From ac83e91c5ff4c188bef8e7acbc44da9d859331fb Mon Sep 17 00:00:00 2001 From: bflatastic Date: Tue, 20 Oct 2026 02:41:01 +0700 Subject: [PATCH] Docs: the ROADMAP's 2026-10-19 row, and the rows merges of conflicting PRs left twice ROADMAP: a progress row and status line for the community PRs of 2026-10-19; the reproducible-bytes and inch-ruler rows appeared twice. gaps.md: G6 held four interleaved versions of its Missing line; it now says what is left (a scripting surface). target-app-parity.md: three copies of the Type evidence bullet, merged into one with every sentence. type-parity.md and ui-parity.md: a row and a shorter copy of it. --- ROADMAP.md | 5 ++--- docs/gaps.md | 18 ++++-------------- docs/target-app-parity.md | 4 +--- docs/type-parity.md | 1 - docs/ui-parity.md | 1 - 5 files changed, 7 insertions(+), 22 deletions(-) diff --git a/ROADMAP.md b/ROADMAP.md index 6cc835614..944d9442f 100644 --- a/ROADMAP.md +++ b/ROADMAP.md @@ -9,7 +9,7 @@ **Stage: alpha** · next: beta, ~13 points (ready for real work ~62% → ~75%, and reliable `.ai` exchange) and ~170–270 h away -> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-18 · **Change:** minor (Background Export progress dialog with Cancel, #2564; about 85 community PRs of 2026-10-18: Justification…, Word .docx placed as area type, CCITT Group 3 TIFF, Roman Hanging Punctuation, blend spines edited with the Anchor Point tool, shadows and glows in stack order, coloured 3D lights, a Dutch catalog completed; 3D lighting: one to ten colored lights, smooth colored Inflate, legacy white-light appearance preserved; surface batching and restored seam minimum; scores and estimates unchanged; about 145 community PRs of 2026-10-17: image-decode overflow guards, opaque floating panels, MCP export cancel and progress, editable Illustrator EPS import, scoped `doc_inspect`, Dutch, Danish and Indonesian, Simplified Chinese messages, screen-reader names; headline numbers unchanged; about 160 community PRs of 2026-10-15/16: PDF import crash fixes, Dimension tool, legacy `.ai` save, Intertwine, web pen input, Image Trace fixes, `.ai`/EPS/PDF import fidelity, Bulgarian, Greek, Swedish and Finnish catalogs; headline numbers unchanged) · **Target:** Adobe Illustrator 2026 (30.x) +> **Last reviewed:** 2026-10-10 · **Last updated:** 2026-10-19 · **Change:** minor (about 90 community PRs of 2026-10-19: Objects on Path, the Simplify slider, Pencil Edit Selected Paths in the middle of a path, Georgian, and more; Background Export progress dialog with Cancel, #2564; about 85 community PRs of 2026-10-18: Justification…, Word .docx placed as area type, CCITT Group 3 TIFF, Roman Hanging Punctuation, blend spines edited with the Anchor Point tool, shadows and glows in stack order, coloured 3D lights, a Dutch catalog completed; 3D lighting: one to ten colored lights, smooth colored Inflate, legacy white-light appearance preserved; surface batching and restored seam minimum; scores and estimates unchanged; about 145 community PRs of 2026-10-17: image-decode overflow guards, opaque floating panels, MCP export cancel and progress, editable Illustrator EPS import, scoped `doc_inspect`, Dutch, Danish and Indonesian, Simplified Chinese messages, screen-reader names; headline numbers unchanged; about 160 community PRs of 2026-10-15/16: PDF import crash fixes, Dimension tool, legacy `.ai` save, Intertwine, web pen input, Image Trace fixes, `.ai`/EPS/PDF import fidelity, Bulgarian, Greek, Swedish and Finnish catalogs; headline numbers unchanged) · **Target:** Adobe Illustrator 2026 (30.x) VectorCraft is a clean-room, open-source, pure-Rust reimplementation of the Adobe Illustrator workflow. It runs on macOS, Windows, Linux, FreeBSD and the web (WASM), and agents can drive all of it over MCP, the CLI and a JSON @@ -134,11 +134,10 @@ Ranked; detail in [docs/roadmap.md](docs/roadmap.md) and [docs/gaps.md](docs/gap | Date | What landed | |---|---| -| 2026-10-18 | Exported and saved files can repeat their bytes: PNG, PDF, EPS, legacy `.ai`, packaged zips and `.vectorcraft` saves recorded the wall-clock time they were made in, so the same commands run twice gave different bytes though the pixels matched. `SOURCE_DATE_EPOCH` now stands in for the clock in everything a file records, as the reproducible-builds specification defines it; a date a command is given still wins, and a malformed value is ignored rather than refusing the export. The recovery heartbeat and the seed PDF encryption draws on keep the real clock (#2880). Headline numbers unchanged. | | 2026-10-18 | Inch rulers divide the inch in half, not in ten. Zooming in stepped an inch ruler through 