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Merge main into feat/character-anti-aliasing-method-r
# Conflicts: # crates/engine/src/cmd/panelcmds.rs # crates/ui-egui/src/panels/character.rs
This commit is contained in:
dotCooCoo
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@@ -421,7 +421,7 @@ objects' fills or strokes differ (`fillMixed` / `strokeMixed`, drawn as a "?" pr
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| `draw_path` | `{points \| d, closed?, fill?, stroke?, strokeWidth?, dash?, cap?, join?, opacity?, name?, effects?}` | `points` is `[[x,y],…]` or `[{x,y,in?,out?,smooth?},…]`. `d` is SVG path data. The options are below. |
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| `draw_shape` | `{shape, …geometry, fill?, stroke?, strokeWidth?, dash?, cap?, join?, opacity?, name?, effects?}` | `rectangle`/`ellipse`: `x,y,width,height` (plus `radius` for corners). `polygon`: `cx,cy,radius,sides`. `star`: `cx,cy,radius1,radius2,points`. `line`: `x1,y1,x2,y2`. |
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| `set_paint` | `{fill?, stroke?, strokeWidth?, ids?}` | Applies to the selection (or `ids`) and becomes the default for new art. Returns `{applied, objects}`: `objects` is the number of objects painted, as the `objects` of the `paint.setFill`, `paint.setStroke` and `stroke.set` replies (the largest of them): a selected group counts the objects inside it. When it is 0, a `note` says that only the paint for new art changed. |
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| `press_key` | `{key, mods?}` | Remote: a real key event. Headless: runs the command or tool bound to that shortcut, or sends the key to the busy tool (digits too: `5` while dragging with the Perspective Selection tool; `e` while dragging a Selection or Group Selection marquee; `c` and `f` while dragging out an arc). |
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| `press_key` | `{key, mods?}` | Remote: a real key event. Headless: runs the command or tool bound to that shortcut, or sends the key to the busy tool (digits too: `5` while dragging with the Perspective Selection tool; `e` while dragging a Selection or Group Selection marquee; `c` and `f` while dragging out an arc; `f`, `v`, `x` and `c` while dragging out a rectangular or polar grid). |
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| `type_text` | `{text}` | Remote only. |
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| `answer_dialog` | `{set?: [{field, value?}], action?}` | Remote only. Sets fields of the app's open dialog in the order given with one `ui.dialog.set {fields}` (a missing `value` is `null`). The app stores all of them or none. When the app refuses the `ui.dialog.set`, for example because no dialog is open, the call is an error and `action` is not sent. Then `action` `confirm` (OK, `ui.dialog.confirm`) or `cancel` (`ui.dialog.cancel`). Give `set`, `action` or both; `set` holds at most 256 fields. `inspect_ui` shows the open dialog and its fields as `ui.dialog`. Returns `{dialog, result}`: the dialog after the fields were set (or `null`) and the reply to `confirm` or `cancel` (or `null`). After `invoke_menu` `app.quit`, `file.close` or `file.closeAll` replies `{"pending": "saveChanges"}`, `{action: "confirm"}` saves, `{set: [{field: "discard", value: true}], action: "confirm"}` closes without saving and `{action: "cancel"}` cancels the close or quit. |
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| `invoke_menu` | `{command, params?}` | Invokes a menu item by command id. Includes UI commands such as `view.*` and `window.*` in remote mode. |
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@@ -500,6 +500,13 @@ the new values, and they stay as the Spiral tool's `segments` and `decay` option
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{"name":"pointer_gesture","arguments":{"tool":"spiral","events":[{"kind":"down","x":100,"y":100},{"kind":"drag","x":200,"y":100,"mods":{"alt":true}},{"kind":"drag","x":300,"y":100,"mods":{"alt":true}},{"kind":"up","x":300,"y":100}]}}
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```
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While a grid is being dragged out with the Rectangular Grid or Polar Grid tool, `press_key {key: "f"}` and
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`{key: "v"}` lower and raise the skew of the horizontal dividers (`rowSkew`) or the radial dividers (`radialSkew`) by
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10, and `{key: "x"}` and `{key: "c"}` lower and raise that of the vertical dividers (`columnSkew`) or the concentric
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dividers (`concentricSkew`), within ±500. Plain and Shift presses change the skew; with Alt, Ctrl or Cmd held they do not.
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The grid drawn on release uses these skews, and they stay as the tool's options for the next grid. With nothing
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being dragged, the four letters run their shortcuts as before.
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Appearance stacks: an object can carry several fills and strokes (`appearance.addFill`, `appearance.addStroke`), indexed
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in paint order (0 is painted first, the bottom row of the Appearance panel). Cmd+/ runs `appearance.addFill` and
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Cmd+Alt+/ runs `appearance.addStroke` (`press_key {key: "/", mods: {cmd: true, alt: true}}`). `paint.setFill`, `paint.setStroke`,
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@@ -1147,7 +1154,7 @@ a key left out.
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These commands refuse a string, a number or another value that is not true or false with
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`` `closed` must be true or false ``, naming the key, and leave the document and its undo history as they were:
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`clockwise` in `shape.spiral`; `closed` in `shape.arc` and `path.create`; `vertical` and `placeholder` in `text.create`
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and `text.createInPath`; `underline`, `strikethrough`, `allCaps`, `proportionalMetrics`, `tateChuYoko` and `noBreak`
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and `text.createInPath`; `underline`, `strikethrough`, `allCaps`, `proportionalMetrics`, `tateChuYoko`, `standardVerticalRoman` and `noBreak`
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in `text.setRangeStyle`; `effective` in `text.getRange`; `on` in `type.opticalMarginAlignment`, `type.systemLayout`
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and `type.fractionalWidths`; `remove` and `overhang` in `type.ruby`; `expandInstances` in `symbol.delete`; `alt` in
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`symbol.spray` and `symbol.adjust`; `spot` and `global` in `swatch.new` and `swatch.edit`; `unlink` in
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@@ -1701,6 +1708,15 @@ already walks Image Trace. Short agent entry points:
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release, and Escape between the press and the release removes the marquee so that the release runs nothing. The
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tool does not highlight or select the faces and edges of a Live Paint group that is locked, on a locked layer or on
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a locked artboard, or in isolation mode outside the isolated art.
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The Live Paint Bucket's options (`tool.setOption {tool: "livePaintBucket", values}`; double-clicking the tool opens
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them, dialog `livePaintBucketOptions`) are `paintFills` (on), `paintStrokes` (off), `highlight` (on), `color` (the
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highlight color, `#rrggbb` or a layer color's name; `#ff2a2a`) and `width` (the highlight's width, 1 to 20 screen
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pixels; 4). With `paintFills` alone on, a click runs `livePaint.fill` and Shift-click runs `livePaint.strokeEdge`.
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With `paintStrokes` alone on, a click runs `livePaint.strokeEdge` on the edge within 4 screen pixels of the pointer,
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or nothing when none is in reach, and Shift-click runs `livePaint.fill`. With both on, a click runs
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`livePaint.strokeEdge` when an edge is within 4 screen pixels of the pointer and `livePaint.fill` otherwise, and
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Shift-click runs `livePaint.fill`. With both off, a click runs nothing. With `highlight` off, the face or edge under
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the pointer is not outlined.
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`livePaint.merge` keeps the bottom Live Paint group's id, name, lock, visibility, transparency, appearance, opacity
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mask and graphic style link. With a Live Paint group among the objects, `livePaint.make` adds the others to it as
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`livePaint.merge` does, and so does `livePaint.fill {ids}` when `point` is outside that group's faces.
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@@ -6085,6 +6101,17 @@ Commands:
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last piece of each run is what is left. The pieces are selected; more than 100,000 is refused. → `{ids, dashes}`.
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Divide into Dashes… opens a dialog (`ui.menuDialog {command}`, kind `divideDashes`) whose fields are these
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parameters, with Preview.
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- `addon.pathtools.expandDashes {ids?}` turns the dashed stroke of each path and compound path under `ids` (default:
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the selection) into separate open paths, one per dash, as one undo step (Object › Plug-ins › Path Precision Tools ›
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Expand Dashes into Paths). The dashes are laid out exactly as the stroke draws them: its dash pattern (an odd one
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repeats with dashes and gaps swapped), its dash offset and Align Dashes to Corners and Path Ends, restarting on each
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subpath and running on through the start of a closed one; a dash running all the way round a closed path stays
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closed. Each dash keeps the path's appearance with the top stroke's dashes off, so the gaps become real gaps; with a
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round or projecting cap a dash of no length (a dot) becomes a path on its point, which draws the cap (under a butt
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cap it paints nothing, so it makes nothing). The stroke's arrowheads go, the line is first trimmed under them as
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drawn, and the path's fills stay on it, below its dashes (a path without fills goes). A compound path's dashes are
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plain paths with its appearance. Paths without a dashed stroke stay as they are, and it is an error if none has one.
