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Canvas: double-clicking type with the direct selection tool puts the caret there

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With the Direct Selection tool ("white arrow", shortcut 'a'), double-clicking
a text element (either standalone or nested inside a group) now switches to
the Type tool and immediately positions the caret at the clicked character,
matching the behavior previously introduced for the Selection tool in #284.

- In DirectSelectionTool::pointer, detect double-click hits on NodeKind::Text
  when !self.group and emit Action::SwitchTool("type").
- Group Selection (group: true) retains its existing group cycling behavior.
- Add unit test in vectorcraft-tools verifying tool switch on both standalone
  and grouped text.
- Add headless egui integration test in vectorcraft-ui-egui verifying tool switch,
  caret positioning, and inline editing without triggering shortcuts.
- Update docs/target-app-parity.md and ROADMAP.md.
This commit is contained in:
el-j
2026-10-16 04:19:05 +07:00
committed by bflatastic
parent 9e1590769e
commit 28daaf473c
4 changed files with 87 additions and 3 deletions
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ROADMAP.md
+1 -1
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@@ -132,7 +132,7 @@ Ranked; detail in [docs/roadmap.md](docs/roadmap.md) and [docs/gaps.md](docs/gap
| Date | What landed |
|---|---|
| 2026-10-14 | Corner Radius has a link button in Properties and Transform: unlinked, a live rectangle shows a radius field for each corner (#1682). With the Width tool, double-clicking a stroke opens Width Point Edit to create a width point there, and Shift-double-click on a width point opens it with Adjust Adjoining Width Points ticked (#1814, #1630). Holding Alt while dragging a guide out of a ruler switches it between horizontal and vertical (#1782), and a marquee with the Selection or Direct Selection tool also selects the unlocked ruler guides it crosses (#1836). The Transform panel's, Properties panel's and Control bar's X/Y/W/H show and edit only the anchor points selected with Direct Selection (#1839, fixes #1824). With Snap to Grid on, anchors and objects snap to the grid even when Snap to Pixel is also ticked (#1840; #1816 waits for the reporter). Artboards are deleted the same way from the Artboards panel, its menu, Properties and Delete/Backspace (#1631). The toolbar shows no group labels by default (a preference brings them back) and runs on in one or two columns; the All Tools drawer lists the tools by flyout group with their shortcuts, has a menu (Reset, Basic, Advanced) and a Show section for the Fill/Stroke, Coloring, Draw Mode and Screen Mode controls (#1751). An action clicked in the Actions panel stays selected, so Play Current Selection and Delete Selection act on it (#1853, part of #1629). Redo during a drag keeps the drag as a step (#1856, #1719). Preferences are written as soon as OK is pressed (#1857; #1747 waits for the reporter). Preferences › Appearance of Black › Printing / Exporting and Units › Identify Objects By act (#1750, #1809). The paragraph alignment buttons show none selected for paragraphs with different alignments (#1784); redefining a character style to Auto leading updates the text that uses it and keeps local overrides (#1633); New and Redefine Character Style take the format of the selected text range, also while typing (#1634). Type inside symbols, pattern tiles, graph designs and opacity masks gets its layout bounds back when a native file opens, so warped type in a symbol looks the same after save and reopen (#1833, #1738). Editing, renaming, deleting or merging a global swatch reaches the art of opacity masks (#1830, #1735). macOS: Save As, Save a Copy and the first Save show their sheet again; the sheet's Format menu (#866, reopened) is withdrawn until it can be set before the sheet opens (#1855). |
