.ai import: objects other than type keep some Distort & Transform effects live

An art style with a Distort & Transform effect opened every object but
type as its drawn look. Objects other than type now open as themselves
with these effects live:

- Any object takes a Tweak that moves nothing and Pucker & Bloat at 0,
  beside the effects it already took.
- A path, compound path or group takes Transform without copies, or a
  Free Distort whose corners make a parallelogram, when it is the only
  effect. Neither the style nor anything in the object may paint with a
  gradient or pattern. Everything in the object must be a path, compound
  path or group without a clip, an opacity mask or effects of its own.
  When Transform scales, rotates or reflects, nothing in the object may
  be stroked.
- An unstroked path or compound path whose segments are all straight
  takes Twist when it is the only effect.

Other objects keep the drawn look, as do Zig Zag, Pucker & Bloat of
another amount, a Free Distort with other corners and Transform copies.

Docs: docs/file-format-parity.md, docs/target-app-parity.md.

docs/target-app-parity.md

@@ -1208,6 +1208,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
     A `.ai` opened from its editing data opens its Objects on Path groups live, with their path, their objects in order along it, Pivot and Rotate, and their art where the file draws it; a group whose spacing has been dragged, or with options an Objects on Path group doesn't hold, opens as a plain group (`crates/eps/src/import/ai/tests.rs`).
     A `.ai` or EPS whose editing data has brushes opens with the file's Calligraphic, Scatter, Art and Bristle brushes in the Brushes panel in place of the default ones, in the file's order: the Calligraphic size, roundness and angle with their variation, the Scatter size, spacing, scatter and rotation, the Bristle settings, and the Scatter and Art brushes' art. A brush library `.ai` (brushes and no layers) opens from its PDF part with its brushes, so Other Library lists them. Pattern brushes and brushes that can't be read are left out with a note; brushed paths still come in as their drawn look (part of #372 and #637; `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/tests_native.rs`).
     In a `.ai` opened from its editing data, a path or type object with Offset Path, Outline Object or Outline Stroke on the whole object opens as itself with those effects live, in their order and shown or hidden; on a fill or stroke of type they stay on that fill or stroke. Offset Path keeps its Offset, Joins and Miter Limit, and Outline Stroke takes its width from the stroke. An Offset Path with a setting missing, out of range or not read keeps the drawn art, as does a path with a Path effect on one fill or stroke (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/tests_native.rs`).
+    In a `.ai` opened from its editing data, an object with a Tweak that moves nothing or Pucker & Bloat at 0 opens as itself with the effect live. A path, compound path or group whose only effect is Transform without copies, or a Free Distort whose corners make a parallelogram, opens as itself with it live, and so does an unstroked path or compound path with straight segments whose only effect is Twist. A gradient or pattern, an image, type, a clipping group, an opacity mask or effects inside the object, or a stroke with a Transform that scales, rotates or reflects, keep the drawn art (`crates/eps/src/import/ai/style/tests.rs`, `crates/eps/src/import/ai/tests.rs`, `crates/eps/src/import/ai/read/ops.rs`).
     A PDF page whose `UserUnit` (PDF 1.6) is above 1 opens at its size in points, its numbers times the `UserUnit` (one above 75,000 counts as 75,000), and `document.pdfInfo` gives its size and boxes in points too. A `.ai` whose editing data has its artboards in the units of such a page opens from that data at the page's size, with its layers, and when the layers can't be read its pages still take the artboard layout of the data, scaled the same way (part of #1482).
     When the PDF content of a `.ai` has a page for each artboard, the layers are compared with every page on its artboard (until the pages compared take 8,388,608 pixels at the comparison's scale, about 67 letter-size pages, or number 128): art that only the layers or only a later page draws is handled as art that differs on the first page is, and a text object that a later page doesn't draw is left out unless its layer doesn't print (`crates/eps/src/import/tests_native.rs`).
     When the editing data of a `.ai` or EPS is for a page of another size than the file's, the warning that its layers weren't read gives both sizes in points, and the scale of the editing data's page to the file's page (1:10 for a tenth of its size) when their sides are in proportion (#2034; `crates/eps/src/import/tests_native.rs`).