`artboard.setProps {index, locked}`), and the native format saves the lock. The Artboard tool doesn't move, copy, resize or delete a locked artboard, Rearrange and Fit to Artwork Bounds leave it as it is, and its name isn't edited on the canvas. The art on it (each object whose bounds overlap it, a group as one object) acts as locked art until it is unlocked: clicks, marquees, `select.set`, `select.all` and the tools pass over it, and commands that act on the selection leave it; art drawn or pasted onto it stays selected and editable until the selection leaves it out. Tests in `crates/doc/src/lib.rs`, `tests_panelcmds.rs`, `xform/artboard.rs`, `panels/artboards.rs` and `canvas.rs` cover them. Public references: [Lock artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/organize-manage-artboards/lock-artboards.html) and [Managing Artboards in Illustrator](https://creativepro.com/managing-artboards-in-illustrator/). +- **Artboard deletion keys:** Delete/Backspace delete selected boards in one Undo step, retaining the original first board in the current order when all are selected, as in the public [Delete artboards guide](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/delete-artboards.html). The last board and active drags stay protected; neither key clears selected artwork. Headless shortcut regressions in `tests/distortkeys.rs` cover reordered boards, artwork, saved state and Undo/Redo. +- **Locked artboards:** a click in the Artboards panel's lock column locks or unlocks an artboard in one undo step (`artboard.setProps {index, locked}`), and the native format saves the lock. The Artboard tool doesn't move, copy, resize or delete a locked artboard, Rearrange and Fit to Artwork Bounds leave it as it is, and its name isn't edited on the canvas. The art on it (each object whose bounds overlap it, a group as one object) acts as locked art until it is unlocked: clicks, marquees, `select.set`, `select.all` and the tools pass over it, and commands that act on the selection leave it; art drawn or pasted onto it stays selected and editable until the selection leaves it out. Tests in `crates/doc/src/lib.rs`, `tests/panelcmds.rs`, `xform/artboard.rs`, `panels/artboards.rs` and `canvas.rs` cover them. Public references: [Lock artboards](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/organize-manage-artboards/lock-artboards.html) and [Managing Artboards in Illustrator](https://creativepro.com/managing-artboards-in-illustrator/). - **Linux RPM packaging:** 64-bit runtime capabilities replace Fedora-specific required package names (#1275); glibc 2.35, libm and libgcc_s are declared alongside dynamically loaded xkbcommon and Vulkan/EGL. Generated x86_64/aarch64 metadata and isolated synthetic-provider resolution checked; real-distro install/start-up QA remains pending. - **Linux file associations:** the desktop entry lists the MIME type of every format File › Open reads but PSD, PSB, `.ps` PostScript and Targa, `.ai`, `.ait` and EPS included, and the MIME package declares the types shared-mime-info lacks (VectorCraft documents and templates, `.ait`, Affinity), so file managers list VectorCraft under Open With for them, as Finder does on macOS. `the_linux_desktop_entry_opens_every_readable_format` in `apps/vectorcraft/src/main.rs` checks both files against `OPEN_EXTS`. On Debian 13, Ubuntu 24.04 and Fedora 42, `desktop-file-validate` accepts the desktop entry, `update-mime-database` accepts the MIME package, and `gio` registers the app for every one of these types. @@ -552,7 +552,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur - The contextual task bar's handle drags it anywhere on the canvas (kept whole on it as the window resizes); unpinned it keeps that offset as it follows the selection, and its More Options menu hides it, pins its position across selection changes (`window.taskBar.pin`), resets it under the selection (`window.taskBar.reset`) and shows the Properties panel. As in Illustrator the position isn't kept across launches. Not done: the bar's variants for other tools (only the selection tools and the Artboard tool show it). - With one image selected, the contextual task bar offers Image Trace, which traces the image at once with the Default preset (the Image Trace panel is left as it was), and Crop Image; with an Image Trace object it offers Expand, which keeps only the traced paths. This follows Illustrator's bar: for a selected image it includes Image Trace, Retype and Crop Image, and traced artwork can be expanded from it ([Contextual Task Bar announcement](https://community.adobe.com/announcements-651/contextual-task-bar-in-illustrator-2025-quick-actions-when-you-need-them-1546580)). Offset Path and Simplify, which don't apply to an image, aren't offered for one. Not done: Retype, which the app doesn't have. - With the Artboard tool, the contextual task bar sits under the selected artboards and offers Resize (Artboard Options for the active artboard), Duplicate (each selected artboard, in one undo step, the copies then selected), Rearrange All (with two or more artboards) and Export (Export for Screens with the selected artboards checked). This follows Illustrator's bar: while the Artboard tool is in use, it has options for resizing, duplicating and exporting artboards (the [Contextual Task Bar announcement](https://community.adobe.com/questions-652/contextual-task-bar-in-illustrator-2025-quick-actions-when-you-need-them-1546580); Rearrange and Export on the bar: [Managing Artboards in Illustrator](https://creativepro.com/managing-artboards-in-illustrator/)). - - The contextual task bar offers more next steps by selection (): an open path Join and Edit Path (the Direct Selection tool), a closed path Edit Path, a compound path Edit Path and Release Compound Path, a clipping group Edit Clipping Path and Release Clipping Mask instead of Ungroup and Isolate, an image selected with vector art Make Clipping Mask instead of Unite, and point or area type Convert To Area Type or Convert To Point Type beside Create Outlines. Evidence: `crates/ui-egui/src/tests_taskbar.rs`. + - The contextual task bar offers more next steps by selection (): an open path Join and Edit Path (the Direct Selection tool), a closed path Edit Path, a compound path Edit Path and Release Compound Path, a clipping group Edit Clipping Path and Release Clipping Mask instead of Ungroup and Isolate, an image selected with vector art Make Clipping Mask instead of Unite, and point or area type Convert To Area Type or Convert To Point Type beside Create Outlines. Evidence: `crates/ui-egui/src/tests/taskbar.rs`. - With anchor points selected with Direct Selection, the contextual task bar offers Remove Anchor Points, Connect (`path.join`), Cut Path, Corner and Smooth (`path.convertAnchors` with `to` set to `corner` or `smooth`), the commands of the Control bar's anchor buttons. As in Illustrator ("Remove selected anchor points, Connect selected end points, Cut path at selected anchor points, Convert selected anchor points to corner, and Convert selected anchor points to smooth": [Contextual Task Bar overview](https://helpx.adobe.com/illustrator/desktop/get-started/learn-the-basics/contextual-task-bar-overview.html)). Not done: Simplify, which the bar offers only while no anchors are selected, and the bar's Smooth item that adjusts a path's curvature, a command the app doesn't have (Object › Path › Smooth). - Tool flyouts tear off: dragging or clicking the tear-off bar on a flyout's right side (or releasing the long press over it) floats its group as a strip of tool buttons, moved by the same bar and put back in the toolbar by the × at its top (`window.floatTools`). While a group floats, the presses that would open its flyout raise the strip instead. Floating strips are kept with the preferences and in user workspaces. Not done: turning a strip vertical, docking it. - Screen readers get a name for the Tools panel's tool buttons, flyout rows, floating strips and tear-off bars, and for the icon buttons, text buttons, toggles, checkboxes, radio buttons, tabs, chips, sliders, angle dials and combo boxes that panels and dialogs draw with `crates/ui-egui/src/widgets.rs`: the text, label or tool tip each one shows, or a name of its own where it shows none (the angle dial, the spinner, the preset arrow, the color wheel and the Reference Point's squares). The tool buttons, toggles, checkboxes, radio buttons, tabs and the Reference Point's nine squares also report whether they are on, an icon button that is lit, such as the chosen Align To button, reports that it is pressed, and the angle dial reports its angle. The status bar's First, Previous, Next and Last Artboard buttons have tool tips. @@ -575,8 +575,8 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur - The macOS menu bar is built from the in-window menus (one model, `native_menu`) and laid out as a Mac app's: the VectorCraft menu holds About, Settings ▸ (each Preferences page, General… ⌘K), Language ▸, Appearance ▸ (UI brightness), Services, Hide VectorCraft ⌃⌘H (⌘H stays Hide Edges), Hide Others, Show All and Quit; Window gains Minimize ⌃⌘M, Zoom and Bring All to Front, and Help the system's search field. Its key equivalents go back to egui as key presses, so user shortcuts, focused text fields and the Type tool's input method behave as in the window, and nothing fires twice; enabled, check marks and labels update in place. `--in-window-menus` or `VECTORCRAFT_IN_WINDOW_MENUS=1` keeps the menus in the window; `ui.inspect` reports `nativeMenuBar`. - macOS: Finder opens every format File › Open reads with VectorCraft (double-click, Open With, a drop on the Dock icon, `open -a`), at launch or while it runs; the release and `cargo xtask bundle` apps share one `Info.plist` that declares those document