| 2026-10-14 | Corner Radius has a link button in Properties and Transform: unlinked, a live rectangle shows a radius field for each corner (#1682). With the Width tool, double-clicking a stroke opens Width Point Edit to create a width point there, and Shift-double-click on a width point opens it with Adjust Adjoining Width Points ticked (#1814, #1630). Holding Alt while dragging a guide out of a ruler switches it between horizontal and vertical (#1782), and a marquee with the Selection or Direct Selection tool also selects the unlocked ruler guides it crosses (#1836). The Transform panel's, Properties panel's and Control bar's X/Y/W/H show and edit only the anchor points selected with Direct Selection (#1839, fixes #1824). With the Direct Selection tool, double-clicking type (including type nested inside a group) switches to the Type tool and puts the caret at the clicked character. With Snap to Grid on, anchors and objects snap to the grid even when Snap to Pixel is also ticked (#1840; #1816 waits for the reporter). Artboards are deleted the same way from the Artboards panel, its menu, Properties and Delete/Backspace (#1631). The toolbar shows no group labels by default (a preference brings them back) and runs on in one or two columns; the All Tools drawer lists the tools by flyout group with their shortcuts, has a menu (Reset, Basic, Advanced) and a Show section for the Fill/Stroke, Coloring, Draw Mode and Screen Mode controls (#1751). An action clicked in the Actions panel stays selected, so Play Current Selection and Delete Selection act on it (#1853, part of #1629). Redo during a drag keeps the drag as a step (#1856, #1719). Preferences are written as soon as OK is pressed (#1857; #1747 waits for the reporter). Preferences › Appearance of Black › Printing / Exporting and Units › Identify Objects By act (#1750, #1809). The paragraph alignment buttons show none selected for paragraphs with different alignments (#1784); redefining a character style to Auto leading updates the text that uses it and keeps local overrides (#1633); New and Redefine Character Style take the format of the selected text range, also while typing (#1634). Type inside symbols, pattern tiles, graph designs and opacity masks gets its layout bounds back when a native file opens, so warped type in a symbol looks the same after save and reopen (#1833, #1738). Editing, renaming, deleting or merging a global swatch reaches the art of opacity masks (#1830, #1735). macOS: Save As, Save a Copy and the first Save show their sheet again; the sheet's Format menu (#866, reopened) is withdrawn until it can be set before the sheet opens (#1855). |
| 2026-10-14 | Rendering: copies, symbol instances and repeats that share an appearance keep their stroke outlines between frames (#1667); the canvas no longer reads its whole picture back for each non-isolated group that blends (#1687); envelopes, blends, repeats and meshes redraw when a pattern, symbol, font or colour setting they show changes (#1688); Outline view draws from geometry kept between frames (#1689); CMYK documents with transparency compose their ink planes on several threads (#1755); an edit re-flows a threaded story only when it changes one of the story's frames (#1792); opening a file reads its linked files and lays out its type on the opening thread (#1767). Instances of imported symbols are measured, selected, aligned, culled and exported by their art instead of a 20 pt square (#1744). Export for Screens and the Asset Export panel offer TIFF (#1632). SVG import looks style rules up by id, class and type (#1690), applies `:not()` selectors (#1799, #1557), no longer stalls on stacked descendant selectors over deep nesting (#1834, #1703) and reads linked files within the automation roots again (#1870). DXF export writes the VPORT view direction once (#1789). Untrusted files: nesting is capped at 32 objects in SVG, PDF, EPS and native files and symbols or patterns that use themselves open without the offending