0.2, 0.1 and 0.05 of an inch, marks an inch ruler does not carry; below an inch the steps are binary fractions now, 1/2 down to 1/16, with the unlabelled ticks between them binary too (down to 1/128, so the 32nds, 64ths and 128ths appear as the report expects), while the metric units, points, pixels and picas keep their tenths. A label carries the decimals its step needs, so a sixteenth reads 0.0625 rather than the rounded 0.06, with trailing zeros dropped (#2827). Headline numbers unchanged. | -| 2026-10-18 | Inch rulers divide the inch in half, not in ten. Zooming in stepped an inch ruler through 0.2, 0.1 and 0.05 of an inch, marks an inch ruler does not carry; below an inch the steps are binary fractions now (1/2 to 1/128) and the minor ticks between them are binary too, while the metric units, points, pixels and picas keep their tenths. A label carries the decimals its step needs, so a sixteenth reads 0.0625 rather than the rounded 0.06, with trailing zeros dropped (#2827). Headline numbers unchanged. | | 2026-10-18 | Exported and saved files can repeat their bytes: PNG, PDF, EPS, legacy `.ai`, packaged zips and `.vectorcraft` saves recorded the wall-clock time they were made in, so the same commands run twice gave different bytes though the pixels matched. `SOURCE_DATE_EPOCH` now stands in for the clock in everything a file records, as the reproducible-builds specification defines it; a date a command is given still wins, and a malformed value is ignored rather than refusing the export. The recovery heartbeat and the seed PDF encryption draws on keep the real clock, so a password-protected PDF still differs between runs (#2880). Headline numbers unchanged. | | 2026-10-18 | About 85 community PRs landed in two batches through the full gate, with our fixes on top. New: Word `.docx` files place as area type with their formatting (#2766), CCITT Group 3 TIFF files open (#2770), Paragraph panel menu › Roman Hanging Punctuation (#2775), the Anchor Point tool edits blend spine points and handles (#2643, fixes #2544), shadows and glows each draw from the art with the effects before them, without the old exponential cost (#2395), one to ten coloured lights in 3D effects (#2706), Artboard Options X and Y with a reference point (#2739), more Contextual Task Bar actions (#2471), Optical Margin Alignment for a whole thread (#2773), History panel Step Backward/Forward and Set History Limit (#2764), Edit › Undo and Redo name the step as the History panel does (#2774), bounding-box handles snap to the grid, pixels and guides (#2715), Ctrl/Cmd+A in the Artboards panel (#2761), Tabs panel menu items (#2742), Import Data Sets defines variables from header cells (#2736), a Linux option to use X11 when a pen is attached (#2717). Fidelity and robustness: variable fonts named by their default weight and fallback glyphs keep bold and italic (#2733, #2732), legacy `.ai` layer names in Windows Latin-1 (#2722), WMF window mapping (#2721), Magic Wand inside isolation (#2720), type values out of range in files are clamped (#2728, #2757), raster effects stay responsive in drags (#2745), exports and Save for Web report undecodable images (#2762, #2737, #2684), Windows-safe exported file names (#2738), a marquee skips a Shaper Group's originals (#2772). Second batch: an export progress dialog with Cancel on the shared cancel token (#2564), CMYK gradient meshes drawn several times faster within a 16 MB cap (#2802), Paragraph panel menu › Justification… with file values clamped (#2771), Edit › Clear History (#2843), SVG image links keep their spelling (#2837, fixes main's Windows test failures), the Linux save dialog through the XDG portal (#2783), RGB input stored as CMYK in CMYK documents (#2812), legacy `.ai` export of images and radial highlights (#2801, #2807), `.ai` import notes for damaged editing data, page sizes and variable libraries (#2799, #2800, #2842), PDF and `.ai` keep their creation date (#2838), undecodable images left out of PDF exports with a note (#2790), MCP input waits for queue room (#2776), slice, snapping, selection, type and accessibility fixes (#2794–#2797, #2805, #2806, #2809, #2815, #2844–#2846), dropdowns close after a keyboard pick (#2824), plug-in dialogs scroll (#2840). Languages: the Dutch catalog completed (#2730). Headline numbers unchanged (estimated). | +| 2026-10-19 | About 90 community PRs landed in batches through the full gate, with our fixes on top (formatting, catalog rows, small correctness fixes). New: Objects on Path (#3066), Object › Path › Simplify's slider with Auto-Simplify and More Options (#2555), Pencil Edit Selected Paths redraws the