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The dashes are selected; more than 100,000 (or a pattern too fine to draw) is refused. → `{ids, dashes}`.
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- `addon.pathtools.cornerSet {ids?, anchors?, items?, radius, kind?}` cuts live corners, the ones Direct Selection's
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corner widgets and the Corners dialog edit, as one undo step. `ids` (default: the selection) are the paths and
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`anchors` the anchor indices of each path's outline with no corners cut; without `anchors`, a path's direct-selected
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@@ -6404,6 +6431,18 @@ command is off where there is no clock (the web). → `{path, format, bytes, war
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{"name":"run_command","arguments":{"command":"addon.document.saveTimestampedCopy","params":{"folder":"/Users/me/Versions","format":"pdf"}}}
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```
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`addon.document.exportAllOpen {folder, format?}` writes a copy of every open document, in tab order, to `folder`,
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each named after its document (`<name>.<ext>`, with `-2`, `-3`… added when that name is taken there or by another
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copy, so no file is replaced). `format` is a save format (`pdf` by default; `svg`, `svgz`, `vectorcraft`, `ai`,
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`eps`). Each copy is written as `file.saveCopy` writes it, inside the automation roots in force: every document keeps
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its path, title and modified state, no undo step is made, and the active document stays active. A document that
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can't be written is listed in `failed` and the others are still written (#4920). The desktop app's Export All Open
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Documents as PDF and as SVG ask for the folder. → `{files: [{title, path, warnings}], failed: [{title, error}], format}`
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```json
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{"name":"run_command","arguments":{"command":"addon.document.exportAllOpen","params":{"folder":"/Users/me/Out","format":"svg"}}}
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```
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`addon.document.symbolsFromLayers {layers?, replace?}` makes one symbol of each top-level layer's art, as `symbol.new`
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makes one (registration in the centre), named after the layer with a number added when a symbol has that name, as
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one undo step. `layers` lists layer ids (top-level layers only; anything else is refused); by default it takes the
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@@ -1,6 +1,6 @@
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# Parity with Adobe Illustrator
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> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-01 · **Change:** minor (Arrange Tools add-on: Sort Objects, #4917; scores unchanged) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026)
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> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-01 · **Change:** minor (Path Precision Tools add-on: Expand Dashes into Paths, #4922; scores unchanged) · **Target:** Adobe Illustrator 2026 (30.x; public release notes through 30.7, August 2026)
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## Feature submission evidence
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@@ -127,7 +127,7 @@ dominate; 3D, graphs and automation are specialist). They sum to 105. Feature de
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| Strokes, brushes, width profiles | 5 | 88% | Shift-double-click adjoining adjustment is implemented; brush libraries are done (four generated libraries, User Defined, Other Library…, Save Brushes); remaining: Art brush Overlap, Pattern brush auto corners, pen pressure on macOS, tilt/bearing/rotation | 8–15 | estimated; width-point creation and adjoining adjustment regression-tested; dialog layout reviewed; evidence below; finite-arithmetic follow-up regressions and full CI passed (evidence below) |
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| Appearance, transparency, graphic styles, masks | 5 | 97% | raster effect reach in preview bounds | 1–2 | estimated |
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| 3D and Materials (and Turntable) | 4 | ~25% | live Revolve with automatic smooth vector shading and default-on continuous circular caps, Extrude & Bevel (twist, taper, caps, five bevel shapes), Inflate and Rotate with Position presets (colored Inflate uses smooth membrane lighting; white-light Inflate retains its existing shading; Extrude & Bevel and Rotate retain planar shading; one to ten colored lights, shared neutral ambient, painter visibility); materials, light presets, shadows, ray tracing, 3D Classic, Turntable views, 3D export | 30–55 | estimated (Extrude & Bevel, Inflate and Rotate added 2026-10-12) |
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| Type core | 9 | 80% | Auto-leading style resets are implemented; Hyphenation… and Justification… options are done (#2310, #2755), and a paragraph's Auto Leading also sets the Character panel's Leading, the Alt+↑/↓ leading nudge and Fill with Placeholder Text; remaining: Optical Margin Alignment, Middle Eastern features beyond bidi layout, optional group font-size preservation; transformed character controls fixed (#1034), see [type-parity.md](type-parity.md) | 14–19 | estimated; full-name font matches regression-tested (#1258); mixed paragraph alignment indication implemented; headless regressions, full integration CI and visual review pass; localized legacy family-name fallback with loaded/catalog regressions (#2208) |
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| Type core | 9 | 80% | Auto-leading style resets are implemented; Hyphenation… and Justification… options are done (#2310, #2755), and a paragraph's Auto Leading also sets the Character panel's Leading, the Alt+↑/↓ leading nudge and Fill with Placeholder Text; remaining: Optical Margin Alignment, Middle Eastern features beyond bidi layout, optional group font-size preservation; transformed character controls fixed (#1034), see [type-parity.md](type-parity.md) | 14–19 | estimated; full-name font matches regression-tested (#1258); mixed paragraph alignment indication implemented; headless regressions, full integration CI and visual review pass; localized legacy family-name fallback with loaded/catalog regressions (#2208); the Glyphs panel highlights and scrolls to the character selected with the Type tool (#4908, `panels::glyphs` tests) |
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| Type advanced (CJK, spelling, Touch Type, Retype) | 4 | 50% | CJK vertical composition (ruby, mojikumi), variable font axes, tab leaders, spell check, Touch Type, Retype | 20–28 | estimated; upright fallback for fullwidth `！` / `？` regression-tested; score and hours unchanged |
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| Symbols, blends, envelopes, Repeat, perspective | 5 | 87% | 30.7's Blend panel with ease in/out, on-canvas Direct Selection of parts inside dynamic symbol instances and their `.ai` round trip, more built-in symbol libraries, envelope Anti-Alias/Preserve Shape; Symbol Options › Registration, Export Type (Graphic / Movie Clip) and 9-slice guide settings (stored, not drawn) and Symbol Type (dynamic symbols keep per-instance appearance linked, #4938) are done | 4–8 | estimated; Blend panel Type and Ramp control step easing with a separate color Shift (#2539); Blend Options retains spacing and orientation; polynomial curves are original approximations; interactive selected mirror axis implemented; bounding-box handles take priority over the axis line (focused regression and native checks passed; full CI blocked by an unrelated text test); #2544 spine Anchor Point conversion and picking regression-tested; scores and hours unchanged |
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| Type advanced (CJK, spelling, Touch Type, Retype) | 4 | 50% | CJK vertical composition (ruby, mojikumi), tab leaders, spell check, Touch Type, Retype | 20–28 | estimated; upright fallback for fullwidth `！` / `？` regression-tested; score and hours unchanged |
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@@ -699,11 +699,13 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
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- **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. The Flare tool's center drag turns the rays by 0.1 radian at each drag update in which the pointer's document y grows, and back by as much at each one in which it falls, Shift held keeps their turn, and Space held during either of its drags moves the flare. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812). With the bounding box showing, the Selection tool shows a selected ellipse's two pie widgets just outside it; dragging one sets its angle in one undo step and double-clicking one makes the ellipse whole again. A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812).
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- **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. The Flare tool's center drag turns the rays with the pointer, Shift keeps them in their original orientation (unturned, or turned by a nonzero General › Constrain Angle), and Space held during either of its drags moves the flare. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812). With the bounding box showing, the Selection tool shows a selected ellipse's two pie widgets just outside it; dragging one sets its angle in one undo step and double-clicking one makes the ellipse whole again. A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812).
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- **Shapes:** all shape tools (including Flare) and the line, arc, spiral and grid tools. Space held while dragging out a shape, line, arc, spiral or grid moves it at its current size. The Flare tool's center drag turns the rays with the pointer, Shift keeps them in their original orientation, and Space held during either of its drags moves the flare. While a grid is dragged out, Up/Down change its rows (concentric dividers) and Left/Right its columns (radial dividers). A click with a grid tool asks for the size, the divider counts and the grid options (#1377, in part): a skew for each set of dividers, Use Outside Rectangle As Frame or Create Compound Path From Ellipses, and Fill Grid; they are parameters of `shape.rectangularGrid` and `shape.polarGrid`, stay as the tool's options and apply to drags too. The curve a skew percentage follows and the direction of the radial skew are our own (the public documentation gives neither), and the dialogs have no reference point locator. An ellipse's Pie Start and End Angle and Invert Pie (Transform and Properties panels' Ellipse Properties, `object.setLiveShape {pieStart, pieEnd, invertPie}`) cut it as a pie (#812). With the bounding box showing, the Selection tool shows a selected ellipse's two pie widgets just outside it; dragging one sets its angle in one undo step and double-clicking one makes the ellipse whole again. A live polygon's Polygon Properties there: side count, angle, corner type and radius, radius, side length and Make Sides Equal once an uneven scale has made its sides differ (`object.setLiveShape {sides, polygonAngle, polygonRadius, sideLength, makeSidesEqual}`, part of #812); a star is a plain path, as in Illustrator. The Flare Tool Options last as the tool's options: the next flare dragged out uses them, a click's dialog shows them and double-clicking the tool opens them (part of #812).