types, owning only VectorCraft's own formats. The DMG opens on a designed Finder window, VectorCraft.app beside the `Applications` link over a background with the app icon (#493). - Swatch and graphic style libraries, Libraries panel files, presets and plug-ins open wherever they are dropped on the window, as File › Open opens them. - - **Symbol libraries** ([public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/create-or-import-symbol-libraries.html)): Window › Symbol Libraries and the Symbols panel's Symbol Libraries Menu open each library in a library panel of its own, as swatch and graphic style libraries do. The built-in library, Basic Shapes, is original art generated in code (`crates/engine/src/cmd/symbollib.rs`). A click on a symbol adds it to the document's Symbols as one undo step, with its Symbol Options (size, registration, export type, 9-slice guides) and every resource it uses (the symbols it nests, patterns, swatches, brushes, graphic styles, images), and makes it the current symbol; a symbol the document already has is not added again and another symbol of the same name keeps its name, the library's comes in numbered. Thumbnails, in the library panels and the Symbols panel, draw a symbol with the symbols it nests and the patterns and images it uses. Dragging a library symbol onto the canvas also places an instance there, in the same step ([placing from a library](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/create-and-place-symbols.html)). Save Symbols (the library menu) and Save Symbol Library… (the Symbols panel menu) write the document's symbols as a `.vectorcraft` document holding only them, into the user library folder (listed under User Defined) or a file; Other Library… reads the symbols of any document VectorCraft opens; a file it can't read is an error and opens no panel. Tests: `crates/engine/src/tests_symbollib.rs`, `crates/ui-egui/src/panels/tests_symbol_libraries.rs`, `panels::symbols::tests::thumbnails_show_the_symbols_a_symbol_nests`, `canvas::tests::a_library_symbol_dropped_on_the_canvas_is_added_and_placed_there_in_one_step`. - - **Brush libraries** ([public source](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/create-new-brush-libraries.html), [import](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/import-brushes-from-brush-libraries-or-other-files.html), [Brushes panel](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/brushes-panel-overview.html)): Window › Brush Libraries, the Brushes panel's Brush Libraries Menu and its menu's Open Brush Library open each library in a library panel of its own, as swatch, graphic style and symbol libraries do. The built-in libraries (Art Ribbons, Calligraphic Nibs, Pattern Borders, Scatter Shapes) are original brushes generated in code (`crates/engine/src/cmd/brushlib.rs`); Striped Ribbon's art is filled with the library's own pattern and Sparkles scatters the library's own symbol. A click on a brush adds it to the document's Brushes as one undo step with every resource its art uses (patterns, symbols, swatches, graphic styles, images), makes it the current brush and, with paths selected, applies it to them in the same step; a brush the document already has is not added again and a different brush of the same name comes in numbered ("Wave 2"). Shift/Cmd-clicks select brushes for Add to Brushes; a brush dragged onto a path is added and applied to it, and one dragged onto the Brushes panel is added. Save Brushes… / the Brushes panel's Save Brush Library… write the document's brushes (or the selected ones) as a `.vectorcraft` library into the `Brushes` folder next to the preferences, listed under User Defined, or to a file; Other Library… reads the brushes of any document VectorCraft opens. Thumbnails, in the library panels, the Brushes panel and Brush Options, render brush art with the patterns and symbols it uses. Copying brushed art now carries the patterns and symbols its brush's art uses too. Tests: `crates/engine/src/tests_brushlib.rs`, `crates/ui-egui/src/panels/tests_brush_libraries.rs`, `panels::brushes::tests::library_brush_previews_show_the_patterns_their_art_uses`, `canvas::tests::a_library_brush_dropped_on_a_path_is_added_and_applied_in_one_step`. + - **Symbol libraries** ([public source](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/create-or-import-symbol-libraries.html)): Window › Symbol Libraries and the Symbols panel's Symbol Libraries Menu open each library in a library panel of its own, as swatch and graphic style libraries do. The built-in library, Basic Shapes, is original art generated in code (`crates/engine/src/cmd/symbollib.rs`). A click on a symbol adds it to the document's Symbols as one undo step, with its Symbol Options (size, registration, export type, 9-slice guides) and every resource it uses (the symbols it nests, patterns, swatches, brushes, graphic styles, images), and makes it the current symbol; a symbol the document already has is not added again and another symbol of the same name keeps its name, the library's comes in numbered. Thumbnails, in the library panels and the Symbols panel, draw a symbol with the symbols it nests and the patterns and images it uses. Dragging a library symbol onto the canvas also places an instance there, in the same step ([placing from a library](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/create-and-place-symbols.html)). Save Symbols (the library menu) and Save Symbol Library… (the Symbols panel menu) write the document's symbols as a `.vectorcraft` document holding only them, into the user library folder (listed under User Defined) or a file; Other Library… reads the symbols of any document VectorCraft opens; a file it can't read is an error and opens no panel. Tests: `crates/engine/src/tests/symbollib.rs`, `crates/ui-egui/src/panels/tests_symbol_libraries.rs`, `panels::symbols::tests::thumbnails_show_the_symbols_a_symbol_nests`, `canvas::tests::a_library_symbol_dropped_on_the_canvas_is_added_and_placed_there_in_one_step`. + - **Brush libraries** ([public source](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/create-new-brush-libraries.html), [import](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/import-brushes-from-brush-libraries-or-other-files.html), [Brushes panel](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/apply-and-edit-strokes/brushes-panel-overview.html)): Window › Brush Libraries, the Brushes panel's Brush Libraries Menu and its menu's Open Brush Library open each library in a library panel of its own, as swatch, graphic style and symbol libraries do. The built-in libraries (Art Ribbons, Calligraphic Nibs, Pattern Borders, Scatter Shapes) are original brushes generated in code (`crates/engine/src/cmd/brushlib.rs`); Striped Ribbon's art is filled with the library's own pattern and Sparkles scatters the library's own symbol. A click on a brush adds it to the document's Brushes as one undo step with every resource its art uses (patterns, symbols, swatches, graphic styles, images), makes it the current brush and, with paths selected, applies it to them in the same step; a brush the document already has is not added again and a different brush of the same name comes in numbered ("Wave 2"). Shift/Cmd-clicks select brushes for Add to Brushes; a brush dragged onto a path is added and applied to it, and one dragged onto the Brushes panel is added. Save Brushes… / the Brushes panel's Save Brush Library… write the document's brushes (or the selected ones) as a `.vectorcraft` library into the `Brushes` folder next to the preferences, listed under User Defined, or to a file; Other Library… reads the brushes of any document VectorCraft opens. Thumbnails, in the library panels, the Brushes panel and Brush Options, render brush art with the patterns and symbols it uses. Copying brushed art now carries the patterns and symbols its brush's art uses too. Tests: `crates/engine/src/tests/brushlib.rs`, `crates/ui-egui/src/panels/tests_brush_libraries.rs`, `panels::brushes::tests::library_brush_previews_show_the_patterns_their_art_uses`, `canvas::tests::a_library_brush_dropped_on_a_path_is_added_and_applied_in_one_step`. - A canvas context menu: right-click selects the object under the pointer and lists what applies to the selection (Undo/Redo, clipboard, group, isolation, join, Remove Anchor Points when anchors are selected, masks, compound paths, guides, Transform, Arrange, Select, Export Selection), or the view commands on empty canvas. - A right-click over locked objects adds an Unlock submenu to the canvas context menu. The submenu lists up to 20 locked objects under the pointer, topmost first, by the name the Layers panel shows, and choosing one unlocks it (`layer.setProps`). A locked group is listed as one item. Objects on hidden, locked or template layers are not listed. - Native macOS save sheets offer a localised Format menu (#866), built from the request's existing format filters. It selects the suggested filename's format and updates the suffix when changed, including legacy `.drawcraft` names. `apps/vectorcraft/src/mac_save_format.rs` has filename regressions; an actual native SVG save, selection of PDF and cancellation without changing the saved document were verified. @@ -640,7 +640,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur - **Drawing modes:** in Draw Inside, a double-click with a selection tool outside the object being drawn into sets the drawing mode to Draw Normal, as Shift+D does. Pastes follow the drawing mode ([drawing modes](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/learn-drawing-basics/drawing-modes-overview.html)) (#3705): in Draw Inside, Paste, Paste in Place and Paste on All Artboards put the copies inside the object drawn into, in one undo step, Paste Remembers Layers aside; in Draw