middle of a selected path (#2905), Pencil Tool Options' Alt key toggles to Smooth Tool (#2685), 3D solids built from each stroke's outline (#3049), Live Paint Selection Tool Options (#3052), Locate Selected Objects in the Layers panel (#3033), Snap to Unit for tab stops (#3039), DXF circles and arcs as native entities (#2962), Targa files (#2765), a Georgian interface (#2045), Traditional Chinese status and error messages (#2784), the web page's `window.vectorcraft` control channel (#2943), `select.color` (#2939), reproducible export bytes with `SOURCE_DATE_EPOCH` (#2947), Spacing Guides on resizes (#2966) and measurement labels on more tools. Fixed: number fields step to the next whole unit (#2916), a click away from edited type makes no new text (#2922), inch rulers in halves (#2951), Recent cards in New Document (#2904), Japanese W-weights in SVG (#2896), the point-type baseline marker (#2897) and the Reshape tool's falloff (#2900). Headline numbers unchanged. | | 2026-10-17 | Background Export shows a progress dialog: the file being exported, the artboard count and a bar, Cancel (Esc) and Continue in Background. It runs on the shared cancel token of #2546, so a cancelled export writes no file and keeps no half-drawn pattern tile or effect raster; translated in every language with complete menus (#2564). Headline numbers unchanged. | | 2026-10-17 | About 145 community PRs landed in six batches, each through the full gate, plus our fixes on top. Crashes and hostile input: an image's RGBA size is checked from its header before decoding, without overflowing, in the renderer, sampling, recoloring and Crop Image (#2442, #2468, #2407), PDF Add Around and huge art are clamped (#2440), graph axis labels past i64, `+` in hex colours and XML ids are handled (#2610, #2470, #2447), Document Raster Effects resolutions open in range (#2579), Batch names stay in their folder (#2504). Regressions: floating panel groups are opaque again while the docked card keeps its rounded corners (#2499), the Wayland pointer returns over panels (#2502). New: MCP cancels long exports, answers while one runs and reports progress (#2546), `doc_inspect` takes ids, kind and paging (#2543), raster export of a page rectangle (#2511), `text.create` returns bounds (#2478), PDF presets and ICC profiles persist (#2547), screen-reader names for widgets (#2611), Expand on Intertwine (#2622, fixes #2540), Duplicate/Copy/Cut of several artboards (#2567), print presets by name (#2607), TSV data sets (#2608), planar TIFF (#2598), Alt-click a swatch onto a gradient stop (#2623), Shift-click ranges in Links, Graphic Styles and Libraries (#2612, #2613, #2618), Space+Shift rotates the view (#2601), Presentation Mode keys (#2583), Small Caps and super/subscript buttons (#2508). Fidelity: editable vector art from Illustrator EPS (#2571), `.ai` Drop Shadow Darkness (#2513), overprint preview with Darken (#2514), Generic CMYK black round-trips (#2503), PNG sRGB chunk (#2519), kerning at a caret (#2518), tab widths in justified area type (#2487), Transform copies keep their own gradients (#2486), smooth Zig Zag (#2475), Live Corners round up to their neighbours (#2484), kerning across style runs (#2554), SVG letter spacing on justified lines (#2574), Dimension tool snapping (#2482), gradient chips (#2495), Transform panel flips and percentages (#2400, #2404). Later the same day: PostScript `.ps` and `.epsf` files open (#2461), EPS images with CCITTFax compression draw (#2445), Illustrator 3 EPS without layers (#2436), `.ai` type opacity and blend modes (#2420), envelope meshes and compound holes in `.ai` (#2410, #2444), CMYK image soft masks in PDF export (#2448), Show Transparency Grid saved with the document (#2488), Save Selection in the Layers panel menu (#2483), Character and Paragraph Reset Panel (#2479, #2438), Cmd/Ctrl+Shift double-click releases a guide (#2467), Shift+Enter keeps a field active (#2431), Shift keeps reshaped handles perpendicular (#2425), emptied type keeps its style (#2464), Smart Blur radius (#2443), freeform gradients recolour (#2397), mesh slivers (#2456), Recolor wheel handles in CMYK (#2454), and six Image Trace fixes (#2387, #2584, #2586–#2589). Fifth batch: Optical Margin Alignment (#2563), Window › Blend panel (#2573), graph column designs (#2406), Live Paint Gap Options (#2424), the SVG Interactivity panel (#2437), RTF placed as area type (#2524), the Touch Type tool (#2469), pattern fills expand into clipped tiles (#2616), Save and Export ask before replacing a file an added extension names (#2619), the Artboard tool's Control bar and Contextual Task Bar (#2559, #2556), Alt-click