EPS: images encoded with CCITTFaxDecode draw

The PostScript interpreter that reads EPS and PostScript files had no
CCITTFaxDecode filter. Reading a file whose image data went through it
stopped at an error naming the filter, and the file opened from a
fallback, such as its preview or the art drawn before the image, or
did not open.

CCITTFaxDecode now decodes CCITT Group 4 (ITU-T T.6) and Group 3
one-dimensional and mixed (ITU-T T.4) data to rows of 1-bit samples.
It reads K, Columns, Rows, EndOfBlock, EndOfLine, EncodedByteAlign and
BlackIs1 (PLRM 3rd ed., §3.13; ISO 32000-2, §7.4.6). With EndOfBlock
the data ends at its EOFB or RTC regardless of Rows, and the RTC of
mixed Group 3 data, six EOLs each with a tag bit, is found by the
filter. Damaged data keeps the rows decoded before it, and damage in
the first row is an ioerror. Columns outside 1 to 65,535 and Rows
below 0 are a rangecheck, and data that would decode to more than
256 MiB is refused. hayro-ccitt 0.3.0, already in Cargo.lock through
hayro-syntax, becomes a dependency of vectorcraft-eps.

The tests encode their images in the test, with the fax crate's
Group 4 encoder and T.4 run codes (a dev-dependency, already in
Cargo.lock through tiff), and fail without the change. The import fuzz
tests read a Group 4 and a Group 3 image coded by hand from the T.4
and T.6 tables, read the same file with random damage, and add the
filter and its parameters to the hostile programs.

Docs: docs/file-format-parity.md, docs/target-app-parity.md.

docs/file-format-parity.md

@@ -93,6 +93,8 @@ the app's own editing copy of a file (an EPS after its `%%EOF`, a `.ai`'s `AIPri
 | Illustrator `.ai` | open, save | yes (PDF-compatible + editing-data structure, File Info) | PDF-compatible, or legacy version 7 (layers and groups) | see above; no real-file corpus |
 | Illustrator template `.ait` | open, save | yes | no (save as `.vctemplate`) | |
 | PDF | open, place, save | yes (layers, masks, editable text, security, overprint, File Info from the XMP packet and the document information dictionary; Crop To › Trim takes the bleed box as the document's bleed) | yes (presets, PDF/X-1a/3/4, layers, marks and bleed, ICC, fast web view, 1.3+) | fuzzed import; shared guarded writer and windowed reader ([pdf-backend.md](pdf-backend.md)), metadata, incomplete-content and dependency-source regressions; PDF text placement issues in some files (#722); alpha soft masks drawn as images import with the mask (#1551); a clip only counts as covering the page when its shape does (#1542); a PDF another app copied pastes as editable vector art (#1499); letter-spaced type on a path keeps its length and its glyph-by-glyph stroke comes in as one text object (#1586, #1585); a crafted name tree with shared nodes no longer takes exponential time on open (#1781) |
+| EPS | open, place, save | yes (own PostScript L3 interpreter, Illustrator EPS editing data structure) | yes (L2/L3, TIFF previews) | CID-keyed CJK type not read; #505; images encoded with `CCITTFaxDecode` (ITU-T T.4 Group 3 and T.6 Group 4, with `K`, `Columns`, `Rows`, `EndOfBlock`, `EndOfLine`, `EncodedByteAlign` and `BlackIs1`) draw, and damaged data keeps the rows decoded before its first damaged row; Type 42 (TrueType) fonts set type at its size (#1553); a clip only counts as covering the page when its shape does (#1542); an EPS another app copied pastes as editable vector art (`clipboard.importEps`, #1499); a stitched shading keeps its hard colour changes on import (#1654); CMYK images, CMYK JPEGs included, keep their ink amounts on import, as from PDF, and the pixels a `MaskColor` or `ImageType 3` mask hides become a grayscale opacity mask; ruzstd 0.9.1 for compressed editing data (#1807, RUSTSEC-2026-0344) |
+| PostScript `.ps` | open | no | via Print to PostScript | |
 | EPS | open, place, save | yes (own PostScript L3 interpreter, Illustrator EPS editing data structure) | yes (L2/L3, TIFF previews) | CID-keyed CJK type and CCITTFax images not read; #505; Type 42 (TrueType) fonts set type at its size (#1553); a clip only counts as covering the page when its shape does (#1542); an EPS another app copied pastes as editable vector art (`clipboard.importEps`, #1499); a stitched shading keeps its hard colour changes on import (#1654); CMYK images, CMYK JPEGs included, keep their ink amounts on import, as from PDF, and the pixels a `MaskColor` or `ImageType 3` mask hides become a grayscale opacity mask; ruzstd 0.9.1 for compressed editing data (#1807, RUSTSEC-2026-0344) |
 | PostScript `.ps` | open, place | yes (the EPS reader reads its first page; `.epsf` files open and place as EPS) | via Print to PostScript | `tests_epsimport.rs` |
 | SVG / SVGZ | open, place, save | yes | yes (SVG Options, Preserve Editing, symbols, filters, rich text) | strongest format; tests in `crates/svg/tests`; text on a path follows basic shapes as their SVG 2 equivalent paths (#1527); CSS transforms and the `font` shorthand (#1565), percentage lengths in symbols (#1596), Inkscape flowed text as area type (#1568) and Inkscape pages as artboards (#1601) import; an unsupported filter is named in its warning (#1598) |