Behind, Paste in Place and Paste on All Artboards put them just below the selection; Paste in Front and Paste in Back ignore the mode. Shift+D cycles Draw Normal → Draw Behind → Draw Inside → Draw Normal, skipping Draw Inside unless one path, compound path or type is selected. With the object drawn into isolated (a double-click on it with the Selection tool), art drawn or pasted inside it takes isolation mode into its clip group, so it can be clicked and isn't dimmed, as art added in isolation mode belongs with what is isolated ([isolation mode](https://helpx.adobe.com/illustrator/desktop/manage-objects/select-objects/isolate-objects.html)) (#3705); undo or redo that removes the isolated object ends isolation mode. - **Drawing:** Pen, Curvature, anchor tools, Pencil, Paintbrush, Blob Brush, Smooth, Path Eraser, Join. Direction handles dragged with Direct Selection or the Anchor Point tool snap to smart guides, and Shift keeps them at 45° steps from their anchor. The Pen continues any open path from the end clicked, and while drawing, a click on an end of another open path joins the two into one (#776). The Curvature tool edits any selected path, whatever drew it, keeping its shape except where edited (#798): a click on a point makes it current and a drag moves it, re-curving only its two segments; Alt-click or double-click toggles it smooth or corner and Delete removes it; a click on a segment adds a point without changing the shape; with an end of an open path current, clicks go on from it and its other end closes it (`path.curvatureEdit`). Every point a drawing tool places snaps to Smart Guides through one snapper (#506): the Pen's and Curvature tool's anchors, the Pencil's ends, the shape tools' start and dragged corner or radius (Rectangle, Rounded Rectangle, Ellipse, Polygon, Star, Line Segment, Arc, Spiral, the grids), the Type tool's click and frame, a new artboard's corners. A filled Pencil path keeps a stroke of None (#1804, part of #1679). While a Pencil or Paintbrush stroke is drawn back to within Close Paths When Ends Are Within of its start, the cursor shows the closing ring and a release there closes the path, as [Draw straight lines with the Pencil tool](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/draw-shapes/draw-straight-lines-with-the-pencil-tool.html) describes for the Pencil. The [ and ] keys reach the Blob Brush, the Eraser and the Symbolism tools in the app (#1734, part of #1661). With the Blob Brush, Shift held during a drag keeps the stroke on the horizontal or vertical line through the press point, whichever is nearer to the pointer (90° steps from the Constrain Angle preference), and the points dragged since Shift went down move to the other line when the pointer crosses to it; the points dragged while Shift is up follow the pointer. - Curvature point markers are circular, with no direction handles. While drawing, its own point feedback replaces generic selection markers; existing paths use the selection overlay, including partial selections and Hide Edges. Anchor Size applies, and Direct Selection and Pen retain their handles. The real egui-frame regressions in `crates/ui-egui/src/canvas.rs` verify marker positions, counts and unchanged documents (#1236, in part); the existing-path interpolation request remains open. The curve through the points (`curvature_spline` in `crates/tools/src/draw2.rs`) makes each stretch of three points follow the circle through them: a smooth point's handles lie along that circle's tangent, each `chord / (3 cos²(α/2))` long (α between handle and chord, capped at 90°), and the ends of an open path mirror their neighbour's tangent in their chord, so a J or a U curves evenly, a turn tighter than 30° comes to a point, and uneven spacing doesn't loop; the rubber band, a dragged or inserted point and `path.convertAnchor` to smooth use the same rule, while the Pencil's fitting keeps its own; `tests_draw2.rs` checks that the rubber band is the path the click makes (#1236, in part). The Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512). + Curvature point markers are circular, with no direction handles. While drawing, its own point feedback replaces generic selection markers; existing paths use the selection overlay, including partial selections and Hide Edges. Anchor Size applies, and Direct Selection and Pen retain their handles. The real egui-frame regressions in `crates/ui-egui/src/canvas.rs` verify marker positions, counts and unchanged documents (#1236, in part); the existing-path interpolation request remains open. The curve through the points (`curvature_spline` in `crates/tools/src/draw2.rs`) makes each stretch of three points follow the circle through them: a smooth point's handles lie along that circle's tangent, each `chord / (3 cos²(α/2))` long (α between handle and chord, capped at 90°), and the ends of an open path mirror their neighbour's tangent in their chord, so a J or a U curves evenly, a turn tighter than 30° comes to a point, and uneven spacing doesn't loop; the rubber band, a dragged or inserted point and `path.convertAnchor` to smooth use the same rule, while the Pencil's fitting keeps its own; `tests/draw2.rs` checks that the rubber band is the path the click makes (#1236, in part). The Smooth tool smooths only the stretch of path under the drag (#1547, fixes #1512). While Alt is held, the Paintbrush (before a press and while drawing) shows a closing cursor (a crosshair with a ring), and so does the Pencil with Alt key toggles to Smooth Tool off when Alt is pressed after the drag starts; releasing the mouse button with Alt still held closes the path. A Pencil drag started with Shift or Alt held draws a straight line instead, which stays open. With Shift held at the press, the Pencil draws a straight line from the press point to the pointer at 45° steps from the Constrain Angle, as [Draw straight lines with the Pencil tool](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/draw-shapes/draw-straight-lines-with-the-pencil-tool.html) describes; pressed on an end of a selected open path, the line continues the path from that end (part of #3799). With Option/Alt held at the press and Alt key toggles to Smooth Tool off, the Pencil draws a straight line at any angle, whose ends snap to Smart Guides, and it stays open when Alt is still held at the release; Shift and Alt together keep the 45° steps (#3799). While Shift or Alt is held before the press, the Pencil shows a straight-line cursor (a crosshair with a short line), and over an end of a selected open path, where the line continues the path, a path-continuation cursor (the same line leaving a small square), as the page describes. - **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812). With the bounding box showing, the Selection tool shows a selected ellipse's two pie widgets just outside it; dragging one sets its angle in one undo step and double-clicking one makes the ellipse whole again. A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812). @@ -747,7 +747,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur - Initial live Revolve (#605, #846): a portable geometry and shading crate (`three-d`), editable path and compound profiles, compact options with artboard rotation and light gizmos, SVG/PDF vector output and Expand Appearance that can trim covered faces. Open ends have continuous caps by default, shading is smooth with one to ten colored lights, and intersecting surfaces' visibility is approximate ([revolve.md](revolve.md)). - Live effects with previewing dialogs: Distort & Transform, Path, Convert to Shape, 15 Warp styles, Round Corners, Scribble, Effect → Pathfinder (all 10 operations, live on groups; several loose objects are grouped first, in one undo step), Color Adjustments (Brightness/Contrast, Curves, Levels, Hue/Saturation, Shift to Color, Temperature/Tint, on vectors, live type and embedded images), and raster drop shadow, glows and feather. SVG and PDF export keep live effects (geometry baked; SVG raster effects as filters). Zig Zag spaces its ridges evenly along each segment, so lines and curves get a regular wave in Corner and Smooth (#1558). Warp › Arc (the effect and Envelope › Make with Warp) bends in the object's real proportions: a circular arc with concentric edges and no fold-over at 100%, so Arc on art that isn't square draws differently from before (#1581, fixes #1578). `effect.apply` and `effect.setParams` give an error for a misspelt or wrongly typed effect parameter instead of running the effect with its default (#1623, #1592). Roughen with Smooth keeps turn-backs smooth instead of making cusps that draw as spikes (#1646, #1643). Scribble draws one zig-zag per region, with no lines across holes and notches; convex shapes are unchanged (#1651, #1648). On the canvas, in Expand Appearance and in exports, Effect → Pathfinder uses the glyph outlines of type in the group, and results painted like the type keep its opacity and blend mode. - Pathfinder Options ([Pathfinder panel overview](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/pathfinder-panel-overview.html)): the panel menu's Pathfinder Options… sets Precision (0.001–10 pt: results refit to within it, thinner pieces dropped), Remove Redundant Points and Divide and Outline Will Remove Unpainted Artwork (`object.pathfinder.options`, kept in the preferences) for every Shape Mode and Pathfinder operation; the defaults keep the earlier output (`pathops` `precision_drops_pieces_thinner_than_it`, engine `tests_pathops` Pathfinder Options tests, `panels::pathfinder` dialog test). - - Pathfinder › Trap ([trapping](https://helpx.adobe.com/illustrator/using/trapping.html), [Pathfinder panel](https://helpx.adobe.com/illustrator/using/pathfinder-panel-overview.html)): the Pathfinder panel menu's