New Artboard for its options (#2496), Shift-click in Brushes (#2562), the Move dialog remembers the last move (#2542), PDF export uses the document's assigned profiles (#2536), Printer Setup opens the selected printer's preferences on Windows (#2577). Sixth batch: Effect › Artistic › Cutout, Neon Glow and Poster Edges (#2453), View › Rulers › Change to Global / Artboard Rulers (#2416), Symbol Options 9-slice guides (#2512), Create Gradient Mesh on an embedded image (#2538), Rotate View cursors and the Mac trackpad rotation gesture (#2594, #2644), choice parameters as dropdowns in the inline effect editor (#2582), Group Selection picks and moves one path of a compound path (part of #2441), Shift-click ranges in the Artboards panel (#2626), Lock Variables (#2631), a layer dropped under the last row goes to the bottom (#2632), and robustness work: huge selections draw bounded overlays (#2635, #2645, part of #2460), values out of range in presets and files are clamped (#2656), whole-number checks for counts (#2638, #2659), exports warn about overset type (#2628), symbol instances measured by their art (#2614), colour-managed Eyedropper in CMYK documents (#2664). Later: Effect › Rasterize (#2409), variable-font axis sliders in the Character panel (#2710), Image Trace Create Strokes on an exact distance transform with Guo–Hall thinning and a skeleton graph (#2703–#2705), Auto Color keeps rare colours (#2702), large images trace with a warning (#2700), a 1e9 pt input bound on Reshape Segment, Convert Anchor Point and the Pencil (#2709), task-bar Connect, Corner and Smooth for selected anchors (#2697), PDF 0 w strokes import as hairlines (#2696), threading text from the out port (#2713, part of #2572), a panel per swatch library with Persistent (#2714, #2603), installed plug-ins kept across restarts (#2695, #2541). Languages: Dutch, Danish and Indonesian complete (#2393), Simplified Chinese status and error messages (#2578), translated file filters and presets (#2590). Headline numbers unchanged (estimated). | | 2026-10-16 | Symbol Options › Export Type (Graphic or Movie Clip, default Movie Clip) with Registration; `symbol.options` / `symbol.list` (G5). diff --git a/docs/gaps.md b/docs/gaps.md index f653ae3f4..531807998 100644 --- a/docs/gaps.md +++ b/docs/gaps.md @@ -294,22 +294,12 @@ from G14 and the budget run of G15: **~170–270 h** one agent, ~50–80 h wall ## G6 Automation and scripting -- **Missing:** a scripting surface over the command registry (Illustrator: JavaScript), image and graph - variable kinds (dataset CSV import/export and Batch are open as PRs). Actions, Variables (text and - visibility) and full agent control over MCP are done. -- **Estimate:** 6–12 h. -- **Missing:** a scripting surface over the command registry (Illustrator: JavaScript), Batch, image variable kind and dataset import/export (graph variables land separately). Actions, Variables (text, - visibility, graph) and full agent control over MCP are done. -- **Estimate:** 8–14 h. -- **Missing:** a scripting surface over the command registry (Illustrator: JavaScript), Batch, graph variable - kinds. Actions, Variables (text, visibility and image), dataset CSV import/export and full agent control over - kinds, dataset import/export. Actions, Variables (text, visibility and image) and full agent control over +- **Missing:** a scripting surface over the command registry (Illustrator: JavaScript, File › Scripts; + #1183 is open). Actions, Batch, Variables (text, visibility, image and graph), data set CSV import and + export, and full agent control over MCP are done. +- **Estimate:** 4–8 h. - **Done (2026-10-16):** the MCP server hears the client during a long call: `notifications/cancelled` stops a queued or running export (PDF pages, flattening, baking, drawing, artboards) without writing anything or changing the document, `ping` and the list methods answer at once, any other request that would wait behind a call running for two seconds or more is refused as busy (`-32003`, naming the call), and `_meta.progressToken` gets page progress (#2165, #2171, #2172). Reading the document during an export is not served (refused as busy); estimate unchanged. - **Exposed in MCP:** `add_text {vertical: true}` uses the existing vertical point, area and path type commands. Horizontal writing remains the default; the broader automation gap and estimate are unchanged. -- **Missing:** a scripting surface over the command registry (Illustrator: JavaScript), Batch, image and graph - variable kinds, dataset import/export. Actions, Variables (text and visibility) and full agent control over - MCP are