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While a grid is dragged out, F lowers `rowSkew` (rectangular) or `radialSkew` (polar) by 10 percentage points and V raises it by 10; X lowers `columnSkew` (rectangular) or `concentricSkew` (polar) by 10 and C raises it by 10. Plain and Shift presses work; with Alt, Ctrl or Cmd held they do not, as for the other letters a tool takes while dragging. Each press changes the skew once and updates the preview; values stay within ±500% and remain in the tool options after release. The [default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html) (archived copy) list the four drag keys and a 10% change. The signs (positive values follow VectorCraft's existing skew convention, so F and X lower the stored value) and one change per press with key repeat ignored are our own rules.
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While an arc is dragged out, C switches it between open and closed, F switches its base between the X and Y axes in the same box, and Up/Down raise and lower its slope by 10 within −100…100; each press switches once, and the values stay as the Arc tool's options. The [default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html) (archived copy) list C, F and Up/Down for an arc being dragged out. F as the base switch, the arrows changing the slope, the step of 10 and one switch per press are our own rules.
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While a spiral is dragged out, Alt adds or removes whole winds of four segments and Ctrl/Cmd changes the decay. The spiral's inner end keeps the distance from the center it had on the first modified drag event, while the outer end follows the pointer. The [default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html) (archived copy) list Alt-drag to add or subtract winds and Ctrl-drag to change the decay rate; [Draw spirals](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/draw-shapes/draw-spirals.html) defines four segments per full wind. Rounding the fitted count to whole winds from the count on the first Alt-only drag event, the held inner radius, the ranges (2…1000 segments, 5…99.99 % decay), Ctrl/Cmd taking precedence when both are held, and the new values staying as Spiral tool options are our own rules. Switching back to Alt uses the current count as its new base while keeping the held inner end.
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- **Cutting:** Eraser, Scissors, Knife, Mirror & Cut, Line Cut and Rectangle Cut (real geometry, compound paths keep their holes).
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While Alt is held, the Scissors tool works as the Add Anchor Point tool ([Default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html)): a click on a segment adds an anchor point without cutting (`path.insertAnchor`), and the pointer shows the Add Anchor Point cursor. When Alt is let go, a click cuts again.
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Alt-drag with the Knife cuts in a straight line, and Shift+Alt-drag cuts at 45° or 90°, as [Cut objects using the Knife and Scissors tools](https://web.archive.org/web/20260926095638/https://helpx.adobe.com/illustrator/desktop/manage-objects/edit-objects/cut-objects.html) and [Default keyboard shortcuts](https://web.archive.org/web/20260726060015/https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html) describe. Alt counts only when held at the press; the dashed line runs from the press point to the pointer, stays straight after Alt is let go, and release sends `path.knife` with those two points. Alt pressed after the press leaves the cut freehand. Shift+Alt keeps the endpoint at 45° steps from the horizontal and vertical, whatever the Constrain Angle.
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With Smart Guides on, a straight Knife cut snaps to anchor points and paths: [Cut objects using the Knife and Scissors tools](https://helpx.adobe.com/illustrator/desktop/manage-objects/edit-objects/cut-objects.html) describes the Knife snapping to anchor points and paths while Smart Guides are on. Its ends snap as the ends of the Pencil's straight line do, to anchor points and path segments of art that is shown: the press, and the release of an Alt-drag. Shift+Alt steps 45° from the snapped press, and its release stays on that step. With Smart Guides off, or with Snap to Pixel or Snap to Grid on, the cut is not snapped. The dashed line and `path.knife` use the snapped points.
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Eraser Tool Options has Angle and Roundness besides Size, as [Erase paths using the Eraser tool](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/erase-paths-using-eraser-tool.html) describes: the Eraser's tip is an ellipse Size across, its long axis at Angle and its short axis Roundness percent of the long one, and a drag with a tip that is not round shows the outline of the area it erases (`path.eraseRegion` `angle` and `roundness`).
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- **Transform:** Rotate, Reflect, Scale, Shear (click or Alt-click snaps the reference point to anchors and centres; Alt-click opens the tool's dialog, and a drag with Alt down at the release, from the press or pressed mid-drag, transforms a copy), Reshape, Free Transform (free and perspective distort and shear, switched by the keys held during a handle drag).
|
||||
Align, Distribute, Distribute Spacing, Reflect and Shear return an error for any `horizontal`, `vertical`, `to`, `axis`, `bounds` or `spacing` value they don't take, listing the choices, and Align returns one when a call gives neither `horizontal` nor `vertical`; nothing moves and no undo step is recorded. Align and Distribute act on the anchor points selected with Direct Selection: the points of one path align to each other, not to the artboard, and Distribute spaces them (#1641, fixes #1636; aligning to a key anchor is still missing).
|
||||
@@ -889,6 +891,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
When a drag on the Tabs panel's ruler or a value typed in its X field moves a tab stop past another stop, the moved stop stays selected.
|
||||
The Tabs panel menu's Clear All Tabs (`text.tabs.clear`), Delete Tab and Repeat Tab (`text.tabs.set`) can be chosen while the panel's ruler shows tab stops. Delete Tab removes the stop selected on the ruler. Repeat Tab replaces the stops after the selected stop with up to 20 copies of it. The copies are spaced by the selected stop's distance from the stop before it, or from the paragraph's left indent when it is the first stop, and no copy is placed at 2,000 pt or beyond. Clear All Tabs removes every stop, so the default stops every ½ inch apply again.
|
||||
- **Interface languages, vertical type:** Preferences ▸ User Interface (or VectorCraft ▸ Language on macOS) picks Automatic (the system locale) or a registered language, persisted as `interfaceLanguage`. Translations come from per-language catalogs (`i18n/*.tsv`): Traditional and Simplified Chinese, Japanese, German (every `de-*` locale), Spanish (neutral international Spanish, for every `es-*` locale), French (every `fr-*` locale), Italian (every `it-*` locale), Russian (every `ru-*` locale) and Ukrainian (every `uk-*` locale), Catalan (every `ca-*` locale) and Polish (every `pl-*` locale; AI-drafted, native review pending) cover the whole interface, Czech every menu label; Czech, German, Greek, Spanish, French, Hungarian, Italian, Japanese, Korean, Vietnamese, Polish, Brazilian Portuguese, Russian, Simplified Chinese, Traditional Chinese, Swedish, Ukrainian and Finnish also translate status-bar and error messages as they are shown (`@msg` templates, every message literal tested; the messages themselves stay English for agents); untranslated text stays English. Japanese and Chinese glyphs come from the craft-fonts build input (release builds) or the installed fonts, Czech, German, Spanish, French, Italian, Russian and Ukrainian ones from the bundled UI fonts. The web app follows the browser's languages (or `?lang=`). The Basic toolbar's Type button holds Vertical Type in its flyout. Vertical Type, Vertical Area Type and Vertical Type on a Path create vertical text (columns right to left, upright CJK glyphs and marks with `vert` alternates, Latin and longer numbers on their side, two- and three-digit numbers set as tate-chu-yoko in one em of the column (kept whole when justified), upright glyphs centred on the column (tracked or justified too), point type's anchor on the first column's centre line); kinsoku applies to horizontal and vertical Japanese (Paragraph panel › Kinsoku Set, `text.setFormat {kinsoku}`: Hard, the default, keeps closing marks, iteration marks, the prolonged sound mark and small kana off the line start and opening brackets off its end; Soft lets 々, ー and small kana start a line as JLREQ's level 3 rules do; None turns it off), and justified Japanese lines spread their room between characters (not inside Latin words); Paragraph panel › Mojikumi Set (shown with Preferences › Type › Show East Asian Options, `text.setFormat {mojikumi}`): None or Line-end Punctuation Half Width (new type's default, as in Illustrator; older documents and imported text keep None) shares one half-em space between consecutive punctuation, sets a closing mark ending a line half width and an opening bracket starting a line flush with its start (a paragraph's first line at its first-line indent, JIS X 4051's principle in JLREQ 3.1.5), and puts a quarter em between Japanese and Latin letters or digits; Paragraph panel menu › Top-to-Top / Bottom-to-Bottom Leading measures leading from em box top to top (area type's first line touches the frame) or from baseline to baseline (new type in a Japanese interface starts top to top, with em box centre character alignment, #432); Paragraph panel menu › Burasagari None / Regular / Force (`text.setFormat {burasagari: "none"|"standard"|"forced"}`) hangs an East Asian comma or full stop (、。，．､｡) ending an area type line outside it, Regular (new type's default) when it doesn't fit and Force always (the rest of the line then fills the measure; closing brackets and Latin punctuation don't hang); Character panel menu › Character Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {charAlign}`) lines characters smaller than the largest on their line up on the Roman baseline, the em box top/right, centre or bottom/left, or the ICF (ideographic character face) top/right or bottom/left, from the font's BASE table or, without one, the average ink box of some ideographs and kana; Proportional Metrics (the same menu; `{proportionalMetrics}`) sets full-width glyphs on the font's proportional widths (OpenType `palt`) in horizontal type and upright glyphs on its proportional heights (`vpal`, shaped top to bottom; fonts without vertical metrics keep their cells) in vertical type, and Line-end Punctuation Half Width takes nothing more off the punctuation they re-spaced; Type ▸ Type Orientation switches existing text; caret, selection, hit testing and arrow keys follow the writing direction. Vertical text exports to PDF as real text and to SVG as outlines. The interface is available in Polish (`pl`): menus, panels, dialogs and messages, with one/few/many plurals; AI-drafted, native review pending (#1498).
