G16: complete Brazilian Portuguese (pt-br) interface

Finish the partial pt-br catalog so menus, tl! literals and status/error
messages stay translated under the completeness tests (#1914).

ROADMAP.md

@@ -38,7 +38,7 @@ blocking it ([Alpha gate](docs/roadmap.md#alpha-gate)).
 
 | Audience | Ready % | Opus 5.5 agent hours to ~95% (one agent) | With 4–6 agents | Work that dominates |
 |---|---:|---:|---:|---|
-| **Full Illustrator** (ready for real work; decides the stage) | **~62%** (57–67%) | **~340–560 h** | ~95–160 h | the mainstream work below, plus 3D (50–85 h), raster effects (23–39 h), advanced type (20–28 h), generative AI (30–60 h), localization (55–90 h) and ecosystem |
+| **Full Illustrator** (ready for real work; decides the stage) | **~62%** (57–67%) | **~340–560 h** | ~95–160 h | the mainstream work below, plus 3D (50–85 h), raster effects (23–39 h), advanced type (20–28 h), generative AI (30–60 h), localization (50–85 h) and ecosystem |
 | **Mainstream illustrator** | **~65%** (60–70%) | **~230–380 h** | ~65–110 h | the interaction-fidelity pass (60–90 h), hardening and QA (30–50 h), stability (20–35 h), performance budgets (15–25 h), `.ai` exchange (10–20 h), the remaining depth of the everyday areas |
 | **Essentials user** | **~75%** (70–80%) | **~60–105 h** | ~25–45 h | launch and stability on Windows (20–35 h), in-app help and onboarding (8–15 h), basic QA (10–15 h), Shape Builder regions (4–8 h), UI polish |
 
@@ -55,7 +55,7 @@ everything is measured from our code against Illustrator's public documentation.
 | UI/UX fidelity | 55% | 70–110 | [ui-parity.md](docs/ui-parity.md) |
 | File formats | 75% | 15–30 | [file-format-parity.md](docs/file-format-parity.md) |
 | Hardware (GPU, pen, touch, displays) | 35% | 25–45 | [hardware-parity.md](docs/hardware-parity.md) |
-| Localization (12 key languages) | 71% (measured) | 55–90 | [localization-parity.md](docs/localization-parity.md) |
+| Localization (12 key languages) | 74% (measured) | 50–85 | [localization-parity.md](docs/localization-parity.md) |
 | Performance | ~60% | 15–25 | [gaps.md › G15](docs/gaps.md#g15-performance-budgets-and-a-gpu-renderer) |
 | Stability | ~60% | 30–50 | [gaps.md › G10](docs/gaps.md#g10-launch-and-stability-on-real-machines) |
 | Platforms | 80% | 15–25 | [gaps.md › G8](docs/gaps.md#g8-hardening-at-scale) |
@@ -105,7 +105,7 @@ Weights, evidence and the missing items per area: [target-app-parity.md](docs/ta
 | Hindi | `hi` | none | 0% |
 | Arabic | `ar` | none (no right-to-left interface) | 0% |
 | French | `fr` | full | 100% |
-| Portuguese (Brazil) | `pt-br` | partial | 68% |
+| Portuguese (Brazil) | `pt-br` | full | 100% |
 | Indonesian | `id` | none | 0% |
 | Japanese | `ja` | full | 100% |
 | German | `de` | full | 98% |
@@ -134,6 +134,7 @@ Ranked; detail in [docs/roadmap.md](docs/roadmap.md) and [docs/gaps.md](docs/gap
 