done. -- **Estimate:** 4–8 h. ## G15 Performance budgets and a GPU renderer diff --git a/docs/target-app-parity.md b/docs/target-app-parity.md index ea198a255..8153c9d33 100644 --- a/docs/target-app-parity.md +++ b/docs/target-app-parity.md @@ -628,13 +628,11 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur Simplify and Add Anchor Points record no undo step when they change no path, and a path they leave as it is keeps its live shape. The Simplify dialog also has Corner Point Angle Threshold, Convert to Straight Lines and Show Original Path. The threshold is a slider from 0° to 180° and opens at 150°: an anchor whose corner is sharper than the threshold stays a corner, so moving the slider right keeps more corners, and the dialog sends `cornerAngle` as 180° less the threshold. While Preview is on, Show Original Path draws the paths as they were before the preview in a wide, faint band of their layer's color under the selection's outlines. Object › Path › Simplify opens a slider under the selection ([Manually simplify paths](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/manually-simplify-paths.html), [Auto simplify paths](https://helpx.adobe.com/illustrator/desktop/draw-shapes-and-paths/modify-paths/auto-simplify-paths.html)) with Auto-Simplify, a rail from the fewest anchor points to the closest fit, and More Options, which opens the dialog at the slider's tolerance. The rail's levels are VectorCraft's own scale (`object.path.simplify {level}`): level 50, where the slider opens, is 1 pt, and every 10 levels halve or double the tolerance, from 32 pt at 0 to 1/32 pt at 100. Auto-Simplify picks the lowest level whose tolerance is at most 1/400 of the selection's longer side, or level 100 when that side is under 12.5 pt. The dialog's "Open this dialog with these settings next time" makes the menu item open the dialog on the settings of its last OK. -- **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Cmd+Shift+C (Align center) works on Windows and Linux too (#1940). Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. The Character panel's Variable Font sliders set each axis (see Fonts). Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). -- **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. A double-click on area type's bottom middle handle turns on Auto Size (#1940). Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. The Character panel's Variable Font sliders set each axis (see Fonts). Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). - **Devanagari shaping:** with an OpenType Devanagari font, Ka, virama and Ssa (क्ष) form one conjunct glyph, Ra and virama before a consonant (र्क) become a reph drawn after it, the i matra (कि) is drawn before its consonant, and Ka with a nukta is drawn like the precomposed क़ (U+0958), as [Microsoft's Devanagari shaping specification](https://learn.microsoft.com/en-us/typography/script-development/devanagari) describes. Each syllable is one cluster of its source bytes, and the arrow keys stop at its ends. A click inside a syllable drawn with several glyphs puts the caret at the syllable's nearer end, in point, area and path type. Tests: `crates/text/src/tests_devanagari.rs`; they print SKIPPED when no such font is installed. - **Vertical punctuation:** fullwidth `！` (U+FF01) and `？` (U+FF1F) use their nominal glyph upright when no vertical alternate is present, following the Tu fallback in [Unicode UAX #50 §3.1](https://www.unicode.org/reports/tr50/#vo). Code-built test fonts cover point and area type with and without `vert` alternates, retain the rotated fallback for a bracket and long vowel mark, and leave horizontal type unchanged. Tests: `crates/text/src/tests_vertical.rs`. - Free Distort's dialog (Effect › Distort & Transform › Free Distort…) shows a box in the proportions of the first selected object's bounds with a handle on each corner. Dragging a handle moves that corner. A handle focused by a click or Tab moves 1% of the box with each arrow key, and 10% with Shift. Reset puts the four corners back on the box. The preview and OK run `effect.apply`, or `effect.setParams` when the dialog edits an applied effect, and the Appearance panel's inline editor opens the dialog with Edit…. Behavior reference: Illustrator CC Help (2014, [PDF](https://help.adobe.com/archive/en/illustrator/cc/2014/illustrator_reference.pdf)), page 285 (PDF page 291). - **Kerning across style runs:** characters that differ only in fill, stroke, underline, strikethrough, overprint, character style name, leading, baseline shift, rotation, Character Alignment, kerning, or tracking that keeps or drops ligatures alike are shaped