docs/target-app-parity.md

@@ -630,6 +630,7 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
   - EPS and DXF in and out, EMF/WMF in and out; PNG (with PNG-8), JPEG, WebP, GIF, TIFF, BMP, Targa and layered PSD export; grayscale TIFFs with an alpha channel or other extra channels place, relink and open, the alpha as the image's transparency (#1466 in part; CCITT Group 3 files are not read); PSD and PSB files open and place, linked or embedded, as their merged image in every colour mode and depth (#918). EPS import runs a PostScript Level 3 interpreter written from the PostScript Language Reference: resource categories and `resourceforall`, local and global VM (`currentglobal`/`setglobal`/`gcheck`), `clipsave`/`cliprestore`, subarrays and substrings that share storage, the standard dictionaries in `systemdict`, `dictstack`, `internaldict`, executable filters and strings, `load` by any key, `//name` immediate names, `token`, `execform`, user paths, `cshow`, `rootfont`, `cachestatus`, colour rendering and halftone queries, file `status` and data read with `flushfile`, and `pdfmark` marks dropped (Discord feedback, #466, #469, #474). Masked images (`ImageType 3` in its three interleavings) and reusable streams are read, and an image's several data sources are read in turn, as the reference defines (procedures that read one file get their own rows: such images came in banded, #498). `restore` puts dictionaries back as they were at the `save`, so programs that count their saves in a dictionary read to their end (part of #505). Tiling patterns come in as pattern swatches, uncoloured ones too; Type 3 fonts' glyphs as their outlines, spaced by `ashow`/`widthshow`/`xshow`/`kshow`; mesh and function-based shadings (types 1, 4–7) as gradient meshes; sampled functions (type 0) and Flate/LZW predictors are read. It is tested with programs written from the specification in the ways common generators use these features; Inkscape/cairo EPS files open as vectors. When a file's PostScript still can't be read, it opens as its TIFF preview, its Windows metafile preview (as vectors) or its EPSI preview, and the warning (in the status bar, `document.open`/`app.open`/MCP `open_file` replies and `vectorcraft-cli info`) names the error, the operator that raised it and the procedures it ran in. Legacy PostScript `.ai` files (Illustrator 3–8, written with the prolog that defines their operators) keep their groups and nested groups (`u` … `U`), between and inside clipping groups; EPS and EMF/WMF import nest clips (and groups) at most 128 deep, so a hostile file can't exhaust the stack. DXF TEXT justified Fit or Aligned spans its two points (stretched, or scaled as a whole). PDF export writes type as real, searchable text in embedded subset fonts by default, as Illustrator's PDF presets do (Convert Text to Outlines is an option; printer's marks stay shapes), so text-heavy PDFs stay small (#733). DXF export writes each fill as its outlines followed by its hatch, so laser and cutter software, which skips hatches, gets filled art and type too (#546).
   - TIFFs that store each channel as its own plane (PlanarConfiguration 2) place, relink and open as the same image stored pixel by pixel does, 8 and 16 bits: grayscale with an alpha channel or other extra channels, and CMYK with or without them. A planar CMYK TIFF keeps its ink amounts and is stored as a CMYK TIFF with each pixel's inks together, at the file's resolution. A TIFF whose header claims more strips or tiles than can be counted is refused as too large to draw (#1466 in part; `crates/engine/src/cmd/fileio/tests.rs`).
   - EPS and PostScript import keeps a CMYK image's ink amounts, as PDF import does: the samples of `image` and `colorimage` in a CMYK color space, and of a CMYK JPEG read through `DCTDecode`, come in as a CMYK TIFF, read through the image's Decode array, and the pixels a `MaskColor` or `ImageType 3` mask hides become a grayscale opacity mask (`crates/eps/src/import/tests_images.rs`). Such images came in as RGB PNGs.