|
||||
Character panel menu › Standard Vertical Roman Alignment (with the East Asian options; `text.setFormat` or `text.setRangeStyle {standardVerticalRoman}`, off by default) stands the selected Latin letters, digits and other half-width characters upright one below the other in vertical type instead of rotating them ([formatting Asian characters](https://helpx.adobe.com/illustrator/using/formatting-asian-characters.html)); spaces keep their width, tate-chu-yoko blocks stay across the column, and Character Style Options gives it its own checkbox beside Character Alignment.
|
||||
- **Transparency:** opacity masks (clip/invert/disable/link), exported as SVG `<mask>` and PDF soft masks. The constant alpha soft mask that PDF and `.ai` export draw a CMYK page with transparency through is white, so applications that read every soft mask by its luminosity show the page too (#1359, part of #1286).
|
||||
Isolation mode and opacity mask editing exclude each other ([transparency and blending modes](https://web.archive.org/web/20230102045151/https://helpx.adobe.com/illustrator/using/transparency-blending-modes.html)): in isolation mode a click or Alt-click on the mask thumbnail does not edit the mask, and Make Mask is off for one object; while a mask is edited, Enter Isolation Mode and Object › Perspective › Edit Text are off, the Contextual Task Bar leaves out Isolate, and Quick Actions leave out Isolate Group.
|
||||
Pattern editing mode and opacity mask editing exclude each other, by a rule of VectorCraft itself: in pattern editing mode a click or Alt-click on the mask thumbnail does not edit the mask, and Make Mask is off for one object; while a mask is edited, Object › Pattern › Make and Edit Pattern are off.
|
||||
@@ -928,6 +931,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
- Create Strokes uses exact squared Euclidean distances and Guo–Hall thinning in bounded per-blob crops. Maximal-disc pruning, split-crossing merges and degree-two joins simplify its skeleton graph. The whole-blob width rule and ink fitting remain; 46 code-drawn inputs measure ends and junctions in [`image-trace-quality.md`](image-trace-quality.md#centre-lines). Junction degrees measure 44/45 correct in each input variant; remaining spurs are recorded. This is a measured skeleton improvement; the Image Trace score, missing per-feature selection and width controls, and estimates remain unchanged.
|
||||
Object › Live Paint › Merge adds the other selected paths and Live Paint groups to the bottom selected Live Paint group ([Live Paint groups](https://web.archive.org/web/20241230205225/https://helpx.adobe.com/illustrator/using/live-paint-groups.html)), which keeps its id, the paint of its faces and edges, and its name, lock, visibility, transparency, appearance, opacity mask and graphic style link. Object › Live Paint › Make with a Live Paint group selected, and a Live Paint Bucket click on a selected path beside a selected Live Paint group, add the paths to that group the same way. Make, Merge and the Live Paint Bucket take paths, compound paths and groups of them; with type, an image or another object among the selection they report that it has to be converted to paths first and change nothing, as type and raster images can't go into a Live Paint group directly ([Create Live Paint groups](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/create-live-paint-groups.html)); before, such an object went among the group's hidden sources and vanished from the canvas. Evidence: `tests_build::live_paint_refuses_type_and_images_and_changes_nothing`.
|
||||
With the Live Paint Bucket selected, Alt-click on vector art samples its fill, stroke and stroke weight into the paint defaults ([Paint with the Live Paint Bucket tool](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html)). On a placed image it samples the image pixel as a solid fill with no stroke. Alt+Shift-click samples only the color under the pointer, including an intermediate gradient color or image pixels, into the active fill or stroke ([Default keyboard shortcuts](https://helpx.adobe.com/illustrator/using/default-keyboard-shortcuts.html)). Neither click paints or changes the selection or selected art, and the next Bucket click paints with the sampled paint. Evidence: `tests_build::live_paint_bucket_alt_sample_paints_next_face_without_changing_selection`.
|
||||
Double-clicking the Live Paint Bucket opens Live Paint Bucket Options ([Paint with the Live Paint Bucket tool](https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/paint-with-the-live-paint-bucket-tool.html)): Paint Fills (on) and Paint Strokes (off) set whether a click paints faces, edges or both, Highlight turns the outline of the face or edge under the pointer on or off, and Color and Width set it (red and 4 px by default). With both on, a click paints the edge within 4 px of the pointer, else the face, and Shift switches to Paint Fills only; with one on, Shift switches to the other. The options last across tool switches and are saved with the preferences (`tool.setOption {tool: "livePaintBucket"}`). Evidence: `builder::tests::{bucket_options_choose_what_a_click_paints, bucket_options_set_the_highlight}`, `dialogs::live_paint_bucket::tests::double_clicking_the_tool_opens_its_options_and_ok_sets_them`.
|
||||
Live Paint Gap Options (Object › Live Paint › Gap Options…, `livePaint.gapOptions`): with Gap Detection on, paint stops at the gaps that run from a loose end of a path to the nearest path, up to Small (3 pt), Medium (6 pt), Large (12 pt) or a custom size; Close Gaps With Paths adds an unpainted path across each gap; Preview applies the options live and draws the gaps in the Gap Preview Color. The options are saved, copied and undone with the group, and Merge keeps the bottom group's options when its Gap Detection is on, or else turns Gap Detection on with Small when another merged group has it on. When Gap Detection is off in every merged group, it stays off.
|
||||
View › Show Live Paint Gaps (`view.livePaintGaps`) draws the gaps of the selected Live Paint groups up to their Paint Stops At size, each in its group's Gap Preview Color, until Hide Live Paint Gaps or Hide Edges hides them ([Live Paint gaps](https://web.archive.org/web/20260105111201/https://helpx.adobe.com/illustrator/desktop/paint-and-fill/learn-painting-basics/find-and-close-gaps-in-live-paint-groups.html)).
|
||||
Double-clicking the Live Paint Selection tool opens its Tool Options ([Live Paint Selection tool options](https://web.archive.org/web/20250904012025/https://helpx.adobe.com/illustrator/using/selecting-objects.html)): with Select Fills off, a click selects an edge instead of a face; with Select Strokes off, Alt-click selects a face instead of an edge; Color and Width set the color and width of the highlight on the face or edge under the pointer (red and 4 px by default). The options last across tool switches and are saved with the preferences (`tool.setOption {tool: "livePaintSelection"}`).
|
||||
@@ -1063,6 +1067,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
|
||||
A PDF page whose `UserUnit` (PDF 1.6) is above 1 opens at its size in points, its numbers times the `UserUnit` (one above 75,000 counts as 75,000), and `document.pdfInfo` gives its size and boxes in points too. A `.ai` whose editing data has its artboards in the units of such a page opens from that data at the page's size, with its layers, and when the layers can't be read its pages still take the artboard layout of the data, scaled the same way (part of #1482).
|
||||
When the editing data of a `.ai` or EPS is for a page of another size than the file's, the warning that its layers weren't read gives both sizes in points, and the scale of the editing data's page to the file's page (1:10 for a tenth of its size) when their sides are in proportion (#2034; `crates/eps/src/import/tests_native.rs`).
|
||||
A `.ai`, or a PDF saved with Illustrator's editing data, whose editing data can't be decompressed opens from its PDF part with a warning that its layers weren't read and why, and an export or Save As to its own path asks first (`acknowledgeLoss`), as for a file whose layers the reader can't read (`crates/eps/src/import/tests_native.rs`, `crates/engine/src/cmd/fileio/tests_aiimport.rs`).