together, so restyling one character keeps the font's kerning pairs with its neighbors. A character with manual kerning that follows one with automatic kerning keeps the font's kerning with it (unless All Caps or Small Caps sets it as two letters, as ß becomes SS), and its value replaces the font's kerning after it. A ligature does not form across a change of style, and a change of font, size or OpenType features still shapes the characters apart. Behavior reference: [Line and character spacing](https://web.archive.org/web/20260916050333/https://helpx.adobe.com/illustrator/using/line-character-spacing.html) (public documentation). Tests: `crates/text/src/tests_typo.rs`, `crates/text/src/tests_bidi.rs`. -- **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. The Character panel's Variable Font sliders set each axis (see Fonts). Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). Print and Print Preview warn about the area type and type on a path that prints without the text that doesn't fit, and give their ids. A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). +- **Type:** Character size, leading, baseline shift and horizontal-scale controls account for object/group transforms (#1034): exact document-point sizes, mixed-value display and keyboard increments, range edits, resettable horizontal stretch, undo/redo and native save/reopen (`tests_typescale`, Character panel tests). Point size is the transformed em-height axis, independent of glyph ink bounds; affine rotation, reflection and shear are retained. Group scaling still scales text; preserving font sizes is a separate enhancement. Behaviour reference: [Transform text](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/transform-text.html) (public documentation). Text Wrap, Type on a Path effects (Rainbow/Skew/3D Ribbon/Stair Step/Gravity) and Options (Flip, Align to Path, Spacing; OK keeps the type where it is), type on a path's start, centre and end brackets (Selection and Direct Selection drag them to set where the type runs, slide it along its path and, across the path, flip it: #429), Character and Paragraph Styles (override-preserving redefine), paragraph attributes per paragraph (alignment, indents, spacing, hyphenation, hanging punctuation, tab stops, paragraph style, direction, mojikumi and leading model; the Paragraph, Tabs and Paragraph Styles panels act on the paragraphs the Type tool's selection or caret touches, Return continues the paragraph's style, threads and SVG keep them), Area Type Options (rows/columns/inset/first baseline, vertical Align Top/Center/Bottom/Justify per row/column, reflowing non-rectangular frames and text wrap), threaded text across any closed shapes, Fit Headline, the Every-line Composer for justified and ragged text (paragraph-wide breaks for an even rag, Single-line per object from the Paragraph panel menu or `text.setFormat {composer}`). Area type resizes like Illustrator's type areas: a bounding-box handle drag (Selection tool) or Area Type Options Width/Height size the frame and the text reflows at its size (threads too); Direct Selection drags a frame corner or edge (`text.reshapeArea`). Point type still scales. Auto Size: the frame height follows the text after every edit, in the same undo step (rectangular frames of horizontal type in one row; columns get the least height that holds them; a height set by hand or threading turns it off), and the "Auto Size New Area Type" preference gives it to new area type. Shrink Text to Fit (beyond Illustrator): overflowing area type scales its sizes, leading and baseline shifts down by the largest factor (in 0.1 pt steps of the first run, down to a minimum percentage) that fits, at layout time so every export sees it. `text.areaOptions` and `document.inspect` report overflow and the shrink factor. The Selection tool shows the type widget beside selected type's bounding box (hollow on point type, filled on area type); double-clicking it converts between them (Type › Convert To Area Type / Convert To Point Type), keeping the text and its styles in place. Variable fonts list every named instance as a style of their family (Figtree Light to Black and their italics, Bahnschrift, Segoe UI Variable), and the instance chosen is shaped, drawn, outlined and measured at its axis settings; PDF and SVG embed it as that instance. The Character panel's Variable Font sliders set each axis (see Fonts). Beyond Illustrator: inline graphics (`text.insertInline`, Type ▸ Insert Inline Symbol) set a document symbol in a run of type as one character that flows, wraps and justifies like a glyph (InDesign-style inline objects, e.g. mana