 | Date | What landed |
 |---|---|
+| 2026-10-14 | Brazilian Portuguese (`pt-br`) covers the whole interface and status/error messages under the completeness tests (#1914); Localization 71% → 74% (measured), hours 55–90 → 50–85. |
 | 2026-10-14 | Direct Selection: deleting an interior anchor of an open path leaves separate surviving runs. Delete/Backspace and history regressions cover the gap; explicit Remove Anchors remains connected. Headline numbers unchanged. |
 | 2026-10-14 | Corner Radius has a link button in Properties and Transform: unlinked, a live rectangle shows a radius field for each corner (#1682). With the Width tool, double-clicking a stroke opens Width Point Edit to create a width point there, and Shift-double-click on a width point opens it with Adjust Adjoining Width Points ticked (#1814, #1630). Holding Alt while dragging a guide out of a ruler switches it between horizontal and vertical (#1782), and a marquee with the Selection or Direct Selection tool also selects the unlocked ruler guides it crosses (#1836). The Transform panel's, Properties panel's and Control bar's X/Y/W/H show and edit only the anchor points selected with Direct Selection (#1839, fixes #1824). With Snap to Grid on, anchors and objects snap to the grid even when Snap to Pixel is also ticked (#1840; #1816 waits for the reporter). Artboards are deleted the same way from the Artboards panel, its menu, Properties and Delete/Backspace (#1631). The toolbar shows no group labels by default (a preference brings them back) and runs on in one or two columns; the All Tools drawer lists the tools by flyout group with their shortcuts, has a menu (Reset, Basic, Advanced) and a Show section for the Fill/Stroke, Coloring, Draw Mode and Screen Mode controls (#1751). An action clicked in the Actions panel stays selected, so Play Current Selection and Delete Selection act on it (#1853, part of #1629). Redo during a drag keeps the drag as a step (#1856, #1719). Preferences are written as soon as OK is pressed (#1857; #1747 waits for the reporter). Preferences › Appearance of Black › Printing / Exporting and Units › Identify Objects By act (#1750, #1809). The paragraph alignment buttons show none selected for paragraphs with different alignments (#1784); redefining a character style to Auto leading updates the text that uses it and keeps local overrides (#1633); New and Redefine Character Style take the format of the selected text range, also while typing (#1634). Type inside symbols, pattern tiles, graph designs and opacity masks gets its layout bounds back when a native file opens, so warped type in a symbol looks the same after save and reopen (#1833, #1738). Editing, renaming, deleting or merging a global swatch reaches the art of opacity masks (#1830, #1735). macOS: Save As, Save a Copy and the first Save show their sheet again; the sheet's Format menu (#866, reopened) is withdrawn until it can be set before the sheet opens (#1855). |
 | 2026-10-14 | Corner Radius has a link button in Properties and Transform: unlinked, a live rectangle shows a radius field for each corner (#1682). With the Width tool, double-clicking a stroke opens Width Point Edit to create a width point there, and Shift-double-click on a width point opens it with Adjust Adjoining Width Points ticked (#1814, #1630). Holding Alt while dragging a guide out of a ruler switches it between horizontal and vertical (#1782), and a marquee with the Selection or Direct Selection tool also selects the unlocked ruler guides it crosses (#1836). The Transform panel's, Properties panel's and Control bar's X/Y/W/H show and edit only the anchor points selected with Direct Selection (#1839, fixes #1824). With the Direct Selection tool, double-clicking type (including type nested inside a group) switches to the Type tool and puts the caret at the clicked character; pressing Escape finishes editing and returns to the selection tool used before double-clicking, and in isolation mode the first Escape exits editing while preserving isolation until a second Escape. With Snap to Grid on, anchors and objects snap to the grid even when Snap to Pixel is also ticked (#1840; #1816 waits for the reporter). Artboards are deleted the same way from the Artboards panel, its menu, Properties and Delete/Backspace (#1631). The toolbar shows no group labels by default (a preference brings them back) and runs on in one or two columns; the All Tools drawer lists the tools by flyout group with their shortcuts, has a menu (Reset, Basic, Advanced) and a Show section for the Fill/Stroke, Coloring, Draw Mode and Screen Mode controls (#1751). An action clicked in the Actions panel stays selected, so Play Current Selection and Delete Selection act on it (#1853, part of #1629). Redo during a drag keeps the drag as a step (#1856, #1719). Preferences are written as soon as OK is pressed (#1857; #1747 waits for the reporter). Preferences › Appearance of Black › Printing / Exporting and Units › Identify Objects By act (#1750, #1809). The paragraph alignment buttons show none selected for paragraphs with different alignments (#1784); redefining a character style to Auto leading updates the text that uses it and keeps local overrides (#1633); New and Redefine Character Style take the format of the selected text range, also while typing (#1634). Type inside symbols, pattern tiles, graph designs and opacity masks gets its layout bounds back when a native file opens, so warped type in a symbol looks the same after save and reopen (#1833, #1738). Editing, renaming, deleting or merging a global swatch reaches the art of opacity masks (#1830, #1735). macOS: Save As, Save a Copy and the first Save show their sheet again; the sheet's Format menu (#866, reopened) is withdrawn until it can be set before the sheet opens (#1855). |