|
||||
A `.ai` or EPS opened from its editing data with one object on a shown layer that the reader can't read (an unknown operator inside a group, a pattern fill whose pattern it doesn't have, a symbol instance, a placed file without a usable preview) keeps its layers and groups: in that object's place, its layer gets a group of the page's objects inside the object's box, named after it, with a warning that lists what came in as the page's art and an export or Save As to its own path asking first (`acknowledgeLoss`). The file still opens from its page or PDF part when no box can be found, when live art or another unread object shares the page art inside it, when the object spans two artboards, or when the page art doesn't carry the object's transparency (#4806; `crates/eps/src/import/tests_native.rs`, `crates/engine/src/cmd/fileio/tests_aiimport.rs`).
|
||||
PDF export and `.ai` saves write a page with a side longer than 14,400 pt with a `UserUnit` (PDF 1.6), its longer side divided by 14,400 and rounded up to the next thousandth, so that no side is longer than 14,400 units (ISO 32000-1, Annex C.2); in PDF 1.3 to 1.5 files and PDF/X files such a page is written in points.
|
||||
Placed (linked) files in a `.ai`'s editing data come in as linked images in their place, each showing the low-resolution preview the file keeps of it until its file is found or relinked in the Links panel (a file found next to the document or at its path is read as the document opens). A file with them no longer falls back to its PDF part, so its guides, sublayers and hidden objects open (#1264; `crates/eps/src/import/ai/tests.rs`, `crates/engine/src/tests/links.rs`). In a file opened that way, a gradient with stops in the middle runs its whole ramp across its shape and a gradient object no longer passes its fill to the next path (#1390); text objects with an appearance keep their own text and frame, type of hidden layers stays hidden, and type on later artboards lands on its text objects (#1391); area type whose frame is too short for a line of the fallback font shows its first line, the frame made taller with a warning in the open result (#1392).
|
||||
A `.ai` saved without PDF compatibility (its PDF part only a placeholder page) is placed and pasted from its editing data, as it opens: File › Place places the art of the layers that show on the first artboard (`file.place`'s `page` places another one), and Paste of it as PDF data (`clipboard.importPdf`) takes every object. `document.open` with `pages` naming every page of such a file opens it the same way (`crates/engine/src/cmd/fileio/tests_aiimport.rs`).
|
||||
@@ -1266,6 +1271,8 @@ applies to fills). Tests: `color::gradient::tests` (perceptual midpoint, expansi
|
||||
`pdf::tests::dithered_perceptual_gradients_export_as_images_with_noise_on_the_fill` and the Gradient panel's
|
||||
`the_method_menu_makes_the_gradient_perceptual`. Scores and hours unchanged.
|
||||
|
||||
PDF export writes a Perceptual linear or radial gradient whose stops are tints of one spot color (and paper white) as a Separation shading in that ink instead of an image, so the ink keeps its plate ([swatches](https://helpx.adobe.com/illustrator/using/using-creating-swatches.html): "Gradient colors can be assigned as CMYK process colors, RGB colors, or a Spot color."; [separations](https://helpx.adobe.com/illustrator/using/printing-color-separations.html): "a separate plate is created for each spot color"). Its tints follow the curve's stops, each the tint with the OKLab lightness of the color there (VectorCraft's own rule). Dithered fills, freeform gradients and Perceptual gradients that mix a spot color with other colors are still images, and the export warns that their spot colors are written in process colors. Tests: `color::gradient::tests::ink_tints_follow_the_perceptual_curve`, `engine::tests::linked_stops::perceptual_spot_gradients_export_as_separation_shadings` and `spot_gradients_drawn_as_images_warn`.
|
||||
|
||||
## Artwork Cleanup add-on (2026-10-30)
|
||||
|
||||
A VectorCraft addition, not a feature of the reference app, so no area score moves. Object › Plug-ins › Artwork Cleanup and its
|
||||
@@ -1426,6 +1433,10 @@ A VectorCraft addition, not a feature of the reference app, so no area score mov
|
||||
|
||||
A VectorCraft addition, not a feature of the reference app, so no area score moves. Object › Plug-ins › Path Precision Tools › Divide into Dashes… cuts the selected paths into separate open paths along the curve (arc length, not straight distance): each `dash` long (0.01 to 1000000 pt, 10 by default) with `gap` between them (0 by default: the pieces touch); the gap pieces are left out unless Remove Gaps is off. With direct-selected segments (or anchors) only those runs are divided, the pattern running on across segments that follow one another, and the rest of such a path stays as pieces of its own. Fit to Corners and Ends gives every run between corners and ends a whole number of dashes, all stretched or squeezed alike so it starts and ends on a dash (a closed path without corners holds whole periods); otherwise the lengths are exact and each run's last piece is what is left. Every piece keeps the path's appearance and is selected; one undo step; at most 100000 pieces (more is refused). The dialog takes lengths in any unit and previews on the canvas. Tests: `dashes::tests` in `vectorcraft-pathops` (exact and fitted lengths, curves measured along them, picked segments on open and closed paths, the piece cap and bad patterns), `divide_into_dashes_*` in `cmd::addons::pathtools::tests` in `vectorcraft-engine` (gaps removed or kept, fitted lengths, the stroke kept, one undo step, selected segments only, bad params and too many pieces refused), `divide_into_dashes_opens_its_dialog_previews_and_runs_on_ok` in `vectorcraft-ui-egui` and `command_sweep`. Commands: `docs/mcp.md` › Path Precision Tools add-on.
|
||||
|
||||
## Path Precision Tools add-on: Expand Dashes into Paths (2026-11-01)
|
||||
|
||||
A VectorCraft addition, not a feature of the reference app, so no area score moves. Object › Plug-ins › Path Precision Tools › Expand Dashes into Paths turns the dashed stroke of each selected path and compound path into separate open paths, one per dash, for cutters and plotters that need the centre lines rather than Outline Stroke's filled outlines. The dashes are laid out by the renderer's own dash code, so they match what the canvas draws: the dash pattern, its offset and Align Dashes to Corners and Path Ends, a dash running on through the start of a closed path, a dash all the way round staying closed, and under a round or projecting cap each dot (a dash of no length) as a path on its point. Each dash keeps the path's appearance with the top stroke's dashes and arrowheads off; the path's fills stay on it, below its dashes; a compound path's dashes are plain paths. One undo step; the dashes are selected; at most 100000 (more, or a pattern too fine to draw, is refused). Tests: `expand_dashes_*` in `cmd::addons::pathtools::tests` in `vectorcraft-engine` (the stroke kept with dashes off, the offset, one undo step, the fill kept below, dashes centred on corners when aligned, dots under round and butt caps, compound paths, refusals and the piece cap), `the_plugins_submenu_selects_the_tools_and_opens_the_anchor_inspector` in `vectorcraft-ui-egui` and `command_sweep`. Commands: `docs/mcp.md` › Path Precision Tools add-on.
|
||||
|
||||
## Document Tools add-on: Save a Timestamped Copy (2026-11-01)
|
||||
|
||||
A VectorCraft addition, not a feature of the reference app, so no area score moves. Object › Plug-ins › Document Tools › Save a Timestamped Copy writes a copy of the document named `<name>_YYYY-MM-DD_HH-MM.<ext>` (the date and time in UTC, through chrono; `-2`, `-3`… added when that name is taken) next to the document, or into a folder picked (the folder picker) when it was never saved, in the document's own format or another save format. It writes through File › Save a Copy's save, so the document keeps its path, title and modified state, no undo step is made, and the write stays inside the automation roots in force. It is off on the web, which has no clock. Tests: `cmd::addons::document::tests` in `vectorcraft-engine` (the name and place, numbered names, the document unchanged and its content in the copy, an unsaved document needing a folder, other formats, bad params refused, automation roots), `addons::document::tests` in `vectorcraft-ui-egui` (the submenu, beside the document, the folder picked or cancelled) and `command_sweep`. Commands: `docs/mcp.md` › Document Tools add-on.
|
||||
@@ -1438,10 +1449,17 @@ A VectorCraft addition, not a feature of the reference app, so no area score mov
|
||||
|
||||
Symbols area (#4938), from the public symbol documentation ([create and place symbols](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/create-and-place-symbols.html), [edit symbols](https://helpx.adobe.com/illustrator/desktop/manage-objects/traces-mockups-symbols/edit-symbols.html)). Symbol Options has Symbol Type (Dynamic Symbol / Static Symbol; the dialog's default is Dynamic, `symbol.new`'s `type` defaults to static so scripts behave as before). An instance of a dynamic symbol keeps its own fill, stroke, opacity and blend for any object of the symbol's art, named by a child-index path (`symbol.instance.setAppearance`), and stays an instance: the canvas, SVG, PDF, EPS, legacy `.ai`, EMF/WMF and DXF writers, effects and Expand draw the art with those changes. Redefining the symbol reshapes every instance and keeps each change whose object the new art still has; Break Link bakes the changes into the art; Edit Symbol expands the symbol's own art; Reset (`symbol.instance.reset`: the Properties panel's Quick Actions and the Symbols panel menu) and making the symbol static drop them. The type is stored on the symbol and the changes on the instance in the native format, both left out when unset, so documents without them save byte for byte as before. Remaining: Direct Selection of an object inside a dynamic instance on the canvas (with the Fill/Stroke controls then setting its change), and reading and writing the type and changes in `.ai` files. Evidence: `crates/engine/src/tests/dynamic_symbols.rs`, `crates/doc/src/symbol_overrides.rs` tests. Score unchanged at 87% (estimated); hours 5–9 → 4–8.