symbols in card rules text): sized to a multiple of the font size, centred on the cap height, opening up tall lines, following Redefine Symbol; a character of its run's size for Character Alignment and Top-to-Top leading, placed by the bidi reordering in right-to-left text (a neutral U+FFFC); drawn on the canvas, kept as live text plus a `` in SVG and as vector art in PDF; Backspace removes it whole. Hebrew and Arabic are laid out right to left with the Unicode bidirectional algorithm (embedded Latin and numbers keep their direction, lines put in visual order after wrapping) in point, area and path type, with caret, selection and arrow keys in visual order; each paragraph's direction comes from its first strong character unless Paragraph Direction sets it (Paragraph panel with Show Indic Options, `text.setFormat {direction}`), and new type aligns to the start of its direction. SVG export outlines right-to-left text. Arabic typefaces: builds made with a craft-fonts checkout that holds its Arabic families (Noto Sans Arabic, the Arabic fallback, plus Cairo, Tajawal, Almarai, IBM Plex Sans Arabic, Noto Kufi Arabic, Amiri, Alexandria, Fustat, Reem Kufi, Aref Ruqaa and Gulzar once craft-fonts adds them, storytold/craft-fonts#11; releases get them when their craft-fonts pin moves) list them in the font menus on desktop; the web build fetches them from beside the wasm (Noto Sans Arabic before start, so Arabic never shows as boxes, the rest in the background). Font Size and Leading are combo boxes in the Character and Properties panels (Font Size in the Control bar too, beside the Character link, font family and style): type, step with ↑/↓ or the spinner, scrub the label, or pick a preset (6–72 pt, shown in the type unit; Leading also Auto), each pick one undo step; Kerning and Tracking list -100…200; a size, leading, kerning or tracking the selected text doesn't share shows blank (#458). Type › Bold and Italic (beyond Illustrator, as page layout apps have them; Cmd+Shift+B / Cmd+Shift+I while the Type tool edits text) switch the selected type to its family's own Bold or Italic face and back, keeping its width (a Narrow face stays Narrow); a family without that face says so (#724). The commands that make or restyle type (and the MCP `add_text` tool) say in their result when area type does not fit its frame, and `add_text` takes Auto Size and Shrink Text to Fit (#1500, fixes #1471). Cmd+Shift+C (Align center) works on Windows and Linux too (#1940). A double-click on area type's bottom middle handle turns on Auto Size (#1940). Print and Print Preview warn about the area type and type on a path that prints without the text that doesn't fit, and give their ids. A tab stop in the Tabs panel drags from where the press landed, a stop just added included (#1487, fixes #1458). Area type in a non-rectangular shape moves a word too wide for the top lines down to the first line that holds it instead of breaking it (#1617, fixes #1615). Stylistic sets (ss01–ss20), stylistic and titling alternates, proportional and lining figures, and superscript and subscript glyphs can be turned on as OpenType features of a character style (`text.setStyle {features}`), and the OpenType panel keeps them (#1611, fixes #1607). Escape while typing ends the edit, keeps the type selected and switches to the Selection tool (#1802, #1686, #1656). Select › Same matches type on its characters' fill and stroke (#1746, #1737). `text.create`, `text.createInPath` and the MCP `add_text` tool take `justify`, so point type can be centred on or end at its point (#1752, #1748). The Character panel's Small Caps, Superscript and Subscript buttons and the panel menu's items of the same names turn small caps and the superscript or subscript position on and off for the selected type, or for the text the Type tool has selected (`text.setFormat` or `text.setRangeStyle` `{smallCaps, position}`), in Document Setup's proportions. Turning Superscript on turns Subscript off, and turning Subscript on turns Superscript off. A button or item shows as on when the first selected character (at a caret, the character before it) has its attribute. - **Paragraph alignment:** the shared Paragraph/Properties alignment row leaves every button unselected when the paragraphs it acts on differ. Auto resolves per paragraph; choosing an alignment uses the existing command. Headless paragraph_mixed_alignment_* regressions exercise mixed → Center → Undo, caret/uniform states, Unicode range boundaries, Auto/direction, split runs and grouped text. These regressions and full integration CI pass. Original captures confirm mixed → Center → Undo