instance or paint (#1852); deeply nested PDF and `.ai` data, page trees holding themselves and functions or colour spaces built on themselves (#1871), decompression bombs and impossible predictor parameters (#1873, #1700, #1701), brushes that draw themselves (#1872) and hostile EPS, Affinity and native data (#1863: #1715, #1714, #1704, #1699) no longer crash or exhaust the app; the save fallback keeps the old file until the new one is in (#1695). Files whose ids sit at their largest value, a failed `command.batch`, control requests that timed out and images too large as RGBA for the Eyedropper are handled (#1862: #1718, #1697, #1725, #1717). Effects: wide shadows and glows at high zoom stay within the raster budget, stacked Transform effects are bounded, 3D keeps the area a nonzero compound path fills, pattern tiles redraw when the art they show changes, and a template layer dims its images by Dim Images (#1864: #1706, #1705, #1724, #1723, #1683). A failed save or export is reported in a dialog that names the file and stays until closed (#1865, #1685); a browser download that can't start fails the save (#1693); a file that finishes opening waits while a dialog is open (#1694). krilla's text shaping is no longer built in (#1874, #1730); the CI gate compiles the web app for wasm (#1875). |
| 2026-10-14 | Image Trace: Shapes finds rounded rectangles and shapes in blurred and scanned art (98 to 100% of the plain-shape inputs, from 57 to 62%; #1845), square-ended lines get square caps (Outline's largest distance 2.94 px to 0.88; #1846), each documented preset has an enhanced version with Auto Grouping and Shapes that measures no worse than the preset (#1847), and blurred or noisy linear gradients trace as one gradient-filled path instead of 3 to 56 (#1848) ([`docs/image-trace-quality.md`](docs/image-trace-quality.md)). No headline number moves. |
| 2026-10-13 | Synthetic control input has finite click/drag counts and pending-event limits, checked before queue mutation; control-channel bursts yield after 64 requests per frame (#1709). |
crates/tools/src/direct.rs
+45 -1
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@@ -407,7 +407,19 @@ impl Tool for DirectSelectionTool {
vec![Action::Exec("select.set".into(), json!({"ids": [target.0]}))]
}
}
(PointerKind::DoubleClick, _) if !self.group => corners::double_click(cx, p, true).into_iter().collect(),
(PointerKind::DoubleClick, _) if !self.group => {
self.state = State::Idle;
if let Some(a) = corners::double_click(cx, p, true) {
return vec![a];
}
if crate::rulerguide::guide_at(cx, p).is_some() {
return vec![];
}
if hit_test(cx.doc, p, cx.hit_options()).and_then(|h| cx.doc.node(h.leaf)).is_some_and(|n| matches!(n.kind, NodeKind::Text(_))) {
return vec![Action::SwitchTool("type".into())];
}
vec![]
}
(PointerKind::Move, State::Idle) => {
self.hover = if self.group || !cx.highlight_anchors { None } else { hovered_anchor(cx, p) };
vec![]
@@ -1528,4 +1540,36 @@ mod tests {
assert_eq!(v["matrix"], json!([1.0, 0.0, 0.0, 1.0, -100.0, 1.0]), "group: {group}");
}
}
#[test]
fn double_clicking_type_switches_to_type_tool() {
use std::sync::Arc;
let (mut d, id) = doc_with_area_type();
let (s, p) = (Selection::default(), paint());
let c = cx(&d, &s, &p);
let b = d.node(id).unwrap().geometric_bounds().unwrap();
let mid = b.center();
// Direct Selection (shortcut A, group == false) switches to the Type tool on double click.
let mut t = DirectSelectionTool::new(false);
let acts = t.pointer(&c, &PointerEvent::new(PointerKind::DoubleClick, mid.x, mid.y));
assert_eq!(acts, vec![Action::SwitchTool("type".into())]);
// Group Selection (group == true) does not switch to Type tool.
let mut gt = DirectSelectionTool::new(true);
let acts_group = gt.pointer(&c, &PointerEvent::new(PointerKind::DoubleClick, mid.x, mid.y));
assert!(acts_group.is_empty(), "group selection shouldn't switch: {acts_group:?}");
// Text inside a group also switches to Type tool with Direct Selection.