|
||||
|
||||
## Document Tools add-on: Export All Open Documents (2026-11-01)
|
||||
|
||||
A VectorCraft addition, not a feature of the reference app, so no area score moves. Object › Plug-ins › Document Tools › Export All Open Documents as PDF (or as SVG) asks for a folder and writes a copy of every open document there, each named after its document with `-2`, `-3`… added when a name is taken, so no file is replaced (`addon.document.exportAllOpen {folder, format?}`, #4920). Each copy is written as Save a Copy writes it: the documents keep their paths, titles and modified state, and the active one stays active. A document that can't be written is named in the status bar and the others are still written. Tests: `addons::document::tests::export_all_open_documents_writes_each_to_the_folder_picked` (ui-egui), `cmd::addons::document::tests::export_all_open_documents_writes_each_and_reports_failures` (engine).
|
||||
|
||||
## Revision history
|
||||
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-11-01 | minor | Document Tools add-on (a VectorCraft addition): Export All Open Documents as PDF or SVG (#4920); evidence added; scores unchanged. |
|
||||
| 2026-11-01 | minor | Path Precision Tools add-on (a VectorCraft addition): Expand Dashes into Paths (#4922); evidence added; scores unchanged. |
|
||||
| 2026-11-01 | minor | Type core: the Glyphs panel highlights the character selected with the Type tool and scrolls it into view (#4908); evidence added; scores unchanged. |
|
||||
| 2026-11-01 | minor | Arrange Tools add-on (a VectorCraft addition): Randomize Opacity (#4925); evidence added; scores unchanged. |
|
||||
| 2026-11-01 | minor | Arrange Tools add-on (a VectorCraft addition): Sort Objects (#4917); evidence added; scores unchanged. |
|
||||
| 2026-11-01 | minor | Symbols panel: Select All Unused (`symbol.unused`) shows the symbols nothing places selected, and Delete Symbol deletes them all, asked once, in one undo step (`symbol.delete {names}`, #4918); scores and hours unchanged |
|
||||
|
||||
+4
-2
@@ -1,6 +1,6 @@
|
||||
# Type parity
|
||||
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-01 · **Change:** minor (Serbian in Cyrillic and Latin and Croatian among the languages, with their quote marks; previously minor: Area Type Options › Text Flow by rows or by columns, #4978; scores unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-01 · **Change:** minor (Glyphs panel: the character selected with the Type tool is highlighted and scrolled into view, #4908; previously minor: Serbian in Cyrillic and Latin and Croatian among the languages, with their quote marks; scores unchanged) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
|
||||
Type is Illustrator's largest single area by use (weight 13 of 105 across "Type core" and "Type advanced" in
|
||||
[target-app-parity.md](target-app-parity.md)). This checklist lists the features one by one. Status is from the
|
||||
@@ -28,7 +28,7 @@ against Illustrator's public documentation; **estimated** unless noted.
|
||||
| Character and Paragraph panels, styles with overrides | done | Character-style Auto-leading resets, partial definitions, local leading overrides, override markers, Undo/Redo and native serialization have regression coverage; differing paragraph alignments leave the shared alignment buttons unselected (headless regressions, full integration CI and visual review pass); mixed-value display for other paragraph fields remains missing |
|
||||
| Character size and horizontal scale after object/group scaling | done | #1034: fields and setters compensate the stored affine; point size follows the transformed em-height axis, not the glyph ink bounds. Range edits, keyboard increments, leading and baseline shift use document points; rotation, reflection and shear remain editable. |
|
||||
| Preserve font sizes while scaling a group | missing | Separate enhancement; scaling still scales text with the other artwork. |
|
||||
| OpenType panel, Glyphs panel, alternates | done | Highlight Alternate Glyphs preference (#394, off by default) paints pink behind OpenType substitutions on screen when on (required shaping such as Arabic joining forms and the lam-alef ligature, including a lam-alef older fonts file under `liga`, is not highlighted; an optional feature that changes the ligature is); stylistic sets ss01–ss20, stylistic and titling alternates, proportional and lining figures, superscript and subscript are character-style features (`text.setStyle {features}`, #1607) |
|
||||
| OpenType panel, Glyphs panel, alternates | done | Highlight Alternate Glyphs preference (#394, off by default) paints pink behind OpenType substitutions on screen when on (required shaping such as Arabic joining forms and the lam-alef ligature, including a lam-alef older fonts file under `liga`, is not highlighted; an optional feature that changes the ligature is); stylistic sets ss01–ss20, stylistic and titling alternates, proportional and lining figures, superscript and subscript are character-style features (`text.setStyle {features}`, #1607). The Glyphs panel highlights the character selected with the Type tool (a range's first character, else the one before the caret) and scrolls it into view as the selection moves (#4908; `panels::glyphs` tests); its Show menu lists Unicode ranges, and Alternates for Current Selection is not there yet |
|
||||
| Font menu: samples, live preview, filters, favourites, recent families; font matching by any name; Find Font | done | #3515: recently applied families appear first, once each; missing families are omitted and the existing Number of Recent Fonts setting applies; #339; script filter: Japanese, Latin, Thai; the font scan on Linux also reads the folders fontconfig's configuration lists, such as TeX fonts under `/usr/share/texmf/fonts` (#1548, fixes #1529; not verified on Linux) |
|
||||
| Missing glyphs set in an installed font made for their script (Thai, Lao, Khmer, Myanmar first; then any font that has them) | done | Thai: Leelawadee UI, Tahoma, Thonburi, Sukhumvit Set, Noto Sans Thai, TLWG |
|
||||
| Full font-name matching (OpenType name ID 4) | done | #1258: loaded/cataloged faces and Missing Fonts searches; localized names and variable default faces; Windows font-service QA pending |
|
||||
@@ -59,6 +59,7 @@ against Illustrator's public documentation; **estimated** unless noted.