+  - EPS and PostScript import reads image data through `CCITTFaxDecode`: Group 4 (ITU-T T.6) and Group 3 one-dimensional and mixed (ITU-T T.4) data, with the filter's `K`, `Columns`, `Rows`, `EndOfBlock`, `EndOfLine`, `EncodedByteAlign` and `BlackIs1` parameters, decodes to 1-bit rows for `image` and `imagemask`. Damaged data keeps the rows decoded before it (damage in the first row is a PostScript `ioerror`), and parameters out of range or past the 256 MiB limit on decoded data are refused (`crates/eps/src/import/tests_images.rs`). Reading such a file stopped at an error naming the filter, and the file opened from a fallback, such as its preview or the art drawn before the image, or did not open.
   - DXF control-point SPLINE import honors its closed flag (#1299 follow-up after #1320 fixed export), including rational curves; open curves whose endpoints meet stay open. Own-fixture regressions cover controls/knots, fit-point fallback and all export versions (`crates/cad/src/import/tests.rs`, `crates/cad/src/tests.rs`); native save/read checked; CIRCLE/ARC fitting, CNC preset and VCarve QA remain pending.
   - Affinity documents in (AF.1–AF.4): `.af` (Affinity 3) and `.afdesign`/`.afphoto`/`.afpub` (Affinity 1 and 2, container versions 8–12) open and place as editable art: layers and sublayers, groups (pass-through or isolated), artboards (with their names and backgrounds) and Publisher pages side by side, curves with live corners, parametric shapes (rectangles with corner radii, ellipses, polygons, stars, pies, triangles, trapezoids), compound shapes, solid/linear/elliptical gradient fills and strokes (weight, dashes, alignment, scale-with-object), clipping by nesting, vector and pixel masks, artistic and frame text with fonts, sizes, tracking, leading and alignment, placed images (their original JPEG/PNG) and pixel layers (8/16-bit RGB, CMYK), opacity, visibility, locking and blend modes, at the document's resolution in points. Effects, adjustments, brushes and pressure profiles, transparency gradients, master pages, symbol instances (imported as their cached picture), special shapes (cloud, heart, cog…, imported as ellipses) and Affinity-only blend modes are named in the import warning. A file whose native data can't be read opens as its embedded preview with the reason, and that preview can't be placed. Save never writes back over the Affinity file and there is no Affinity export. AF.4 adds Affinity 3 artboard recognition and actual-outline clipping, source-backed JPEG/PNG raster tiles, Unicode text-run recovery, stored fallback/exact installed fonts, OpenType feature flags and compound-geometry limits. 51 public CC0/MIT/Apache-2.0 files (33 current `.af`), pinned and sha256-verified (`cargo xtask corpus --affinity`), test native retention and every-board native/SVG/PDF/PSD output for current files; selected files compare their saved thumbnails. No Affinity reopen or independent paired PSD oracle was available; [source audit and complex-font gaps](affinity-validation.md); [scope, provenance and limits](../crates/affinity/README.md).
   - Placed documents: File › Place of a `.vectorcraft` file links to it by default (`file.place`'s `link`): one locked object showing an artboard of the document (or its art's bounds), read the way placing it without Link reads it, its symbols, patterns and images kept apart from the document's; without Link (or from bytes, not a file) it is an editable copy as before. It stays vectors in every output (SVG, PDF, EPS, EMF, DXF), and so do placed documents inside it, read from their own files up to 8 levels deep (documents that place each other stop there). On screen they draw from bitmaps cached per file and zoom step, shared by every copy and made in the background (a placeholder until ready), so a sheet of them redraws in about a millisecond; exports and prints draw them exactly. Like linked images, a save keeps only a preview of each (JPEG when opaque) unless Include Linked Files; output, and zooming past the preview, read the file again, falling back to the preview with a warning when it is gone or changed. Saves for older versions write them as plain art. Links check, update, relink, Update Links on open, Link Info (the artboard's size), Placement Options, Break Link (also Embed, Object › Expand: the editable copy placing without Link gives, its resources joining the document), Edit Original (the document in a new tab) and the Links panel cover them; saving a document updates the open documents that place it. The native format (v4) keeps data of 8 KB or more after the JSON instead of base64 in it.