let gid = d.alloc_id();
let text_id = d.alloc_id();
let text_node = Node::new(
text_id,
vectorcraft_doc::NodeKind::Text(Box::new(vectorcraft_doc::TextObject::point(Point::new(50.0, 50.0), "In group", Default::default()))),
);
d.insert(Some(d.layers[0].id), 2, Node::group(gid, vec![Arc::new(text_node)])).unwrap();
let in_group_b = d.node(gid).unwrap().geometric_bounds().unwrap();
let c2 = cx(&d, &s, &p);
let acts_group_text = t.pointer(&c2, &PointerEvent::new(PointerKind::DoubleClick, in_group_b.center().x, in_group_b.center().y));
assert_eq!(acts_group_text, vec![Action::SwitchTool("type".into())]);
}
}
crates/ui-egui/src/canvas.rs
+39
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@@ -4341,6 +4341,45 @@ mod tests {
assert_eq!((t.len(), t.find('X')), (12, Some(caret as usize)), "{t}");
}
#[test]
fn double_clicking_type_with_the_direct_selection_tool_puts_the_caret_there() {
let mut app = VectorcraftApp::new(Session::new(), Default::default());
app.session.execute("file.new", &json!({"width": 400, "height": 300})).unwrap();
let id = app.session.execute("text.create", &json!({"x": 100, "y": 150, "text": "Hello world", "size": 24})).unwrap()["id"].as_u64().unwrap();
app.session.execute("select.none", &json!({})).unwrap();
app.select_tool("directSelection");
let ctx = egui::Context::default();
let timed = |app: &mut VectorcraftApp, time: f64, events: Vec<egui::Event>| {
let screen = egui::Rect::from_min_size(Pos2::ZERO, vec2(800.0, 600.0));
let mut out =
ctx.run_ui(egui::RawInput { screen_rect: Some(screen), time: Some(time), events, ..Default::default() }, |ui| show(app, ui));
out.textures_delta.clear();
};
timed(&mut app, 0.0, vec![]);
let xf = Xf::new(app.canvas_rect.unwrap(), app.view().unwrap());
let text = |app: &VectorcraftApp| match &app.session.active().unwrap().doc.node(vectorcraft_doc::NodeId(id)).unwrap().kind {
NodeKind::Text(t) => t.plain_text(),
_ => panic!("not text"),
};
// Double-click the middle of the text with Direct Selection.
let b = app.session.active().unwrap().doc.node(vectorcraft_doc::NodeId(id)).unwrap().geometric_bounds().unwrap();
let at = xf.to_screen(b.center());
let button = |pressed| egui::Event::PointerButton { pos: at, button: egui::PointerButton::Primary, pressed, modifiers: Default::default() };
timed(&mut app, 1.0, vec![egui::Event::PointerMoved(at), button(true), button(false), button(true), button(false)]);
timed(&mut app, 1.1, vec![]);
// The Type tool edits the text, with the caret inside it, where it was clicked: typing goes
// into the text, not to tool shortcuts.
assert_eq!(app.session.tool_id(), "type");
assert!(app.session.tool_wants_text());
let o = app.session.tool_options();
assert_eq!(o["editing"], json!(id));
let caret = o["caret"].as_u64().unwrap();
assert!((1..11).contains(&caret), "caret {caret}");
app.session.tool_text("X", app.view_info()).unwrap();
let t = text(&app);
assert_eq!((t.len(), t.find('X')), (12, Some(caret as usize)), "{t}");
}
#[test]
fn a_symbol_dropped_on_the_canvas_is_placed_there() {
let mut app = VectorcraftApp::new(Session::new(), Default::default());
docs/target-app-parity.md
+2 -1
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@@ -469,11 +469,12 @@ Moved from the ROADMAP's "Shipped so far" on 2026-10-10. Update it when a featur
Align, Distribute, Distribute Spacing, Reflect and Shear return an error for any `horizontal`, `vertical`, `to`, `axis`, `bounds` or `spacing` value they don't take, listing the choices, and Align returns one when a call gives neither `horizontal` nor `vertical`; nothing moves and no undo step is recorded. Align and Distribute act on the anchor points selected with Direct Selection: the points of one path align to each other, not to the artboard, and Distribute spaces them (#1641, fixes #1636; aligning to a key anchor is still missing).