Trap… (`object.pathfinder.trap`) and Effect › Pathfinder › Trap… (`pathfinder.trap`, live on groups) add, where two objects' visible areas of different solid colours meet, a strip of the darker one's area along the edge, filled with the lighter colour at the Tint Reduction percentage and set to overprint (Reverse Traps: the darker colour spreads instead, but not a rich black); Thickness 0.01–5000 pt across vertical edges, Height/Width scales it across horizontal ones, Traps with Process Color paints a swatch colour's trap with its CMYK equivalent; the effect also has Precision and Remove Redundant Points. The panel's Trap is one undo step and groups the traps above the topmost selected object, selected; with no adjoining edges of different colours it says so and changes nothing. Tests: `crates/pathops/src/trap.rs`, `crates/effects/src/trap.rs`, `group::tests::trap_effect_adds_an_overprinting_strip_above_the_members`, `crates/engine/src/tests_trap.rs`, `panels::pathfinder::tests::trap_opens_its_options_and_ok_traps_the_selection`. + - Pathfinder › Trap ([trapping](https://helpx.adobe.com/illustrator/using/trapping.html), [Pathfinder panel](https://helpx.adobe.com/illustrator/using/pathfinder-panel-overview.html)): the Pathfinder panel menu's Trap… (`object.pathfinder.trap`) and Effect › Pathfinder › Trap… (`pathfinder.trap`, live on groups) add, where two objects' visible areas of different solid colours meet, a strip of the darker one's area along the edge, filled with the lighter colour at the Tint Reduction percentage and set to overprint (Reverse Traps: the darker colour spreads instead, but not a rich black); Thickness 0.01–5000 pt across vertical edges, Height/Width scales it across horizontal ones, Traps with Process Color paints a swatch colour's trap with its CMYK equivalent; the effect also has Precision and Remove Redundant Points. The panel's Trap is one undo step and groups the traps above the topmost selected object, selected; with no adjoining edges of different colours it says so and changes nothing. Tests: `crates/pathops/src/trap.rs`, `crates/effects/src/trap.rs`, `group::tests::trap_effect_adds_an_overprinting_strip_above_the_members`, `crates/engine/src/tests/trap.rs`, `panels::pathfinder::tests::trap_opens_its_options_and_ok_traps_the_selection`. - Effect › Path › Outline Object has no options. Type that carries it is drawn, exported (PDF and SVG as paths, with no font) and expanded as its glyph outlines while it stays editable, and the effects after it reshape those outlines. Paths and images draw as before. With Use Preview Bounds on, type is measured by its glyph outlines. Public reference: [Summary of effects](https://web.archive.org/web/20210901011839/https://helpx.adobe.com/illustrator/using/summary-effects.html) (archived copy). - With Use Preview Bounds on, the bounding box, the Transform panel, Align, Distribute, Distribute Spacing and `object.setBounds` measure each object after its geometry effects. A path is measured by its effected shape, and a fill or stroke with geometry effects of its own is measured by the shape it paints. Type, images, live objects and symbol instances are measured by their reshaped art, and a symbol instance is also measured by its reshaped art when its symbol's art has geometry effects. A group or layer with geometry or Pathfinder effects, or with a fill or stroke of its own that has geometry effects or paints members with geometry effects, is measured by its evaluated art. A blend, envelope or repeat whose objects have geometry effects is measured by its evaluated art, with those objects measured after their effects. A 100 pt square without a stroke, with Offset Path 10, measures 120 pt, and type with Outline Object aligns and sizes by its glyphs. Raster effects are not measured. Public reference: [Create text](https://web.archive.org/web/20220127090642/https://helpx.adobe.com/illustrator/using/creating-text.html) (archived copy). - Initial live Revolve (#605, #846): a portable geometry and shading crate (`three-d`), editable path and compound profiles, compact options with artboard rotation and light gizmos, SVG/PDF vector output and Expand Appearance that can trim covered faces. Cap is on by default with continuous curved vector rims; shading uses vector gradients automatically, with sharp profile corners, uniform caps and round seam joins. One light and approximate visibility remain ([revolve.md](revolve.md)). @@ -761,11 +761,11 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur Simplify and Add Anchor Points record no undo step when they change no path, and a path they leave as it is keeps its live shape. The Simplify dialog also has Corner Point Angle Threshold, Convert to Straight Lines and Show Original Path. The threshold is a slider from 0° to 180° and opens at 150°: an anchor whose corner is sharper than the threshold stays a corner, so moving the slider right keeps more corners, and the dialog sends `cornerAngle` as 180° less the threshold. While Preview is on, Show Original Path draws the paths as they were before the preview in a wide, faint band of their layer's color under the selection's outlines. Object › Path › Simplify opens a slider under the selection ([Manually simplify paths](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/manually-simplify-paths.html), [Auto simplify paths](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/auto-simplify-paths.html)) with Auto-Simplify, a rail from the fewest anchor points to the closest fit, and More Options, which opens the dialog at the slider's tolerance. The rail's levels are VectorCraft's own scale (`object.path.simplify {level}`): level 50 is 1 pt, and every 10 levels halve or double the tolerance, from 32 pt at 0 to 1/32 pt at 100. Auto-Simplify picks the lowest level whose tolerance is at most 1/400 of the selection's longer side, or level 100 when that side is under 12.5 pt; the slider opens at that level, with its result previewed, as the manual-simplify page describes. The dialog's "Open this dialog with these settings next time" makes the menu item open the dialog on the settings of its last OK. - With anchors or segments of a path selected with Direct Selection, Simplify acts on just that part of the path, as the [Manually simplify paths](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/manually-simplify-paths.html) page puts it: the slider, Auto-Simplify and the dialog refit only each run of selected segments, between its end anchors, which keep their place and their handles on the side away from the run. The anchors and segments outside the runs stay exactly as they were, a closed path's run may cross its start point, separate runs on one path are refitted independently in one undo step, and the runs stay selected. A path with only lone anchors selected is still simplified whole, and `object.path.simplify {wholePaths: true}` simplifies partly selected paths whole. Tests: `crates/engine/src/tests_simplify_part.rs` and `simplify_slider_and_dialog_simplify_only_the_direct_selected_part_of_a_path`. -- **Devanagari shaping:** with an OpenType Devanagari font, Ka, virama and Ssa (क्ष) form one conjunct glyph, Ra and virama before a consonant (र्क) become a reph drawn after it, the i matra (कि) is drawn before its consonant, and Ka with a nukta is drawn like the precomposed क़ (U+0958), as [Microsoft's Devanagari shaping specification](https://learn.microsoft.com/en-us/typography/script-development/devanagari) describes. Each syllable is one cluster of its source bytes, and the arrow keys stop at its ends. A click inside a syllable drawn with several glyphs puts the caret at the syllable's nearer end, in point, area and path type. Tests: `crates/text/src/tests_devanagari.rs`; they print SKIPPED when no such font is installed. -- **Vertical punctuation:** fullwidth `！` (U+FF01) and `？` (U+FF1F) use their nominal glyph upright when no vertical alternate is present, following the Tu fallback in [Unicode UAX #50 §3.1](https://www.unicode.org/reports/tr50/#vo). Code-built test fonts cover point and area type with and without `vert` alternates, retain the rotated fallback for a bracket and long vowel mark, and leave horizontal type unchanged. Tests: `crates/text/src/tests_vertical.rs`. + With anchors or segments of a path selected with Direct Selection, Simplify acts on just that part of the path, as the [Manually simplify paths](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/manually-simplify-paths.html) page puts it: the slider, Auto-Simplify and the dialog refit only each run of selected segments, between its end anchors, which keep their place and their handles on the side away from the run. The anchors and segments outside the runs stay exactly as they were, a closed path's run may cross its start point, separate runs on one path are refitted independently in one undo step, and the runs stay selected. A path with only lone anchors selected is still simplified whole, and `object.path.simplify {wholePaths: true}` simplifies partly selected paths whole. Tests: `crates/engine/src/tests/simplify_part.rs` and `simplify_slider_and_dialog_simplify_only_the_direct_selected_part_of_a_path`. +- **Devanagari shaping:** with an OpenType Devanagari font, Ka, virama and Ssa (क्ष) form one conjunct glyph, Ra and virama before a consonant (र्क) become a reph drawn after it, the i matra (कि) is drawn before its consonant, and Ka with a nukta is drawn like the precomposed क़ (U+0958), as [Microsoft's Devanagari shaping specification](https://learn.microsoft.com/en-us/typography/script-development/devanagari) describes. Each syllable is one cluster of its source bytes, and the arrow keys stop at its ends. A click inside a syllable drawn with several glyphs puts the caret at the syllable's nearer end, in point, area and path type. Tests: `crates/text/src/tests/devanagari.rs`; they print SKIPPED when no such font is installed. +- **Vertical punctuation:** fullwidth `！