in the existing alignment-button layout. The [public Paragraph panel guide](https://helpx.adobe.com/illustrator/desktop/design-with-text/edit-format-text/paragraph-panel-overview.html) lists the seven controls, but does not specify mixed-state rendering. Other paragraph fields remain outside this change; scores and hours unchanged. For Auto Size area type in columns, the bisection for the frame's height runs on the lines of the one-column layout, and its result is checked with at most two layouts of the columns. When the text wraps around objects or does not fit the one-column layout, or when the check fails, the columns are laid out at every step of the bisection, as before. Typing at the start of a story of 50,000 characters in 2 columns took 1,670 ms a keystroke and now takes 292 ms (release build, `auto_height_in_columns_typing_timing`). diff --git a/docs/type-parity.md b/docs/type-parity.md index 4c5721fbd..07ec457c6 100644 --- a/docs/type-parity.md +++ b/docs/type-parity.md @@ -68,7 +68,6 @@ Character Styles menu New/Redefine and footer New capture the first selected cha | 2026-10-17 | minor | A click on area type's red out port loads the Selection tool with the overflow text; the next click threads it into a closed path or a new frame of the same shape there, a drag into a new rectangle (`text.thread.add`, #2572 in part). The out port moved up the frame's right side, clear of the corner handle. Scores and hours unchanged. | | 2026-10-16 | minor | Native font-family labels fall back from English-only typographic names to localized legacy names (#2208). English labels and native typographic precedence are preserved; synthetic loaded/catalog tests. Scores and estimates unchanged. | | 2026-10-16 | minor | Align Stroke on live type: the characters' stroke goes inside or outside the glyphs without creating outlines, for every run or a range; kept in the native file and in canvas, PDF, EPS and SVG output (#2294); beyond Illustrator, scores and hours unchanged | -| 2026-10-14 | minor | Cmd+Shift+C (Align center) works on Windows and Linux too, where egui reported it as a copy (#1940); scores and hours unchanged | | 2026-10-14 | minor | Cmd+Shift+C (Align center) works on Windows and Linux too, where egui reported it as a copy; a double-click on area type's bottom middle handle turns on Auto Size (#1940); scores and hours unchanged | | 2026-10-14 | minor | MCP `add_text` exposes the existing `vertical` option for point, area and path type; horizontal remains the default; scores and hours unchanged. | | 2026-10-14 | minor | Vertical fullwidth question and exclamation marks keep their nominal glyph upright when the font has no vertical alternate; scores and hours unchanged. | diff --git a/docs/ui-parity.md b/docs/ui-parity.md index 8a473c30a..d63d908b2 100644 --- a/docs/ui-parity.md +++ b/docs/ui-parity.md @@ -270,7 +270,6 @@ re-measure of the panels added since. Slider rails show on Medium Dark (#1808, # | 2026-10-17 | minor | Group Selection picks one path of a compound path (the outer shape or a hole) and moves it on its own; a second click adds the compound path (#2441, in part) | | 2026-10-16 | minor | The Move dialog opens on the offset of the last drag or Move and with the checkboxes it was last confirmed with; scores unchanged | | 2026-10-16 | minor | Native documents restore transparency grid visibility (#1968); save/open regression covers on/off, old files and SVG; scores and hours unchanged (estimated) | -| 2026-10-17 | minor | Group Selection picks one path of a compound path (the outer shape or a hole), and a second click adds the compound path (#2441, in part) | | 2026-10-16 | minor | Live Corners: a corner rounds until its cut reaches the neighbouring anchors or their cuts, so one corner of a 100 pt square alone reaches a 100 pt radius instead of 50 (#2332); score unchanged (estimated) | | 2026-10-16 | minor | Correction: quick Image Trace presets trace at once and leave the panel as it was (the 2026-10-14 row below said a quick preset reveals it; the later change in `baadbe2c6` made the button the way in); the Image Trace button in the Control bar or Properties opens the controls, as the public documentation describes. Wording only; scores and hours unchanged. | | 2026-10-16 | minor | Batch exporting in Export for Screens (#1935): a file name pattern (document and item names, a counter, the date), folders per format, item or both, Layers and Selection tabs with thumbnails, EPS, AI and VectorCraft rows, a PDF row with printer's marks, and export presets (built-in Logo Package and Print-Ready PDF, saved ones); scores and hours unchanged (estimated) |