Transform Again uses the Copy, Transform Patterns, Scale Strokes & Effects and Scale Corners choices of the transform it repeats; after a bounding-box handle drag on area type, it resizes the type area again and the type keeps its size (`object.transformAgain`). With anchors selected with Direct Selection, Move, Rotate, Scale, Reflect, Shear and Transform Again (the commands, their dialogs and the four tools' drags) transform only those anchors, their handles with them, about the centre of the box around them unless a point was clicked; a copy still copies the whole object (#1408; behaviour reference: [adjust path segments](https://helpx.adobe.com/illustrator/using/adjust-path-segments.html); the default reference point and the copy are our choices). The Move, Rotate, Scale, Reflect and Shear dialogs have a Preview checkbox, off when they open: while it is on the canvas follows the values, Cancel rolls it back and OK is still one undo step; Up/Down step the Rotate and Shear angles and the Scale percentages by 1, Shift by 10 (#1412). The five dialogs and Transform Each have Transform Objects beside Transform Patterns: off, the art stays and only its pattern tiles transform (`objects` on the transform commands), and Transform Again repeats the choice (#1448; behaviour reference: [scale objects](https://helpx.adobe.com/illustrator/desktop/manage-objects/reshape-transform-objects/scale-objects.html); the checkboxes are always enabled and the Scale page's pair is applied to all of them, our choices). Reflect's axis is Horizontal, Vertical or an angle (#1460; [reflect objects along an axis](https://helpx.adobe.com/illustrator/desktop/manage-objects/arrange-objects/reflect-objects-along-an-axis.html)). The link that keeps Transform Each's two scales equal is not built.
- **Pen:** Alt pressed in the middle of dragging out an anchor splits its handles and keeps the curve already shaped into it (only the outgoing handle follows the pointer); Space held while dragging out an anchor moves it, handles and all. A press on the first anchor of the path being drawn closes it whatever the drag then does: the drag shapes the closing curve (symmetric handles, Alt breaks them) and the release closes the path wherever it ends (#501). Clicking the last anchor of the path being drawn retracts its outgoing handle (convert cursor), and dragging from it pulls out a new one on its own. Auto Add/Delete: over a selected path, a click on a segment adds an anchor and a click on an anchor deletes it (add and delete cursors); Shift held, or Preferences › General › Disable Auto Add/Delete, starts a new path instead. Alt held over a handle end or an anchor of a selected path (the one being drawn too) works as the Anchor Point tool, with its convert cursor: dragging a handle moves it alone, clicking a smooth anchor makes it a corner, dragging an anchor pulls out new symmetric handles, dragging a segment reshapes it; drawing then goes on. Cmd (Ctrl) held drags with the selection tool chosen last, Direct Selection until one is (handles, anchors and segments of the path being drawn or another), and the Pen then goes on drawing its path while that stays selected; the pointer shows that tool's while Cmd is held. The same holds for agents (`pointer_gesture` with `mods.cmd`), as the borrowing now lives in the engine (#494). With the Pen, a press that moves under 3 screen pixels is a click (a corner without handles), and a Precise Cursors command toggles the existing preference and can take a shortcut (#1663).
- **Direct Selection (#1278):** clicking a segment picks its connection, with hollow endpoint anchors and only that curve's direction handles. Delete leaves the neighboring curves and appearance intact, opens/splits contours in one undo step, and another Delete removes the remaining selected path. A whole-path drag and deliberate anchor selection keep their existing behavior; egui frames and native control/art checked, OS mouse/visual QA pending. Where anchors of overlapping objects coincide, a click or drag takes the anchor of the selected object, also when another object lies over it (#1509, fixes #1508). Delete removes every selected anchor of a closed path (it used to remove the wrong ones), removes objects selected whole along with the selected anchors of others, and keeps the remainder selected so a second Delete removes it (#1674). In isolation mode Direct Selection and Group Selection pick only inside the isolated object (#1666). Escape cancels a Direct Selection drag (#1803, #1743).
- **Direct Selection (#1278):** clicking a segment picks its connection, with hollow endpoint anchors and only that curve's direction handles. Delete leaves the neighboring curves and appearance intact, opens/splits contours in one undo step, and another Delete removes the remaining selected path. A whole-path drag and deliberate anchor selection keep their existing behavior; egui frames and native control/art checked, OS mouse/visual QA pending. Where anchors of overlapping objects coincide, a click or drag takes the anchor of the selected object, also when another object lies over it (#1509, fixes #1508). Delete removes every selected anchor of a closed path (it used to remove the wrong ones), removes objects selected whole along with the selected anchors of others, and keeps the remainder selected so a second Delete removes it (#1674). In isolation mode Direct Selection and Group Selection pick only inside the isolated object (#1666). Escape cancels a Direct Selection drag (#1803, #1743). Double-clicking type (including type nested inside a group) switches to the Type tool and puts the caret at the clicked character.