|
||||
| CJK: kinsoku (Hard, Soft, None), Line-end Punctuation Half Width, tate-chu-yoko (auto) | done / partial | custom kinsoku sets, the Mojikumi Settings dialog and the other mojikumi sets missing |
|
||||
| CJK: Proportional Metrics (`palt` in horizontal type, `vpal` in vertical type) | done | #966 |
|
||||
| CJK: manual tate-chu-yoko | done | Character panel menu › Tate-chu-yoko (`text.setFormat` / `text.setRangeStyle {tateChuYoko}`), with Show East Asian Options: marked characters stand side by side across one em of a vertical column, squeezed to the em when wider; two or three half-width digits still do so without the mark; horizontal type keeps the mark and does not move them. Up/Down and Left/Right settings remain. Evidence: `tests_vertical::manual_tate_chu_yoko_sets_marked_characters_across_one_em`, `typecmd::tate_chu_yoko_is_a_character_attribute_saved_only_when_on` |
|
||||
| CJK: Standard Vertical Roman Alignment | done | Character panel menu › Standard Vertical Roman Alignment (`text.setFormat` / `text.setRangeStyle {standardVerticalRoman}`), with Show East Asian Options, off by default: in vertical type the marked half-width characters (Latin letters, digits and other characters that would lie on their side) stand upright one below the other, each in its upright cell; spaces keep their width and tate-chu-yoko blocks stay across the column; horizontal type keeps the mark and does not change. Character Style Options has its own checkbox for it. Evidence: `tests_vertical::standard_vertical_roman_alignment_stands_half_width_characters_upright`, `typecmd::standard_vertical_roman_is_a_character_attribute_saved_only_when_on` |
|
||||
| CJK: ruby, manual tate-chu-yoko | partial | ruby (ふりがな) for live text (`type.ruby`): a reading over a byte range, above (right of the column in vertical type) or below, start/centre/end alignment, size, overhang or squeeze; saved natively, laid out with its line growing, drawn on the canvas, in SVG and PDF (as outlines where ruby is present), in EPS, EMF/WMF and legacy `.ai` (legacy `.ai` writes type with ruby as outlines), and kept by Create Outlines, Expand Appearance and flattening, each glyph where the layout puts it (`typecmd::ruby_tests::create_outlines_keeps_the_ruby_where_it_is_laid_out`); manual tate-chu-yoko missing | #633 |
|
||||
| Language per character (Character panel › Language, character styles), text shaped in it | done | `text.setFormat` / `text.setRangeStyle {language}` by name or BCP 47 tag, one of Document Setup's languages (Hindi, Marathi, Gujarati, Bengali, Punjabi, Tamil, Telugu, Kannada, Malayalam, Odia and Urdu added, #4943; Serbian: Cyrillic, Serbian: Latin and Croatian); the shaper gets the tag, so the font's language forms apply (OpenType `locl`: Turkish keeps `fi` apart and the dot on its i, #4940); new type takes the document's language; saved as the tag only when set, carried by character styles (#4946). Not yet: hyphenation and spelling by it, `.ai`/PDF import of a text's language, paragraph styles. Evidence: `features::tests::language_picks_the_fonts_forms`, `features::tests::serbian_gets_the_fonts_serbian_forms`, `typecmd::area_tests::language_is_a_character_attribute_saved_only_when_set` |
|
||||
| No Break | done | Character panel menu (`text.setFormat` / `text.setRangeStyle {noBreak}`): the marked characters stay on one line, including across a space; a run that does not fit after earlier text moves together, and a run longer than the line stays together. Evidence: `layout::wrapping_tests::no_break_keeps_marked_characters_on_one_line`, `tests::no_break_keeps_marked_words_on_one_line`, `typecmd::no_break_is_a_character_attribute_saved_only_when_on` |
|
||||
@@ -72,6 +73,7 @@ Character Styles menu New/Redefine and footer New capture the first selected cha
|
||||
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-11-01 | minor | Glyphs panel (#4908): the character selected with the Type tool (a range's first, else the one before the caret) is highlighted in the grid and scrolled into view when the selection moves to another character; Show › Alternates for Current Selection not yet; scores unchanged |
|
||||
| 2026-11-01 | minor | Serbian: Cyrillic (`sr-Cyrl`), Serbian: Latin (`sr-Latn`) and Croatian (`hr`) in the language list, with their quote marks (Serbian „…” and ’…’ per the Pravopis srpskoga jezika, Matica srpska 2010, ISBN 978-86-7946-079-0, т. 168, and [CLDR `sr`](https://github.com/unicode-org/cldr/blob/main/common/main/sr.xml); Croatian „…“ and ‚…‘ per [CLDR `hr`](https://github.com/unicode-org/cldr/blob/main/common/main/hr.xml)); Serbian text gets the fonts' Serbian forms (italic б, г, д, п, т); scores unchanged |
|
||||
| 2026-11-01 | minor | Area Type Options › Text Flow (#4978): By Rows / By Columns radio buttons and `text.areaOptions {flow}`; area type with several rows and columns fills them across each row first or down each column first (the default, so existing documents are unchanged; saved only when by rows); scores unchanged |
|
||||
| 2026-11-01 | minor | Digits (#4942): the native digits of Devanagari, Bengali, Gurmukhi, Gujarati, Odia, Tamil, Telugu, Kannada and Malayalam in the Character panel menu › Digits and `{digits}`; scores unchanged |
|
||||
|
||||
+7
-1
@@ -1,6 +1,6 @@
|
||||
# UI and interaction parity
|
||||
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-01 · **Change:** minor (Arrange Tools add-on: Sort Objects, #4917) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-11-01 · **Change:** minor (Artboards panel: drag a row to reorder the artboards, #4687) · **Target:** Adobe Illustrator 2026 (30.x)
|
||||
|
||||
## Feature submission evidence
|
||||
|
||||
@@ -228,6 +228,7 @@ tools, never checked side by side) isn't captured row by row.
|
||||
| Escape while typing ends the edit, keeps the type selected and switches to the Selection tool | done | #1802 (#1686, #1656) |
|
||||
| Selection tool: selected area type and type on a path show an in port and an out port (empty, an arrow where threaded, the red "+" of overflow); a click on either loads the text cursor; a click on a closed path, on empty canvas or a drag threads the text there, after the clicked frame from its out port, before it from its in port; Escape or another tool drops it; a double-click on a threaded port breaks the thread there | partial | #2572 (`text.thread.add`, `before` for the in port); the out port sits on the frame's right side above the bottom-right corner handle and the in port on its left side below the top-left one, so the handles can still be grabbed; a double-click on a threaded port breaks the thread (`text.thread.break`, [archived help](https://web.archive.org/web/20220127090642/https://helpx.adobe.com/illustrator/using/creating-text.html)); the loaded cursor borrows the I-beam |
|
||||
| Shift-click selects several artboards (Artboard tool, Artboards panel); they move, Alt-copy and delete together | done | `artboard.move`/`artboard.delete` `indices` (#1139); panel menu, trash and Properties share selected-set deletion; all-selected retains artboard 1 and a single board cannot be deleted, with pointer-event and Undo/Redo coverage |
|
||||
| Artboards panel: drag a row above or below another to reorder the artboards (as Move Up / Move Down do) | done | #4687; a line shows where the row lands, `artboard.reorder` in one undo step, the moved artboard becomes active; public forum answers describe the drag |
|
||||
| Artboards panel › Delete Empty Artboards | done | `artboard.deleteEmpty`; one undo step, guides go too, locked artboards stay, and artboard 1 when every artboard is empty and none is locked; an artboard is empty when no object (hidden, locked and template art included; guides not) has visual bounds that meet or touch it, a group counting by its members and a clip group or clipping layer by its members inside the clip (our reading of "no artwork"; the pages give no finer rule); [spec](https://helpx.adobe.com/illustrator/desktop/create-manage-artboards/add-edit-artboards/delete-artboards.html) |
|
||||
| Artboard Delete/Backspace delete selected boards while protecting artwork, the last board and active drags | done | Headless shortcut regressions in `tests/distortkeys.rs` cover retaining the original first board when all are selected, single-board protection, artwork, saved state and Undo/Redo; the navigator follows the tool’s surviving board through repeated deletion and history changes. |
|
||||
| Artboard navigator synchronizes the active tool selection before deletion | done | Actual status-bar Next → Delete/Backspace and Next → Properties Delete regressions in `chrome.rs` cover surviving board records, preserved artwork and Undo/Redo; other tools keep object selection and history. **Tab-switch follow-up:** document-tab changes align the Artboard tool with the displayed board. Actual A → B → A tab clicks followed by Properties Delete and controls for same-tab multiselection, Move/Scale Artwork options and other tools passed, along with historical full CI on `a0671777`. [Validation evidence](target-app-parity.md#evidence-what-ships-today-by-area). **Clean-tab close:** with the Artboard tool active, closing a clean active tab restores the surviving document's displayed board before Properties Delete. |
|
||||
@@ -337,10 +338,12 @@ next unit in the order a right-click on a ruler lists them, from Feet back to Po
|
||||
| Arrange Tools add-on (VectorCraft addition): Object › Plug-ins › Arrange Tools › Randomize Opacity… gives each selected object its own opacity at random between Minimum and Maximum (%), with a Seed that repeats it and Preview, one undo step | done | #4925; `addon.arrange.randomizeOpacity`, `crates/engine/src/cmd/addons/arrange.rs`, `crates/ui-egui/src/addons/arrange.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Arrange Tools add-on (VectorCraft addition): Object › Plug-ins › Arrange Tools › Sort Objects… sorts the selected objects by Sort By (width, height, area, X or Y position, opacity, stacking order) in an Order (Small to Large, Large to Small, Random) and gives them Apply To in that order, trading the values or with Distribute Evenly; Scale Strokes & Effects; Preview; one undo step | done | #4917; `addon.arrange.sort`, `crates/engine/src/cmd/addons/arrange.rs`, `crates/ui-egui/src/addons/arrange.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Document Tools add-on (VectorCraft addition): Object › Plug-ins › Document Tools › Save a Timestamped Copy writes `<name>_YYYY-MM-DD_HH-MM.<ext>` next to the document (a folder picked for one never saved), which keeps its path, title and modified state; off on the web | done | #4926; `addon.document.saveTimestampedCopy`, `crates/engine/src/cmd/addons/document.rs`, `crates/ui-egui/src/addons/document.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Document Tools add-on (VectorCraft addition): Export All Open Documents as PDF / as SVG (#4920) | done | asks for a folder, writes a copy of every open document named after it (taken names numbered, nothing replaced), documents and active tab unchanged; failures named in the status bar |