` (U+FF01) and `？` (U+FF1F) use their nominal glyph upright when no vertical alternate is present, following the Tu fallback in [Unicode UAX #50 §3.1](https://www.unicode.org/reports/tr50/#vo). Code-built test fonts cover point and area type with and without `vert` alternates, retain the rotated fallback for a bracket and long vowel mark, and leave horizontal type unchanged. Tests: `crates/text/src/tests/vertical.rs`. - Free Distort's dialog (Effect › Distort & Transform › Free Distort…) shows a box in the proportions of the first selected object's bounds with a handle on each corner. Dragging a handle moves that corner. A handle focused by a click or Tab moves 1% of the box with each arrow key, and 10% with Shift. Reset puts the four corners back on the box. The preview and OK run `effect.apply`, or `effect.setParams` when the dialog edits an applied effect, and the Appearance panel's inline editor opens the dialog with Edit…. Behavior reference: Illustrator CC Help (2014, [PDF](https://help.adobe.com/archive/en/illustrator/cc/2014/illustrator_reference.pdf)), page 285 (PDF page 291). -- **Kerning across style runs:** characters that differ only in fill, stroke, underline, strikethrough, overprint, character style name, leading, baseline shift, rotation, Character Alignment, kerning, or tracking that keeps or drops ligatures alike are shaped together, so restyling one character keeps the font's kerning pairs with its neighbors. A character with manual kerning that follows one with automatic kerning keeps the font's kerning with it (unless All Caps or Small Caps sets it as two letters, as ß becomes SS), and its value replaces the font's kerning after it. A ligature does not form across a change of style, and a change of font, size or OpenType features still shapes the characters apart. Behavior reference: [Line and character spacing](https://web.archive.org/web/20260916050333/https://helpx.adobe.com/illustrator/using/line-character-spacing.html) (public documentation). Tests: `crates/text/src/tests_typo.rs`, `crates/text/src/tests_bidi.rs`. +- **Kerning across style runs:** characters that differ only in fill, stroke, underline, strikethrough, overprint, character style name, leading, baseline shift, rotation, Character Alignment, kerning, or tracking that keeps or drops ligatures alike are shaped together, so restyling one character keeps the font's kerning pairs with its neighbors. A character with manual kerning that follows one with automatic kerning keeps the font's kerning with it (unless All Caps or Small Caps sets it as two letters, as ß becomes SS), and its value replaces the font's kerning after it. A ligature does not form across a change of style, and a change of font, size or OpenType features still shapes the characters apart. Behavior reference: [Line and character spacing](https://web.archive.org/web/20260916050333/https://helpx.adobe.com/illustrator/using/line-character-spacing.html) (public documentation). Tests: `crates/text/src/tests/typo.rs`, `crates/text/src/tests/bidi.rs`. - **Recent font pickers (#3515):** The shared Character, Properties, Glyphs and Find Font family picker lists recently applied families first, once each, in most-recent order and limited by Preferences › Type › Number of Recent Fonts. Search and filters apply to both sections; unavailable families are omitted. Section headings cannot be selected or previewed. Confirmed character-range font edits update the same saved history; previews and failed edits do not. Requirement: [issue #3515](https://github.com/storytold/vectorcraft/issues/3515). - **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`), and an anchor of the path of type on a path outside perspective, the type reflowing along it (`text.reshapePath`, #3980). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. The Character panel's Variable Font sliders set each axis (see Fonts). Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). Cmd+Shift+C (Align center) works on Windows and Linux too (#1940). A double-click on area type's bottom middle handle turns on Auto Size (#1940). Print and Print Preview warn about the area type and type on a path that prints without the text that doesn't fit, and give their ids. A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). The Every-line Composer composes a paragraph whose characters differ in line metrics (type size, font, leading or vertical scale, or an inline graphic taller than the text) in rectangular area type, rows and columns included. In area type of another shape, or with text wrap, such a paragraph is broken with the Single-line Composer. @@ -782,7 +782,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur New Symbol and Redefine Symbol on a frame of threaded text take it out of the thread with the text it shows, which the symbol's art holds, and the other frames keep the text they hold. When the last frame goes into the symbol, the text it has no room for goes after the text of the last frame that stays. When every frame of a thread goes into the symbol, the copy of the last frame keeps all its text. With Optical Margin Alignment on, or Roman Hanging Punctuation on in the first paragraph, the glyphs at the ends of left-to-right type on a path hang outside its brackets, measured along the path. The type hangs at the start bracket when its line is placed there, hangs at the end bracket when the line is placed there, and hangs at both when it is centered. Glyphs that hang past the end bracket do not make the type overflow, and a hang stops at an open path's end. SVG export writes such type as outlines. The frames of threaded text share one Optical Margin Alignment setting: turning it on or off in one frame sets it in every frame, threading frames gives the thread its first frame's setting, and frames taken out of a thread keep it. - Type › Optical Margin Alignment (`type.opticalMarginAlignment`) hangs the punctuation and letter edges at the ends of a type object's lines outside its margins: at the left of left-aligned lines, at the right of right-aligned lines, and at both ends of centered and justified lines, in point and area type of left-to-right paragraphs. Quotation marks, hyphens, full stops and commas hang wholly; asterisks, tildes, ellipses, en and em dashes, colons and semicolons hang by half; and A, V, W, Y, v, w and y hang by a tenth of their width. It is off by default and saved with the type object. Justification's Glyph Scaling leaves the glyphs that hang at their width, so they hang exactly their share, and Standard burasagari counts what hangs at a line's start as room before hanging a comma; `crates/text/src/tests_hang.rs` checks whole paragraphs with both composers, ragged, centred and justified, with Line-end Punctuation Half Width and bidirectional lines. + Type › Optical Margin Alignment (`type.opticalMarginAlignment`) hangs the punctuation and letter edges at the ends of a type object's lines outside its margins: at the left of left-aligned lines, at the right of right-aligned lines, and at both ends of centered and justified lines, in point and area type of left-to-right paragraphs. Quotation marks, hyphens, full stops and commas hang wholly; asterisks, tildes, ellipses, en and em dashes, colons and semicolons hang by half; and A, V, W, Y, v, w and y hang by a tenth of their width. It is off by default and saved with the type object. Justification's Glyph Scaling leaves the glyphs that hang at their width, so they hang exactly their share, and Standard burasagari counts what hangs at a line's start as room before hanging a comma; `crates/text/src/tests/hang.rs` checks whole paragraphs with both composers, ragged, centred and justified, with Line-end Punctuation Half Width and bidirectional lines. Optical Margin Alignment and Roman Hanging Punctuation hang right-to-left paragraphs of point and area type, and type on a path whose first paragraph runs right to left, too. Auto aligns a right-to-left line at its right, or at the end bracket of a path, so it hangs there. A right-to-left line is read from right to left: where it hangs at its left margin, `."` ending it hangs both glyphs. The Paragraph panel menu's Hyphenation… (`ui.hyphenation`, `text.setFormat {wordsLongerThan, afterFirst, beforeLast, hyphenLimit, hyphenationZone, hyphenateCapitalized}`) sets each paragraph's hyphenation limits: the shortest word that breaks, the fewest letters on each side of the hyphen, the most hyphenated lines in a row, a zone at the right edge where the Single-line Composer breaks before a word instead of hyphenating it, and whether capitalized words break. The defaults are words longer than 5 letters, 3 letters on each side, no limit or zone, and capitalized words hyphenated; paragraph styles and the native file keep the options. PDF export with type as text writes the hyphen that ends a line broken inside a word as a hyphen character where the line draws it, and the file opens with the hyphen in the line's text; kashidas are drawn as paths. @@ -860,7 +860,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur Art Brush Options' Width has a Fixed or Pressure menu, from the pen tablet options of the Width pop-up menu on the [Brushes](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html) page (archived copy). With Pressure, the art is Width wide at the lightest pen pressure and the second width at the heaviest, following the pressure the Paintbrush recorded along the stroke, and half way between them on a stroke without recorded pressure (`brush.options` `width_mode` and `width_max`); a stroke inside the art takes the width at the middle of its object. The page does not