- **Live Corners:** drag a live rectangle's corner widgets (Selection or Direct Selection) to round all corners, with a radius readout; with Direct Selection, select corner anchors to show and round just those corners (#381). Each corner keeps its own radius and kind (Round, Inverted Round, Chamfer): Alt-click a widget to cycle the kind, double-click it for the Corners dialog, and the Properties and Transform radius fields set the selected corners (`object.setLiveShape {corners, radius, kind}`). A link toggle behind Corner Radius (the `singleCornerRadius` preference) switches the panels to a field for each corner of a live rectangle: Top Left, Top Right, Bottom Right and Bottom Left. Corners stay circular when the rectangle is scaled unevenly or along its own sides when rotated (the radius keeps its size, or scales by the mean scale with Scale Corners on); only a shear distorts them. On a rectangle that isn't square every corner is the same circle: a radius past half the shorter side stops there for all of them, the widgets sit on the corners as drawn and turn the edited corners red at that limit, CSS export writes the drawn radii, and rectangles saved stretched by older versions get circular corners when their corners are next set (#442). Live Corners work on any path's corners too, as on a rectangle's (#511): a star's, a live polygon's (which also shows them to the Selection tool, has a Corner Radius field in the Properties and Transform panels and keeps its radius as its sides change) and a pen path's, wherever two sides meet at an angle at an anchor that isn't smooth: curved sides too, trimmed to what the cut leaves of them (#1144). Direct Selection shows the widgets of every corner, or of the corners holding selected anchors; each corner is a circle tangent to both sides, drawn no larger than takes its cut halfway along its shorter side; a path keeps its uncut outline so its corners stay editable, and the same command, dialog, angle preference and View › Hide Corner Widget apply. With Direct Selection a click on a widget (no drag) selects its corner, as a click on the corner's anchor does, so the next drag on it rounds that corner alone; Shift-click toggles it (#1239). While a corner widget is dragged with the Selection tool the bounding box hides, so the rounding shows against the path alone (#1229). A round corner next to a curved side curves smoothly instead of sticking out of the shape (#1547, fixes #1512).
- **Path editing (#494):** the handles shown are the handles that drag: Direct Selection drags those of a path selected as a whole (as the Pen leaves it), the Anchor Point tool and Pen+Alt no longer grab handles that Show handles when multiple anchors are selected hides, a handle shorter than the tolerance leaves its anchor to be picked, and the anchor tools pick within Selection & Anchor Display › Tolerance. A dragged segment keeps a smooth anchor at either end smooth. With Direct Selection, the Pen, the Curvature and the anchor tools, a path selected as a whole shows all its anchors selected, and the Control bar and the Properties panel offer Convert (corner, smooth) for them too; Remove and Cut wait for anchors direct-selected (#504). A handle drag gathers its snap targets once per drag (it took 21 ms per pointer move on a 20,000-path document, now 1 ms; `vectorcraft-cli perf` measures handle and segment drags on a 5,000-anchor path). Join merges the selected anchor points that lie on one another, as after Average, into one anchor (#1582, fixes #1533); Average and Join in one step, with a corner or smooth choice for the joined anchor, is missing ([gap 1](gaps.md)).