|
||||
| Document Tools add-on (VectorCraft addition): Object › Plug-ins › Document Tools › New Symbols from Layers makes a symbol of each layer's art named after the layer (the highlighted layers when two or more are, else all); Convert Layers to Symbols also replaces each layer's art with an instance in place; empty layers skipped, one undo step | done | #4927; `addon.document.symbolsFromLayers`, `crates/engine/src/cmd/addons/document.rs`, `crates/ui-egui/src/addons/document.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Smart Pen add-on (VectorCraft addition): Object › Plug-ins › Smart Pen selects the Smart Pen Tool, which the All Tools drawer lists under its own heading but neither toolbar shows as shipped (no shortcut), and opens the Smart Pen panel (next segment straight or curved; Remove Points Keep Shape, Make Smooth, Make Corner, Retract Handles, Close or Join). The tool draws (click: straight or curved segment, a curve after a straight one tangent; drag: smooth anchor, Alt breaks the handle, Shift 45°, Space moves it; Tab switches a segment; rubber band; close, join, continue) and edits without switching tools (click selects a point, drag moves it, Alt-click removes it keeping the shape, Shift+Alt-click deletes it, double-click toggles smooth/corner; handle drags with Shift and Alt; segment drags reshape, Alt-click adds a point) | done | `addon.pen.*`, `crates/tools/src/addons/smart_pen.rs`, `crates/ui-egui/src/addons/pen.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Path Precision Tools add-on (VectorCraft addition): Object › Plug-ins › Path Precision Tools selects its seven tools (Anchor Eraser Brush, Extend Path, Measure & Inspect, Parametric Shape, Corner Tool, Slide Anchor Along Path, Shared Edge Merge Tool), which the All Tools drawer lists under their own heading but neither toolbar shows as shipped, opens the Anchor Inspector panel (the selected anchor's X/Y and handle lengths and angles as fields; Make Smooth, Make Corner, Equalize Handles, Remove Points Keep Shape, Add Points, the three ways to close) and the Parametric Shape panel (kind, count, W/H, rotation, the kind's own values and corner radius of the selected parametric shape, or of the tool's next one), and runs Add Points at / Split at Crossings and Convert to Parametric Shape; the Parametric Shape Tool draws ten re-editable kinds from the centre (↑/↓ and ←/→ change their numbers while dragging) and edits a selected one with handles; the Corner Tool cuts editable corners on any path (hover shows the anchor, a click uses its radius and kind, a drag sizes the corner, Shift whole values; a corner's marker selects it and loads its values, drags to resize, to 0 or double-clicked removes it; never past what fits; Alt-marquee cuts every anchor inside) with a Corners section in the Anchor Inspector (radius, kind, selected count, Apply to Selected Anchors); Slide Anchor Along Path drags an anchor along its curve with the segments beside it refitted, Shift snapping where the tangent is a multiple of 45°; the Shared Edge Merge Tool shows, over two paths touching at two coincident anchors, the two stretches and the edge merging them, a click merges them (half way; Shift the upper path, Alt the lower), and near anchors meet or an anchor one path lacks is added to match (Shift+Alt asks for this inside a stretch), with a Shared Edges section in the Anchor Inspector (brush diameter, coincidence 0 to 3 pt, Keep Shared Points Together, which takes coincident anchors along with the add-on's own anchor moves); a double-click on the brush or Extend Path tool opens its options | done | `addon.pathtools.*`, `crates/tools/src/addons/`, `crates/ui-egui/src/addons/pathtools.rs`, `crates/ui-egui/src/addons/pathtools/` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Path Precision Tools add-on (VectorCraft addition): Object › Plug-ins › Path Precision Tools › Divide into Dashes… (Dash and Gap in any unit, Fit to Corners and Ends, Remove Gaps; Preview) cuts the selected paths, or only their direct-selected segments, into open pieces along the curve, keeping their appearance, one undo step | done | #4950; `addon.pathtools.divideDashes`, `crates/pathops/src/addons/pathtools/dashes.rs`, `crates/ui-egui/src/addons/pathtools/dashes.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Path Precision Tools add-on (VectorCraft addition): Object › Plug-ins › Path Precision Tools › Expand Dashes into Paths turns each selected path's dashed stroke into separate open paths, one per dash, laid out as the stroke draws them (pattern, offset, Align Dashes to Corners and Path Ends), each keeping the stroke with the dashes off; one undo step | done | #4922; `addon.pathtools.expandDashes` (in `crates/engine/src/cmd/addons/pathtools.rs`, using the renderer's dash layout) and its tests; not a feature of the reference app, so it is not scored |
|
||||
| Path Precision Tools add-on (VectorCraft addition): Effect › Path Effects lists its live effects (Dashes to Geometry, Add Anchors, Extend Path, Close Path, Smooth Anchors, Retract Handles, Reverse Direction, Simplify Anchors, Split at Anchors), each with the effect dialog's live Preview except Reverse Direction, which has no options, and listed in the Appearance panel like any effect | done | `addon.path.*`, `crates/effects/src/addons/path.rs`, `crates/ui-egui/src/addons/pathtools.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Path Precision Tools add-on (VectorCraft addition): Object › Plug-ins › Path Precision Tools selects its four tools (Anchor Eraser Brush, Extend Path, Measure & Inspect, Parametric Shape), which the All Tools drawer lists under their own heading but neither toolbar shows as shipped, opens the Anchor Inspector panel (the selected anchor's X/Y and handle lengths and angles as fields; Make Smooth, Make Corner, Equalize Handles, Remove Points Keep Shape, Add Points, the three ways to close) and the Parametric Shape panel (kind, count, W/H, rotation, the kind's own values and corner radius of the selected parametric shape, or of the tool's next one), and runs Add Points at / Split at Crossings and Convert to Parametric Shape; the Parametric Shape Tool draws ten re-editable kinds from the centre (↑/↓ and ←/→ change their numbers while dragging) and edits a selected one with handles; a double-click on the brush or Extend Path tool opens its options | done | `addon.pathtools.*`, `crates/tools/src/addons/`, `crates/ui-egui/src/addons/pathtools.rs`, `crates/ui-egui/src/addons/pathtools/shape.rs` and their tests; not a feature of the reference app, so it is not scored |
|
||||
| Path Precision Tools add-on (VectorCraft addition): Object › Plug-ins › Path Precision Tools selects its six tools (Anchor Eraser Brush, Extend Path, Measure & Inspect, Parametric Shape, Corner Tool, Slide Anchor Along Path), which the All Tools drawer lists under their own heading but neither toolbar shows as shipped, opens the Anchor Inspector panel (the selected anchor's X/Y and handle lengths and angles as fields; Make Smooth, Make Corner, Equalize Handles, Remove Points Keep Shape, Add Points, the three ways to close) and the Parametric Shape panel (kind, count, W/H, rotation, the kind's own values and corner radius of the selected parametric shape, or of the tool's next one), and runs Add Points at / Split at Crossings and Convert to Parametric Shape; the Parametric Shape Tool draws ten re-editable kinds from the centre (↑/↓ and ←/→ change their numbers while dragging) and edits a selected one with handles; the Corner Tool cuts editable corners on any path (hover shows the anchor, a click uses its radius and kind, a drag sizes the corner, Shift whole values; a corner's marker selects it and loads its values, drags to resize, to 0 or double-clicked removes it; never past what fits; Alt-marquee cuts every anchor inside) with a Corners section in the Anchor Inspector (radius, kind, selected count, Apply to Selected Anchors); Slide Anchor Along Path drags an anchor along its curve with the segments beside it refitted, Shift snapping where the tangent is a multiple of 45°; a double-click on the brush or Extend Path tool opens its options | done | `addon.pathtools.*`, `crates/tools/src/addons/`, `crates/ui-egui/src/addons/pathtools.rs`, `crates/ui-egui/src/addons/pathtools/` and their tests; not a feature of the reference app, so it is not scored |
|
||||
@@ -391,6 +394,9 @@ separate. Scores and hours unchanged. [Behavior and command details](development
|
||||
|
||||
| Date | Change | Summary |
|
||||
|---|---|---|
|
||||
| 2026-11-01 | minor | Artboards panel: a row dragged above or below another reorders the artboards (#4687); scores and estimates unchanged |
|
||||
| 2026-11-01 | minor | Document Tools add-on (a VectorCraft addition): Export All Open Documents as PDF or SVG (#4920); scores and estimates unchanged |
|
||||
| 2026-11-01 | minor | Path Precision Tools add-on (a VectorCraft addition): Expand Dashes into Paths (#4922); scores and estimates unchanged |
|
||||
| 2026-11-01 | minor | Arrange Tools add-on (a VectorCraft addition): Randomize Opacity (#4925); scores and estimates unchanged |
|
||||
| 2026-11-01 | minor | Arrange Tools add-on (a VectorCraft addition): Sort Objects (#4917); scores and estimates unchanged |
|
||||
| 2026-11-01 | minor | Blob Brush and Eraser: the tip's outline (size, angle, roundness, at the zoom) follows the pointer before and while painting, around a small centre dot, updating at once with `[` / `]` and Tool Options; precise cursors (Caps Lock) show only the crosshair (#4977); scores and estimates unchanged (estimated) |
|
||||
|
||||
Reference in New Issue
Block a user