say how the pressure maps to the width; taking the Scatter brush's minimum and maximum rule and the stroke rule are VectorCraft's own. Stylus Wheel, Tilt, Bearing and Rotation are not built. Scatter, Art and Pattern Brush Options have the Tips button for Colorization that the [Brushes](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html) page (archived copy) describes, beside Method. It opens Colorization Tips, which shows each method's name and what it does beside a sample of the brush, as OK would make it, painted with that method on a blue stroke; Hue Shift's sample uses the dialog's Key Color. `ui.dialog.set {field: "tips", value: true}` opens it. Screen readers name the button, the popover and each sample. Hue Shift set by `brush.new` or `brush.options` without a key color takes the color the art's fills and strokes use most, as Brush Options already offers it, following the Brushes page, where the key color defaults to the color that stands out most in the art (). The page does not state how prominence is measured. Counting the fills and strokes that use each solid color, with the first one found winning a tie and black for art with no solid color, is VectorCraft's own rule. A `brush.options` edit that gives only the method keeps the brush's key color, and one that gives only an art brush's start guide keeps its end guide. Evidence: `tests_brushsym::hue_shift_without_a_key_takes_the_most_used_art_color`, `tests_brushsym::art_brush_options_keep_the_scale_fields_an_edit_leaves_out`. - Bristle Brush Options and `brush.new` take a bristle brush name of at most 31 characters, as the Brushes page states for the Bristle Brush Options. The Name field stops taking characters at 31, and `brush.new` and `brush.options` refuse a longer new name with an error that names the limit. The page does not say how the limit counts characters or what happens to longer names already saved; counting characters and the number added to a taken name, keeping longer saved names, and leaving `brush.duplicate` unlimited are VectorCraft's own rules. A bristle brush that a document or a saved file already holds under a longer name keeps it, and the other brush types take a name of any length. Test: `bristle_brush_names_have_at_most_31_characters` in `tests_brushsym.rs`. Public reference: [Brushes](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html) (archived copy). + Bristle Brush Options and `brush.new` take a bristle brush name of at most 31 characters, as the Brushes page states for the Bristle Brush Options. The Name field stops taking characters at 31, and `brush.new` and `brush.options` refuse a longer new name with an error that names the limit. The page does not say how the limit counts characters or what happens to longer names already saved; counting characters and the number added to a taken name, keeping longer saved names, and leaving `brush.duplicate` unlimited are VectorCraft's own rules. A bristle brush that a document or a saved file already holds under a longer name keeps it, and the other brush types take a name of any length. Test: `bristle_brush_names_have_at_most_31_characters` in `tests/brushsym.rs`. Public reference: [Brushes](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/brushes.html) (archived copy). In the Brushes panel, Shift-click selects a range of brushes and Ctrl/Cmd-click adds or removes one. Delete Brush and Duplicate Brush then act on all of them (`brush.delete {names}`, `brush.duplicate {names}`). Document Info has a Brushes category after Graphic Styles. It lists the Brushes panel's brushes, or with Selection Only it lists the brushes that the selected objects' strokes use. The Document Info report and Package's report list them too (`document.info {category: "brushes"}`, `brushNames`). Document Info has a Repeat Objects category after Embedded Images. It lists each radial, grid and mirror Repeat object by name with its kind and the number of instances it makes. For a grid it gives the rows and columns instead, followed by the number of instances it draws when that is fewer. With Selection Only it lists the Repeat objects in the selection. The Document Info report and Package's report list them too (`document.info {category: "repeats"}`, `repeatObjects`). @@ -903,26 +903,26 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur A font family removed while the app runs leaves the font menus when the app scans the font folders again (when its window comes to the front after a font folder changed, or Refresh Font List), also when type had used it: that type then draws in the fallback font and Find Font lists the font as missing, until the font is installed again and the folders are scanned. - **Files (M4):** - PDF export and print composition use the optional shared guarded writer ([pdf-backend.md](pdf-backend.md)); app drawing and output policy and desktop printer submission remain in their existing layers. The shared reader keeps the app-owned import adapter; synthetic tests cover layer and overprint state across windows, long operands, inline images, failed decoding, document limits and incomplete tails. Empty and populated metadata key presence is regression-tested, and CI checks the immutable backend source. - Invisible text in a PDF (rendering mode 3, which carries a scanned page's recognized text over the scan) opens as type with no fill or stroke, a run of its own beside visible text on the same line; text that can't come in as type (opened as outlines, Type 3 fonts) is left out with a warning. PDF export, and printing, write characters with no fill or stroke as real text in rendering mode 3, so they draw nothing but stay selectable and searchable, also in PDF/X-1a and PDF/A-2b (#2675, `pdf/src/tests_import_fidelity.rs`, `pdf/src/tests_realtext.rs`). - A PDF, or a `.ai` read through its PDF part, whose spot inks have the same values but different names opens with a spot swatch for each ink. The solid fills and strokes of paths and type, and the stops of gradients on paths, link to the swatch of the ink they are painted in, the points of a gradient mesh in one of these inks keep the ink's color, and PDF export writes each of these inks as its own separation (`pdf/src/tests_import_color.rs`). Paint in these inks inside pattern cells, soft masks and type 3 glyphs, and gradients on type in these inks, still import as RGB. Type in one of these inks can also import as RGB when type in another Separation or DeviceN ink is shown with no path drawn between them. + Invisible text in a PDF (rendering mode 3, which carries a scanned page's recognized text over the scan) opens as type with no fill or stroke, a run of its own beside visible text on the same line; text that can't come in as type (opened as outlines, Type 3 fonts) is left out with a warning. PDF export, and printing, write characters with no fill or stroke as real text in rendering mode 3, so they draw nothing but stay selectable and searchable, also in PDF/X-1a and PDF/A-2b (#2675, `pdf/src/tests/import_fidelity.rs`, `pdf/src/tests/realtext.rs`). + A PDF, or a `.ai` read through its PDF part, whose spot inks have the same values but different names opens with a spot swatch for each ink. The solid fills and strokes of paths and type, and the stops of gradients on paths, link to the swatch of the ink they are painted in, the points of a gradient mesh in one of these inks keep the ink's color, and PDF export writes each of these inks as its own separation (`pdf/src/tests/import_color.rs`). Paint in these inks inside pattern cells, soft masks and type 3 glyphs, and gradients on type in these inks, still import as RGB. Type in one of these inks can also import as RGB when type in another Separation or DeviceN ink is shown with no path drawn between them. - `.vectorcraft` (lossless JSON, compressed, atomic saves, save down to v1), Save As with a format chooser, Save a Copy, Revert, templates, Data Recovery after a crash (browser tabs hold their copies with Web Locks too, so a background tab's copies are never taken for a crash's, and a tab repairs copies another removed when it resumes: #367), background save and export. The desktop app writes its warnings and errors (graphics adapter, a lost graphics device, panics the guard recovered from) to standard error and to `logs/vectorcraft.log` next to the preferences, the two previous runs kept and each file capped at 16 MiB, so a launch without a terminal still leaves something to attach to a bug report (#465). Native documents with a lot of path data (traced or generated art, in layers, symbols or patterns) are saved as compact JSON, about a fifth of the size; small documents stay pretty-printed (#1492). Saving to a network drive on macOS falls back to a plain fsync when the share refuses a full flush (#1625, part of #1620; not confirmed on a real share), and a save still succeeds when a folder refuses the temporary file, the rename over the document or copying permissions: the content is written elsewhere first and copied in, and a failed copy keeps the temporary file and names it (#1649, part of #1620). A document opened by a relative path finds its relatively linked images, and `vectorcraft-cli convert` lists what reading the input left out as `importWarnings` (#1606, fixes #1604). A name typed in the desktop save panel without the file type's extension gets it, and when a file of that name exists, which the panel did not ask about, Save, Save As, Save a Copy, Save as Template, the exports and every other write through a save panel ask before replacing it (dialog `replaceFile`; Cancel writes nothing). A name returned by the desktop save panel with the extension of a format the save does not write has it replaced with the saved format's: Save As of a new document saves `card.ait` and `card.png` as `card.vectorcraft`, and Save as Template saves `card.pdf` as `card.vctemplate`. An extension that names no format stays part of the name (`notes.v2` is saved as `notes.v2.vectorcraft`). - Export As, Save as PDF, Save for Office Documents, Save for Web, Text Export Options, print to file, the presets' Export… and the library, swatch and Document Info saves replace a typed extension of another format than the one they write in the same way: Export As PNG writes `card.svg` as `card.png`, Save as PDF writes `card.png` as `card.pdf`, and `document.exportSelection` with a `format` suggests and adds that format's extension. An extension of the written format stays as typed in any letter case (`photo.JPEG` for JPEG), Export As SVG writes `art.svgz` compressed, and `document.exportSelection` without a `format` writes the format the typed extension names (`tests_saveext.rs`). + Export As, Save as PDF, Save for Office Documents, Save for Web, Text Export Options, print to file, the presets' Export… and the library, swatch and Document Info saves replace a typed extension of another format than the one they write in the same way: Export As PNG writes `card.svg` as `card.png`, Save as PDF writes `card.png` as `card.pdf`, and `document.exportSelection` with a `format` suggests and adds that format's extension. An extension of the written format stays as typed in any letter case (`photo.JPEG` for JPEG), Export As SVG writes `art.svgz` compressed, and `document.exportSelection` without a `format` writes the format the typed extension names (`tests/saveext.rs`). - macOS: the save sheet of Save As, Save a Copy, Save as Template and the first Save of a new document has a Format menu that lists each format the save can write, with the suggested file's format selected. Choosing a format changes the extension in the name field, and a name typed without an extension gets the chosen format's. A name typed with another listed extension is saved in that format. The menu is set up before the sheet opens; a save panel with one file type is shown by rfd as before (#866, `apps/vectorcraft/src/mac_save_format.rs`). - Linux and the BSDs: the save dialog of Save As, Save a Copy, Save as Template and the first Save of a new document is asked of the desktop portal, starting on the suggested file's type, and the file type picked in it decides the format. A name typed without an extension, or with the suggested file's in any letter case, gets the picked type's extension; a name typed with another save format's extension (for Save as Template, a template format's) is saved in that format, another format's extension is replaced with the picked type's, and any other extension gets the picked type's added. rfd shows the dialog when the portal can't (#2679, `apps/vectorcraft/src/portal_save.rs`). - Save as Template writes a PDF-compatible `.ait` as well as a `.vctemplate`, which stays the default: the save panel and the web build's Save as Template dialog list both, and New from Template opens the `.ait` as an untitled document with its layers and art (`file.saveAsTemplate {format: "ait"}`, or a path ending in `.ait`). Save as Template always writes a file named with its template type's extension: `file.saveAsTemplate` saves a path ending in another format's extension (`card.png`) as `card.vctemplate` (or `card.ait`), the desktop save panel does the same with a Save As format's extension typed in it (`card.pdf` is saved as `card.vctemplate`), and `file.saveAs` and `document.save` refuse `ait` with an error that names `file.saveAsTemplate`. A `.ait` is PDF-compatible only: `aiVersion: "7"` is an error for it, and the web build's dialog shows no Version row for it. Exports refuse a `.ait` with an error that names `file.saveAsTemplate`, and `vectorcraft-cli convert in.pdf out.ait` and `run --export out.ait` write the template as `file.saveAsTemplate` does. - - SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units (SVG type under a transform or `viewBox` scale opens at the size it draws at, the scale moved into its size, leading, baseline shift and strokes, a stretch, skew or rotation kept as its transform: #396; a top-level group with a clip path, such as a clipped Inkscape layer, opens as a layer with a clipping mask, its name kept: #420; hidden objects written hidden on Save and `convert`, and `data-*` attributes kept as the objects' own data: #522; top-level groups open as layers named from `data-name`, else the id, also when one more group (a transform on all the art, a ``) wraps them, hidden ones hidden, and a file whose art sits loose under a root `` with an id (or `data-name`), as one-layer exports write it, opens with its one layer named from it; nested groups stay groups, except the sublayers VectorCraft writes, marked `data-vc-layer`, and Inkscape sublayers, which open as sublayers in their layer's colour: #372); PDF and PDF-compatible `.ai` in and out (layers, with hidden ones kept hidden with their art and nested ones as sublayers, on pages of up to 64 million operators, art whose layer can't be told going to a hidden, non-printing layer rather than showing or printing: #419; strokes kept live, a fill and a stroke of one outline as one object; a type object's stroke written as each glyph's outline stroked back on the type, so it stays one editable object; lines wrapped in a frame (each wrapped line ending in a space, one left edge, leading and font) back as one area type object, left aligned or justified with its paragraph spacing, where laying it out breaks the lines where the file does; glyphs set apart by gaps wider than a space (a barcode's digit groups) keeping their places; layers stacked as the pages mark them even when one first paints on a later page, art ending a layer's marked content or a clip closing in a later layer kept in its own layer, and layers with no art kept empty: #508; art reaching past a plain PDF's page clipped to its crop box, as PDF viewers show it, each such object in a clip group of its own (a PDF-compatible `.ai` opens whole: #675); a `.ai` on its trim boxes with the bleed boxes round them as the document's bleed, as Crop To › Trim opens a PDF (#1266); masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, an `.ai`'s white page under its layers left out rather than coming in as art, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3). CMYK images keep their ink amounts from PDF import (and from placed CMYK TIFFs) to PDF export: a CMYK JPEG passes through unchanged, others stay CMYK (DeviceCMYK, or ICC-based CMYK in PDF/X-3/X-4) unless the Output settings convert them; the canvas shows them through the working CMYK profile (#320). Overprint is kept from PDF import (opened, the PDF part of an `.ai`, placed) to PDF export: the graphics state's `/OP` and `/op` become the overprint of fills, strokes and type, so a spot colour over a process colour still overprints; a page whose overprint can't be read for certain knocks out with a note, as does `/OPM 0` being read as nonzero overprint (#1388; hand-written fixtures, `pdf/src/tests_import_overprint.rs`). A masked CMYK image (`/SMask`, `/Mask` or a colour key) keeps its inks too, its alpha coming in as a greyscale opacity mask. - - SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units (SVG type under a transform or `viewBox` scale opens at the size it draws at, the scale moved into its size, leading, baseline shift and strokes, a stretch, skew or rotation kept as its transform: #396; a top-level group with a clip path, such as a clipped Inkscape layer, opens as a layer with a clipping mask, its name kept: #420; hidden objects written hidden on Save and `convert`, and `data-*` attributes kept as the objects' own data: #522; top-level groups open as layers named from `data-name`, else the id, also when one more group (a transform on all the art, a ``) wraps them, hidden ones hidden, and a file whose art sits loose under a root `` with an id (or `data-name`), as one-layer exports write it, opens with its one layer named from it; nested groups stay groups, except the sublayers VectorCraft writes, marked `data-vc-layer`, and Inkscape sublayers, which open as sublayers in their layer's colour: #372); PDF and PDF-compatible `.ai` in and out (layers, with hidden ones kept hidden with their art and nested ones as sublayers, on pages of up to 64 million operators, art whose layer can't be told going to a hidden, non-printing layer rather than showing or printing: #419; strokes kept live, a fill and a stroke of one outline as one object; a type object's stroke written as each glyph's outline stroked back on the type, so it stays one editable object; lines wrapped in a frame (each wrapped line ending in a space, one left edge, leading and font) back as one area type object, left aligned or justified with its paragraph spacing, where laying it out breaks the lines where the file does; glyphs set apart by gaps wider than a space (a barcode's digit groups) keeping their places; layers stacked as the pages mark them even when one first paints on a later page, art ending a layer's marked content or a clip closing in a later layer kept in its own layer, and layers with no art kept empty: #508; art reaching past a plain PDF's page clipped to its crop box, as PDF viewers show it, each such object in a clip group of its own (a PDF-compatible `.ai` opens whole: #675); a `.ai` on its trim boxes with the bleed boxes round them as the document's bleed, as Crop To › Trim opens a PDF (#1266); masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, an `.ai`'s white page under its layers left out rather than coming in as art, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3). CMYK images keep their ink amounts from PDF import (and from placed CMYK TIFFs and the images in an `.ai` or EPS file's editing