- **Graphs:** Column, Stacked Column, Bar, Stacked Bar, Line, Area, Scatter, Pie and Radar graph tools with Graph Data and Graph Type. A series starts in greyscale; Group Selection's fill and stroke are kept separately on the graph and reapplied when its data, type or size changes, and through save, open and undo. Graph Type's Override Calculated Values (both `axisMin` and `axisMax`) uses exactly that value-axis range, split into the tick count (5 when automatic). Line graphs take Edge-to-Edge Lines (off by default: the points sit at the centres of their categories; graphs saved before the option keep their edge-to-edge lines), and radar graphs follow Mark Data Points and Connect Data Points. Blank cells (an empty CSV cell or `null`) are values left out, not zeros: columns, bars and stacked segments skip them, lines and scatter lines break around them and the value axis ignores them, while area, pie and radar draw them as 0; a number in straight quotes is a label, and the data window writes it back quoted. Graph types combine: Graph Type on series picked with Group Selection (or `series` indexes) draws them as their own type, with column, stacked column, line and area mixing on the vertical value axis and bar and stacked bar on the horizontal one; stacked columns take one slot of the cluster, lines draw in front of columns and areas behind. The value axis goes on the left, the right or both sides (column, stacked column, line, area and scatter graphs; bar graphs keep theirs along the bottom), and Separate Scales gives the series assigned to the right axis a scale of their own with its own tick values. Each value axis takes tick marks of no, short or full (across the plot) length and a count per division, and a prefix and suffix for its numbers; the category axis takes tick marks too (none by default), at or between its labels. Graph designs: Object › Graph › Design lists the designs with a preview of the selected one, and New Design (the selected art), Rename, Delete Design, Paste Design (a copy back to edit) and Select Unused, and Marker draws the data points and legend swatches of line, scatter and radar series with a design, scaled so its backmost object fills the default marker's square. Graph Data transposes rows and columns and switches a scatter graph's x and y, and a `|` in a category or series label starts a new line. Pie graphs take Legends in Wedges, Position (Even, Ratio sized by area, Stacked on one centre) and Sort (None, All, First). Graph Type takes column and cluster widths up to 1000% (overlapping past 100%) with First Row and First Column in Front (First Row orders each series' categories; across series the series order decides, so series stay one group each for Group Selection), draws filled lines, adds drop shadows behind columns, bars, lines and wedges, and puts the legend in rows across the top. Text formatted with the Character or Appearance controls, on the whole graph or on labels picked with Group Selection, is kept per kind of label (value axis numbers, category labels, legend labels) through the graph being drawn again. Object › Graph › Data opens a worksheet: cells picked with a click and edited above the sheet (Tab moves right, Enter down, the arrows between cells), Import Data from a tab-separated text file, Transpose, Switch x/y, Cell Style (decimals shown, column width), Revert and Apply. Column designs remain open. `graph.setData` returns and takes the data as CSV with each value written exactly, not rounded to two decimals, so applying the returned CSV changes nothing (#1485).
- **Other:** Eyedropper, Gradient annotator, Artboard (Alt-drag duplicates an artboard, and its art with Move/Copy Artwork with Artboard on; Copy, Cut and Paste take the artboard with its art, Paste right of the last artboard, Paste in Place where it was, into this or another document, #446; Object › Artboards › Rearrange All Artboards lays them out in a grid by row or by column, in one row or one column, left to right or right to left, from the menu, the Artboards panel or Properties' Rearrange All, #681; Scale Artwork with Artboard, in the Control bar and Properties beside Move Artwork with Artboard, resizes the artboard proportionally with the art fully inside it and its guides, strokes and corners per the Scale preferences, #602), Measure, Type, Hand, Zoom, Rotate View.
- **Editing type:** double-clicking type with a selection tool (Selection or Direct Selection) switches to the Type tool with the caret where it was clicked.
Duplicate Artboards, the Artboard tool's Alt-drag and Paste give the new artboard an id that no other artboard has, also when an artboard's id is the largest possible value (#1718). Deleting the copy or the original then leaves the other's guides.
- **Editing type:** double-clicking type with a selection tool switches to the Type tool with the caret where it was clicked.
- **Temporary tools:** Cmd with any other tool drags with the selection tool used last (Selection, Direct Selection or Group Selection). Held Space pans and Cmd+Space zooms (Cmd+Alt+Space out) whatever the tool.