data, an alpha channel coming in as a grayscale opacity mask) to PDF export: a CMYK JPEG passes through unchanged, others stay CMYK (DeviceCMYK, or ICC-based CMYK in PDF/X-3/X-4) unless the Output settings convert them; the canvas shows them through the working CMYK profile (#320). Overprint is kept from PDF import (opened, the PDF part of an `.ai`, placed) to PDF export: the graphics state's `/OP` and `/op` become the overprint of fills, strokes and type, so a spot colour over a process colour still overprints; a page whose overprint can't be read for certain knocks out with a note, as does `/OPM 0` being read as nonzero overprint (#1388; hand-written fixtures, `pdf/src/tests_import_overprint.rs`). A masked CMYK image (`/SMask`, `/Mask` or a colour key) keeps its inks too, its alpha coming in as a greyscale opacity mask. + - SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units (SVG type under a transform or `viewBox` scale opens at the size it draws at, the scale moved into its size, leading, baseline shift and strokes, a stretch, skew or rotation kept as its transform: #396; a top-level group with a clip path, such as a clipped Inkscape layer, opens as a layer with a clipping mask, its name kept: #420; hidden objects written hidden on Save and `convert`, and `data-*` attributes kept as the objects' own data: #522; top-level groups open as layers named from `data-name`, else the id, also when one more group (a transform on all the art, a ``) wraps them, hidden ones hidden, and a file whose art sits loose under a root `` with an id (or `data-name`), as one-layer exports write it, opens with its one layer named from it; nested groups stay groups, except the sublayers VectorCraft writes, marked `data-vc-layer`, and Inkscape sublayers, which open as sublayers in their layer's colour: #372); PDF and PDF-compatible `.ai` in and out (layers, with hidden ones kept hidden with their art and nested ones as sublayers, on pages of up to 64 million operators, art whose layer can't be told going to a hidden, non-printing layer rather than showing or printing: #419; strokes kept live, a fill and a stroke of one outline as one object; a type object's stroke written as each glyph's outline stroked back on the type, so it stays one editable object; lines wrapped in a frame (each wrapped line ending in a space, one left edge, leading and font) back as one area type object, left aligned or justified with its paragraph spacing, where laying it out breaks the lines where the file does; glyphs set apart by gaps wider than a space (a barcode's digit groups) keeping their places; layers stacked as the pages mark them even when one first paints on a later page, art ending a layer's marked content or a clip closing in a later layer kept in its own layer, and layers with no art kept empty: #508; art reaching past a plain PDF's page clipped to its crop box, as PDF viewers show it, each such object in a clip group of its own (a PDF-compatible `.ai` opens whole: #675); a `.ai` on its trim boxes with the bleed boxes round them as the document's bleed, as Crop To › Trim opens a PDF (#1266); masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, an `.ai`'s white page under its layers left out rather than coming in as art, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3). CMYK images keep their ink amounts from PDF import (and from placed CMYK TIFFs) to PDF export: a CMYK JPEG passes through unchanged, others stay CMYK (DeviceCMYK, or ICC-based CMYK in PDF/X-3/X-4) unless the Output settings convert them; the canvas shows them through the working CMYK profile (#320). Overprint is kept from PDF import (opened, the PDF part of an `.ai`, placed) to PDF export: the graphics state's `/OP` and `/op` become the overprint of fills, strokes and type, so a spot colour over a process colour still overprints; a page whose overprint can't be read for certain knocks out with a note, as does `/OPM 0` being read as nonzero overprint (#1388; hand-written fixtures, `pdf/src/tests/import_overprint.rs`). A masked CMYK image (`/SMask`, `/Mask` or a colour key) keeps its inks too, its alpha coming in as a greyscale opacity mask. + - SVG/SVGZ in and out with SVG Options, Preserve Editing, symbols, filters, rich text and physical units (SVG type under a transform or `viewBox` scale opens at the size it draws at, the scale moved into its size, leading, baseline shift and strokes, a stretch, skew or rotation kept as its transform: #396; a top-level group with a clip path, such as a clipped Inkscape layer, opens as a layer with a clipping mask, its name kept: #420; hidden objects written hidden on Save and `convert`, and `data-*` attributes kept as the objects' own data: #522; top-level groups open as layers named from `data-name`, else the id, also when one more group (a transform on all the art, a ``) wraps them, hidden ones hidden, and a file whose art sits loose under a root `` with an id (or `data-name`), as one-layer exports write it, opens with its one layer named from it; nested groups stay groups, except the sublayers VectorCraft writes, marked `data-vc-layer`, and Inkscape sublayers, which open as sublayers in their layer's colour: #372); PDF and PDF-compatible `.ai` in and out (layers, with hidden ones kept hidden with their art and nested ones as sublayers, on pages of up to 64 million operators, art whose layer can't be told going to a hidden, non-printing layer rather than showing or printing: #419; strokes kept live, a fill and a stroke of one outline as one object; a type object's stroke written as each glyph's outline stroked back on the type, so it stays one editable object; lines wrapped in a frame (each wrapped line ending in a space, one left edge, leading and font) back as one area type object, left aligned or justified with its paragraph spacing, where laying it out breaks the lines where the file does; glyphs set apart by gaps wider than a space (a barcode's digit groups) keeping their places; layers stacked as the pages mark them even when one first paints on a later page, art ending a layer's marked content or a clip closing in a later layer kept in its own layer, and layers with no art kept empty: #508; art reaching past a plain PDF's page clipped to its crop box, as PDF viewers show it, each such object in a clip group of its own (a PDF-compatible `.ai` opens whole: #675); a `.ai` on its trim boxes with the bleed boxes round them as the document's bleed, as Crop To › Trim opens a PDF (#1266); masks, editable text with type set along a curve coming back as type on a path, each artboard's art on its own page only, an `.ai`'s white page under its layers left out rather than coming in as art, spot colours, presets, security, marks and bleed, ICC output intents, raster effects, subset fonts, PDF/X, PDF layers, overprint, page thumbnails, fast web view, PDF 1.3). CMYK images keep their ink amounts from PDF import (and from placed CMYK TIFFs and the images in an `.ai` or EPS file's editing data, an alpha channel coming in as a grayscale opacity mask) to PDF export: a CMYK JPEG passes through unchanged, others stay CMYK (DeviceCMYK, or ICC-based CMYK in PDF/X-3/X-4) unless the Output settings convert them; the canvas shows them through the working CMYK profile (#320). Overprint is kept from PDF import (opened, the PDF part of an `.ai`, placed) to PDF export: the graphics state's `/OP` and `/op` become the overprint of fills, strokes and type, so a spot colour over a process colour still overprints; a page whose overprint can't be read for certain knocks out with a note, as does `/OPM 0` being read as nonzero overprint (#1388; hand-written fixtures, `pdf/src/tests/import_overprint.rs`). A masked CMYK image (`/SMask`, `/Mask` or a colour key) keeps its inks too, its alpha coming in as a greyscale opacity mask. In imported PDF type, a space glyph the file draws between two words also keeps the next word where the file has it when the gap beside the space is wide, as VectorCraft's own export draws a tracked space: the space gets tracking of its own, and the wrapped lines of a justified paragraph still come back as one area type object when the word gaps on each line are alike (part of #2384). Letter-spaced PDF type, whether set with character spacing (`Tc`) or glyph by glyph, keeps its word spaces and gains none between its letters: the spacing a line's letters share is taken off each gap before a gap reads as a space. That holds on a line that also shows where its words break, with spaces the file draws or gaps wider than the rest; evenly spaced glyphs alone, which could be words of one letter, keep every gap as a space, as do glyphs set more than half an em apart, such as figures in columns. A function-based PDF shading (type 1) whose colour changes along one axis only, as a browser writes a repeating linear gradient, comes in as a linear gradient over its domain, each hard colour change two stops at one offset; one whose colour changes in two directions comes in as its average colour, with a warning. Either paints only over the shading's domain. Both came in as a flat grey that wasn't in the file (#3621). Each such shading is read once per import, and all of them within one budget of 200,000 function evaluations, so a file filling thousands of paths with long functions still opens in about a second (it took minutes); past the budget they come in as their average colour, then grey, with a warning. A gap between glyphs of two sizes is measured against the smaller one, so a word set beside a much larger one with no space glyph between them (a browser's margin between two sizes, as in `≤ 4` and a small `hours`) keeps its word space (#3623). SVG import's style cascade, used for hidden objects, non-scaling strokes and type, tests each element only against the `